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Journal : Jurnal Rupa

Relasi Popularitas Jeans dan Musik Rendy Pandita Bastari; Patra Aditia; Atria Nuraini Fadilla
JURNAL RUPA Vol 4 No 2 (2019): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v4i2.2311

Abstract

In the 19th century jeans were popular among the lower classes, this transmitted to the upper classes that made jeans as a commodity. The social class shift made Jeans as part of popular culture which was then consumed in Indonesia along with television shows, magazines and films. The process of data collecting and field observations was carried out at two popular shopping malls in the city of Bandung, Cihampeas Walk and Paris Van Java. These observations strengthened by sub-cultural and musical analysis and popular culture in Indonesia. The findings of this study are that music has influenced the popularity of jeans models for decades, music lovers and popular culture constitute the majority who have an ideology about a goal that forms their own aesthetics. This finding is closely related to the position of Bandung which has always been known as a trendsetter city in Indonesia.
Deep Fear : The Digital Art Making Based On The Psychological Reaction of Pandemic Phenomenon Rendy Pandita Bastari; Iqbal Prabawa Wiguna
JURNAL RUPA Vol 7 No 2 (2022): Open Issue
Publisher : Telkom University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25124/rupa.v7i2.4741

Abstract

The Covid 19 pandemic is causing global fall down in almost every aspect, from health, economic, culture, and without exception, psychology, more specifically, on fear. Recent study on psychological impact concluded that specific groups from specific socio-demographic variables would act differently based on their fear of the disease. Every specific group have it’s priorities to survive the pandemic. The mass media also plays a role in driving the fear of people, reported and exaggerating information on the disease. This paper aims to give an artistic approach and respond of the pandemic situation through digital painting and serve as visual artefact of the 2020 pandemic. The method used during the creation process is literature studies on several case studies and relevant theories. The creation begins with phenomenon observation, theoretical approach, conceptualization, and finalizing. The result of the artwork conceptually is that essentially that people fear the most is death which is what being represented through the artwork.