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All Journal Jurnal Ilmiah KORPUS Dharma Raflesia : Jurnal Ilmiah Pengembangan dan Penerapan IPTEKS Lingua: Jurnal Ilmiah Wacana : Jurnal Penelitian Bahasa, Sastra dan Pengajaran TRIBUTE: JOURNAL OF COMMUNITY SERVICES
Bustanuddin Lubis
Universitas Bengkulu
Agriculture, Biological Sciences & Forestry Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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Penerimaan Diri Tokoh Utama dalam Novel Yang Katanya Cemara Karya Vania Winoa Pendekatan Psikologi Sastra Yolanda Aprilia Lubis; Fina Hiasa; Bustanuddin Lubis
Jurnal Korpus Vol 10 No 2 (2026): Agustus 2026
Publisher : UNIB Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33369/jik.v10i2.49556

Abstract

This research aims to analyze the process and form of self-acceptance of the main character in the novel Yang Katana Cemara by Vania Winola through the conflict he experiences. This research uses a qualitative descriptive method with a literary psychology approach based on Carl Rogers' theory. The data source is the novel Yang Katanya Cemara (2023), with data collection techniques through literature study. The research results show that the conflict experienced by the main character originates from family dynamics and changes in family structure which affect his emotional condition, such as anxiety, sadness and insecurity. The process of self-acceptance takes place in stages, starting from the formation of a self-concept, the emergence of a discrepancy between the ideal self and the real self, until positive regard is obtained from the immediate environment. The forms of self-acceptance achieved include emotional acceptance, real self-acceptance, and processual acceptance. In the end, the main character is able to accept his family's condition, reduce the tendency to blame himself, and have emotional stability and a more positive self-view. This research concludes that self-acceptance is formed through a gradual process that is influenced by emotional experiences and environmental support, so that family dynamics play an important role in the character's psychological development.
Pengetahuan Lokal dalam Tradisi Ncukur Ghumbak Masyarakat Serawai Kabupaten Bengkulu Selatan Mita Puspita Sari; Amrizal Amrizal; Bustanuddin Lubis
Jurnal Korpus Vol 9 No 3 (2025): Desember 2025
Publisher : UNIB Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33369/jik.v9i3.36165

Abstract

Oral traditions are an important part of cultural heritage that contain local knowledge values and symbolic meanings passed down from generation to generation. However, the development of the times has the potential to erode public understanding of the meanings and values embedded in these traditions if they are not documented scientifically. The data obtained were analyzed using a descriptive qualitative approach through the stages of data reduction, data presentation, and conclusion drawing. The aim of this research is to describe the symbolic meaning of the device and describe local knowledge in the ncukur ghumbak tradition of the Serawai community, South Bengkulu Regency. The method used in this research is qualitative. The collection technique uses observation, interviews and documentation techniques. The results of this research show that there is a symbolic meaning to the devices used in the ncukur ghumbak tradition, namely 1) knitted flowers and money flags have the meaning of symbolizing happiness, 2) jambar has the meaning of peace 3) potpourri has the meaning of prosperity, 4) dedulang has the meaning of rice. has the meaning of hope of getting a lot of good fortune, niugh, the meaning of hope that it will be useful in the future, calico symbolizes purity, 5) the candle has the meaning of a bright future, 6) the noukur ghumbak container has the meaning of niugh mudau, has the meaning of hope that it will be useful in the future, as cool the meaning of hope to become a patient and level-headed person, njuang abang has the meaning so that children will become brave children in the future. Local knowledge in the ncukur ghumbak tradition, namely 1) throwing away the ghumbak kamah, 2) equalizing the weight of the zhumbak to the price of gold or silver following the birth of the Prophet Muhammad SAW.
Co-Authors Amrizal Amrizal Amrizal Amrizal Ayub Sugara Cut Novita Srikandi, Cut Novita Emi Agustina Feri Nugroho Fina Hiasa Gushevinalti, Gushevinalti Julia Purnama Sari Mita Puspita Sari Mohamad Yoesoef Mona Ardina Nella Tri Agustini, Nella Tri Nina Alia Ariefa Nora Afiza Novita Linda Sari Pandu Dian Samaran Pudentia Putri Octaviani Rio Kurniawan Rita Fitriana Sarwono, Sarwit Wahyuni Shofinna Nur Wawat Rahwati Yolanda Aprilia Lubis