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Journal : Publika Budaya

ADAPTATION ANALYSIS OF HARRY POTTER AND THE HALF BLOOD PRINCE NOVEL BY J.K. ROWLING INTO FILM BY DAVID YATES Risza Dewi Rahmawati; Imam Basuki; Hat Pujiati
Publika Budaya Vol 1 No 1 (2013): November
Publisher : Fakultas Ilmu Budaya Universitas Jember

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Abstract

Nowadays, there are many literary works that is transformed into an adaptation work. One of them is J.K rowling's novel entitled Harry Potter and the Half Blood Prince with the same title. Using this object, this article focuses on the motives that exist in the process of adapting the novel and make it into the form of a film adaptation. During process of transformation,it arises some changes and some excisions. These changes because of the consequences of the differences in the media, the text and audiovisual. There are three issues discussed in this research. First, what are the changes that have been made by the production team, the second, the consequences of differences in media against stories in novels and films, the third, the motives that contained in the film adaptation of Harry Potter and the Half-Blood Prince. Then, we use comparative method in this study in order to compare the differences between the novel and the film. During the process of analysis, we use the theory of adaptation and semiotic analysis. Furthermore, this article begins by classifying the differences that exist in the novel and compare it to the movie. After that, we use semiotics in order to help find the ideology that contained in the novel and the film. This ideology helps on finding the motives that contained in the film adaptation. The results of the analysis are: dominant ideology in the film adaptation is capitalism ideology that explains the economic and cultural motives in this film adaptation
ANTI CAPITALISM THROUGH THE ADOPTION OF SOCIALIST IDEOLOGY SEEN IN JOHN STEINBECK’S THE GRAPES OF WRATH PANDANGAN ANTI KAPITALISME MELALUI ADOPSI IDEOLOGI SOSIALIS DALAM NOVEL THE GRAPES OF WRATH KARYA JOHN STEINBECK Silviana Selyandita; Imam Basuki; Irana Astutiningsih
Publika Budaya Vol 2 No 3 (2014): Nopember
Publisher : Fakultas Ilmu Budaya Universitas Jember

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Abstract

Through The Grapes of Wrath, Steinbeck shows his idea to protest against bourgeois class. He tells about the bad conditions faced by migrant workers in California. This novel is announcing that a worldwide of proletariat’s consciousness is in the process of formation for socialism. This consequence means that this novel connotatively saves the rejection of capitalism. Therefore, seen from this rejection and its involvement to portrait social conflict, this novel can be included as the part of social realism genre. To analyse this novel, Marx’s theory is applied. On Marxist perspective, Steinbeck’s novel is categorized as the superstructure basis. It is because this novel gives a portrait about the change of social system because of economic system called capitalism. As the part of social realism genre, however, Steinbeck applies Marx’s intention about the idea of socialism. He considers that there is a need for universal kinship to overcome this mass oppression occurred by capitalist class. This universal kinship will point to class struggle where at the end of the struggle, it emerges classless society. Keywords: Capitalism, Socialism, Universal Kinship ABTRAK Melalui The Grapes of Wrath, Steinbeck menunjukan kritiknya terhadap kelas borjuis. Ia menceritakan bagaimana kehidupan pekerja migran di California mendapat perlakuan begitu buruk. Karena itu, novel ini menawarkan sebuah solusi untuk mengatasi tindak-tindak opresif akibat sistem kapitalisme. Menurut Steinbeck salah satu caranya adalah dengan membentuk kesadaran kelas yang berujung pada terbentuknya sistem sosialisme. Dari sini juga, dapat diketahui bila novel ini termasuk dalam kategori novel realism social. Untuk itulah, teori Marxis digunakan untuk menyelidiki konsep-konsep sosialisme yang ditawarkan Steinbeck dalam novelnya. Ia ingin menunjukan bahwa kapitalisme dapat di atasi dengan adanya kesadaran kelas, dimana kelas proletar menyadari posisinya terhadap kelas borjuis. Kesadaran ini kemudian akan membawa sebuah rasa persaudaraan yang universal antar kelas proletar. Di titik inilah, serangan terhadap sistem kapitalisme dapat dimulai dengan memunculkan sebuah perjuangan kelas. Muara dari semua ini pada hakikatnya adalah menuju suatu masyarakat tanpa kelas. Kata Kunci: Kapitalisme, Persaudaraan Universal, Sosialisme
COSMOPOLITANISM AS SOCIOLOGICAL PERSPECTIVE ON AMERICAN LIFE IN THE ERA OF 1980-1990s THROUGH RAE LAWRENCE’S JACQUELINE SUSSAN’S SHADOW OF THE DOLLS Ishaq Destri; Imam Basuki; Agung Tri
Publika Budaya Vol 2 No 2 (2014): Juli
Publisher : Fakultas Ilmu Budaya Universitas Jember

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Abstract

This article discusses cosmopolitanism as sociological perspective on American life in the era of 1980- 1990s through Rae Lawrence’s Jacqueline Sussan’s Shadow of the Dolls. This article has two questions asked as the main problems which are also be the main goals in doing the research. The first question asks about the characters’ life styles. The second question is about American perspective on cosmopolitanism in certain era based on the novel. This research uses sociology perspective in understanding the form of cosmopolitanism from the characters’ life styles based on Swingewoods’ theory. This research is a qualitative research and a documentary method is used to collect the data, as well as the inductive method which is used to analyze the subject matters. After doing the research, we found that the characters in the novel are represented as cosmopolitan who have their own choices in life. Besides, we also found that life styles as society’s perspective lead society to choose cosmopolitan as their way of life. Keywords: Cosmopolitanism, Sociological Perspective, Lifestyle
SULA’S REBELLION AGAINST THE BLACK CONVENTIONAL VALUES AS THE INDICATOR OF HER FEMINIST SPIRIT IN TONI MORRISON’S SULA Laily Rosdiana; Imam Basuki; Erna Cahyawati
Publika Budaya Vol 2 No 2 (2014): Juli
Publisher : Fakultas Ilmu Budaya Universitas Jember

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Abstract

Sula a novel written by Toni Morrison tells about a black woman who rebel against the patriarchal system, racial oppression and class discrimination as the conventional values in Bottom society, where the blacks live.This thesis focuses on Sula’s Rebellion against the black conventional values as the indicator of her feminist spirit in Toni Morrison’s Sula. Sula as the main female character breaks and rebels the conventional values surrounding her. The strongest influential factors that shape and influence Sula’s rebellion are coming from the society, family and friendship. She breaks the patriarchal culture and the racial problems within her society by rejecting marriage and having free sexual partner. For those reasons, Sula is named a pariah and evil. The research employs Marxism and Afro-American Feminism to discuss the dominant ideology of whites, classes, and racialism in the world of black feminism. The research is qualitative research which applies text in Sula as the basic data. The data are analyzed to show the reason of Sula's rebellion in rejecting marriage and having free sexual life. The data reveals that black women face double oppression such as patriarchy and racialism. Therefore, the study is significant to understand Afro-American women and their struggle against oppression of patriarchal system and racial problems in their society. Keywords: Rebellion, Conventional Values, Afro American Feminism, Racialism, consciousness, Patriarchy, Class discriminations, Pariah