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Implementation of a pragmatic approach in the Minna No Nihongo I Indrowaty, Sri Aju; Dewi, Fitriana Puspita; Rahmawati, Femi Eka; Febrianda, Sony Difa; Fadila, Sinta
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 7 No 1 (2024)
Publisher : Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/diglosia.v7i1.841

Abstract

This research explores the theoretical aspects of implementing the pragmatic approach in learning speaking skills/kaiwa, as outlined in Minna No Nihongo 1's book. The pragmatic approach is a learning approach to improve students' speaking/kaiwa skills in the classroom, prioritizing contextualized learning of speaking skills. This emphasis on context becomes particularly significant throughout the learning process. By employing this approach, students, including those in secondary schools and universities, can closely simulate practical speaking conditions, both verbally and in written form. The method used is qualitative descriptive with purposive sampling. Therefore, applying the pragmatic approach has proven effective in promoting active learning, significantly improving students' speaking skills inside and outside the classroom. The Japanese language learning process should be designed to meet practical language needs that correspond to real-world situations. By incorporating patterns based on pragmatic studies, learners undergoing Japanese learning experiences will naturally connect with the practical aspects of communication in the language learning process.
Bentuk Impresi/Kandoushi Maskulinitas dan Feminitas dalam Anime Kimi no Na wa Indrowaty, Sri Aju; A.B Cahyono; F.E. Rahmawati; S. D. Febrianda; D.N. Latifah
Kagami : Jurnal Pendidikan dan Bahasa Jepang Vol. 16 No. 1 (2025): Kagami: Jurnal Pendidikan dan Bahasa Jepang
Publisher : Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/kagami.161.01

Abstract

Language is something that cannot be separated when socializing with others, and it adapts not only to the origin of language, but also to ethnic origin, social status and gender (Dor et al., 2014). This research will discuss the types and meanings of kandoushi in masculinity and femininity in the anime Kimi no na wa with the aim of explaining the types and meanings of kandoushi in anime. This study uses a qualitative method by using secondary data sources taken from the recording and listening techniques. This research uses theories taken from Iwabuchi and Terada Takanao. The data source used in this study is the dialogue and situation in the anime "Kimi no Na wa" (2016) with a total duration of 1 hour 45 minutes 35 seconds. The results obtained from this study are that kandoushi has four types, namely kandou, outou, yobikake and aisatsugo. Kandou expresses a feeling of surprise, outou reveals the answer, yobikake reveals the invitation, and Aisatsugo expresses a greeting.
Learning Loss Lessons in Moji-Goi Sri Aju - Indrowaty; Eti Setiawati; Wiranto Aji Dewandono; Nurul Faizah; Sofyan Sukrian Sachputra; Sony Difa Febrianda
EDUCATIO : Journal of Education Vol 9 No 1 (2024): May 2024
Publisher : STAI Miftahul Ula Nganjuk

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

After the COVID-19 pandemic for approximately 2 years, a lot of learning that is usually face-to-face is finally done online or in hybrid ways. Certain learning phases, like writing hiragana, katakana, and kanji in a face-to-face classroom, are not transferable to online learning. The goal of this study is to mitigate the learning loss that happens when face-to-face instruction in Japanese language classes is substituted by online learning. The method used is descriptive qualitative by presenting various ways of teaching Moji-Goi using learning media and YouTube. According to John Keller (2021), learning should use the ARCS method (Attention, Relevance, Confidence, and Satisfaction) so that learning loss can be overcome with various treatments including the ARCS method and various uses of media such as cards, games, songs, role-play, and YouTube. This research also intends to introduce JF (Japan Foundation) Standard learning and share information about Japanese language teaching, especially about Moji-Goi (Vocabulary-letters)
Analisis Nama Produk dalam Makanan Ringan Jepang di OH!SOME Store: Kajian Lanskap Linguistik: An Analysis of Japanese Snack Product Naming at Oh!Some Store: Linguistic Landscape Perspective Sony Difa Febrianda; Sri Aju Indrowaty
Jurnal Pendidikan Bahasa Jepang Undiksha Vol. 12 No. 1 (2026): Japanese Linguistic and Language
Publisher : Undiksha Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jpbj.v12i1.103594

Abstract

Product identity plays an important role in a trademark, serving as a tool or intermediary between a company and its consumers. A product name is expected to create a strong perception of the advantages or benefits of the product it offers, as well as to differentiate it from similar or comparable products. This study aims to determine the function of information on snack foods sold at OH!SOME. This study employs a qualitative descriptive method grounded in the theoretical framework of linguistic landscape theory. The findings reveal that the information contained in the names of Japanese snack foods is based on the texture, taste, and primary ingredients of the snacks. Additionally, the analysis examines Japanese snack products that utilize Japanese characters such as hiragana, katakana, romaji, and kanji.
Representasi Makna Denotatif dan Konotatif dalam Lirik Lagu Takaramono Karya Wacci: Kajian Semiotika Roland Barthes: The Representation of Denotative aand Connotative Meanings in the Lyrics of Wacci's Takaramono: A Roland Barthes Semiotic Study Sony Difa Febrianda; Sri Aju Indrowaty
Jurnal Pendidikan Bahasa Jepang Undiksha Vol. 12 No. 2 (2026): Linguistic and Japanese Culture
Publisher : Undiksha Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.23887/jpbj.v12i2.113111

Abstract

This study aims to analyse in depth the layers of meaning embedded in the lyrics of Wacci’s song “Takaramono” by applying Roland Barthes’ semiotic approach, which encompasses denotation, connotation, and myth formation as representations of the naturalisation of ideology within culture. This research employs a descriptive qualitative method using a content analysis approach. The research data are limited to five selected linguistic units (signs), identified based on significant lexical shifts in meaning, representations of physical metaphors, and their potential sociocultural significance. The data were collected using observation and note-taking techniques. The findings reveal a shift in meaning from the denotative to the connotative level across the five principal signs: hagemashiau (励まし合う), takaramono (宝物), senaka wo osu (背中を押す), kurayami (暗闇), and hitosuji no hikari (一筋の光). At the connotative level, these signs represent emotional solidarity, motivation, despair, and hope. At the third level of signification, the myth analysis demonstrates how the song lyrics naturalise the philosophy of contemporary Japanese society, including the myths of sympathetic collectivism, the desacralisation of material wealth, the moral obligation of emotional mutual support (giri-ninjō), and psychological resilience (ganbaru/gaman), in which abstract memories and interpersonal relationships (kizuna) are ideologically constructed as enduring spiritual “treasures.” The study concludes that the lyrics of “Takaramono” do not merely explore the melancholy of individual separation; rather, they function as a cultural medium that legitimises the importance of empathy and spiritual resilience as the social foundations for confronting the dynamics of contemporary Japanese society.