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All Journal Humaniora Gorga : Jurnal Seni Rupa Jurnal Konseling dan Pendidikan Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Harmonia: Journal of Research and Education Panggung Gondang: Jurnal Seni dan Budaya Jurnal Ilmu Budaya Batoboh : Jurnal Pengabdian Pada Masyarakat Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni PROSIDING: SENI, TEKNOLOGI, DAN MASYARAKAT Melayu Arts and Performance Journal Humantech : Jurnal Ilmiah Multidisiplin Indonesia Bercadik: Jurnal Pengkajian dan Penciptaan Seni Musik Etnik Nusantara Social Science Academic Jejak digital: Jurnal Ilmiah Multidisiplin
Andar Indra Sastra
Institut Seni Indonesia Padangpanjang
Religion Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Public Health Social Sciences Other

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Kato Malereng: Indirect Speech Ethics in Maintaining Dignity and Social Hierarchy in Minangkabau Society Rozalvino, Rozalvino; Sunarto, Bambang; Sastra, Andar Indra; Sukerta, Pande Made
Social Science Academic Vol. 4 No. 1 (2026)
Publisher : Institut Agama Islam Sunan Giri Ponorogo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37680/ssa.v4i1.9500

Abstract

This study aims to analyze kato malereng as a form of indirect speech ethics in maintaining dignity and social hierarchy within Minangkabau society. In Minangkabau culture, language functions not only as a means of communication but also as a system of values that regulates social relationships and preserves community harmony. This research employs a descriptive qualitative approach using a library research method to examine cultural communication practices within the kato nan ampek system. Data were collected through the analysis of relevant literature on communication ethics, cultural values, and the social structure of Minangkabau society and were analyzed using descriptive-interpretative techniques to identify the forms, functions, and social meanings of kato malereng. The findings indicate that kato malereng functions as a cultural communication mechanism that preserves dignity, prevents conflict, and strengthens social cohesion through the use of figurative and polite language. Despite adjustments in modern communication contexts, the values of politeness and respect embedded in kato malereng remain relevant as communication guidelines. Therefore, kato malereng represents a form of local wisdom that contributes to the preservation of cultural values and social stability in contemporary society.
URANG SIAK: PERTUNJUKAN SENI RELIGIUS DALAM UPACARA DIKIA MULUIK KECAMATAN BATIPUH Herlina Ira Wati; Syafniati Syafniati; Andar Indra Sastra
Jurnal Musik Etnik Nusantara Vol 4, No 2 (2024): Jurnal Musik Etnik Nusantara
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/jmen.v4i2.4619

Abstract

Keberagaman budaya masyarakat lokal terlihat dari kekayaan seni budaya masyarakat, diantaranya pada kesenian Dikia Muluik (Dzikir Maulid). Kegiatan ini membutuhkan peran Urang Siak. Urang Siak merupakan sebutan bagi seseorang yang mengabdikan dirinya dalam mendalami ajaran islam dan berperan penting dalam Pendidikan religi di surau, menjadi imam masjid serta patokan atau guru bagi masyarakat sekitar dalam mendalami ajaran islam. Penelitian ini bertujuan untuk mengetahui sejauh mana peran Urang Siak di dalam kegiatan Dikia Muluik di Nagari Sabu Kecamatan Batipuh Kabupaten Tanah Datar. Metode yang dipakai dalam penelitian ini adalah kualitatif, melalui pengumpulan data yang di lakukan dengan observasi dan wawancara serta di dukung dengan analisa dan pengujian data. Hasil yang dicapai dari penelitian ini, yaitu menjelaskan bahwa peran Urang Siak memang sangat esensial dalam kehidupan masyarakat dapat juga dilihat dari kuatnya peran Urang Siak sebagai tokoh kharismatik, berkedudukan status sosial tinggi sebagai imam masjid, pemimpin ritual agama, mediator penengah dalam masyarakat, sebagai ulama, penceramah agama dan penjaga tradisi budaya. Hasil penelitian inilah yang kemudian disusun dalam bentuk skripsi. Kata Kunci: Urang Siak, Seni Religius, Dikia Muluik, Nagari Sabu
Talempong Kayu dalam Kehidupan Sosial  Nagari Kayu Gadang Suci Rahma Elfita; Nadia Fulzy; Andar Indra Sastra
Jejak digital: Jurnal Ilmiah Multidisiplin Vol. 2 No. 4 (2026): JUNI-JULI
Publisher : INDO PUBLISHING

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.63822/8e1bf121

Abstract

This study discusses Talempong Kayu in the social life of the people of Nagari Kayu Gadang. Talempong Kayu is a traditional art form that has grown and developed within the community as part of a cultural heritage possessing social, cultural, and aesthetic values. Its existence not only serves as a means of entertainment but also plays an important role in various social activities, such as traditional ceremonies, religious celebrations, welcoming events for guests, and other community activities. This study aims to describe the form of presentation of Talempong Kayu and analyze its role in the social life of the people of Nagari Kayu Gadang. This research employs a qualitative method with a descriptive approach. Data were collected through observation, interviews with community leaders, artists, and Talempong Kayu performers, as well as documentation related to the research object. Data analysis was carried out through the stages of data reduction, data presentation, and conclusion drawing. The results of the study indicate that Talempong Kayu has a strong social function in the lives of the people of Nagari Kayu Gadang. This art form serves as a medium of social communication, strengthens relationships among community members, and functions as a means of preserving local cultural values passed down from generation to generation. Furthermore, Talempong Kayu plays a role in building the cultural identity of the community and reinforcing a sense of togetherness in various social activities. Its continued existence today demonstrates the community’s awareness and commitment to preserving traditional arts as an essential part of their regional cultural identity
Co-Authors Anton, Syahri Asep Saepul Haris, Asep Saepul ASRIL ASRIL Asril Asril Bambang Sunarto Desmawardi, Desmawardi Dharsono Dharsono Ediwar Ediwar Edward Zebua Elizar Elizar Erlinda Erlinda Erlinda Febra Muyusari Fitri Rahmah Fitria Fitria Fitria Fitria Hendri Koto Hendri, Yon Herlina Ira Wati Intan Rizki Intan Intan, Intan Rizki Kharisma Kharisma Kurniawan, Al Wahyu M. Arif Anas Martis Martis Martis, Martis Marzam Marzam Meri Susanti Meri Susanti Mirnawati Mirnawati Muhammad Hadi Habib Muyusari, Febra Nadia Fulzy Nadya Fulzi NIa Daniati Nursyirwan Nursyirwan Nurwani - Nurwani Nurwani, Nurwani Otto Sidharta Pande Made Sukerta Purwo Prihatin Rafiloza Rafiloza Rafiloza, Rafiloza Rahman Dani, Dani Aulia Rahman, Surya Rasmida Rasmida Robby Suhendra Robby Suhendra Robi Anwar Rozalvino, Rozalvino Sahrul Sahrul Sahrul, Sahrul Sidharta, Otto Suci Rahma Elfita Sunarmi Sunarmi Surya Rahman Syafniati Syafniati Syafniati, Syafniati Syahri Anton Syahri Anton Taufik Imran Wilma Sriwulan Wilma Sriwulan Yon Hendri yunaidi yunaidi Yunaidi Yunaidi Yusril Yusril