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Looking For a Trace of Shamanism, in the Rock Art of Maros-Pangkep, South Sulawesi, Indonesia Irsyad Leihitu; Raden Cecep Eka Permana
Kapata Arkeologi Vol. 14 Iss. 1, July 2018
Publisher : Balai Arkeologi Maluku

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24832/kapata.v14i1.496

Gambar cadas adalah fenomena arkeologi yang tersebar di seluruh dunia. Umumnya, seni prasejarah ini terdiri atas berbagai bentuk, motif, dan juga makna. Artikel ini membahas gambar cadas Indonesia, khususnya di wilayah Maros-Pangkep, Sulawesi Selatan. Menurut teori David Lewis-Williams dan David S. Whitley tentang pendekatan neuropsikologi terhadap gambar cadas, mereka mendeskripsikan "beberapa" motif sebagai penggambaran tahapan atau metafora dari Altered State of Consciousness (ASC) yang berhubungan dengan shamanisme. Tujuan dari penelitian ini adalah untuk menunjukkan bagaimana teori ASC dapat diuji dalam gambar cadas Maros-Pangkep, dan juga menunjukkan indikasi keberadaan shamanisme dalam gambar cadas Indonesia. Metode penelitian ini menggunakan analogi formal dan studi komparatif tentang motif-motif gambar cadas terpilih di kawasan Maros-Pangkep dengan gambar cadas di Afrika, Siberia, dan juga gambar cadas di Amerika. Hasilnya menunjukkan bahwa teori ASC dapat diterapkan dalam gambar cadas Indonesia dan ada beberapa indikasi shamanisme dalam gambar cadas di wilayah Maros-Pangkep.Rock art is an archaeological phenomenon which spread all over the world. Generally, this prehistoric art consists of various forms, motifs, and also meanings. This article discusses Indonesian rock art, particularly the Maros-Pangkep region in South Sulawesi. According to David Lewis-Williams and David S. Whitley’s theory about the neuropsychology approach to rock art, they describe “some” motifs as a depiction of stages or metaphors of the Altered State of Consciousness (ASC) that relates to shamanism. The aim of this study is to demonstrate how the ASC theory can be tested in Maros-Pangkep Rock Art, and also shows an indication of the existence of shamanism in Indonesian rock art. The research methods are formal analogy and comparative studies on the selected motifs of rock art in the Maros-Pangkep region with African, Siberian, and also American rock art. The result shows that the ASC theory can be applied in Indonesian rock art and there are some indications of shamanism in rock art motifs in the Maros-Pangkep region.

REVIEWING THE TRACES OF ISLAMIC CIVILIZATION IN THE OLD BANTEN REGION Irsyad Leihitu
Indonesian Journal of Islamic History and Culture Vol 4 No 1 (2023): Indonesian Journal of Islamic History and Culture
Publisher : The Department of Islamic History and Culture in cooperation with the Center for Islamic History and Culture in Aceh and Malay World Studies (PUSAKA), Universitas Islam Negeri Ar-Raniry Banda Aceh, Aceh, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22373/ijihc.v4i1.2724

The Old Banten region is proof of the greatness of the Banten Sultanate, which once stood in the west of Java Island for nearly three centuries. Many experts have studied the historical data, such as the explorer's travel notes or ancient maps, and done a lot of excavation to discover evidence that describes the splendor of the Banten Sultanate civilization. Even so, several archaeological data around the area are still untouched and can be explored. Based on the studies conducted, by combining the latest research, historical sources, and field observation data, the results show a match between the historical data and the current archaeological evidence. This paper also explores the areas considered as potential for future research.

Tipologi Motif Cap Tangan Prasejarah di Leang Uhallie, Kabupaten Bone, Sulawesi Selatan Leihitu, Irsyad
Paradigma: Jurnal Kajian Budaya Vol. 6, No. 2
Publisher : UI Scholars Hub

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This article discusses the typology of a hand stencil pattern cave painting located in Leang Uhallie, Bone district, South Sulawesi. Irving Rouse’s taxonomy classification methods were used to find the typology of the hand stencil pattern. This study shows that there are three forms of hand stencil with 21 variants. This typologycal study of the hand stencil also shows the dominant and the unique pattern form of Leang Uhallie.

TRADISI DAN SIMBOL YANG SERUPA: STUDI PERBANDINGAN PADA GAMBAR CADAS MUDA DI INDO-MALAYSIA Irsyad Leihitu
AMERTA Vol. 38 No. 1 (2020)
Publisher : Badan Riset dan Inovasi Nasional

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Abstract, The Similarity of Traditions and Symbols: Comparative Study of Recent Rock Art in Indo-Malaysia. As an ancient art, rock art, in general, is always associated with the prehistoric hunter-gatherer communities in the upper Paleolithic period or about 40,000 years ago. However, it was later discovered that the tradition of drawing/painting inside the cave was still practiced by modern hunter-gatherer communities in the 19th century, especially in the Indo-Malaysian region. This article seeks to conduct a comparative study of "recent" rock art in Lenggong Region, Perak, Peninsular Malaysia with the new findings of "recent" rock art from Bukit Bulan Region, Sarolangun, Jambi, Sumatera Island, Indonesia. The method used is a comparative analysis that seeks similarities from attributes such as techniques, motifs, sizes, and characters. The results show that both recent “young” rock art in the two regions are somehow alike. Also, contextual studies show the existence of similar traditions and behavior between modern hunter-gatherer communities in both regions. Abstrak. Gambar cadas sebagai kesenian purba pada umumnya selalu dikaitkan dengan manusia prasejarah, yakni pemburu-peramu pada masa paleolitik atas atau sekitar 40.000 tahun yang lalu. Setelah itu, belakangan telah diketahui bahwa tradisi menggambar di dalam gua masih dilakukan oleh masyarakat pemburu-peramu modern pada abad ke-19, khususnya di wilayah Indo-Malaysia. Artikel ini dimaksudkan untuk melakukan studi perbandingan terhadap gambar cadas “muda” di Kawasan Lenggong, Perak, Semenanjung Malaysia, dengan temuan baru berupa gambar cadas “muda” di Kawasan Bukit Bulan, Sarolangun, Jambi, Pulau Sumatra, Indonesia. Metode yang digunakan adalah analisis komparatif untuk mencari kesamaan dari atribut, seperti teknik, motif, ukuran, dan karakter. Hasilnya menunjukkan bahwa banyak kesamaan atribut pada gambar cadas “muda” pada kedua situs. Selain itu, kajian kontekstual juga menunjukkan adanya tradisi dan pola perilaku yang serupa antara masyarakat pemburu-peramu modern di kedua wilayah tersebut.

COLLECTION-BASED RESEARCH ON A KAMPILAN SWORD IN JAMBI PEOPLE’S STRUGGLE MUSEUM Leihitu, Irsyad; Hariadi, Ujang
Paradigma: Jurnal Kajian Budaya Vol. 13, No. 3
Publisher : UI Scholars Hub

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This article discusses the kampilan sword in Jambi People’s Struggle Museum. Kampilan is a traditional weapon originating from the Philippines but has spread to several regions in Indonesia, including Jambi. The kampilan sword collection is often overlooked, and there is not much information regarding these objects, despite the museum’s primary function is research and communication. Therefore, we conducted a study of a collection of kampilan swords to explore information related to these objects, allowing the museum to utilize and develop them in the future. The research model was based on the material culture study, using the social life of things and object biography approaches. Results indicate that, through these two approaches, new information and narratives about kampilan swords were successfully compiled. In the future, the museum can use these narratives to create new programs, create meanings and ideas related to struggle, and serve as the first step towards further research.

Dramatic Structure Strategies in the Creation of Children's Short Drama Scripts Based on Jambi’s Traditional Games Collections in Museum Siginjei Santoso, Ady; Leihitu, Irsyad; Utama, Galuh Tulus
Proceeding International Conference on Malay Identity Vol. 4 (2023): Desember 2023
Publisher : Jurusan Sejarah, Seni, dan Arkeologi, FKIP, Universitas Jambi

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Traditional games are one of the ten Objects of Cultural Advancement, which are essential to maintain, utilize, and innovate to maintain and pass them on to the next generation. The collection of Jambi traditional games at the Museum Siginjei Jambi is vital to continue to be preserved and passed on in innovative forms. One form of innovation is using a collection of Jambi’s Traditional Games as a source for creating children's short drama scripts. This research looks for dramatic structure strategies for creating short children's drama scripts based on five collections of Jambi’s Traditional Games at the Museum Siginjei Jambi. The qualitative interpretative approach is applied to interpret the data obtained according to the researcher's point of view and understanding. As a result of the dramatic structure strategy in creating five children's short drama scripts, it was found that the strategy applied was a strategy of repeating the same dramatic ladder structure from the beginning, the rise of the problem, the peak of the problem, to the resolution of the problem in each short children's drama script created. Abstrak Permainan tradisional adalah satu dari sepuluh Objek Pemajuan Kebudayaan, yang menjadi penting untuk dipertahankan, dimanfaatkan, dan dilakukan inovasi dalam upaya pemeliharaan, pewarisan kepada generasi berikutnya. Koleksi permainan tradisional Jambi di Museum Siginjei Jambi penting untuk terus dilestarikan dan diwariskan dalam bentuk yang inovatif. Salah salah satu bentuk inovasi yang dapat diterapkan dengan menjadikan koleksi permainan tradisional Jambi sebagai sumber penciptaan naskah drama pendek anak. Penelitian ini untuk mencari strategi struktur dramatik guna penciptaan naskah drama pendek anak yang bersumberkan lima koleksi permainan tradisional Jambi di Museum Siginjei Jambi. Metode kualitatif pendekatan interpretatif diterapkan guna menafsirkan hasil data yang diperoleh sesuai sudut pandang dan pemahaman peneliti. Hasilnya strategi struktur dramatik dalam menciptakan lima naskah drama pendek anak didapatilah bahwa strategi yang diterapkan adalah strategi pengulangan struktur tangga dramatik yang sama dari permulaan, tanjakan permasalahan, puncak permasalahan, hingga penyelesaian permasalahan di setiap naskah drama pendek anak yang diciptakan.

Digitalisasi Sejarah Dalam Penciptaan Konten Kreatif Di Sekolah Untuk Pelestarian Sejarah Lokal Wahyuni, Anny; Adi Saputra, Muhamad; Leihitu, Irsyad; Husni, Amir; Hadi Sunliensyar, Hafiful
Estungkara: Jurnal Pengabdian Pendidikan Sejarah Vol. 4 No. 2 (2025): Estungkaran: Jurnal Pengabdian Masyarakat
Publisher : Pendidikan Sejarah FKIP Universitas JAMBI

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This community service activity was motivated by the declining interest of students in local history due to the dominance of national history in the curriculum and the lack of innovation in history learning. In the digital era, the preservation of local history can be achieved through creative and technology-based approaches that actively involve students. The purpose of this program is to enhance historical awareness, creativity, and digital literacy among students of SMKN 6 Kota Jambi through training in history digitalization by creating creative content. The implementation consisted of preparation, training, digital content production, and monitoring and evaluation stages. The results show that students’ skills improved in integrating local history into digital media such as short videos, podcasts, digital comics, and infographics. The digital products created have the potential to serve as history learning resources as well as promotional media for Jambi’s cultural tourism. Therefore, this activity contributes to strengthening local identity, developing 21st-century competencies, and preserving historical values through digital innovation within the educational environment

“Cinto Duit Kito” Edukasi Cinta Rupiah Untuk Siswa Melalui Program Publik Di Museum Siginjei Jambi Hadi Sunliensyar, Hafiful; Leihitu, Irsyad; Husni, Amir; Adi Saputra, Muhamad; Wahyuni, Anny; Mustofa Meihan, Andre
Estungkara: Jurnal Pengabdian Pendidikan Sejarah Vol. 4 No. 2 (2025): Estungkaran: Jurnal Pengabdian Masyarakat
Publisher : Pendidikan Sejarah FKIP Universitas JAMBI

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22437/est.v4i2.48842

This community service activity aims to enhance the educational function of the Siginjei Museum in Jambi and to raise young people’s awareness of the historical and symbolic value of the rupiah as a marker of national economic identity. The program, entitled “Cinto Duit Kito” (Our Beloved Money), focuses on promoting love for the rupiah through public education activities based on the museum’s numismatic collection. The program was initiated due to students’ low interest in ancient currency collections and the lack of engaging educational narratives in museums. The implementation consisted of preparation, execution, and evaluation stages. The execution phase included cataloging numismatic collections, developing educational materials integrating history and economics, and conducting interactive learning sessions for student visitors. The results indicate improved understanding and enthusiasm among students regarding the history of Indonesia’s currency, accompanied by the creation of educational worksheets handed over to the museum as sustainable learning media. This program also strengthened collaboration between the University of Jambi and the Siginjei Museum in public education and contributed significantly to the university’s Key Performance Indicators. Thus, “Cinto Duit Kito”serves as a model for synergy between higher education and cultural institutions in developing history and economic education based on local wisdom.

TRADISI DAN SIMBOL YANG SERUPA: STUDI PERBANDINGAN PADA GAMBAR CADAS MUDA DI INDO-MALAYSIA Leihitu, Irsyad
AMERTA Vol. 38 No. 1 (2020)
Publisher : Penerbit BRIN (BRIN Publishing)

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract, The Similarity of Traditions and Symbols: Comparative Study of Recent Rock Art in Indo-Malaysia. As an ancient art, rock art, in general, is always associated with the prehistoric hunter-gatherer communities in the upper Paleolithic period or about 40,000 years ago. However, it was later discovered that the tradition of drawing/painting inside the cave was still practiced by modern hunter-gatherer communities in the 19th century, especially in the Indo-Malaysian region. This article seeks to conduct a comparative study of "recent" rock art in Lenggong Region, Perak, Peninsular Malaysia with the new findings of "recent" rock art from Bukit Bulan Region, Sarolangun, Jambi, Sumatera Island, Indonesia. The method used is a comparative analysis that seeks similarities from attributes such as techniques, motifs, sizes, and characters. The results show that both recent “young” rock art in the two regions are somehow alike. Also, contextual studies show the existence of similar traditions and behavior between modern hunter-gatherer communities in both regions. Abstrak. Gambar cadas sebagai kesenian purba pada umumnya selalu dikaitkan dengan manusia prasejarah, yakni pemburu-peramu pada masa paleolitik atas atau sekitar 40.000 tahun yang lalu. Setelah itu, belakangan telah diketahui bahwa tradisi menggambar di dalam gua masih dilakukan oleh masyarakat pemburu-peramu modern pada abad ke-19, khususnya di wilayah Indo-Malaysia. Artikel ini dimaksudkan untuk melakukan studi perbandingan terhadap gambar cadas “muda” di Kawasan Lenggong, Perak, Semenanjung Malaysia, dengan temuan baru berupa gambar cadas “muda” di Kawasan Bukit Bulan, Sarolangun, Jambi, Pulau Sumatra, Indonesia. Metode yang digunakan adalah analisis komparatif untuk mencari kesamaan dari atribut, seperti teknik, motif, ukuran, dan karakter. Hasilnya menunjukkan bahwa banyak kesamaan atribut pada gambar cadas “muda” pada kedua situs. Selain itu, kajian kontekstual juga menunjukkan adanya tradisi dan pola perilaku yang serupa antara masyarakat pemburu-peramu modern di kedua wilayah tersebut.

REVIEWING THE TRACES OF ISLAMIC CIVILIZATION IN THE OLD BANTEN REGION: MENINJAU KEMBALI JEJAK PERADABAN ISLAM DI KAWASAN BANTEN LAMA Leihitu, Irsyad
Indonesian Journal of Islamic History and Culture Vol. 4 No. 1 (2023): Indonesian Journal of Islamic History and Culture
Publisher : The Department of Islamic History and Culture in cooperation with the Center for Islamic History and Culture in Aceh and Malay World Studies (PUSAKA), Universitas Islam Negeri Ar-Raniry Banda Aceh, Aceh, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22373/ijihc.v4i1.2724

The Old Banten region is proof of the greatness of the Banten Sultanate, which once stood in the west of Java Island for nearly three centuries. Many experts have studied the historical data, such as the explorer's travel notes or ancient maps, and done a lot of excavation to discover evidence that describes the splendor of the Banten Sultanate civilization. Even so, several archaeological data around the area are still untouched and can be explored. Based on the studies conducted, by combining the latest research, historical sources, and field observation data, the results show a match between the historical data and the current archaeological evidence. This paper also explores the areas considered as potential for future research.

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