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All Journal SURYA SENI Harmonia: Journal of Research and Education Jurnal Kajian Bali IJCAS (International Journal of Creative and Arts Studies) MUDRA Jurnal Seni Budaya Panggung Proceeding Journal of Music Science, Technology, and Industry (JOMSTI) JOURNAL SCIENTIFIC OF MANDALIKA (JSM) Jurnal Ilmiah Raflesia Akuntansi Jurnal Desain Komunikasi Visual Nirmana Arthaniti Studies Journal of Aesthetics, Creativity and Art Management Prosiding Seminar Nasional Pascasarjana Proceeding of International Conference on Science, Education, and Technology Enrichment: Journal of Multidisciplinary Research and Development Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni Panggung
I Wayan Adnyana
Institut Seni Indonesia Denpasar
Religion Arts Humanities Economics, Econometrics & Finance Education Engineering Health Professions Languange, Linguistic, Communication & Media Social Sciences Other

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Tension-Pleasure and Education Values of the Meta-Figurative of Indonesian Contemporary Paintings Adnyana, I Wayan Kun; Totton, Mary Louise; Remawa, Anak Agung Gede Rai; Muka, I Ketut; Ruta, I Made; Wirakesuma, I Nengah; Kondra, I Wayan; Suardana, I Wayan; Sugita, I Ketut Adi
Harmonia: Journal of Arts Research and Education Vol 23, No 1 (2023): June 2023
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v23i1.41296

Abstract

Meta-figurative is a physical aesthetic discourse that reaches beyond the physical beauty of ideal bodies (skeletal construction, muscles, and skins). The interpretation approaches used new criticism, according to Culler (2001), that goal to identify what the works repress or illuminate by concealing and portraying society and social attitudes. Meta-figurative encompasses exploration pertaining to the interchangeable position and condition between tensions and pleasures of bodies in the social space. Fifteen Indonesian contemporary artists are: Mangu Putra, Entang Wiharso, Chusin Setiadikara, Agus Suwage, FX Harsono, Ivan Sagito, Heri Dono, Ronald Manulang, Nyoman Masriadi, Nyoman Erawan, Putu Sutawijaya, Laksmi Sitaresmi, Made Djirna, Ugo Untoro, and Bob Sick Yuditha have been conducting creative efforts and questioning about matters of the bodies’ position in the public space, conducting current interpretation through personal artistic and aesthetical language. There are five representation tendencies of meta-figurative paintings thematically, artistic images, and visual meanings: marginalized bodies, fictionalized bodies, bodies of expression, autobiographical bodies, and beyond famous portraits. Indonesian contemporary artists have made figurative subjects in their paintings to make statements, self-reflections, and moral voices of their country’s socio-political conditions, which are educational values of Indonesian Contemporary Paintings in social meaning. Poverty, corruption, and anti-democracy practices still part of Indonesian daily realities are area protests for contemporary artists.
Arena Seni Pita Maha: Ruang Sosial dan Estetika Seni Lukis Bali 1930‘an I Wayan ‘Kun’ Adnyana
PANGGUNG Vol 25 No 3 (2015): Ekspresi, Makna dan Fungsi Seni
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v25i3.22

Abstract

Sejak akhir 1920-an di Ubud dan sekitarnya berlangsung praktik seni lukis dalam ruang interaksi dan dialog yang sangat intensif antara pelukis remaja, pelukis senior, patronase puri Ubud dan pelukis Barat. Praktik seni ini kemudian berkembang pesat menjadi arena seni bernama Pita Maha. Pita Maha diumumkan berdiri resmi 29 Januari 1936, mengakomodasi berbagai komponen art world di Bali, di antaranya galeri, kritikus dan kurator. Adapun tujuan dari kajian ini adalah untuk mengidentifikasi arena seni dan estetika Pita. Kajian dilakukan dengan pendekatan sosiologi Bourdieu tentang field (arena), dan hermeneutika mendalam (depth-hermeneutics) Thompson. Kajian ini menemukan berbagai capaian arena seni Pita Maha. Estetika Pita Maha adalah  ‘Spiritualisme’ yang kemudian dilanggengkan sebagai ideologi estetika. Estetika yang secara tegas mengeksplorasi tema dan pandangan subjektif tentang hubungan Tuhan dan manusia dalam artistik dan stilistik seni lukis Bali yang baru.Kata kunci: Arena Seni , Estetika Pita Maha.
The Comparison of the Baroque and Renaissance Aesthetics Paintings of “The Last Supper” by Caravaggio and Leonardo da Vinci I Wayan Kun Adnyana
PANGGUNG Vol 27 No 4 (2017): Comparison and Development in Visual Arts, Performing Arts, and Education in Con
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v27i4.292

Abstract

Abstract The paintings of Caravaggio’s and Leonardo da Vinci’s “The Last Supper” are two iconic art works from two maestros in different era. Caravaggio is one of the fame Baroque’s artists and da Vinci is the most famous Renaissance man, who created the same theme of painting: The Last Supper. The theme represents the story of Christ’s supper. Through an inductive view, this comparative study analyzes the aesthetic structures of both paintings, by using Feldman’s perspective (Art as Image and Idea (1967). The analysis includes visual structures: line, form, darkness-lightness; elements of organization: unity, balance, rhythm, and proportion; and elements of perception and aesthetic: empathy and a psychic distance. The result of this research discovers two different perspectives of aesthetic characteristics of Baroque and Renaissance pantings.Key words: Baroque, Caravaggio, Leonardo da Vinci, Renaissance, The Last Supper.
Milestone Dan Makna Ornamen Puri Agung Karangasem Dalam Persfektif Hermeneutika Laba, I Nyoman; Adnyana, I Wayan; Muka, I Ketut; Suardana, I Wayan; Gede Artayani, Ida Ayu
PANGGUNG Vol 35 No 1 (2025): Wacana Seni dalam Identitas, Simbol, Pendidikan Karakter, Moral Spiritual dan Pr
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v35i1.3632

Abstract

The architecture of Puri Agung Karangasem shows important achievements in architectural progress and the trajectory of the meaning of ornaments shows the acculturation of Balinese, Chinese, and European cultures. Researchers have not found research on the milestones and meaning of ornaments in the Puri. The purpose of this research is to explain the important historical achievements and the meaning of architectural ornaments of Puri Agung Karangasem. A qualitative descriptive method is implemented to explain the milestones and meaning of architectural ornaments of Puri Agung Karangasem. Hermeneutic theory is used as an approach to uncover the historicity and interpretation of the meaning of the architectural ornaments of the Puri. Data collection techniques include observation, interviews and documentation, while as a source of data are ornaments on palace architecture, cultural experts, community leaders, and as key informants of Penglingsir Puri and Abdi Dalem Puri. The results of the study show that the architecture of Puri Agung Karangasem has a very important meaning and achievement in the history of Bali, especially in the context of the kingdom. The forms of ornaments found in Puri Agung Karangasem can be distinguished into three, namely ornaments in traditional Balise, Chinese and European styles, resulting in a combination of typical ornamental forms of Puri Agung Karangasem. From a hermeneutic perspective, these ornaments are signs that refer to certain aspects of social, religious, and political life in Bali, especially the kingdom of Karangasem. In addition, the ruler of Puri Agung Karangasem in ancient times had a fairly good cultural relationship with people from China and Europe, as reflected in the visualization of ornaments integrated into the architecture of the Puri.
Seni Bertutur sebagai Medium Dialog: Menghubungkan Tradisi dan Inovasi dalam Seni Pertunjukan Kontemporer Indonesia Fauziah Shahab; I Wayan Adnyana; Ida Ayu Trisnawati; I Gusti Putu Sudarta
Journal Scientific of Mandalika (JSM) e-ISSN 2745-5955 | p-ISSN 2809-0543 Vol. 6 No. 10 (2025)
Publisher : Institut Penelitian dan Pengembangan Mandalika Indonesia (IP2MI)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36312/10.36312/vol6iss10pp4001-4010

Abstract

The art of storytelling, as one of Indonesia's rich cultural heritages, plays a crucial role in transmitting the values, norms, and collective identity of society. This study aims to explore the function of the art of storytelling as a medium of dialogue in the context of contemporary performing arts, focusing on how traditional elements can be integrated with modern innovations to create a profound aesthetic experience. Using a qualitative approach, this study analyzes several performances that successfully combine the art of storytelling with contemporary elements, as well as their impact on cultural preservation and strengthening local identity. The results of this study indicate that the art of storytelling functions not only as a means of entertainment but also as a tool for social reflection that can connect different generations. These performances create a space for dialogue that allows audiences to engage emotionally and intellectually, and encourages discussion on relevant issues in society. Thus, this study contributes to the understanding of the importance of the art of storytelling in preserving and celebrating Indonesia's cultural heritage, as well as its role in responding to the challenges of globalization and social change.
Penggabungan Digital Printing Hijab Motif Endek Dengan Tie Dye Eksplorasi Gaya Busana Muslimah Shafa, Naura Taqyna; Adnyana, I Wayan; Karja, I Wayan
CITA KARA : JURNAL PENCIPTAAN DAN PENGKAJIAN SENI MURNI Vol 5 No 2 (2025): Cita Kara: Jurnal Penciptaan dan Pengkajian Seni Murni
Publisher : Program Studi Seni Murni ISI Bali

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/ctkr.v5i2.4454

Abstract

The use of Muslim clothing, especially in using hijab, has become an art trend carried out by a fashion connoisseur. Uniqueness in terms of motifs contained in the hijab can be used as a fashion item that is often used. In this case, the motif used in the hijab is designed using endek motifs with coloring using tie dye techniques that can add aesthetics to clothing and fashion lovers and the public can get to know more about endek motifs, and can preserve the culture that comes from their respective regions. The process of creating this work uses technology that can facilitate the next process, namely by using digital printing technology on the hijab cloth that has been designed through the process of experimentation, exploration, and observation. The use of endek motifs in hijab design emphasizes several motifs in endek woven fabric. The resulting works are 6 (six) hijab works that have been printed using endek motifs and the results with coloring using tie dye coloring techniques which have their own uniqueness with coloring results that can be intentional or unintentional. The final result of this work is expected to encourage the community in preserving and disseminating their culture, can increase the diversity of motif designs on the hijab, especially in traditional motifs, can help in the needs of dressing, especially in Muslim clothing, and can provide a variety of hijab designs, and can give a new impression to the connoisseurs of Muslim fashion.
Keberagaman Gender Dan Pelaporan Keberlanjutan: Kajian Literatur Atas Pengaruh Di Tingkat Direksi I Wayan Adnyana; I Putu Andika Pratama; Ni Wayan Lady Andini; Ni Putu Nita Sri Natih
Jurnal Ilmiah Raflesia Akuntansi Vol. 11 No. 2 (2025): Jurnal Ilmiah Raflesia Akuntansi
Publisher : Politeknik Raflesia Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53494/jira.v11i2.908

Abstract

This research aims to explore the relationship between gender diversity on boards of directors and corporate sustainability performance through a literature review analysis. The research methodology employs a literature review approach by examining 11 relevant articles related to the impact of gender diversity on sustainability report disclosure, using inclusion criteria such as article type, methodology, and topic relevance. The analysis results show diverse findings, with most articles stating that gender diversity has a positive impact on sustainability reporting, especially in industrial sectors with high exposure to social and environmental issues. However, some studies also found no significant impact, especially in regions with a strong patriarchal culture, such as Indonesia. The conclusion of this study emphasizes the importance of increasing women's representation in corporate governance to maximize sustainability performance and more transparent disclosures.
Effectiveness of VR Technology in the Design of the Bali Megarupa V Virtual Exhibition Sutanto, Shienny Megawati; Wardaya, Marina; Setia Budi, Hutomo; I Wayan, Adnyana
Mudra Jurnal Seni Budaya Vol 39 No 4 (2024)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v39i4.2904

Abstract

Virtual exhibitions offer a promising avenue for art appreciation in the digital age. However, limited research explores how these online spaces can foster emotional connections with art, a crucial aspect of the art experience. This study investigates the potential of immersive virtual reality (VR) to enhance engagement and emotional impact in virtual art exhibitions. Employing a multi-method approach combining literature review, user testing, and prototype development, the research identifies and evaluates design elements contributing to increased user engagement. This research employed a multi-method approach to understand how users engage with virtual art exhibitions. The study identified and evaluated the impact of specific design elements on user engagement by combining a literature review, user testing with a VR prototype, and subsequent analysis. The study focuses on critical elements like interactivity, personalization, storytelling, and multi-sensory experiences. User testing with 55 participants revealed the effectiveness of immersive design in fostering exploration, contemplation, and a sense of presence in the virtual space. This immersive design is the strategic integration of elements like interactivity, personalization, and storytelling within the VR environment. The research underscores the significance of immersive design, defined as the strategic integration of design elements to cultivate an emotional connection within a VR environment. This encompasses aspects like interactivity, personalization, and the incorporation of storytelling within the experience. Finally, the study offers practical recommendations for curators and designers to create virtual art experiences that resonate more deeply with audiences.
Transformation of Wayang Painting Art: a Study of I Made Yasana’s Works from Tradition to Contemporary Sundari, Komang Nelly; Adnyana, I Wayan Kun; Mudana, I Wayan; Setem, I Wayan
Enrichment: Journal of Multidisciplinary Research and Development Vol. 3 No. 8 (2025): Enrichment: Journal of Multidisciplinary Research and Development
Publisher : International Journal Labs

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55324/enrichment.v3i8.541

Abstract

I Made Yasana is one of the Balinese painters known for his exploration of traditional wayang forms that are creatively processed into contemporary works. This research aims to examine Yasana's painting style, its aesthetic change from tradition to modernity, and the visual uniqueness that marks its artistic identity. The research method used is qualitative descriptive with an aesthetic approach and style analysis. The results of the study show that Yasana's work displays an interesting transition between the symbolic values of classical puppetry and the freedom of form and color typical of modern art. Yasana manages to create a bridge between Bali's cultural heritage and the global art context through the reinterpretation of puppet iconography into a dynamic and expressive visual form.
Tiga Tipe Praktik Sosial dan Gaya Visual Pelukis Barat di Bali I Wayan Adnyana
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 9 No. 1 (2019): WACANA KRITIS BUDAYA BALI
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2019.v09.i01.p03

Abstract

This article studies the social practices of Western painters in Bali based on Orientalism perspective, a Western style for dominating, restructuring, and having authority over the Orient. The painters who were sampled were those who represented in each wave of arrival: (a) 1930-1940s (Spies, Bonnet, Hofker and Le Mayeur), (b) 1950-1980s (Blanco, Smit and G. Couteau), and (c) 1990-present (Hirst, Sciascia and Bickerton). Three types of social practices were found: (1) consciously decide to dissolve with the interaction of Balinese painters, which further produce visual artistic appropriations between the two parties; (2) make Bali only as their work studios based on various specific considerations, the visual style of the work becomes the dominant discourse—Bali is only a mere object or locus; (3) decide to marry Balinese women, some even become Indonesian citizens, established authority over mini Bali in the families they build, visual styles tended to be Bali portraits.
Co-Authors Agus Cahyono Agus Cahyono Agustinus Sani Aryanto Anak Agung Gde Bagus Udayana Arba Wirawan, I Komang Artayani, Ida Ayu Gede Darmayuda, I Komang Drs. I Wayan Mudana,M.Si. . Fauziah Shahab Giri Nugraha Hartono Hartono Harum Sunya Iswara Hutomo Setia Budi I Ketut Adi Sugita I Ketut Muka I Made Bendi Yudha, I Made Bendi I Nengah Wirakesuma, I Nengah I Nyoman, suardina I Putu Andika Pratama I Wayan Setem, I Wayan I Wayan Suardana I Wayan Swandi Ida Ayu Trisnawati, Ida Ayu Ketut Sumerjana, Ketut Komang Nelly Sundari Kondra, I Wayan Laba, I Nyoman Marina Wardaya Muhammad Jazuli Muhammad Jazuli Ni Luh Desi In Diana Sari, Ni Luh Desi In Ni Nyoman, Murniasih Ni Putu Nita Sri Natih Ni Wayan Ardini, Ni Wayan Ni Wayan Lady Andini Pande Putu Ogy Mega Sanjaya Pande Putu Yogi Arista Pratama Pande Putu Yogi Arista Pratama Prasetyo, Guntur Eko Remawa, Anak Agung Gede Rai Ruta, I Made Sadewa, Kadek Ian Gangga Shafa, Naura Taqyna Shienny Megawati Sutanto Sudarta, I Gusti Putu Susanthi, Nyoman Lia Totton, Mary Louise Warananingtyas Palupi Wayan Karja