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All Journal RUANG: JURNAL LINGKUNGAN BINAAN (SPACE: JOURNAL OF THE BUILT ENVIRONMENT) Craft Jurnal Sosioteknologi Journal of Visual Art and Design Mozaik Humaniora Local Wisdom : Jurnal Ilmiah Kajian Kearifan Lokal INVOTEC MUDRA Jurnal Seni Budaya Panggung Tawarikh : Journal of Historical Studies Prosiding Seminar Nasional Pakar Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Gelar : Jurnal Seni Budaya Jurnal Rupa PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Keluwih: Jurnal Sains dan Teknologi Atrat: Jurnal Seni Rupa Dinamika Kerajinan dan Batik : MAJALAH ILMIAH Wimba: Jurnal Komunikasi Visual Jurnal Islam Nusantara Jurnal Dimensi Seni Rupa dan Desain Jurnal Seni dan Reka Rancang: Jurnal Ilmiah Magister Desain Divinitas Jurnal Filsafat dan Teologi Kontekstual Serat Rupa: Journal of Design
Achmad Haldani Destiarmand
Faculty of Art and Design, Institut Teknologi Bandung
Religion Arts Humanities Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Computer Science & IT Economics, Econometrics & Finance Education Electrical & Electronics Engineering Energy Engineering Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Materials Science & Nanotechnology Mechanical Engineering Social Sciences Other

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Journal : Journal of Visual Art and Design

 1 
Potensi Limbah Padat sebagai Benang Gintir Berbasis Sistem Interlacing Nisa Fardani; Achmad Haldani Destiarmand; Andar Bagus Sriwarno
Journal of Visual Art and Design Vol. 7 No. 1 (2015): Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/j.vad.2015.7.1.2

Abstract

Sistem pengelolaan sampah di tempat pembuangan sampah menjadi masalah lingkungan yang besar seiring dengan pertumbuhan industri pulp dan kertas di Indonesia. Konversi limbah padat menjadi bahan bakar pelengkap untuk industri kertas juga tidak memberikan hasil yang signifikan untuk memecahkan masalah pencemaran udara pada saat karbon aktif dibebaskan dari proses pembakaran. Masalah ini secara khusus menuntut sistem pengelolaan sampah yang maju dan efektif secara terus-menerus. Baru-baru ini, optimasi pemanfaatan serat-limbah menjadi alternatif khusus untuk mengurangi tumpukan sampah di tempat pembuangan sampah. Namun, tidak semua dapat didaur ulang. Karakteristik limbah padat berserat dari industri kertas tisu cenderung menurun gramaturnya, sehingga sangat disayangkan pemanfaatannya akan berkurang bahkan setelah proses daur ulang. Di sisi lain, struktur kimianya yang telah rusak selama proses produksi tampaknya menjadi semangat baru bagi industri tekstil di masa depan dalam mengembangkan teknologi daur ulang limbah padat berserat, yang menghasilkan benang tekstil generasi baru. Fokus dalam penelitian ini ditekankan pada penemuan tas yang terbuat dari bahan serat-limbah menggunakan metode eksperimental. Identifikasi karakteristik serat-sampah berbasis padat dikembangkan melalui teknik eksplorasi multi-ply yarns berdasarkan sistem interlace. Hubungan antara penciptaan produk dan forecasting  tren pada tahun 2013 akan menjadi analisis berikutnya sebagai salah satu cara untuk memecahkan masalah sampah.Kata Kunci: limbah; multi-ply yarns; sistem interlacing.The Potential of Solid Waste as Multiply Yarn Based on Interlacing SystemsSolid-waste disposal in landfills is becoming a massive environmental problem as a result of the growth of the pulp and paper industry in Indonesia. The conversion of solid waste to complementary fuel for the paper industry is also not giving any significant results to solve air contamination, as active carbon is released into the atmosphere by the burning process. This particular problem demands an advanced and effective continuous waste management system. Recently, optimized waste-fiber utilization has come forward as a promising alternative to reduce the waste pile in landfills. However, not all of it can be recycled. Fibered solid waste from the tissue-paper industry tends to decrease its grammage, which unfortunately will eventually reduce its utilization after recycling. On the other hand, its chemical structure, which has already been damaged during the production process, appears to be giving inspiration for a future textile industry based on the development of fibered solid-waste recycling technology, resulting in a new generation of textile yarns. In this research, the focus is on the invention of a handbag made from fiber-waste material using experimental methods. Solid-based fiber waste characteristics identification was developed through a multi-ply yarn exploration technique based on an interlacing system. The relationship between product creation and the trend forecasting for 2013 will be our next goal as one way of solving Indonesia's waste problem.Keywords: interlacing system; multi-ply yarns; waste.
Studi Komparatif antara Ragam Hias Batik Tradisional Bakaran dengan Ragam Hias Batik Keraton Surakarta Ulfa Septiana; Yan Yan Sunarya; Achmad Haldani
Journal of Visual Art and Design Vol. 5 No. 1 (2013): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Bakaran batik is a batik that is developed in Bakaran Village, Pati Regency at the North Coast of Java. Traditional ornaments in Bakaran batik show no influence from foreign cultures in general coastal batik, but are similar to the ornamentation of the Keraton Surakarta batik. This study aims to describe the elements of ornamentation and aesthetic characteristics of traditional Bakaran and Keraton Surakarta batik, and to identify the cause of the similarity between them. The conclusion is the ornamentation of Bakaran traditional batik and Keraton Surakarta one, have similarities to the main motive of the batik ornaments, that occur between Bakaran traditional batik and Keraton Surakarta one were caused by the trade relations between regions of both batiks in the past. There are also differences that characterize these batiks, the size and shape of the batik motifs on the traditional batik.
Pengaruh Modernisme terhadap Aplikasi Ragam Hias pada Desain Masjid Salman-ITB Karya Ahmad Noe’man Achmad Haldani Destiarmand
Journal of Visual Art and Design Vol. 3 No. 1 (2009): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.5614/itbj.vad.2009.3.1.2

Abstract

This research will focus on the Ir. Achmad Noe'man perspective symptoms of decoration on the Salman ITB mosque that are designed around 5 (five) decades ago, namely in 1959. Methodologically this study is a descriptive research approach to the Social History of Art. Objects are selected based on observation and the assumption that the role of decoration in the mosque he designed had a very strong reduction compared to the tradition of decorating the mosque during this time both in Indonesia and foreign countries. Ornamental pattern as the heart of Islamic art is not as important anymore in the eyes of the architect. And of course it contains a variety of reasons or background concepts and ideas that cannot be separated from the situation at that time. In Salman mosque seemed how strong the desire of Achmad Noe'man to go with the flow and current popularity of modernism which is too simple and functional, also inspired by the purism, though as a Muslim architect, he has the concept and other perceptions about the value of beauty in a more contemplative and transcendent. That is, although the ideology that is reflected in the Salman mosque is very secular in accordance with the concept of modernism, but Achmad Noe'man not lose power as well as spiritual. From the observations made can be concluded that the spirit factor of the time was very influential towards the constellation of decoration on some modern mosques in Indonesia at that time (Istiqlal, for example), but understanding the sense in the application shift of decoration on the modern mosque's created by Noe'man Achmad means that it also refers to the private contemplation (inner value) which tend to be more stable than the influence of his understanding of the flow of thought, academic factors, political, and spirits that tend to be volatile times like a fashion phenomenon.
Batik Fractal: Marriage of Art and Science Yun Hariadi; Muhamad Lukman; Achmad Haldani Destiarmand
Journal of Visual Art and Design Vol. 4 No. 1 (2013): ITB Journal of Visual Art and Design
Publisher : ITB Journal Publisher, LPPM ITB

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Abstract

By applying Fourier Transformation, this paper shows that batik has fractal characteristic. This character is shown in batik's fractal dimension between 1 and 2. The isen process in batik is one factor that contributes to create self affine as one of fractal's important characteristic. Anova Test for fractal dimension in this method classifies batik according to patterns and its region. Fractal in batik shows the presence of complexity in traditional art. This complexity arises because the effort to obey pakem rule and media. Furthermore, the presence of fractal in batik becomes the foundation of this paper to create algorithm which will produce new kind of patterns: Batik Fractal. The method used for creating the pattern is L-System and Fractal Dimension. L-System is used to create pattern, while Fractal Dimension is used as a measurement tool for Batik Fractal to compare with traditional batik. Algorithm to create Batik Fractal has been developed into a software known as jBatik. As a software, jBatik becomes a helping tool for batik makers to create new patterns. jBatik v 2.0 has been used as a tool to create new batik patterns in creative industry by involving several batik makers.
Co-Authors Acep Iwan Saidi Achmad Syarief Adolfus Djayes Madewa Djatinugroho Agus Sachari Agus Sachari Agus Sachari Agus Sachari Agus Sachari Agus Sachari Andar Bagus Sriwarno Andriana, Yunita Fitra Ariani . Arya Pageh Wibawa Bismo Jelantik Chandra Tresnadi Deni Yana desy nurcahyanti Desy Nurcahyanti Desy Nurcahyanti Devi Astarina Eliya Pebriyeni, S.Pd., M.Sn, HESTI ROSITA DWI PUTRI, Dra. Ernis, M.Pd, Fajar Ciptandi Ghaida Nasya Putri Gina Glad Tanaro Gregorius Prasetyo Adhitama Iftika Suliastuti Imam Santosa Imam Santosa Imam Santosa Imam Santosa Jesslyn Nadia Darmansa Mira Marlianti, Mira Muhamad Lukman Mustikasari, Hany Nadiah Salsabila Hakim Pambudi Naomi Haswanto Nisa Fardani Novrizal Primayudha Nuning Yanti Damayanti Nurcahyanti, Desy Rachman, Ariani Rachminingsih, Irma Raissa Salsabila Rully Darmawan Sadah, Khozinatus Setiawan Sabana Setiawan Sabana Siti Hadiyanti Suliastuti, Iftika Suyin Pramono Syarifah Dwi Rahma Ulfa Septiana Wiyono, Erina Yan Yan Sunarya Yan Yan Sunarya Yan Yan Sunarya Yan Yan Surnarya Yun Hariadi Yuningsih, Sari Zahra Afdianahl