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All Journal Jurna lAntropologi Indonesia Kapata Arkeologi Berkala Arkeologi Humaniora Jurnal Seni Nasional Cikini Prosiding Balai Arkeologi Jawa Barat Borobudur INTERNATIONAL JOURNAL OF CULTURAL AND SOCIAL SCIENCE Makara Human Behavior Studies in Asia Paradigma: Jurnal Kajian Budaya Wacana: Journal of the Humanities of Indonesia Purbawidya: Jurnal Penelitian dan Pengembangan Arkeologi Kalpataru Amerta Berkala Arkeologi
R. Cecep Eka Permana
Universitas Indonesia
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Earth & Planetary Sciences Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Physics Social Sciences

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Adaptation of Betawi Traditional Music Performers to Preserve Their Existence in a New Normal Era Iwan Henry Wardhana; Cecep Eka Permana; Maria Puspitasari; Chotib
Humaniora Vol. 13 No. 3 (2022): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v13i3.7966

Abstract

The research explored an adaptation to survive in the new normal era in the Jakarta art performers in general and the Betawi traditional music performers in particular. The implementation of social restrictions and regional quarantines in Jakarta had prevented many sectors from making economic activities, including Betawi traditional music performers. The research examined how the Betawi traditional music performers in the Betawi Cultural Village of Setu Babakan adapted to health protocols on stage performance and internet knowledge on virtual performances in the new normal era. Data are taken from in-depth interviews and classified to determine the adaptation ability carried out by Betawi traditional music performers. The Betawi traditional music performance studios were Sanggar Arrominia, Sanggar Gambang Kromong Setia Muda, and Sanggar At-Taubah with certain types of traditional music, such as Gambus, Samrah, Qasidah, Hadrah, and Gambang Kromong. It is found that during the social restriction and regional quarantine in Jakarta, the studios experience a decrease in their request to perform. They need to survive by adapting to the new normal era through the application of the health protocols on stage performance and exploring their knowledge on the internet to conduct the virtual performance. The health protocol limits the flexibility in performing traditional music through mask and face-shield wearing. The average knowledge of the internet and having limited internet devices are some other situations to be adapted by traditional music performers. The adaptation needs to be carried out sometime in the future, and this pandemic only accelerates the need.
Sosialisasi Kearifan Lokal Masyarakat Baduy dalam Mitigasi Bencana di Perbatasan Wilayah Baduy Permana, R. Cecep Eka; Nasution, Isman Pratama; Nugroho, Yogi Abdi; Putra, Hutomo
Paradigma: Jurnal Kajian Budaya Vol. 4, No. 1
Publisher : UI Scholars Hub

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Abstract

The Baduy society has a local wisdom on disaster mitigation that many people outside the Baduy society are not aware of. Therefore, the Baduy community program is socializing the local wisdom to the people outside the community. The partnership of this effort is the youth of the elementary school to high school in the border area of the Baduy vicinity. In the beginning of the program, the students did not have any indication about the local wisdom of the Baduy people. However, after a period of lectures and discussions, their knowledge and understanding about the Baduy people and their wisdom on disaster mitigation have significantly increased.
Model Sosialisasi Kearifan Lokal Masyarakat Baduy Dalam Pelestarian Hutan Kepada Generasi Muda Di Kampung Balimbing, Baduy Luar Nasution, Isman Pratama; Permana, R. Cecep Eka
Paradigma: Jurnal Kajian Budaya Vol. 5, No. 1
Publisher : UI Scholars Hub

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Abstract

The Baduys are rice farming communities who rely on nature and the forest. Therefore, they keep and maintain their forests through customs and cultural practices. Dudungusan is preserved forest, prohibited for cultivation. Garapan is the land that can be processed into fields (huma), following the needs and rules of cultivation. Although the Baduys live in groups in small villages at the foot and slopes of hills or mountains, they keep and follow their local wisdom. This is evident from the review and the community activities that have been done earlier. There are records of the knowledge, views, and understanding of the old and young Baduys about forest conservation and identifying existing problems. The method used is the dissemination and sharing of knowledge. The results of the data collection and identification of the reference model of socialization, or carean, are used to understand the local knowledge about forest conservation. The Baduy residents in Kampong Balimbing who are involved in the research are the kokolot, or the class of older generation, whereas the youth group are participating in the process. In general, the activity is well-shared for both for the older and younger generation. In addition to this, the residents of other Baduy villages may learn from Kampong Balimbing’s wisdom.
Mabedda Bola ritual in South Sulawesi; The relationship between handprints in traditional house and hand stencils in prehistoric caves Permana, R. Cecep Eka; Pojoh, Ingrid H.E.; Arifin, Karina
Wacana, Journal of the Humanities of Indonesia Vol. 18, No. 3
Publisher : UI Scholars Hub

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Mabedda Bola is a ritual which has been handed down from the ancestors of the Bugis - Makassarese people in South Sulawesi. At the ceremony which is called menre bola baru, held as part of the ritual inauguration of a new house, the Mabedda Bola, handprints are made on the poles and walls of the new house. In the region in which this custom is still honoured, hand stencils on the walls of the prehistoric caves have also been found. This article examines the significance of handprints in the Mabedda Bola ritual which might possibly be related to the hand stencils on the walls of the prehistoric caves. Using the perspective of analogy, one of the methods of ethnoarchaeology, it has been discovered that handprints and hand stencils take more or less the same form. The similarities between them hint at the same behavioural patterns between the present day and the prehistoric period. The print of the hand palm is meant to mark the ownership of the family or group who dwell in a traditional house or it is thought in a particular cave. Moreover, it is and was to avert danger or the intrusion of bad influences from outside.
Asep Kurnia and Ahmad Sihabudin, Saatnya Baduy bicara. Jakarta: PT. Bumi Aksara and Universitas Sultan Ageng Tirtayasa, Banten, 2010, 294 pp. ISBN: 978-979-010-998-8 (soft cover). Permana, R. Cecep Eka
Wacana, Journal of the Humanities of Indonesia Vol. 14, No. 1
Publisher : UI Scholars Hub

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Hasan Djafar, Kompleks percandian Batujaya; Rekonstruksi sejarah kebudayaan Daerah Pantai Utara Jawa Barat. Bandung: Kiblat Buku Utama, cole fran aise d'Extr me-Orient, Pusat Penelitian dan Pengembangan Arkeologi Nasional, and KITLV Jakarta, 2010, 188 pp Permana, R. Cecep Eka
Wacana, Journal of the Humanities of Indonesia Vol. 13, No. 2
Publisher : UI Scholars Hub

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Masyarakat Baduy dan pengobatan tradisional berbasis tanaman Permana, R. Cecep Eka
Wacana, Journal of the Humanities of Indonesia Vol. 11, No. 1
Publisher : UI Scholars Hub

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Abstract

A Baduy community in general is still bound by the traditional rules (pikukuh). One of the pikukuh said lojor teu meunang dipotong, pendek teu meunang disambung, which means "what is long might not be cut off, what is short might not be connected". The implicated meaning pikukuh is that which does not change something or anything, or does not accept what is available without increasing or reducing what is available. This also includes not to accept modern goods or goods made in factories. The inner struggle of Baduy Luar is between on the one hand trying to preserve the customs of theirs ancestors, but on the other hand trying to follow the development in modernity and in their environment. This is reflected in issues related to health. If a Baduy falls ill, the dilemma is to choose between modern medical treatment that increasingly is easily accessible with the consequence to violate the local tradition, or to use the traditional herbs of which the local knowledge is decreasing with the consequence that is more difficult to get this kind of therapy.
Ali Akbar. Zaman Prasejarah di Jakarta dan Sekitarnya. Depok: Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia, 2008, xiii + 160 hlm. Soft cover. Permana, R. Cecep Eka
Wacana, Journal of the Humanities of Indonesia Vol. 10, No. 2
Publisher : UI Scholars Hub

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Fase-fase Pembangunan Keraton Surosowan-Banten Lama Permana, R. Cecep Eka
Wacana, Journal of the Humanities of Indonesia Vol. 6, No. 1
Publisher : UI Scholars Hub

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The Sorosuwan Palace played a major role for the kingdom of Banten in the period between the 16th century and the 19th century. In such a long period of time, the Sorosuwan Palace experienced ups and downs in its development. Based on a library research, it is known that the Sorosuwan Palace was renovated several times. This is most clearly seen in the differences found in the representations of the Sorosuwan Palace in the maps of Banten of 1596, of 1624 and of 1726. Outstanding changes can especially be seen in the maps of 1739, 1825, and 1900. The last three maps represent the Sorosuwan Palace as oblong in form with a bastion in each corner (which is similar to the present representation of the Keraton), while in the previous maps it is represented as a building with steps where it protrudes at the top, surrounded by other buildings. Field study reveals no indication that there had been two phases in the process of its building. This can be gathered from the remnants of the structure of the building in several places indicating that there had been a two-layered floor structure and an overlapped structure.
Bentuk gambar telapak tangan pada gua-gua Prasejarah di Kabupaten Pangkajene Kepulauan, Sulawesi Selatan Permana, R. Cecep Eka
Wacana, Journal of the Humanities of Indonesia Vol. 7, No. 2
Publisher : UI Scholars Hub

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Abstract

Cave pictures are one form of human culture found in old sites of dwelling caves of the pre-historical time. Cave pictures can be said to be universal in nature because they are found almost every where in the world, including Indonesia. One form or object of picture frequently found is hand stencils. In Indonesia, beside Kalimantan, the Moluccas, and Irian, it is also found in South Sulawesi, especially in the District of Pangkajene Islands (Pangkep). Twelve caves in Pangkep are studied where 326 hand stencils are found. The hand part, orientation, hand side, number of fingers, size, color, and context are analyzed. The analysis reveals a pattern of hand palms of adults with upward orientation. The analysis also reveals a pattern of hand palms that are brown in color, randomly arranged, within the context of pictures of other hands.
Co-Authors Adinda Tasya Namira Arifin, Karina Ariyanti Oetari Chotib Dian Sulistyowati Dwi Hanggoro, Pramudianto Dwi Hanggoro Edy Gunawan Edy Gunawan Edy Gunawan, Edy Habibi, Mohammad Halimun, Mentari Hutomo Putra Isman Pratama Nasution Iwan Henry Wardhana Jajang Gunawijaya, Jajang Kusmayati, Engkus Leihitu, Irsyad Lutfi Yondri Lutfi Yondri M Sabri, M Maria Puspitasari Mas'ud, Zubair Moh Habibi Mohammad Habibi Mohammad Habibi Namira, Adinda Tasya Nugroho, Yogi Abdi Pasaribu, Yosua Adrian Pojoh, Ingrid H.E. Priscila Fitriasih Limbong Putra, Hutomo Saparudin, Endin Sulistyowati, Dian Tiara Aninditha Turita Indah Setyani Yogi Abdi Nugroho Yosua Adrian Pasaribu Zubair Mas’ud