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All Journal ELTIN Journal: Journal of English Language Teaching in Indonesia Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam Al-Khidmat : Jurnal Ilmiah Pengabdian Kepada Masyarakat CALL Journal of Research on Language Education International Journal of English Linguistics, Literature, and Education (IJELLE) Journal of English Language and Education Az-Zahra: Journal of Gender and Family Studies Jurnal Pembelajaran Bahasa dan Sastra
Nurhapitudin, Irman
UIN SUnan Gunung Djati Bandung
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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POLYSEMY IN FROZEN (2013) MOVIE Darojatun, Desri Utari; Nurhapitudin, Irman; Sulaeman, Dedi
CALL Vol. 5 No. 2 (2023): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v5i2.18569

Abstract

Objectives of this study were to analyze types of polysemy in the and to interpret polysemous words realized in the Frozen movie script. A method of this study was qualitative that produced descriptive data. The data were words that contained polysemy. A source of data in the study was Frozen (2013) movie scripts. The data were analyzed using suitable theories, including the type of polysemy proposed by Apresjan (1974) and meaning proposed by Lyons (1981). Based on the analysis, it was found that there are 26 pairs of data of polysemy that consist of two types of polysemy; 20 pairs of data are regular polysemy and six pairs of data were irregular polysemy. In the Frozen movie script, regular polysemy is more dominant than irregular polysemy because regular polysemy has the same systematic word but is different semantically or non-synonymous. Meanwhile, irregular polysemy has the same or true meaning as other words, and even it has no systematic relation. In conclusion, polysemy can arise in spoken or written language, so that the ambiguous word that have more than one meaning are categorized into polysemy.  Keywords: polysemy, meaning, frozen, movie script, semantics
CHARLES SANDERS PEIRCE’S TRICHOTOMY OF OBJECT IN THE FREE PALESTINE CAMPAIGN POSTERS FROM PINTEREST Fauziyah, Dalfa; Nurhapitudin, Irman; Sakinah, R. Myrna Nur
Journal of Research on Language Education Vol 6, No 1 (2025): JORLE Vol. 6 No. 1
Publisher : Universitas Teknokrat Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33365/jorle.v6i1.4896

Abstract

This research explores semiotic analysis by focusing on the trichotomy of object including icon, index, and symbol found in the Free Palestine campaign posters, emphasizing their role in conveying messages in visual media about the campaign. The visual media are posters that effectively disseminate information and mobilize support through social media platforms. This research uses a qualitative method, by analyzing five selected posters taken from the pinterest platform that reflect the campaign theme. Using Charles Sanders Peirce's trichotomy of object regarding icons, indexes, and symbols, this analysis reveals how each poster uses different visual elements to communicate a comprehensive narrative. The analysis showed that of the five posters studied, a total of 9 icons, 8 indexes, and 7 symbols were identified. The conclusion of this study shows that the combination of visual representations and symbolic meanings in the posters serves not only as a communication tool, but also as a powerful act of support for the liberation of Palestine. Keywords: Charles Sanders Peirce; Free Palestine Campaign Posters; Semiotics; Trichotomy of Object
Exploring Linguistics Dynamics: Code-Switching and Code Mixing on Selected Video of The Indah G Show Fasah, Azizzah El; Saehu, Andang; Nurhapitudin, Irman
Jurnal Pembelajaran Bahasa dan Sastra Vol. 4 No. 4 (2025): Juli 2025
Publisher : Raja Zulkarnain Education Foundation

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55909/jpbs.v4i4.828

Abstract

This study examines the kind and purpose of code-switching and code-mixing in the video of The Indah G Show called “Indonesia’s Academic Dishonesty (‘Joki’), Lack of Merit & Moral Integrity ft. Abigail Limuria (WIUI)”. The data was obtained by selecting statements made by speakers in different instances of the video and transcribing them, followed by a qualitative analysis. The transcription was used as the primary tool, and the analysis was based on the frameworks introduced in Muysken (2000), Poplack (2001), Bullock, Toribio (2009), and Fromkin, Rodman, & Hyams (2014) that considered code-switching and other types of code-mixing as a stratified linguistic strategy that appeared under the influence of context, identity, and meaning. In the seizure of 30 cases of code-switching (15 intra-sentential, 10 inter-sentential, and 5 tag-switching) and 26 cases of code-mixing (12 insertion, 8 alternation, and 6 congruent lexicalization) were found. Such patterns are indications of bilingual proficiency of the speakers as well as the strategic mixing of both English and Indonesian. The reasons are that English is spoken to achieve global or academic clarity, whereas Indonesian provides local cultural coloring and emotional expressivity. By such bilingual acts, the speakers express multilayered meanings, establish a rapport with various groups of people, and reflect their hybrid identities. The present research study shows that linguistic alternations in Indonesian-English dialogical practice not only transfer information through their use, but also entail their social and cultural positioning.
Co-Authors Andang Saehu, Andang Darojatun, Desri Utari Denisa Rizkia Haniva Desi Amalia Dewi Ginarti Dewi Putri Nabila Fasah, Azizzah El Fauzi, Erfan Muhamad Fauziyah, Dalfa Hamdani, Fakri Hani Hartiani Putri Hasanah Hj. Iksan Huznatul A, Fourus Ice Sariyati Maylinda, Cindy Nabilla, Adha Ruminda Ruminda Sakinah, R. Myrna Nur Salim Mansyur, Agus Suci H N, Chanty Sulaeman, Dedi