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Journal : Global Art Creativity Conference

GAGELARAN DALANG MANUT DHARMA PAWAYANGAN PUPPETEER’S DUTY ACCORDING ANCIENT WISDOM DHARMA PAWAYANGAN I Gusti Putu Sudarta
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 2 (2022): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

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Abstract

Dharma Pawayangan is a palm leaf manuscript containing instructions about a puppeteer's obligations (dharma). The text must be understood and carried out by a puppeteer in fulfilling his obligations to remain consistent with Hindu ethics and spirituality. Before a candidate for the puppeteer studies Dharma Pawayangan, the first step must be to know about self-essence, wandering into himself to realize and exceed the layers of body consciousness, mind, emotions, and intelligence so that it reaches Budhi's consciousness. Examining and discussing the text of Dharma Pawayangan to formulate the question that leads to what exactly is the capacity of the puppeteer (gagelaran dalang)? In dissecting this question, the aesthetic theory is used and supported by hermeneutics theory. The result obtained is that the puppeteers’ capacities following the text of Dharma Pawayangan is the Ucap-ucap Tatwa Carita. Ucap-ucap means that the empowerment of vocal puppeteers, which includes the entire voice and developing techniques, understanding of the organs that produce sound, sound processing, breathing and prana techniques, script (aksara) as a symbol of sound (swara), and aware of the vibration of the universe, namely Nada Brahma. Tatwa is a philosophy and spiritual; the puppeteer must master philosophy, yoga, and spirituality. In comparison, Carita is to understand the epic Ramayana, Mahabharata, and Bodha Carita well.
THE CONTRIBUTION OF DIGITAL TECHNOLOGY TO ART STUDIO BUSINESS IN JAKARTA Budiastomo, Denta Mandra Pradipta; Trisnawati, Ida Ayu; Arshiniwati, Ni Made; Sudarta, I Gusti Putu
Proceeding Bali-Bhuwana Waskita: Global Art Creativity Conference Vol. 4 (2024): Proceedings Bali-Bhuwana Waskita: Global Art Creativity Conference
Publisher : UPT Pusat Penerbitan LP2MPP ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/bbwp.v4i1.571

Abstract

By leveraging technology, empowering people, encouraging innovation, and strengthening organizations, art studios can increase competitiveness while maintaining the relevance of arts and culture in modern society. To develop a business, the combination of technology usually consists of knowledge and physical equipment. Technoware (T), Humanware (H), Infoware (I), and Orgaware (O) are four basic components of development that interact dynamically in the development process. The purpose of this study is to analyze the contribution of digital technology through various digital media to art studio businesses in Jakarta in arts and cultural activities. This research uses quantitative methods, data sources are determined through a purposive sampling technique. Data were collected by direct observation, interviews, Focus Group Discussions, document reviews, and literature studies. The results of this study show the coefficient value of the contribution of digital technology for each technological component of the art studio business for the welfare of artists.