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All Journal Visual Art Journal of Visual Art and Design Panggung JURNAL TEKNOLOGI DAN OPEN SOURCE Ultimart: Jurnal Komunikasi Visual Journal Albion : Journal of English Literature, Language, and Culture Jurnal Socius: Journal of Sociology Research and Education Jurnal Seni Nasional Cikini Jurnal Kreatif : Desain Produk Industri dan Arsitektur Warta Pengabdian Andalas: Jurnal Ilmiah Pengembangan Dan Penerapan Ipteks DIVAGATRA - Jurnal Penelitian Mahasiswa Desain Asian Journal of Social and Humanities
Irma Damajanti
Faculty Of Visual Art And Design, Institut Teknologi Bandung
Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Decision Sciences, Operations Research & Management Earth & Planetary Sciences Education Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Medicine & Pharmacology Social Sciences Other

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Journal : DIVAGATRA - Jurnal Penelitian Mahasiswa Desain

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Unsur Female Gaze dalam Narasi Game “Mouthwashing” Ilma, Rahyanninta; Damajanti, Irma; Putri, Kiki Rizky Soetisna
DIVAGATRA - Jurnal Penelitian Mahasiswa Desain Vol 5 No 2 (2025): DIVAGATRA #10
Publisher : Fakultas Desain Universitas Komputer Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/divagatra.v5i2.18001

Abstract

“Mouthwashing” is a game that has achieved many prestigious awards and nominations just within a few months after its’ release on 24th September 2024. This horror game was conceptualized and written by Johanna Kasurinen which then got developed to a game by Wrong Organ Studio. While it’s nothing new, it’s still rare to find a female game creator and even rarer is when a game made by women has achieved as many awards as “Mouthwashing” had. This research is a critical reading of the female role in the game “Mouthwashing” and how a female’s view is applied in her works. This is qualitative research with the data taken from a game playthrough video and interview articles with Kasurinen. The main theory used for this research is the female gaze theory by Laura Mulvey. In the game, there’s only one female character named Anya whose role is quite significant both in gameplay function and the overall theme. Kasurinen herself had stated in interviews that she often looks back upon herself while writing characters that aren’t only not good, but also human. In conclusion, despite the strong female gaze aspect, the narration of the overall game doesn’t fit into the feminist category.
Co-Authors Acep Iwan Saidi Acep Iwan Saidi Agustin, Senja Aprela Almira Belinda Zainsjah Almira Belinda Zainsjah Anggis Rizky Wiyaringtyas Anna Josefin Aprilia Ariesty Wibowo Ardhana Riswarie Armein Z. R. Langi Armein Z.R. Langi Asmudjo Jono Irianto Btari Widya Pradipta Danial - Deden Hendan Durahman Deden Hendan Durahman Diaz Ramadhansyah Hafiz Aziz Ahmad Handayani, Fanty Hendan Durahman, Deden Hidavat, Agustini Ilma, Rahyanninta Ira Adriati Ira Adriati Isni Sarah, Isni Karenina, Melita Jenar Kiki Rizky Soetisna Putri Lulu Lusianti Fitri Miryam Wedyaswari Nisa Ashila Ghaisani Nugroho, Edwin Adi Pradnya Kasita Purwaningrum, Rr Diah Asih Putri, Gaitsa Farah Zahira Putri, Kiki Rizky Soetisna Riama Maslan Sihombing RR Sri Wachyuni Rupiani, Dewi Salsabilla, Zahra Sari, Yulianti Mayank Senja Aprela Agustin Soemari, Herlien Dwiarti Sylviana Maya Damayanti Tinton S, Bonifacius Perdana Trusti Warni Wikaningtyas, Pratiwi Yasraf Amir Piliang Yasraf Amir Piliang Yasraf Amir Piliang Yustina Intan Intan Wulandari Z. R. Langi, Armein Zuhdi, Helmi