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All Journal Interaksi : Jurnal Ilmu Komunikasi Dharmakarya : Jurnal Aplikasi Ipteks Untuk Masyarakat Jurnal Penelitian Komunikasi dan Opini Publik Jurnal SOLMA JURNAL KOMUNIKATIO Jurnal Kreativitas PKM Journal of Humanities and Social Studies Media Bahasa, Sastra, dan Budaya Wahana Jurnal Penelitian Sosial Ilmu Komunikasi International Journal of Research in Community Services Journal of Social Research Rudence: Rural Development for Economic Resilience Komunikologi: Jurnal Ilmiah Ilmu Komunikasi Amal Ilmiah: Jurnal Pengabdian Kepada Masyarakat Journal of Media and Communication
Dini Valdiani
Universitas Pakuan
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Energy Engineering Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Medicine & Pharmacology Nursing Public Health Social Sciences Other

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REPRESENTASI SISI KEMISKINAN DALAM FILM PARASITE (ANALISIS SEMIOTIKA CHARLES SANDERS PEIRCE) Nada Amalia Zain; Dini Valdiani; Tiara Puspanidra
Jurnal Penelitian Sosial Ilmu Komunikasi Vol 5, No 2 (2021): Volume 5 Nomor 2 Tahun 2021
Publisher : UNIVERSITAS PAKUAN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33751/jpsik.v5i2.4436

Abstract

Parasite (Korean: Gisaengchung) is a South Korean movie directed by Bong Joon-Ho. This movie, which is presented in 2019, is a dark humor film genre filled with tense scenes and dramas. Themes of social problems or problems that occur in South Korean society, namely poverty, are also presented in this movie. This research aims to analyze the poverty of a thriller drama movie. The meaning of poverty can be observed from several scenes through the relationship between signs and semiotic meanings using Charles Sanders Peirce's model with the concept of a triangle of meaning, namely sign, object and interpretant. Qualitative research in the form of Charles Sanders Peirce's semiotic analysis is used as a method in this research.  Five of the entire scenes of the movie are selected as representations of poverty. The five scenes are analyzed through the relation of signs, objects and interpretant depicted in each scene. There are signs and meanings which describe poverty in several scenes in accordance with the type of poverty, namely relative poverty. The results of this study concluded that there are several scenes that represent poverty which is categorized into relative poverty as seen from the aspect of social inequality. This is because there are several characters who can make ends meet their minimum basic needs but they are still far lower than their surrounding society.
Co-Authors Abdillah, Salman Adhitya, Muhammad Erlangga Afriansyah, Ari Afriyansyah, Ari Ajeng Purnama, Raden Hutami Akhyaraldo, Muhammad alamsyah, Feri ferdinan Andre Indrawan Anggraeni, Khori Aulia Ria Cantika Zaddana David Rizar Nugroho Diana Amaliasari Dipo Krishyudi Ono Dipo Krisyudhi Ono Eka Herlina Elizabeth, Yuyun Enjang Pera Irawan, Enjang Pera Ernando Sukam Evyta Wismiana Gratia, Angelina Herman, Herman Imani Satriani Ismail Taufik Rusfien Janthy T Hidayat Jati Noegroho M. Agus Karmadi Nabila, Nazwa Nada Amalia Zain Permatasari, Olivia Devita Prameswari Handayani Putra, Seno Riandi Ratih Siti Aminah Rita Istiana, Rita Roni Jayawinangun Rosy Destiana Sara Nurmala Sardi Duryatmo Selly Septia Kurniati Siregar, Mariana R.A Tiara Puspanidra Winarto, Angelita Anyelir Yogaprasta A Nugraha Zahra Rosyanne