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All Journal Jurnal Bahasa dan Sastra LITE: Jurnal Bahasa, Sastra, dan Budaya Abdimas Lingua Jurnal Bahasa dan Sastra Register Journal Kamaya: Jurnal Ilmu Agama JP-BSI (Jurnal Pendidikan Bahasa dan Sastra Indonesia) Jurnal Onoma: Pendidikan, Bahasa, dan Sastra Stilistika: Jurnal Pendidikan Bahasa dan Sastra Titian: Jurnal Ilmu Humaniora Jurnal Praksis dan Dedikasi Sosial Community Development Journal: Jurnal Pengabdian Masyarakat Varia Humanika Kawruh : Journal of Language Education, Literature and Local Culture KLITIKA Jurnal Ilmiah Pendidikan Bahasa dan Sastra Indonesia Jurnal Genre (Bahasa, Sastra, dan Pembelajarannya) Journal of Education Research Jurnal Locus Penelitian dan Pengabdian Wen Chuang: Journal of Foreign Language Studies, Linguistics, Education, Literatures, Cultures, and Sinology Widyaparwa International Journal of Multidisciplinary Sciences Riwayat: Educational Journal of History and Humanities Sutasoma : Jurnal Sastra Jawa Varia Humanika
Prembayun Miji Lestari
Universitas Negeri Semarang (UNNES)
Religion Aerospace Engineering Agriculture, Biological Sciences & Forestry Arts Humanities Automotive Engineering Biochemistry, Genetics & Molecular Biology Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Economics, Econometrics & Finance Education Electrical & Electronics Engineering Engineering Environmental Science Health Professions Immunology & microbiology Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Public Health Social Sciences Other

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Analisis Wacana Kritis Lagu “Wong Sepele” Ndarboy Genk: Dinamika Sosial Masyarakat Jawa Sari, Maul Ratna; Lestari, Prembayun Miji
Journal of Education Research Vol. 5 No. 4 (2024)
Publisher : Perkumpulan Pengelola Jurnal PAUD Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37985/jer.v5i4.1592

Abstract

Lagu “Wong Sepele” merupakan salah satu karya musik pop Jawa yang dipopulerkan oleh Ndarboy Genk menggambarkan tema pengabaian sosial dan bagaimana seseorang yang dipandang rendah. Penelitian ini menggunakan analisis wacana kritis model Teun A. Van Dijk. Bertujuan: pertama, menganalisis struktur makro, mikro, dan superstruktur; kedua, menganalisis kognisi sosial serta konteks sosial yang terdapat pada lagu. Metode yang digunakan yaitu deskriptif kualitatif. Hasil penelitian ini, terdapat unsur-unsur struktur wacana saling berkaitan dalam membongkar unsur kekuasaan pada lirik lagu. Ditemukan struktur makro mengangkat tema pengabaian sosial, superstruktur terdapat elemen-elemen dalam membentuk pemahaman lagu. Struktur mikro terdapat aspek-aspek linguistik yang memberikan wawasan bahasa dalam menyampaikan kritik sosial dan membangun makna lagu. Kognisi sosial ditemukan bahwa lagu ini merupakan kisah perjalanan pengarang mengandung ketidakadilan dan skema sosial, dengan pengulangan frasa “Wong Sepele” menekankan tema tersebut. Konteks sosial terdapat elemen kekuasaan  yang menggambarkan marginalisasi dan ketidaksetaraan setiap individu, menjadikan daya tarik bagi pendengar lagu terutama penikmat lagu Jawa yang menjadikan lagu relevan pada kisah perjalananya.
Tanduk Prayer in a Traditional Event in Sendangcoyo Village, Lasem District, Rembang Regency: An Ethnolinguistic Study Yusuf Margono; Dyah Kurnia, Ermi; Miji Lestari, Prembayun
Sutasoma : Jurnal Sastra Jawa Vol. 13 No. 2 (2025): Sutasoma: Jurnal Sastra Jawa
Publisher : Program Studi Sastra Jawa, Fakultas Bahasa dan Seni, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/sjsj.v13i2.30413

Abstract

Tanduk is a series of activities carried out before the start of a traditional ceremony to bring blessings. This study uses an ethnolinguistic approach to examine the recitation of tanduk prayers as a verbal expression in the traditional ceremonies of the Sendangcoyo Village community, Lasem Subdistrict, Rembang Regency. The tanduk prayer is a conventional form of speech rich in spiritual, symbolic, and local cultural content. The research method used is qualitative descriptive, with data collection techniques including observation, interviews, and documentation. The primary data consists of the text of the tanduk prayer obtained from local traditional figures, which was then analyzed using an ethnolinguistic approach. The study results indicate that the tanduk prayer has a distinctive linguistic structure, consisting of Javanese krama sentences with a repetitive style. The primary function of this prayer is as a medium for requesting safety and spiritual protection during traditional rituals. Additionally, the tanduk prayer contains local knowledge systems regarding life after death, spiritual hierarchy, and the relationship between humans, nature, and ancestors. Through this tanduk prayer, the community collectively builds awareness of the values of life that have been passed down through generations. Thus, the tanduk prayer is a religious practice and a living archive of the spirituality and cultural identity of the Sendangcoyo community.
Structure Register of Javanese Preachers in Social Media Miji Lestari, Prembayun; Mujimin, Mujimin; Nugroho, Yusro Edy; Irawati, Retno Purnama
International Journal of Multidisciplinary Sciences Vol. 3 No. 4 (2025)
Publisher : Jayapangus Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37329/ijms.v3i4.3899

Abstract

Language variations that correlate with social variations in society are interesting and important studies to do. One of the social variations that shows the dynamics of language is the use of Javanese by religious preachers. This study aims to describe and classify the structure and characteristics of registers used by Javanese preachers in social media. The theory used is the language register theory from Halliday and discourse structure. The source of the data comes from the utterances of Javanese-language preachers on Youtube, especially on the Anza channel. KH. Anwar Zahid. The research was conducted using a descriptive qualitative approach. The process of collecting data through observation and listening methods with note-taking techniques. The research data is in the form of words containing registers that show the structure and characteristics of Javanese preachers on YouTube social media. The results of the study show that there is a structure and register characteristics used by Javanese preachers on social media, especially on the anza channel KH. Anwar Zahid. The structure of the register of Javanese-language preachers on the social media Youtube channel KH. Anwar Zahid can be seen in the opening structure, content or core structure, and closing structure. Each of these structures has a register shape that is not the same. The structure of the registers of Javanese preachers studied show that dominant vocabulary or discourse related to Islamic religion emerges and Javanese culture. In addition, it was found that there were specific greeting words, unique abbreviations, humor or jokes that showed the closeness between the congregation and the preacher, namely KH. Anwar Zahid.
Peningkatan Kompetensi Profesi dan Ekonomi Kreatif Bagi Para Guru Melalui Aplikasi Digital TikTok di Kabupaten Klaten Miji Lestari, Prembayun; Purnama Irawati, Retno; Dzulfikar Al Faruq, Muhammad; Duaty, Indira
Varia Humanika Vol. 6 No. 2 (2025)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/vh.v6i2.40096

Abstract

Penggunaan aplikasi digital kini menjadi tuntutan dalam mendukung profesionalitas kinerja di berbagai sektor, termasuk profesi guru yang memerlukan kompetensi keterampilan digital. Di sekolah sasaran pengabdian, masih banyak guru yang gagap teknologi dan kurang memanfaatkan inovasi digital terbaru. Sementara itu, siswa sangat akrab dengan teknologi, khususnya platform TikTok yang tengah populer. Untuk menjawab permasalahan tersebut, kegiatan pengabdian kepada masyarakat ini menawarkan pelatihan interaktif pemanfaatan TikTok guna meningkatkan kompetensi profesional, performa kerja, dan potensi ekonomi kreatif para guru. Pelatihan ini bertujuan melatih para guru agar mampu memanfaatkan TikTok secara maksimal sebagai media pembelajaran yang menarik dan inovatif. Materi mencakup pengenalan serta pembuatan akun TikTok, teknik membuat konten edukatif yang kreatif, strategi meningkatkan interaksi audiens, serta monetisasi konten sebagai peluang tambahan penghasilan. Selain teori, kegiatan juga berfokus pada praktik langsung melalui workshop, diskusi kelompok, pembuatan video edukatif, dan siaran langsung. Melalui kegiatan ini, guru diharapkan mampu meningkatkan kualitas pembelajaran, memperluas promosi lembaga pendidikan, serta beradaptasi dengan perkembangan teknologi digital. Hasil kegiatan diharapkan memberi inspirasi bagi guru lain untuk lebih kreatif dan produktif di era digital. Target luaran meliputi publikasi artikel pada jurnal Varia Humanika, rilis berita di media massa online (sudah terealisir), unggahan video kegiatan di TikTok (sudah ada), serta luaran kegiatan yang di-Hak Kekayaan Intelektual (HKI)-kan (sudah terwujud).
Pasemon dalam Dakwah Digital di YouTube: Sebuah Studi Sosiolinguistik atas Video KH. Anwar Zahid berjudul “Kapolda Jateng Kena Roasting” Febrian, Rahma; Lestari, Prembayun Miji; Kurnia, Ermi Dyah
Jurnal Bahasa dan Sastra Vol 14, No 1 (2026)
Publisher : Faculty of Languages and Arts, Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/jbs.v14i1.137424

Abstract

Although satire, roasting, and humor in digital media have attracted growing scholarly attention, most existing studies examine these phenomena in entertainment settings, general social media discourse, or broad communication contexts. By contrast, pasemon, a culturally grounded form of Javanese indirect satire, has largely been studied in relation to offline interaction, politeness, and everyday speech. Its role in digitally mediated religious discourse therefore remains underexplored. This study addresses that gap by investigating how pasemon operates in KH. Anwar Zahid’s digital da'wah on YouTube, with specific reference to the video “Kapolda Jateng Kena Roasting” on the Anza channel. Drawing on a sociolinguistic perspective and employing a qualitative descriptive design, the study analyzes utterances containing pasemon transcribed from a 1-hour-44-minute-55-second video. Data were collected through uninvolved observation and note-taking and examined using Miles and Huberman’s interactive model of analysis. The findings demonstrate that pasemon is organized through a three-part discourse structure consisting of an opening, a body, and a closing. Linguistically, it is realized through honorific and double forms of address, satirical humor, hyperbole, and lexical repetition, especially in references to institutional authority and moral-religious imagery. These features allow criticism to be conveyed indirectly while preserving respect, solidarity, and audience acceptability. The study contributes to international sociolinguistic discussions on indirectness, satire, and digital discourse by demonstrating how a local communicative practice is recontextualized and sustained in contemporary online religious communication.
Bahasa Kethoprak Wahyu Manggolo: Kajian sosiolinguistik Kriswanto, Yoga; Prembayun Miji Lestari
Jurnal Praksis dan Dedikasi Sosial Vol. 8 No. 2 (2025)
Publisher : Universitas Negeri Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.17977/um022v8i22025p378-390

Abstract

The language of Kethoprak Wahyu Manggolo: A sociolinguistic study Kethoprak is a form of traditional Javanese theater that serves not only as entertainment but also as a medium of communication and cultural preservation. This study is motivated by the limited number of works that examine linguistic aspects in kethoprak performances, particularly from a sociolinguistic perspective. It aims to investigate language variation in performances by Kethoprak Wahyu Manggolo through a sociolinguistic approach. The analysis focuses on varieties of Javanese, such as ngoko, krama madya, and krama alus, and on how their use reflects cultural values and social relations within Javanese society. The research employs a qualitative descriptive method, using non-participatory observation of dialogue in performance videos. The findings indicate that language variation is guided not only by linguistic norms, but also functions as a symbol of social status, a vehicle for emotional expression, and a means of conveying moral values and subtle social critique. The speech styles used by characters in the performances mirror a hierarchical social structure, power relations, and the cultural identity of Javanese society. This study underscores the importance of traditional performing arts as a medium for preserving language and local cultural values. Kethoprak merupakan salah satu bentuk teater tradisional Jawa yang tidak hanya berfungsi sebagai hiburan, tetapi juga sebagai media komunikasi dan pelestarian budaya. Penelitian ini dilatarbelakangi oleh belum banyaknya kajian yang menelaah aspek kebahasaan dalam pementasan kethoprak, khususnya dari sudut pandang sosiolinguistik. Penelitian ini bertujuan untuk mengkaji variasi bahasa dalam pementasan Kethoprak Wahyu Manggolo dengan pendekatan sosiolinguistik. Fokus kajian diarahkan pada bentuk-bentuk ragam bahasa Jawa seperti ngoko, krama madya, dan krama alus, serta bagaimana penggunaan bahasa tersebut mencerminkan nilai budaya dan relasi sosial masyarakat Jawa. Metode penelitian yang digunakan adalah deskriptif kualitatif dengan teknik observasi non-partisipatif terhadap dialog dalam video pementasan. Hasil penelitian menunjukkan bahwa penggunaan variasi bahasa tidak hanya mengikuti norma linguistik, tetapi juga berfungsi sebagai simbol status sosial, alat ekspresi emosi, dan sarana penyampaian nilai moral serta kritik sosial secara halus. Ragam bahasa yang digunakan tokoh-tokoh dalam pementasan mencerminkan struktur sosial yang hierarkis, relasi kekuasaan, dan identitas kultural masyarakat Jawa. Penelitian ini menegaskan pentingnya seni pertunjukan tradisional sebagai media pelestarian bahasa dan nilai budaya lokal.
Co-Authors Ar-Rasyid, Muhammad Harun Sayyid Ayu Rahmawati Aziz, Aniqotul Difla Amalia Duaty, Indira Dzulfikar Al Faruq, Muhammad Ermi Dyah Kurnia Ermi Dyah Kurnia Fateah, Nur Febrian, Rahma Febriana Ika W Fuadiyah, Ucik Himawatul Azmi Nur, Himawatul Azmi Iryani, Nur Hikmah Putri Jihan, Aqmal Kriswanto, Yoga Kurniawati, Bella Putri Laura Putri Nuraenny Lestari, Sri Indah Lestariningsih, Depi Marasti, Pinta Michelle Alpha Sabda Korintus Mujimin - Mujimin Mujimin Mujimin, Mujimin Nafilda, Natasya Febby Nur Fateah Nur Fateah Nur Fatehah Nur Fatehah Nur Ikhsan Nurkhikmah, Salsa Aulia Nurrahmawati, Tiyas Pintha Marasti Putri Zakiyyatul Miskiyyah Rahmawati, Nailur Retno Purnama Irawati Ria Riski Marsuki Rosady, Izma Ainur Sari, Maul Ratna Sriansah, Wahyu Subehi, Nanda Tri Sungging Widagdo Tristyesha, Lekas Ulya, Nita Wachidatul Widodo Widodo Yusro Edy Nugroho Yusuf Margono