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All Journal CaLLs : Journal of Culture, Arts, Literature, and Linguistics Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Multicience Ruhui Rahayu: Jurnal Pengabdian Kepada Masyarakat Jurnal Riseta Soshum
Sudirman, Eka Pratiwi
Department Of English Literature, Faculty Of Cultural Science, Mulawarman University
Arts Humanities Biochemistry, Genetics & Molecular Biology Computer Science & IT Economics, Econometrics & Finance Education Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Mathematics Public Health Social Sciences Other

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OPTIMALISASI PROMOSI DESA BUDAYA SUNGAI BAWANG DENGAN PEMBUATAN VIDEO BERBASIS CERITA RAKYAT MENGGUNAKAN FILMORA: Promoting Sungai Bawang Cultural Village through Folklore-Based Videos Using Filmora Zamruddin, Mardliya Pratiwi; Mubarok, Ahmad; Sudirman, Eka Pratiwi; Yofi Irvan Vivian; Setiawati, Lisa; Gideon, John Wesley; Lina, Ester
Jurnal Ruhui Rahayu: Jurnal Pengabdian Masyarakat Ilmu Humaniora Vol 2 No 2 (2023)
Publisher : Program Studi Sastra Indonesia Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/ruhuirahayu.v2i2.97

Abstract

Abstract: Sungai Bawang Cultural Village organizes weekly Dayak Kenyah Tribe traditional dance performances. Many people, especially in East Kalimantan, only know the Pampang Cultural Village. Therefore, social media videos based on folklore must be optimized for promotional purposes. By altering and uploading videos to social media, the community, particularly members of the Pokdarwis of Sungai Bawang Cultural Village, have the capacity to promote their cultural performances independently. Thus, many people are able to learn about the Sungai Bawang Tourism Village performances. Experiments, lectures, discussions, and demonstrations are the methods applied. The method is carried out in three stages: (1) Downloading the Filmora application, (2) Providing an introduction to the section allocated for the Filmora application, and (3) Creating videos using Filmora. Sungai Bawang Cultural Village community members and Pokdarwis grew an interest in the project and successfully completed the video editing procedure through the use of the Filmora Application. This process also increases public consciousness regarding the significance of social media in promoting the performance video of Sungai Bawang Cultural Village to a broad audience. Keywords: Sungai Bawang Cultural Village, Optimization, Promotional Video, Filmora Application   Abstrak: Desa Budaya Sungai Bawang setiap minggunya menampilkan pertunjukan tari tradisi Suku Dayak Kenyah. Banyak masyarakat khususnya di Kalimantan Timur hanya mengenal Desa Budaya Pampang. Perlu adanya optimalisasi promosi melalui video berbasis cerita rakyat yang diunggah di media sosial. Masyarakat khususnya anggota Pokdarwis Desa Budaya Sungai Bawang mampu mandiri dalam mempromosikan pertunjukannya dengan cara mengedit video dan mengunggahnya di media sosial. Hal ini bertujuan agar banyak orang mengerti pertunjukan yang ada di Desa Wisata Sungai Bawang. Metode yang digunakan adalah ceramah, diskusi, demonstrasi, dan eksperimen. Metode yang digunakan diimplementasikan melalui 4 cara, yaitu: (1) Pengunduhan Aplikasi Filmora; (2) Pengenalan Bagian Pada Aplikasi Filmora; dan (3) Pembuatan video menggunakan Filmora. Masyarakat maupun anggota Pokdarwis Desa Budaya Sungai Bawang mulai tertarik dan mampu melakukan proses pengeditan video menggunakan Aplikasi Filmora. Proses ini memberi dampak yang lain yaitu kesadaran masyarakat akan pentingnya media sosial dalam promosi video pertunjukan Desa Budaya Sungai Bawang agar dikenal oleh banyak orang. Kata kunci: Desa Budaya Sungai Bawang, Optimalisasi, Video Promosi, Aplikasi Filmora  
DISCRIMINATION TOWARDS JESSE OWENS AS PORTRAYED IN THE RACE (2016) FILM Purnawati, Novita Diah; Kuncara, Singgih Daru; Sudirman, Eka Pratiwi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 3 (2023): Juli 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i3.7880

Abstract

ABSTRACT Discrimination is a social problem that often occurs in society. This study focused on discrimination issues towards Jesse Owens as the main character in the Race film. The purposes of this research are to identify the types of discrimination and the types of responses against discrimination that happens to Jesse Owens in the Race film. The researcher used a qualitative method and mimetic approach in this research. To identify the types of discrimination and the types of responses against discrimination, the researcher used Feagin and Sikes' theory. There were four types of discrimination that occurred towards Jesse Owens, namely avoidance, rejection, verbal attacks, and the last are other threats and harassment. From all the types of discrimination found, verbal attacks were the most common type found in this research. In addition, there was no type of police threats and harassment in this film, because Jesse Owens rarely interacts with the police. Besides, there were two types of responses against discrimination shown by Jesse Owens in the Race film, namely withdrawal and resigned acceptance. From all the types of responses against discrimination, resigned acceptance is the most common type in this research. In addition, there was no verbal confrontation and physical confrontation in this film because the discrimination stopped after he did the resigned acceptance to against it. All of the discrimination in this study is depicted through Jesse Owens as the victim in this film.  
Deconstruction of Mrs. Driver’s Character in Mary Norton’s the Borrowers Novel Mawar, Suci Sri; Sudirman, Eka Pratiwi
Jurnal Riseta Soshum Vol. 1 No. 1 (2024): J Riseta Soshum
Publisher : B-CRETA Publisher (CV. Borneo Citra Kreatama)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.70392/zygfcc94

Abstract

This research is concerned with the deconstruction of Mrs. Driver’s character in Mary Norton’s The Borrowers novel. This research aimed to describe the meaning of her character and deconstruct her previous fixed view using the determined binary oppositions. This research used Derrida’s deconstruction with a qualitative design in the form of a description. The data in this research were dialogues, text, narration, sentences related to Mrs. Driver's character and obtained by reading the novel several times. In the analysis, the depiction of Mrs. Driver’s character and characterization in the novel is described using Robert's theory which is the action of characters reveal their qualities, what characters say reveals what they are like, what others say tells us about a character and the author, speaking as a storyteller or an observer may present judgments about characters. Then, her character is deconstructed using the determined binary oppositions, they are: offensive vs. defensive, bad person vs. good person, and powerful vs. powerless. The researcher deconstructed Mrs. Driver's character and discovered her previously fixed views as someone offensive, bad, and powerful are not absolute. The researcher concluded that Mrs. Driver's character inherited not just a bad meaning but also a good trait. Thus, the meaning of her character is undecidable. This research emphasized that literary works never have a fixed meaning, so the reader should not be chained by only one perspective.
CHANGING PORTRAYALS OF ASIANS IN FILMS Sudirman, Eka Pratiwi; Kuncara, Singgih Daru; Mubarok, Ahmad
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Special Edition: Sesanti (Seminar Nasional Bahasa, Sastra, dan Seni) 2023
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/calls.v9i0.13152

Abstract

This research focuses on an anti-whitewashing movement in films and how it connects with the shifting portrayals and stereotypes of Asians in films. The period addressed in this study is from 1995 to 2021. The researcher begins by recognizing whitewashing issues and concerns in casting Asian actors and identifying stereotypical images of Asians portrayed in two films: the original version of Mortal Kombat, which was released in 1995, and the contemporary remake of the film, which was released in 2021. This research used content analysis to compare the portrayals and stereotypes of Asians in both films. The data indicate that racist images of Asians seen in Mortal Combat 1995 have been removed in Mortal Combat 2021.
CULTURAL TERMS IN INDONESIAN CHILDREN’S STORIES: A STUDY OF HARI ISTIMEWA SUWIDAK LORO AND MAU MASAK APA, LINTANG? Sudirman, Eka Pratiwi; Muhajir, Fatimah
CaLLs (Journal of Culture, Arts, Literature, and Linguistics) Special Issue "SESANTI 2025"
Publisher : Fakultas Ilmu Budaya, Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/calls.v11i0.22760

Abstract

This study examines how Indonesian cultural identity is represented and rendered in two children’s narratives, Hari Istimewa Suwidak Loro and Mau Masak Apa, Lintang?, through the identification of culture-specific lexical items and the translation strategies applied, based on Newmark’s (1988) framework. The findings indicate that material culture—particularly culinary references such as botok, klepon, and serabi—is the most prevalent category, followed by social culture, which includes kinship terms and communal practices. These categories reflect the translators’ emphasis on tangible and relational aspects of Indonesian life, suggesting that food and familial terms serve as culturally resonant vehicles for transmitting values and traditions to young readers. Six translation strategies were identified, with functional and cultural equivalence being the most frequently employed, indicating a prioritization of accessibility. Meanwhile, transference and amplification were used to preserve cultural specificity. These findings underscore the role of translation in mediating cultural representation and enhancing cross-cultural understanding through children’s literature.
Annick’s anxiety and defense mechanisms in Trees of Peace (2022) Egindia, Shelfy Meilani; Sudirman, Eka Pratiwi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 9 (2025): Special Issue "SESANTI 2025"
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v9i3.23019

Abstract

Penelitian ini bertujuan untuk menganalisis karakter Annick dalam film Trees of Peace (2022), yang berdasarkan peristiwa nyata genosida Rwanda, dengan menggunakan teori psikoanalisis Sigmund Freud, khususnya konsep kecemasan dan mekanisme pertahanan. Hasil penelitian menunjukkan bahwa Annick mengalami tiga jenis kecemasan, yaitu kecemasan realistis, kecemasan neurotic, dan kecemasan moral. Untuk menghadapi kecemasan psikologisnya, Annick secara tidak sadar menggunakan berbagai mekanisme pertahanan seperti penyangkalan, represi, proyeksi, regresi, rasionalisasi, pemindahan. Selain itu, penelitian ini juga menunjukkan bahwa Annick tidak menggunakan mekanisme pertahanan seperti sublimasi dan reaksi formasi, yang menunjukkan bahwa ia lebih mengandalkan pertahanan yang bersifat emosional dan spontan. Temuan ini menunjukkan bagaimana respon psikologis manusia terbentuk dalam situasi traumatis ekstrim. Penelitian ini juga menampilakan karakterisasi melalui dialog dan tindakan internal, yang menggambarkan kondisi emosional tokoh secara mendalam.
Masculinity of Percy Jackson in Heroes of Olympus: House of Hades Novel by Rick Riordan Hakim, Aji Muhammad Luqmanul; Zamruddin, Mardliya Pratiwi; Sudirman, Eka Pratiwi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 2 (2023): Vol 7, No 2 (2023): April 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i2.8092

Abstract

This study analyzes the concept of masculinity by Brannon in the novel Heroes of Olympus: House of Hades. The purpose of this study is to describe how forms of masculinity are displayed through the character of Percy Jackson in his practice of applying the behavior of a man in responding to his surroundings. This study uses a qualitative descriptive research design. The data are in the form of narration and dialogue, which are related to forms of masculinity. Data analysis used Brannon theory and then the data analysis process used Miles and Huberman's theory. In the results of this study, researchers found forms of masculinity used by Percy's character for the sake of protecting his friends and lovers from Percy himself. Therefore, Percy Jackson and his masculinities can be taken as representative of human nature in general in terms of being a gentleman for others which is also common happen in current society.
The Portrayals of Amistad Case in Amistad (1997) Film: A New Historicism Study Amalia, Anisa; Muhajir, Fatimah; Sudirman, Eka Pratiwi
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 7, No 2 (2023): Vol 7, No 2 (2023): April 2023
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v7i2.8302

Abstract

Hollywood cinema during the late 20th century started to re-create the historical events of African-American’s past, make it a historical films genre, and deliver the history of Amistad case about Mende’s mutiny in Amistad film. The film becomes receptive to addressing another side of Africans slavery history in the western country. To understand the historical event, the researcher sees it through the New Historicism’s lens as an approach of this research. This research uses a qualitative method through collecting the data from audio-visual materials and document analysis to answer the research questions. The research questions of this research are; first, how is the comparison of the Amistad case event in the Amistad film and historical records. Secondly, why does the Amistad film portray a different angle of the Amistad case. Seeking the answers, the researcher compares the representations of the past event and found the contradictory the Amistad film and the historical. The results of this research indicate that Amistad film presents events about the Amistad case differently to opposed the historical records and get positive results through adding moral values from historical events.Sinema Hollywood pada akhir abad ke-20 mulai mengkreasi ulang peristiwa sejarah masa lalu orang Afrika-Amerika dengan menjadikannya genre film sejarah, dan menyampaikan sejarah kasus Amistad tentang pemberontakan Mende dalam film Amistad. Film ini menjadi reseptif untuk membahas sisi lain dari sejarah perbudakan Afrika di negara barat. Untuk memahami peristiwa sejarah, penulis melihatnya melalui kacamata New Historicism sebagai pendekatan penelitian ini. Penelitian ini menggunakan metode kualitatif melalui pengumpulan data dari bahan audio visual dan analisis dokumen untuk menjawab permasalahan penelitian. Rumusan masalah penelitian ini adalah; pertama, bagaimana perbandingan kasus Amistad dalam film Amistad dan catatan sejarah. Kedua, mengapa sutradara, produser, dan penulis naskah menampilkan sudut pandang cerita film Amistad yang berbeda dari catatan sejarah. Untuk menjawabnya, penulis membandingkan representasi peristiwa masa lalu dan menemukan kontradiksi antara film Amistad dan catatan sejarah. Hasil penelitian ini menunjukkan bahwa film Amistad menyajikan peristiwa tentang kasus Amistad secara berbeda untuk menentang catatan sejarah dan mendapatkan hasil positif melalui penambahan nilai moral dari peristiwa sejarah.
Co-Authors Amiin, Ihsanul Anisa Amalia Bayu Aji Nugroho, Bayu Aji Chris Asanti, Chris Egindia, Shelfy Meilani Fatimah M Gideon, John Wesley Hakim, Aji Muhammad Luqmanul Jonathan Irene Sartika Dewi Max Lina, Ester Mawar, Suci Sri Mubarok, Ahmad Muhajir, Fatimah MUHAMMAD AZWAR ASSIDDIQ Muhammad Wildan Munawwarah, Alfina Nurul Safitri Purnawati, Novita Diah Rahayu, Famala Eka Sanhadi Santoso, Eko Prasetyo Budi Setiawati, Lisa Setya Ariani Singgih Daru Kuncara Yofi Irvan Vivian Yusriansyah, Eka Zamruddin, Mardliya Pratiwi