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All Journal HUMANIKA LITE: Jurnal Bahasa, Sastra, dan Budaya IZUMI Lingua Cultura JURNAL ILMU BUDAYA Aksara EDUVELOP (Journal of English Education and Development) Kiryoku: Jurnal Studi Kejepangan Japanese Research on Linguistics, Literature, and Culture Pustaka : Jurnal Ilmu-Ilmu Budaya J-Litera; Jurnal Kajian Bahasa, Sastra dan Budaya Jepang Mezurashii: Journal of Japanese Studies NAWA: Journal of Japanese Studies Journal of Language Education Studies and Applied Linguistics (JoLESAL)
Taqdir Taqdir
Universitas Hasanuddin
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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Analisis Teknik Penerjemahan dalam Lirik Lagu "Arjuna" dan "Bento" Versi Jepang A. Alfandy Jaharuddin; Kasmawati Kasmawati; Taqdir Taqdir
Mezurashii: Journal of Japanese Studies Vol. 7 No. 1 (2025): APRIL
Publisher : Japanese Department Faculty of Cultural Science Universitas 17 Agustus 1945 Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30996/mezurashii.v7i1.12913

Abstract

Song lyric translation is a complex process that involves not only linguistic aspects but also musicality and cultural acceptability in the target language. This study aims to analyze the translation techniques used in the Japanese versions of the songs Arjuna and Bento, based on Molina and Albir’s (2004) translation techniques. A qualitative descriptive method was employed, with textual analysis conducted on the original Indonesian lyrics and their Japanese translations. The findings reveal that 13 translation techniques were utilized in both songs, with different dominant techniques corresponding to the characteristics of each song. Arjuna, which has a romantic and poetic theme, predominantly employs established equivalence, amplification, and transposition to preserve the song’s aesthetics and emotional meaning. In contrast, Bento, which carries a strong social critique, primarily employs modulation, adaptation, reduction, and linguistic compression to align its meaning with Japanese expressive norms. These findings suggest that in song lyric translation, the choice of translation techniques is significantly influenced by the song’s theme, syntactic structure, rhythm, and cultural acceptability in the target language. This study is expected to contribute to research on song lyric translation and provide insight for translators in adapting songs across languages while maintaining their meaning, aesthetics, and musicality.
Social–cultural impacts of Bugis-Makassar diaspora in Malaysia (1666–1669) Nahdia Nur; Mahadirin Hj. Ahmad; Taqdir Taqdir
LITE: Jurnal Bahasa, Sastra, dan Budaya Vol. 22 No. 1 (2026): March
Publisher : Universitas Dian Nuswantoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/lite.v22i1.15886

Abstract

This study investigates the Bugis–Makassar diaspora in Malaysia during 1666–1669 and its role in shaping socio-cultural relations in the Malay Peninsula. The research aims to identify the factors driving the migration, describe the settlement and interaction patterns that formed in the region, and analyze the long-term socio-cultural impacts of the diaspora. Using a qualitative method with a historical and descriptive-analytical approach, the study draws on primary sources such as colonial archives, historical documents, and manuscripts, supported by secondary sources including scholarly books and academic studies. Data were examined through heuristics, source criticism, interpretation, and historiography. The results show that the Bugis–Makassar diaspora developed extensive settlement and trade networks in major coastal centers such as Johor, Selangor, Kedah, and Riau. Their interactions with local Malay communities facilitated cultural exchange through intermarriage, shared traditions, and the emergence of hybrid identities. The diaspora also strengthened regional economic activity through maritime trade, resource management, and the transfer of navigational and craftsmanship knowledge. These processes produced lasting socio-cultural linkages between Indonesia and Malaysia, visible in shared cultural practices and intergenerational continuity within Bugis communities in Malaysia. The originality of this study lies in its comprehensive historical analysis that positions diaspora as a transformative socio-cultural force rather than a mere population movement, offering insights into the role of migration in shaping long-term regional connections in Southeast Asia.
ANALISIS MAKNA POLISEMI VERBA MIRU DALAM BAHASA JEPANG Kasmawati kasmawati; Taqdir Taqdir
IZUMI Vol 13, No 2 (2024): December
Publisher : Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/izumi.13.2.124-142

Abstract

<p>The purpose of this research is to analyze the polysemic meanings of the Japanese verb <em>miru</em>. This study examines the lexical and grammatical variations of <em>miru</em>, focusing on its meanings as described in the <em>Daijirin</em> dictionary and contextualized through examples in the Japanese novel <em>Totto-chan</em>, which has been translated directly into Indonesian. Using a qualitative approach, this research applies descriptive and interpretative analysis to explore how <em>miru</em> operates across different contexts and nuances within the novel. The findings reveal that <em>miru</em> encompasses a wide range of meanings, from visual perception to deeper conceptual and introspective senses, which are sometimes untranslatable without losing meaning in the source language. This research highlights the complexities of Japanese polysemy and contributes to a deeper understanding of linguistic nuances in Japanese, emphasizing the importance of context in translation and interpretation. </p><p><span lang="id"> </span></p><p> </p> <a href="https://gb777info.com">gb777</a><a href="https://pajak.blitarkota.go.id/uploads/profile/">gb777</a><a href="https://baak.uika-bogor.ac.id/uploads/">slot gacor</a><a href="https://siadmin.baak.uika-bogor.ac.id/files/images/">gb777</a><a href="https://jdih.dprd-pemalangkab.go.id/">gb777</a><a href="https://disnakertrans.bungokab.go.id/">GB777</a><a href="https://jdih.bungokab.go.id/">GB777</a>slot gacorslot gacor
Representasi Androgini dalam Tokusatsu Kamen Rider Gavv: Analisis Semiotika Charles Sanders Peirce Muh. Taufiq Yahya; Taqdir taqdir
NAWA: Journal of Japanese Studies Vol. 3 No. 2 (2026): September 2026
Publisher : Departemen Sastra Jepang, Fakultas Ilmu Budaya, Universitas Hasanuddin

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69908/5v0t7a63

Abstract

This study examines the representation of androgyny in the character Jiip in the tokusatsu series Kamen Rider Gavv. Androgyny refers to a condition in which masculine and feminine traits are integrated within a single individual, and in the case of Jiip this integration is reflected in both physical appearance and speech style. This study aims to explain how visual and linguistic elements used in the characterisation of Jiip represent the concept of androgyny based on Charles Sanders Peirce's theory of semiotics. A descriptive qualitative approach was employed, with data collected by observing the series and recording visual elements as well as Jiip's use of sentence-final particles (shuujoshi). The data were analysed through Peirce's semiotic triad, namely representamen, object, and interpretant. The results show that Jiip's androgynous representation appears in two main aspects. Visually, Jiip is depicted with long hair, dresses and skirts, and soft body movement, while still retaining sharp facial features associated with masculinity. Linguistically, Jiip frequently uses feminine sentence-final particles such as no (の) and ne (ね) to express confusion, disappointment, and desire. Although biologically male, Jiip adopts a feminine speech style, while his role as an antagonist also displays assertive and forceful traits typically coded as masculine. The study concludes that Jiip represents androgyny through the interplay of visual and linguistic elements, reflecting the freedom of individuals to express themselves beyond conventional gender boundaries in contemporary Japanese society.
Co-Authors A. Alfandy Jaharuddin Adnan Saputra Agus Suryadimulya Aladdin, A. Muhammad Nurfitrah Insan Alghifari, Muhammad Faiz Asri, Rina Afdhaliah Ayu Gardenia Lantang B.S. Maturbongs, Winona Raissa Baehaqi Ery, Anda Prasetyo Fajrin, Muh. Farhan Firdaus, Muhammad Fithyani Anwar Gosal, Squal William Huzain, Nurimam Alfian Kasmawati Kasmawati Mahadirin Hj. Ahmad Masdiana Masdiana Muh. Taufiq Yahya Muhammad Arfin Muhammad Salim Muhammad Faiz Alghifari Nahdia Nur Nani Sunarni Nurfitri Nurfitri, Nurfitri Nurhikmah Nurhikmah Nursakinah, Nursakinah Nursidah Nursidah Nursidah Nursidah Pandu Satria Mandala Putra Putri, Tiara Rosmika Renold Renold Renold Yusri, Muh. Haizam