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All Journal Agrointek Transformasi: Jurnal Pengabdian Masyarakat Jurnal Varidika Profesi Pendidikan Dasar Jurnal Penelitian Humaniora Jurnal Pendidikan Ilmu Sosial Profetika Manajemen Pendidikan Al Ishlah Jurnal Pendidikan Panggung Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Jurnal Basicedu Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni Gelar : Jurnal Seni Budaya Greget Jurnal Pakarena PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Edukasi Lingua Sastra Dinamika Kerajinan dan Batik : MAJALAH ILMIAH Didaktika: Jurnal Kependidikan ARTISTIC : International Journal of Creation and Innovation Journal of Pedagogy and Education Science Electronic Journal of Education, Social Economics and Technology Panggung Profetika: Jurnal Studi Islam
Eko Supriyanto
Universitas Muhamadiyah Surakarta
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Electrical & Electronics Engineering Engineering Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Mathematics Nursing Public Health Social Sciences Veterinary Other

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Imagination Therapy through Art and Technology: A Collaborative Mental Health Intervention Aditya Wahyu Ramadhan; Eko Supriyanto; Handriyotopo Handriyotopo
Electronic Journal of Education, Social Economics and Technology Vol 6, No 2 (2025)
Publisher : SAINTIS Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33122/ejeset.v6i2.817

Abstract

This research explores imagination therapy as a creative method aimed at providing visual therapy for ten schizophrenic clients, referred to as "chosen people." Utilizing the concept of hyperreality, the therapy seeks to reactivate cognitive abilities and minimize delusions and hallucinations. Hyperreality is constructed from imagined data, drawing from clients' personal documents, archives, and daily life elements, such as songs, objects, and routines. Imagination therapy integrates clients' unrealized stories, desires, and imaginations with hyperrealistic visuals through collaborative sessions. The process involves repeated evaluations to refine visuals based on client preferences and feedback, ultimately culminating in the creation of a visual lab. The therapy’s effectiveness is assessed using the PANSS (Positive and Negative Syndrome Scale), measuring symptom changes over time. The findings indicate that imagination therapy not only fosters confidence in clients’ ability to process their expectations but also helps reactivate cognitive functions and empower desires. The concept of hyperreality proves essential in enhancing self-confidence and enabling clients to realize their deepest desires, contributing to their overall mental health recovery. This study highlights the potential of using artistic and technological methods in schizophrenia treatment.
PENCIPTAAN TEATER KOMUNITAS: ECODRAMATURGI DAN PENGETAHUAN LOKAL PACITAN Indrata Nur Bayuaji; Eko Supriyanto; Suroto Suroto
JURNAL PAKARENA Vol 10, No 2 (2025): Desember
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v10i2.83667

Abstract

This article explains community theatre creation in Pacitan based on Resik Kali, Thethek Melek, and Entas-Entas. It employs practice as research and autoethnography through participant observation, interviews, artistic exploration, and collaboration with villagers. The findings show that Pacitan’s agrarian rituals form a socio-ecological dramaturgical structure of environmental care, crop protection, communal solidarity, and food redistribution. It concludes that local tradition in community theatre creation functions as a source of artistic, ecological, and social knowledge for contemporary theatre-making.
KARYA TARI KOLABORASI RAMAYANA KONTEMPORER X SUB ORDINAT Bulan Noverina Rahma Saputri; Eko Supriyanto
Greget: Jurnal Kreativitas dan Studi Tari Vol. 24 No. 2 (2025): KEBERAGAMAN KARYA TARI SEBAGAI EKSPRESI SIMBOLIK
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/grt.v24i2.7610

Abstract

The dance work “Sub-Ordinat” is a contemporary creation based on a Practice-led Research approach, exploring the theme of subordination and the role of women within the traditions of the Kasunanan Surakarta Palace. The focus centers on the practice of nyêntir and the dhodhok movement, historically performed by female abdidalêm, whose roles are often marginalized both socially and performatively. The creative process is developed through three reflective phases: Re-Visiting , which examines the historical and cultural meanings of dhodhok; Re-Questioning, which reconsiders the position of women within patriarchal social structures; and Re-Interpreting, which transforms the symbol of the subordinate body into an empowered expression through contemporary movement language. This work goes beyond physical aesthetics to offer a social critique of symbolic domination within traditional cultural systems. Through movement, spatial composition, and bodily relations, the piece constructs a visual narrative of empowered humility. “Sub-Ordinat” was performed during the opening of World Dance Day at the Indonesian Institute of the Arts (ISI) Surakarta as part of a collaborative presentation alongside Nuryanto’s work, Ramayana Kontemporer. This collaboration served as a space for dialogue between tradition and innovation, while also reinforcing the importance of critical awareness toward women’s roles and contributions in performing arts.
PERFORMATIVITAS GENDER DALAM PENCIPTAAN TARI CAKIL INTERMEDIAL Eko Supriyanto; R. Danang Cahyo Wijayanto; Muhammad Nurazhariansyah
JURNAL PAKARENA Vol 11, No 1 (2026): Juli
Publisher : Universitas Negeri Makassar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26858/p.v11i1.83474

Abstract

This article discusses a practice-based study on the creation of an intermedial Cakil dance through a dialogue among the dancer’s body, puppet sabet idioms, and a life-size Cakil figure. Developed through studio work with seven female dancers, the study shows that the puppet functions not merely as a prop but as a choreographic agent that reorganizes weight, arm articulation, ceklekan rhythm, and spatial design. The findings argue that Cakil’s forceful quality can be produced as a technical and kinesthetic achievement rather than as a masculine essence. The article proposes an intermedial creation protocol as a contribution to arts education, creative research, and gender performativity studies.  
Co-Authors Adi Supratikto Aditya Wahyu Ramadhan Agus Mulyadi Agus Mulyadi Bulan Noverina Rahma Saputri Choiriyah Widyasari Damar Dewantoro Devi Safrina Djalal Fuadi Dwi Astuti Handriyotopo Handriyotopo Harsono Harsono Haryanti, Tining Hidayati, Nurul Indrata Nur Bayuaji Isnan Burhanuddin Jamhari Jamhari karju karju Lailatul Irmiah Laili Etika Rahmawati Lusi Afritrianita Agtha Isnandar Maharani Luthvinda Dewi Maryadi Maryadi Mar’atus Sholihah Mentari Deka Handayani Mentari Isnaini Minsih Moh. Pandoyo Muhammad Nurazhariansyah Muhammad Yahya Murtala Murtala Muthoifin Ngatma'in Ngatma'in Nina Ariesta Nur Chayati Pamardi, Silvester Prambayu Brenda Herera R. Danang Cahyo Wijayanto Retno Dwi Astuti S Pamardi Sigit Trihariyanto Sigit Trihariyanto Sudarno Shobron Sudarno Sudarno Sujinah Sujinah Sukerta, Pande Made Sukirman Supriyatno Supriyatno Suroto Suroto Sutikno - - Suyanto Suyanto Tining Hariyanti Tri Widawati Wahyono Wahyono Zahrotul Uyun Zahrotul Uyun