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Analisis Teknik Penerjemahan dalam Lirik Lagu "Arjuna" dan "Bento" Versi Jepang A. Alfandy Jaharuddin; Kasmawati Kasmawati; Taqdir Taqdir
Mezurashii: Journal of Japanese Studies Vol. 7 No. 1 (2025): APRIL
Publisher : Japanese Department Faculty of Cultural Science Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/mezurashii.v7i1.12913

Abstract

Song lyric translation is a complex process that involves not only linguistic aspects but also musicality and cultural acceptability in the target language. This study aims to analyze the translation techniques used in the Japanese versions of the songs Arjuna and Bento, based on Molina and Albir’s (2004) translation techniques. A qualitative descriptive method was employed, with textual analysis conducted on the original Indonesian lyrics and their Japanese translations. The findings reveal that 13 translation techniques were utilized in both songs, with different dominant techniques corresponding to the characteristics of each song. Arjuna, which has a romantic and poetic theme, predominantly employs established equivalence, amplification, and transposition to preserve the song’s aesthetics and emotional meaning. In contrast, Bento, which carries a strong social critique, primarily employs modulation, adaptation, reduction, and linguistic compression to align its meaning with Japanese expressive norms. These findings suggest that in song lyric translation, the choice of translation techniques is significantly influenced by the song’s theme, syntactic structure, rhythm, and cultural acceptability in the target language. This study is expected to contribute to research on song lyric translation and provide insight for translators in adapting songs across languages while maintaining their meaning, aesthetics, and musicality.
Social–cultural impacts of Bugis-Makassar diaspora in Malaysia (1666–1669) Nahdia Nur; Mahadirin Hj. Ahmad; Taqdir Taqdir
LITE: Jurnal Bahasa, Sastra, dan Budaya Vol. 22 No. 1 (2026): March
Publisher : Universitas Dian Nuswantoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/lite.v22i1.15886

Abstract

This study investigates the Bugis–Makassar diaspora in Malaysia during 1666–1669 and its role in shaping socio-cultural relations in the Malay Peninsula. The research aims to identify the factors driving the migration, describe the settlement and interaction patterns that formed in the region, and analyze the long-term socio-cultural impacts of the diaspora. Using a qualitative method with a historical and descriptive-analytical approach, the study draws on primary sources such as colonial archives, historical documents, and manuscripts, supported by secondary sources including scholarly books and academic studies. Data were examined through heuristics, source criticism, interpretation, and historiography. The results show that the Bugis–Makassar diaspora developed extensive settlement and trade networks in major coastal centers such as Johor, Selangor, Kedah, and Riau. Their interactions with local Malay communities facilitated cultural exchange through intermarriage, shared traditions, and the emergence of hybrid identities. The diaspora also strengthened regional economic activity through maritime trade, resource management, and the transfer of navigational and craftsmanship knowledge. These processes produced lasting socio-cultural linkages between Indonesia and Malaysia, visible in shared cultural practices and intergenerational continuity within Bugis communities in Malaysia. The originality of this study lies in its comprehensive historical analysis that positions diaspora as a transformative socio-cultural force rather than a mere population movement, offering insights into the role of migration in shaping long-term regional connections in Southeast Asia.
ANALISIS MAKNA POLISEMI VERBA MIRU DALAM BAHASA JEPANG Kasmawati kasmawati; Taqdir Taqdir
IZUMI Vol 13, No 2 (2024): December
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.13.2.124-142

Abstract

<p>The purpose of this research is to analyze the polysemic meanings of the Japanese verb <em>miru</em>. This study examines the lexical and grammatical variations of <em>miru</em>, focusing on its meanings as described in the <em>Daijirin</em> dictionary and contextualized through examples in the Japanese novel <em>Totto-chan</em>, which has been translated directly into Indonesian. Using a qualitative approach, this research applies descriptive and interpretative analysis to explore how <em>miru</em> operates across different contexts and nuances within the novel. The findings reveal that <em>miru</em> encompasses a wide range of meanings, from visual perception to deeper conceptual and introspective senses, which are sometimes untranslatable without losing meaning in the source language. This research highlights the complexities of Japanese polysemy and contributes to a deeper understanding of linguistic nuances in Japanese, emphasizing the importance of context in translation and interpretation. </p><p><span lang="id"> </span></p><p> </p> <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor