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All Journal HUMANIKA LITE: Jurnal Bahasa, Sastra, dan Budaya IZUMI Lingua Cultura JURNAL ILMU BUDAYA Aksara EDUVELOP (Journal of English Education and Development) Kiryoku: Jurnal Studi Kejepangan Japanese Research on Linguistics, Literature, and Culture Pustaka : Jurnal Ilmu-Ilmu Budaya J-Litera; Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Mezurashii: Journal of Japanese Studies NAWA: Journal of Japanese Studies

Taqdir Taqdir

Hasanuddin University

Author-ID : 2995090

Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

Published : 19 Documents Claim Missing Document

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MAKNA VERBA MAJEMUK ~KIRU DALAM BAHASA JEPANG: KAJIAN STRUKTUR DAN SEMANTIS Taqdir Taqdir; Nani Sunarni; Agus Suryadimulya
Aksara Vol 26, No 1 (2014): Aksara, Edisi Juni 2014
Publisher : Balai Bahasa Provinsi Bali

Tujuan penelitian ini adalah untuk mengetahui struktur verba majemuk (V + V) dalam bahasa Jepang. Struktur tersebut meliputi pembentukan zenkoudoushi (verba awal) dengan koukoudoushi (verba akhir). Verba akhir (koukoudoushi) yang menjadi objek dalam makalah ini adalah verba ~kiru. Sementara itu, zenkoudoushi (verba awal) dalam pembahasan ini meliputi joutai doushi ‘verba statis’, keizoku doushi ‘verba kontuinitas’, shunkan doushi ‘verba fungtual’ dan daiyonshu doushi ‘verba bagian ke empat’. Pengklasifikasi ini mengacu pada pengklasifikasian verba Kindaichi. Kiru sebagai verba tunggal bermakna memotong, mengirisi, memutuskan, dan mematikan. Kiru pada saat digabungkan dengan verba lain akan membentuk sebuah verba majemuk yang mempunyai beberapa arti. Secara garis besar verba gabung kiru memiliki dua makna, yakni makna dari segi leksikal dan makna dari segi sintaksis.Secara leksikal verba gabung ~kiru bermakna setsudan ‘pemotongan’ dan shuketsu ‘selesai/berkahir’, sedangkan dari segi sintaksis memiliki makna kyokudo ‘luar biasa / tak terhingga’ dan makna kansui ‘perfektif’. Verba gabung ~kiru yang melekat pada verba kontuinitas (keizokudoushi) akan bermakna setsudan setsudan ‘pemotongan’, shuketsu ‘selesai/berkahir’, dan kansui ‘perfektif’, sedangkan apabila melekat pada verba fungtual (shunkandoushi) akan bermakna kyokudo ‘luar biasa/tak terhingga’.

PEMBENTUKAN INGO (KATA SANDI) DALAM DUNIA KEPOLISIAN JEPANG Taqdir Taqdir
IZUMI Vol 5, No 1 (2016)
Publisher : Universitas Diponegoro

The purposeof this studywas to determinethe structure offormingingo(argot), especially in the Japanesepolice. The data werederivedfromthe expressions(argot) that isoften used inthe Japanesepolice. The analysis inthis studyrefersto the theory ofthe formation ofthedividingMikatastructureformationin tensections, while analysisrefersto the theoryof meaningArgot’sSanada.Finding in this study is thatthe formation ofthe policeargotinJapaninclude the establishment ofshorteningsyllables, syllableexchange, a similar shape, association, movement, imagery, soundthe same, the gameof letters, symbols, andanalogies

MAKNA VERBA MAJEMUK ~KIRU DALAM BAHASA JEPANG Kajian Struktur dan Semantis Taqdir Taqdir
IZUMI Vol 3, No 1 (2014)
Publisher : Universitas Diponegoro

Abstract The purpose of this paper is to know the structure of compound verb (V + V) in Japanese. The structure is a forming of zenkoudoushi (first verb) and koukoudoushi (second verb). The second verb is kiru. And the first verbs are joutai doushi (statis) keizoukudoushi (contuinity), shunkandoushi (fungtual), and daiyoushudoushi (the four verb). This classification from the Kindaichi’s classification. As a single verb kiru means to cut, to slice, to decide, and to turn off. When it combined with other verbs, the verb kiru will form a compound verb which has several meanings. Commonly, compound verb kiru has two meanings, namely in terms of lexical meaning and syntactical meaning. Lexically, compound verb kiru means setsudan ‘cutting’ and shuketsu ‘ends/over’, while syntactically this verb means kyokudo ‘extraordinary/ infinite’ and kansui ‘perfective’. The compound verb ~kiru which attached to continuity (keizokudoushi) has meaning as setsudan ‘cutting’, shuketsu ‘ends/over’, and kansui ‘perfective’, while when it is attached to the punctual verb (shuunkandoushi) means kyokudo ‘extraordinary/ infinite’. Keyword : zenkoudoushi, koukoudoushi, compound verb, ~kiru

Analisis Tindak Tutur Wabi Hyougen ???? (Meminta Maaf) dalam Drama Tennou No Ryouriban (??????) Suatu Tinjauan Pragmatik Adnan Saputra; Kasmawati .; Taqdir .
Journal Social and Humaniora Vol 22 No 1 (2022)
Publisher : Udayana University Press bekerjasama dengan Fakultas Ilmu Budaya Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/PJIIB.2022.v22.i01.p03

Penelitian ini bertujuan untuk menjelaskan variasi-variasi tindak tutur meminta maaf apa saja yang terdapat dalam drama Tennou no Ryouriban (??????) dan faktor-faktor apa saja yang memengaruhi seorang penutur dalam memilih variasi tersebut. Metode yang digunakan dalam penelitian ini adalah kualitatif deskriptif dengan memanfaatkan data-data tuturan yang diperoleh dalam drama yang dikaji. Data yang diperoleh kemudian diklasifikasi berdasarkan variasinya lalu dianalisis faktor-faktor apa saja yang memengaruhi pemilihan variasi tuturan-tuturan tersebut.Dari hasil penelitian, ditemukan tiga ragam tuturan meminta maaf dalam drama Tennou no Ryouriban yaitu sumimasen, gomennasai dan moushiwake arimasen dengan jumlah 18 data tuturan. Sementara itu, ditemukan empat faktor-faktor yang paling memengaruhi seorang penutur dalam memilih tuturan-tuturan tersebut yaitu ningen kankei atau hubungan antar manusia, tachiba–yakuwari atau posisi dan peranan, ba a tau latar belakang, serta katachi atau wujud penyampaian

PEMANFAATAN KONSEP WAJAH DALAM FILM DEATH NOTE (2006) Farhan Firdaus, Muhammad; Taqdir, Taqdir; Kasmawati, Kasmawati
JURNAL ILMU BUDAYA Vol. 9 No. 1 (2021): Jurnal Ilmu Budaya
Publisher : Universitas Hasanuddin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34050/jib.v9i1.13033

This study aims to classify the use concept of face in the film Death Note. This research is qualitative descriptive research. The data of this study is the speech in the film Death Note. Data collection is done with a note-checking technique. Data analysis techniques used in the form of data identification, understanding data, data classification, data analysis and concluding research results. The result of this study the concept of a more dominant positive face appeared is the category of "estimating the desire of the opponent to speak" and the concept of a more dominant negative face appears is the category "Apology consisting of admitting the burden".

Teknik Penerjemahan Onomatope Gitaigo dalam Novel Funiculi Funicula Before The Coffee Gets Cold B.S. Maturbongs, Winona Raissa; Taqdir, Taqdir; Kasmawati, Kasmawati
KIRYOKU Vol 8, No 2 (2024): Kiryoku: Jurnal Studi Kejepangan
Publisher : Vocational College of Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/kiryoku.v8i2.544-556

This study focuses on onomatopoeia of gitaigo. The aim of this study is to find out the types of gitaigo in the novel Funiculi Funicula Before the Coffee Gets Cold and the translation techniques of gitaigo used in the novel. This study uses descriptive qualitative method. The study data were collected by reading the novel Funiculi Funicula Before the Coffee Gets Cold. The data analyzed using Hinata & Hibiya's (1989) theory on gitaigo and Molina and Albir's (2002) theory on translation techniques. The research found 131 gitaigo onomatopoeias, which are 21 gijou, 54 gitai, and 56 giyou. In terms of translation techniques, nine techniques were found, including amplification, description, discursive creation, common equivalence, generalization, literal translation, particularization, reduction and modulation.

ANALISIS MAKNA POLISEMI VERBA MIRU DALAM BAHASA JEPANG kasmawati, Kasmawati; Taqdir, Taqdir
IZUMI Vol 13, No 2 (2024): December
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.13.2.124-142

The purpose of this research is to analyze the polysemic meanings of the Japanese verb miru. This study examines the lexical and grammatical variations of miru, focusing on its meanings as described in the Daijirin dictionary and contextualized through examples in the Japanese novel Totto-chan, which has been translated directly into Indonesian. Using a qualitative approach, this research applies descriptive and interpretative analysis to explore how miru operates across different contexts and nuances within the novel. The findings reveal that miru encompasses a wide range of meanings, from visual perception to deeper conceptual and introspective senses, which are sometimes untranslatable without losing meaning in the source language. This research highlights the complexities of Japanese polysemy and contributes to a deeper understanding of linguistic nuances in Japanese, emphasizing the importance of context in translation and interpretation.

Global Trends and Impacts of Gamification Iin Language Learning: A Bibliometric Analysis Taqdir, Taqdir
Lingua Cultura Vol. 18 No. 2 (2024): Lingua Cultura (In Press)
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar

This study investigates global trends and impacts of gamification in language learning, focusing on how research in this area has evolved over the past two decades (2000–2024). A bibliometric approach was adopted, utilizing data from the Scopus database and applying the PRISMA framework to systematically identify and include 358 relevant articles. The study employed bibliometric tools, VOSviewer and Bibliometrix, to analyze collaboration networks, keyword associations, and publication trends. The findings reveal significant global growth in gamification research, with a sharp increase in publications between 2015 and 2020, driven by advancements in digital learning technologies. Countries such as the United States, Spain, Indonesia, and Malaysia emerged as key contributors. Gamification was shown to enhance motivation, engagement, and learning outcomes, particularly in vocabulary and grammar instruction, while its impact on speaking skills remains underexplored. Cultural, technological, and policy factors were found to influence the adoption of gamification, suggesting that localized strategies are essential for effective implementation. This study offers original insights into the global development and application of gamification in language learning and highlights gaps that require further exploration, such as its use in advanced language skills and technology-limited settings. The findings provide practical implications for educators, curriculum developers, and policymakers to design inclusive and adaptive gamification strategies that address diverse educational contexts.

More than just finished: Unveiling the meaning of fukugodōshi ～owaru, ～ageru, and ～kiru in Japanese Taqdir, Taqdir
Japanese Research on Linguistics, Literature, and Culture Vol. 7 No. 1 (2024): November
Publisher : Universitas Dian Nuswantoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/jr.v7i1.11608

This study explores the semantic distinctions of three Japanese fukugodōshi verbs: ~owaru, ~ageru, and ~kiru, which indicate varying degrees of action completion. ~Owaru signifies the general completion of an action without focusing on the result or perfection, while ~ageru emphasizes not only the completion but also the production of something valuable. ~Kiru, on the other hand, highlights the complete and thorough execution of an action without any remainder. This research aims to analyze how these verbs are used in formal contexts, specifically in Japanese media such as newspapers. Using a descriptive qualitative approach, articles from Asahi Shimbun and Mainichi Shimbun were selected to observe the use of these fukugodōshi verbs. Semantic analysis was conducted to explore the nuances conveyed by each verb in various contexts, providing deeper insights into how they reflect different levels of action completion. The findings of this study offer a clearer understanding of fukugodōshi usage in formal communication and contribute to Japanese language pedagogy, especially for learners to differentiate the appropriate usage of these verbs in specific contexts.

Denotasi dan Konotasi Tokoh Toyotomi Hideyoshi dalam Drama Taikouki (1987): Analisis Semiotika Roland Barthes Taqdir, Taqdir; Fajrin, Muh.; Imelda, Imelda
J-Litera: Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Vol 7 No 1 (2025): May 2025
Publisher : Program Studi Sastra Jepang, Universitas Jenderal Soedirman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20884/1.jltera.2025.7.1.14915

This study examines the representation of Toyotomi Hideyoshi, initially known as Tokichiro, in the historical drama Taikouki (1987) directed by Kihachi Okamoto, using Roland Barthes' semiotic analysis. By analysing both denotative (literal) and connotative (deeper cultural and social) meanings, the research highlights Hideyoshi's multifaceted characterization as weak but determined, loyal, intelligent in strategy, charmingly flirtatious, humorous, and skilled in negotiation. These traits not only reflect his human side but also mirror key Japanese cultural values such as ganbaru (perseverance), wa (harmony), and leadership rooted in communication and diplomacy. The drama, produced during Japan's economic miracle in the 1980s, aligns Hideyoshi’s resilience and adaptability with societal ideals of the time, emphasizing the importance of collaboration and strategic thinking in overcoming challenges. Through Barthes’ semiotic approach, this study demonstrates how Taikouki functions as both a reconstruction of historical narratives and a reflection of contemporary cultural values. Ultimately, the drama reinforces Hideyoshi’s image as a visionary leader who achieved success through emotional intelligence, humor, and diplomacy, offering a nuanced portrayal that resonates with modern viewers while preserving his historical significance.

Co-Authors Adnan Saputra Agus Suryadimulya Aladdin, A. Muhammad Nurfitrah Insan Alghifari, Muhammad Faiz Asri, Rina Afdhaliah Ayu Gardenia Lantang B.S. Maturbongs, Winona Raissa Baehaqi Ery, Anda Prasetyo Fajrin, Muh. Farhan Firdaus, Muhammad Fithyani Anwar Gosal, Squal William Huzain, Nurimam Alfian Jaharuddin, A. Alfandy Kasmawati Kasmawati Masdiana Masdiana Muhammad Arfin Muhammad Salim Muhammad Faiz Alghifari Nani Sunarni Nurfitri Nurfitri, Nurfitri Nursakinah, Nursakinah Nursidah Nursidah Putri, Tiara Rosmika Renold Renold Renold Yusri, Muh. Haizam

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