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All Journal Metathesis: Journal of English Language, Literature, and Teaching Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Hasta Wiyata Studi Budaya Nusantara Jurnal Pengabdian kepada Masyarakat Nusantara Jurnal Puruhita Jurnal Gramaswara: Jurnal Pengabdian kepada Masyarakat
Femi Eka Rahmawati
Universitas Brawijaya
Religion Arts Humanities Computer Science & IT Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Environmental Science Languange, Linguistic, Communication & Media Physics Social Sciences Other

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Pengolahan Bunga Kering dengan Teknik Resin sebagai Alternatif Merchandise Khas Dusun Jantur, Desa Gunungsari, Kecamatan Bumiaji, Kota Batu Fitrahayunitisna, Fitrahayunitisna; Rahmawati, Femi Eka; Anggrian, Mayang; Iksan, Nur
Jurnal Puruhita Vol 3 No 1 (2021): February 2021
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/puruhita.v3i1.53049

Abstract

Dusun Jantur terletak di Desa Gunungsari, Kecamatan Bumiaji, Kota Batu, Propinsi Jawa Timur. Desa Gunungsari memiliki potensi wisata bunga. Sebagaimana Desa Gunungsari merupakan desa binaan Universitas Brawijaya, maka pengabdiaan masyarakat dalam hal ini ingin mengembangkan pelatihan kewirausahaan masayarakat dibidang seni pembuatan merchandise resin berbahan bunga kering. Dengan adanya pelatihan resin, diharapkan produk-produk tersebut menjadi alternatif sumber pencaharian masyarakat dalam rangka mengembangkan kewirausahaan dan kemajuan perekonomian dusun. Rumusan masalah dalam kegiatan ini antara lain adalah 1) Bagaimana teknik pembuatan resin dari bunga kering? 2) Bagaimana teknik pengemasan produk resin? Dan 3) Bagaimana strategi pemasaran produk resin?. Manfaat dari kegiatan ini adalah mengembangkan produk yang menjadi kekhasan dusundan menginspirasi masyarakat dalam mengembangkan potensi yang dimiliki sebagai sumber alternatif dalam menggerakkan roda perekonomian. Sasaran dari kegiatan ini ada dua yakni umum dan khusus. Sasaran secara umum adalah pemuda-pemudi karang taruna. Sasaran secara khusus adalah ibu-ibu rumah tangga yang tidak bekerja, buruh petik bunga, petani, dan peternak. Metode pelaksanaan yang dilakukan mencakup tiga hal, yakni penyuluhan, pelatihan, dan konseling.
Revitalizing a Traditional Game “Dakon” to Teach English for Young Learners Femi Eka Rahmawati; Esti Junining
Metathesis: Journal of English Language, Literature, and Teaching Vol 2, No 1 (2018): Metathesis: Journal of English Language, Literature, and Teaching
Publisher : English Education Study Program, Faculty of Education and Teachers Training, Tidar Univer

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31002/metathesis.v2i1.616

Abstract

A traditional game can develop either cognitive, social or emotional skills of the children. Dakon, one of the name of traditional game from Java, becomes the point of discussion in this paper. Dakon is made of wood or plastic with fourteen pits filled with particles like tamarine seeds, snail cover or small stones. This game can be played by two players facing each other by filling the particles to each pit. In the last stopped stone, the student should see the letter printed in the pit and then start spelling the letter, pronounce the word and read the usage of the word in a simple sentence provided. This part is played again and again until the particles are empty. This paper aims at designing a traditional game, dakon, to learn pronunciation and vocabulary. This game is designed for young learners (elementary school students) who willingly learn English in pairs. Besides learning English, this game also can develop the learners’ social interaction with friends at similar ages. This is a Design Based Research by designing art concept. The result shows that the Elementary school students enjoy learning English using this game.
REVITALISASI CERITA PANJI DALAM WAYANG BEBER Femi Eka Rahmawati
Studi Budaya Nusantara Vol 2, No 1 (2018)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (256.079 KB) | DOI: 10.21776/ub.sbn.2018.002.01.04

Abstract

 AbstrakCeritera Panji merupakan salah satu harta karun terpendam yang dimiliki Jawa Timur. Ceritera-ceritera Panji menyebar ke banyak negara hingga mancanegara dan beredar dalam berbagai ceritera rakyat. Dalam ceritera-ceritera rakyat tersebut juga diadopsi oleh ceritera pada lakon-lakon wayang. Salah satunya adalah wayang beber yang merupakan salah satu wayang tertua di Indonesia, dan banyak berkembang di Jawa pada zaman dahulu. Wayang beber merupakan bentuk wayang yang unik karena dalam penceritaan kisahnya dengan cara digelar (dibeber), yang apabila dikembangkan sekarang diidentikkan dengan ceritera bergambar / komik. Dimana visualisasi wayang beber tersebut sama dengan visualisasi narasi ceritera gambar yang ada di relief-relief candi Jawa Timur yang berbentuk khas dua dimensi. Revitalisasi ceritera Panji yang mempunyai nilai filosofis dan ajaran serta makna historis yang tinggi dengan mengaplikasikannya pada wayang beber merupakan bentuk dari pelestarian budaya dan menjaga kebudayaan tradisi asli Nusantara dalam menangkal ekspansi kebudayaan negara asing. Untuk itulah wayang beber sebagai bentuk manifestasi kebudayaan yang menceritakan siklus cerita Panji sudah seharusnya dihidupkan kembali, agar pesan kesan yang terkandung di dalam cerita Panji bisa disampaikan kepada generasi penerus. Abstract“Panji Stories” is one of East Java’s Treasures. These stories had been spreadedall over the world in the form of various legends. Besides, these stories were also adapted by the caracters in many ‘Wayang” stories, one of them is Wayang Beber. Wayang Beber is one of the oldest Wayang in Indonesiaand and it was developed in Java. It was a uniq wayang since it was performed by showing every scene in a background (dibeber in Javanis language), now days it will be almost the same as picture series in comics. The visualization of this wayang beber is exactly the same as the visualization of the stories in the two dimentions sculptures of temples in East Java. Panji Stories revitalization provides philosophy values and high historical values. Therefore, by applaying those story in Wayang Beber, it will be a way to conserve Indonesian’s culture and a way to filter the expantion of foreign culture. In sum, wayang beber becomes cultural manifestation to deliver cultural and historical values from Panji Stories for young generation. 
Implementation of a pragmatic approach in the Minna No Nihongo I Sri Aju Indrowaty; Fitriana Puspita Dewi; Femi Eka Rahmawati; Sony Difa Febrianda; Sinta Fadila
Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya Vol 7 No 1 (2024)
Publisher : Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/diglosia.v7i1.841

Abstract

This research explores the theoretical aspects of implementing the pragmatic approach in learning speaking skills/kaiwa, as outlined in Minna No Nihongo 1's book. The pragmatic approach is a learning approach to improve students' speaking/kaiwa skills in the classroom, prioritizing contextualized learning of speaking skills. This emphasis on context becomes particularly significant throughout the learning process. By employing this approach, students, including those in secondary schools and universities, can closely simulate practical speaking conditions, both verbally and in written form. The method used is qualitative descriptive with purposive sampling. Therefore, applying the pragmatic approach has proven effective in promoting active learning, significantly improving students' speaking skills inside and outside the classroom. The Japanese language learning process should be designed to meet practical language needs that correspond to real-world situations. By incorporating patterns based on pragmatic studies, learners undergoing Japanese learning experiences will naturally connect with the practical aspects of communication in the language learning process.
IKONOGRAFI SEBAGAI LANGKAH KERJA KREATIF CIPTA SASTRA ANAK DARI RELIEF CANDI Fauzi, Nanang Bustanul; Rahmawati, Femi Eka
Jurnal Hasta Wiyata Vol. 1 No. 1 (2018)
Publisher : University of Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (145.2 KB) | DOI: 10.21776/ub.hastawiyata.2018.001.01.02

Abstract

Relief as a form of local wisdom comes in one form as a tool to immerse moral values in antiquity. However, the difference is too long to make relief is no longer popular in this increasingly digital era. Therefore, effort is needed to popularize the stories in relief into children's stories so that they are more easily digested, enjoyed, and used as media of character building that has been mandated by the law.The method of reading works of art that is still rarely used to reconstruct relief stories. Relief stories are only confirmed through the search of written documents that are now increasingly rare existence. The theory in question is iconography.Through this theory, the reliefs can be read and then the reading results are combined and become a story. In the preparation of the story, this theory requires several steps of work, namely, factual description and expressional descriptions. This is understood by identifying the basic shape, the arrangement of a particular line and color, or the unique shape of a piece of bronze or a stone, a natural picture such as man, animal, plant, life-aid and identifying relationships among them as an event. Some things that have been connected are connected, then character expression is exposed through poses and or gesturenya. This is called an artistic motif.The second stage is iconography, which is the process of reading the secondary meaning of the textual aspect (visual traits / artistic motives), by looking at the relationship between the visual features of a work of art with themes and concepts based on the interpretation of imagination or images, stories and allegories or symbols). For that, it takes literary studies as supporting in the form of various theories such as anthropology, sociology, socio-culture, or lifestyle, literary works, and philosophy in the context of the work studied. A specific theme or concept is expressed by the objects of art and events in the work. Keyword: iconography, relief, child literature
RELIEF CANDI KIDAL SEBAGAI IDE PENCIPTAAN MOTIF BATIK SRI WEDHATAMA Rahmawati, Femi Eka; Iksan, Nur; Rohman, Ahmad Syarifuddin
Brikolase : Jurnal Kajian Teori, Praktik dan Wacana Seni Budaya Rupa Vol. 12 No. 2 (2020)
Publisher : Institut Seni Indoensia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/brikolase.v12i2.3238

Abstract

Kota Malang merupakan salah satu kota yang memiliki peninggalan sejarah terutama dari  situs-situs candi Kerajaan Singosari. Kerajaan Singosari merupakan salah satu kerajaan besar di nusantara yang sampai sekarang terdapat peninggalan sejarahnya, yaitu Candi Kidal. Keunikan candi ini adalah terdapat ornament yang tidak hanya sebagai ornament hias, namun terdapat ornament cerita yang mempunyai makna filosofis sangat tinggi. Salah satu perwujudan pelestarian ornament Candi Kidal yakni dengan pembuatan batik. Batik merupakan salah satu kekayaan kebudayaan bangsa Indonesia yang sudah diakui dunia dan banyak digunakan dalam berbagai acara baik dari kalangan bawah, menengah dan kalangan atas ataupun acara kenegaraan.Penelitian ini bertujuan mendokumentasikan ornament hias atau relief dan merancang motif batik dari ornament-ornamnet hias Candi Kidal yang sesuai dengan makna untuk di sandang sebagai citra batik khas Malang Raya. Metode penelitian yang digunakan adalah metode kualitatif dengan kombinasi penelitian desain, sehingga menghasilkan desain motif batik Sri Wedhatama. Nama batik Sri Wedhatama  merupakan perwakilan dari perlambangan baik pada ornament, sehingga diharapkan motif tersebut membuat penyandang mempunyai praba yang baik sesuai dengan motif batik yang disandangnya. 
Pendampingan Penetapan Identitas Desain Motif Ragam Hias Pengrajin Batik Singosari Indrowaty, Sri Aju -; Rahmawati, Femi Eka; Perdhani, Widya Caterine; Hartono, Didik
Jurnal Gramaswara: Jurnal Pengabdian kepada Masyarakat Vol. 5 No. 1 (2025): Jurnal Gramaswara: Jurnal Pengabdian kepada Masyarakat
Publisher : Faculty of Cultural Studies, Universitas Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.gramaswara.2024.005.01.10

Abstract

The development of batik has spread to almost all subdistricts and villages, especially in East Java. Each community strives to produce and find uniqueness in creating their batik motifs. In Singosari Subdistrict, Malang Regency, there is a community of batik craftsmen from villages and subdistricts in the Singosari area, namely the Singosari Batik Association. To date, numerous batik motifs have been created. However, these have not yet met sales targets due to the lack of a distinctive and unique batik identity from the artisans of the Singosari Batik Association. Therefore, guidance is needed in exploring ideas for motifs, as well as experimenting with forms, compositions, and colors in designing batik motifs that can reflect the identity of Singosari batik artisans. In exploring the uniqueness of Singosari motifs, two approaches are used. The first is through the traditional culture of Singosari, which can be traced back to the historical greatness of the Singosari kingdom in the past. The second approach is through the culture that has been developed in the present day. These two approaches can be used to describe the form of Singosari motifs. To strengthen the identity of Singosari motifs, color can also support the composition of the motifs. When determining the characteristic colors of Singosari, natural colors can be sourced from plants that grow and are endemic to Singosari. Some motifs resulting from the redesign of craftsmen's sketches have also been re-explored and transformed into new motifs that craftsmen can use as design inspiration for future batik creations. The diversity of attractive batik motifs will undoubtedly influence consumer purchasing power, thereby increasing the production output of the Singosari Batik Association. It is hoped that the batik fabric produced will once again become the signature fabric of Singosari, recognized by all segments of society, and represent East Java both domestically and internationally in the future.
Kreasi Buket Dan Parcel Sayuran Untuk Peningkatan Prospek Jual Sebagai Sentra Sayuran Di Desa Tawangargo Indrowaty, Sri Aju; Rahmawati, Femi Eka; Dewi, Fitriana Puspita
Jurnal Pengabdian kepada Masyarakat Nusantara Vol. 6 No. 2 (2025): Jurnal Pengabdian kepada Masyarakat Nusantara Edisi April - Juni
Publisher : Lembaga Dongan Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Desa Tawang argo merupakan pusat penghasil sayuran terbesar di kota Malang bahkan se-Jawa Timur. Meski begitu, penjualan hasil bumi desa Tawang argo berupa sayur mayur ini masih perlu didongkrak lagi. Salah satunya melalui kreasi pembuatan buket dan parsel sayur. Kreasi pembuatan buket dan parsel sayur di desa Tawang argo bertujuan tidak hanya meningkatkan penjualan sayuran segar dari desa Tawang Argo, tetapi juga membantu meningkatkan pemberdayaan penduduk desa Tawang argo khususnya remaja dan kaum wanita. Efek positif lainnya adalah branding produk desa Tawang Argo agar pemasarannya lebih luas lagi merambah ke kalangan elit. Buket dan parsel sayur bisa menjadi media promosi gaya hidup sehat di era modern ini. Bentuk kegiatan pengabdian ini melalui tutorial pembuatan kreasi buket dan parsel sayur dalam bentuk video. Video tutorial ini diberikan kepada penduduk desa Tawang Argo agar setiap orang bisa mempelajarinya masing-masing maupun berkelompok. Pada dasarnya kreasi pembuatan buket dan sayur parsel ini baik bahan dan cara pembuatannya cukup mudah serta siapapun bisa membuat. Dengan modal yang murah dan menghasilkan produk yang mewah dengan harga jual 3kali lipat modal sayurnya. Sehingga hasil sayur desa tidak hanya terjual dalam bentuk karungan namun berdaya jual lebih tinggi.
REVITALISASI CERITA PANJI DALAM WAYANG BEBER Rahmawati, Femi Eka
Studi Budaya Nusantara Vol. 2 No. 1 (2018)
Publisher : Studi Budaya Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.sbn.2018.002.01.04

Abstract

 Abstract "Panji Stories" is one of East Java's Treasures. These stories had been spreadedall over the world in the form of various legends. Besides, these stories were also adapted by the caracters in many "Wayang" stories, one of them is Wayang Beber. Wayang Beber is one of the oldest Wayang in Indonesia and and it was developed in Java. It was a uniq wayang since it was performed by showing every scene in a background (dibeber in Javanis language), now days it will be almost the same as picture series in comics. The visualization of this wayang beber is exactly the same as the visualization of the stories in the two dimentions sculptures of temples in East Java. Panji Stories revitalization provides philosophy values and high historical values. Therefore, by applaying those story in Wayang Beber, it will be a way to conserve Indonesian's culture and a way to filter the expantion of foreign culture. In sum, wayang beber becomes cultural manifestation to deliver cultural and historical values from Panji Stories for young generation.
PERANCANGAN DESAIN MARCHANDISE SEBAGAI STRATEGI BRANDING PARIWISATA BERBASIS TRADISI LISAN DI DESA TOYOMARTO KECAMATAN SINGOSARI KABUPATEN MALANG Rahmawati, Femi Eka; Sukmawan, Sony; Syarifudin, Ahmad; syarifuddinr@ub.ac.id, Fitrahayunitisna
Jurnal Gramaswara: Jurnal Pengabdian kepada Masyarakat Vol. 1 No. 1 (2021)
Publisher : Faculty of Cultural Studies, Universitas Brawijaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21776/ub.gramaswara.2021.001.01.03

Abstract

Abstract: The existence of Toyomarto tourist village is expanding with the increasing number of tourists visiting the area. Visitors come for various purposes, ranging from religious (spiritual) activities to non-spiritual activities. As a village that has declared itself a tourist village, Toyomarto needs to formulate its image/identity so that it can be known by the wider public and have a stronger bargaining position compared to other villages. Therefore, Toyomarto needs to brand itself to become better, more advanced, and more developed. For this reason, a community service program titled “Design Planning as a Strategy for Tourism Branding Based on Oral Traditions in Toyomarto Village, Singosari District, Malang Regency” was initiated as a strategic program to brand Toyomarto as a tourist village among the wider community. Generally, this community service program is carried out through the utilization of research on local narratives (folk tales, myths, traditional arts, traditional expressions) found in Toyomarto Village. The local narratives will be specifically selected based on criteria related to water sources. Through a synthesis of various local narrative sources, these will be visualized in the form of graphic logo designs and illustrations, which can be applied as promotional media and unique merchandise based on the stories of Toyomarto Village.
Co-Authors A. Syarifuddin Rohman Anggrian, Mayang Devinta Puspita Ratri Didik Hartono Esti Junining Fauzi, Nanang Bustanul Fitrahayunitisna Fitrahayunitisna, Fitrahayunitisna Fitriana Puspita Dewi, Fitriana Puspita Indrowaty, Sri Aju - Nur Iksan Nur Iksan Peptia Asrining Tyas Safitri, Mega Sinta Fadila Sony Difa Febrianda Sony Sukmawan, Sony Sri Aju Indrowaty syarifuddinr@ub.ac.id, Fitrahayunitisna Syarifudin, Ahmad Widya Caterine Perdhani