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A Maqāṣidī Exegesis of Tabdhīr and Isrāf: A Qur'anic Critique of Consumerism in the Culture Runner Phenomenon Ahmad Majdi Thoriq Abuwidad; Zamzam Qodri; Fejrian Yazdajird Iwanebel
WARAQAT : Jurnal Ilmu-Ilmu Keislaman Vol. 10 No. 2 (2025): Waraqat: Jurnal Ilmu-Ilmu Keislaman
Publisher : Pusat Penelitian dan Pengabdian pada Masyarakat (P3M) Sekolah Tinggi Agama Islam As-Sunnah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.51590/waraqat.v10i2.1176

Abstract

Running has transformed from a simple exercise into an urban lifestyle phenomenon that combines fitness, social identity, and consumerism. This transformation raises critical questions about the ethical boundaries of consumption in contemporary Muslim communities, particularly regarding the Qur'anic concepts of tabdhīr (wastefulness) and isrāf (excess). This study examines the runner culture through the lens of Abdul Mustaqim's tafsīr maqāṣidī, a Qur'anic exegetical approach that emphasizes the higher objectives (maqāṣid) of Islamic law, including the preservation of wealth (ḥifẓ al-māl), well-being (ḥifẓ al-nafs), and social justice ('adl). Using qualitative library research with content analysis, this study investigates Qur'anic verses related to tabdhīr and isrāf (Q.S. al-Isrā' [17]:26-27, al-A'rāf [7]:31, al-An'ām [6]:141) and their application to contemporary consumer behavior. The findings reveal that runner culture often manifests characteristics of isrāf through quantitative excess and tabdhīr through purposeless spending driven by social media visibility and brand competition. The study proposes the operationalization of four maqāṣidī values: wasaṭiyyah (balance), maṣlaḥah (social benefit), 'adl (justice), and tawāḍu' (humility) as ethical frameworks for transforming runner culture from consumerist trends into spiritually meaningful practices. This research contributes to contemporary Islamic ethics by demonstrating the relevance of maqāṣidī exegesis in addressing modern lifestyle challenges and offers practical guidance for Muslim communities seeking to balance physical well-being with ethical consumption.
Narrative Hermeneutics as Digital Tafsīr: Reconstructing Qur’anic Meaning and Religious Authority on Instagram @NadirsyahHosen_Official Zahrotul Kamilah; Zaidanil Kamil, Ahmad; Fejrian Yazdajird Iwanebel; Muhamad Irfan Maulana; Salma, Yusrina
Jurnal Lektur Keagamaan Vol 23 No 2 (2025): Jurnal Lektur Keagamaan Vol. 23 No. 2 Tahun 2025
Publisher : Center for Research and Development of Religious Literature and Heritage, Agency for Research and Development and Training, Ministry of Religious Affairs of the Republic of Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31291/jlka.v23i2.1492

Abstract

This study examines emerging trends in digital Qur’anic interpret-tation by analyzing how Nadirsyah Hosen employs narrative hermeneutics on his Instagram account @nadirsyahhosen_official. Existing research on digital tafsīr has largely focused on thematic content, presentation style, or audience interaction, yet little attention has been given to the use of storytelling as an interpretive method. This study fills that gap by investi¬gating how narrative structures function as hermeneutic tools in interpret¬ting Sūrah al-Falaq and al-Nās. The research employed a qualitative design that integrates two forms of data: Instagram posts containing Hosen’s story-based interpretations and user comments responding to these posts. Narrative analysis based on Labov and Waletzky’s framework is applied to identify the structural components of the stories, while netnographic analysis is used to examine audience reception patterns. The findings show that Hosen’s interpretations consistently incorporate key narrative elements such as orientation, complication, evaluation, resolution, and coda, which enhance communicative clarity and contextual relevance. Audience res¬pon¬ses cluster into four dimensions: emotional spiritual engagement, epis¬te¬mic trust in religious authority, social communitarian bonding, and educational pragmatic learning. These results demonstrate that narrative hermeneutics strengthens interpretive authority and fosters participatory religious discourse in digital environments. The study concludes that storytelling functions not only as a rhetorical device but also as an epistemic strategy that reshapes Qur’anic interpretation in the digital age. It recommends further exploration of narrative based tafsīr across diverse platforms and audiences.
RHYMING PROSE IN THE ENGLISH TRANSLATION OF SURAH AL-FATIHAH: A STUDY OF SHAWKAT M. TOORAWA’S APPROACH Ardillah, Maulida Fitri Fi; Ali, Asyiq Billah; Sibawayhie, Muhammad Haris Miftah; Iwanebel, Fejrian Yazdajird
Jurnal At-Tibyan: Jurnal Ilmu Alqur'an dan Tafsir Vol 10 No 2 (2025): Volume 10 No. 2 December 2025
Publisher : The Department of the Qur'anic Studies, Faculty of Ushuluddin, Adab, and Da'wah, State Institute of Islamic Studies (IAIN) Langsa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.32505/at-tibyan.v10i2.12487

Abstract

Shawkat M Toorawa is known for his innovative efforts in translating the Quran in English. He pays attention not only to the accuracy of meaning but also the aesthetic aspects such as rhyme and grammatical structure. In translating Surah Al Fatihah Toorawa managed to maintain rhyme consistently. The purpose of this study is to answer two academic problems namely to examine how Shawkat Toorawa maintains rhyming prose in his translation of Surah Al Fatihah and how Toorawa balances the aesthetic elements and syntactical conformity of the source text. This research uses the library research method by utilizing and synthesizing Shawkat Toorawas primary sources as well as some secondary writings that examine his thoughts. The results show that in translating Surah Al Fatihah Toorawa managed to balance the rhyming prose choose diction that has syllable stress uniformity and maintain the syntactic function of each word well. Sometimes he also made idiomatic transformations in his translation but he did not lose the essence of the verse. Toorawas innovation reflects an attempt to bring back the essence of the beauty of the musical resonance of the Quranic verse for non Arabic readers.