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All Journal Jurna lAntropologi Indonesia Kapata Arkeologi Berkala Arkeologi Humaniora Jurnal Seni Nasional Cikini Prosiding Balai Arkeologi Jawa Barat Borobudur INTERNATIONAL JOURNAL OF CULTURAL AND SOCIAL SCIENCE Makara Human Behavior Studies in Asia Paradigma: Jurnal Kajian Budaya Wacana: Journal of the Humanities of Indonesia Purbawidya: Jurnal Penelitian dan Pengembangan Arkeologi Kalpataru Amerta Berkala Arkeologi
R. Cecep Eka Permana
Universitas Indonesia
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Earth & Planetary Sciences Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Materials Science & Nanotechnology Physics Social Sciences

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TATA RUANG MASYARAKAT PENDUKUNG TRADISI MEGALITIK: KASUS MASYARAKAT BADUY Permana, Raden Cecep Eka
Berkala Arkeologi Vol. 15 No. 3 (1995)
Publisher : BRIN

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30883/jba.v15i3.675

Abstract

The nature of archaeological data which is limited in quality and quantity has spurred us to strive to obtain, record and interpret these data. The farther the time span is from now, the more limited the data that reaches us. Data about prehistoric culture, for example, has very limited material, let alone interpret it. One of the efforts that can be done is to make an analogy to today's society that still carries out these prehistoric cultural traditions. This effort is often called an ethnographic or ethnoarcheological analogy. By looking at the practices that apply to the community, it is hoped that it can explain the meaning, function, and so on of the archaeological objects of the supporting community.
"Ngadéngékeun nu mantun"; Constructing the "carita pantun" performance in rice planting ritual of the Baduy indigenous community Saparudin, Endin; Limbong, Priscila Fitriasih; Setyani, Turita Indah; Permana, R. Cecep Eka
Wacana, Journal of the Humanities of Indonesia Vol. 26, No. 1
Publisher : UI Scholars Hub

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Abstract

This study aims to examine carita pantun performances in ritual contexts as observed in the Baduy community in Kanekes Village, Banten, on several occasions between 2021 and 2023. Carita pantun serves as traditional epics narrated in oral tradition performances accompanied by kacapi musical instruments. Historically, carita pantun was fully integrated into the ritual calendar and performed regularly in various regions in Tatar Sunda including West Java and Banten. Over time, it has been increasingly narrated for secular entertainment. This study explores carita pantun performances that retain a sacred function and remain deeply integrated into the life of the Baduy community. By identifying the distinctive characteristics and observing the roles of speakers and listeners, the analysis emphasizes the importance of the oral text being highly dependent on the context of the specific ritual. The analysis further enriches the understanding of the nature and structure of the carita pantun performances as a traditional ritual in West Java and Banten.
Integrasi Terrestrial Laser Scanning Dan Dstretch Untuk Pelestarian Berbasis Digital Pada Situs Kubur Bilik Batu Di Dataran Tinggi Pasemah, Sumatera Selatan Halimun, Mentari; Permana, R Cecep Eka; Leihitu, Irsyad; Dwi Hanggoro, Pramudianto Dwi Hanggoro
PURBAWIDYA Vol. 14 No. 2 (2025): 14(2) November 2025
Publisher : Badan Riset dan Inovasi Nasional (BRIN)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55981/purbawidya.2025.13249

Abstract

The Pasemah Highlands in South Sumatra host a significant concentration of ancestor-worship culture remains, particularly stone chamber tombs decorated with paintings. These monuments face increasing vulnerability due to natural factors, material degradation, and human activities. This study explores the integration of Terrestrial Laser Scanning (TLS) and DStretch as a digital documentation approach and examines its implications for adaptive preservation strategies. TLS provides high-precision three-dimensional spatial data for recording site geometry and structural conditions, while DStretch enhances faint pigments and motifs on chamber walls. The findings demonstrate that combining TLS and DStretch not only enriches archaeological documentation in both spatial and visual dimensions but also generates a comprehensive dataset to support evidence-based conservation. This integration strengthens adaptive preservation by enabling condition monitoring, documentation standardization, and community engagement in heritage management. The study highlights integrative digital documentation as a methodological innovation that contributes significantly to the sustainable preservation of ancestor-worship culture sites in Indonesia.  
THE NYUGUH AGEUNG TRADITION OF GUMBAH HERITAGE KERIS AS A FORM OF IDENTITY FOR THE SUMEDANG LARANG PALACE Kusmayati, Engkus; Permana, Cecep Eka
International Journal of Cultural and Social Science Vol. 6 No. 4 (2025): International Journal of Cultural and Social Science
Publisher : Pena Cendekia Insani

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53806/ijcss.v6i4.1251

Abstract

The Karaton Sumedang Larang is a traditional institution committed to preserving the cultural heritage of its ancestors. Among its annual rituals is ”The Nyuguh Ageng Ngumbah Keris Pusaka,” a ceremonial practice of cleansing sacred heirlooms, particularly keris and other regalia, from impurities such as dirt, stains, dust, and corrosion. The heirlooms purified (dikumbah) include the Pedang Ki Mastak, Keris Kidukun, Keris Panunggul Naga, Badik Curuk Aul I and II, Keris Nagasasra I and II, along with other sacred artifacts. This study employs a qualitative approach, with data collected through literature review, field observations, and interviews. The Nyuguh Ageng Ngumbah Keris Pusaka tradition represents an act of reverence toward the ancestors by safeguarding and maintaining their legacies. Furthermore, the keris as a cultural heirloom constitutes a distinctive feature of the Karaton Sumedang Larang, symbolizing its identity and cultural continuity.
Adaptation of Betawi Traditional Music Performers to Preserve Their Existence in a New Normal Era Wardhana, Iwan Henry; Permana, Cecep Eka; Puspitasari, Maria; Chotib
Humaniora: Journal of Indonesia Culture and Society Vol. 13 No. 3 (2022): Humaniora
Publisher : Bina Nusantara University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21512/humaniora.v13i3.7966

Abstract

The research explored an adaptation to survive in the new normal era in the Jakarta art performers in general and the Betawi traditional music performers in particular. The implementation of social restrictions and regional quarantines in Jakarta had prevented many sectors from making economic activities, including Betawi traditional music performers. The research examined how the Betawi traditional music performers in the Betawi Cultural Village of Setu Babakan adapted to health protocols on stage performance and internet knowledge on virtual performances in the new normal era. Data are taken from in-depth interviews and classified to determine the adaptation ability carried out by Betawi traditional music performers. The Betawi traditional music performance studios were Sanggar Arrominia, Sanggar Gambang Kromong Setia Muda, and Sanggar At-Taubah with certain types of traditional music, such as Gambus, Samrah, Qasidah, Hadrah, and Gambang Kromong. It is found that during the social restriction and regional quarantine in Jakarta, the studios experience a decrease in their request to perform. They need to survive by adapting to the new normal era through the application of the health protocols on stage performance and exploring their knowledge on the internet to conduct the virtual performance. The health protocol limits the flexibility in performing traditional music through mask and face-shield wearing. The average knowledge of the internet and having limited internet devices are some other situations to be adapted by traditional music performers. The adaptation needs to be carried out sometime in the future, and this pandemic only accelerates the need.
Co-Authors Adinda Tasya Namira Arifin, Karina Ariyanti Oetari Chotib Dian Sulistyowati Dwi Hanggoro, Pramudianto Dwi Hanggoro Edy Gunawan Edy Gunawan Edy Gunawan, Edy Habibi, Mohammad Halimun, Mentari Hutomo Putra Isman Pratama Nasution Jajang Gunawijaya, Jajang Kusmayati, Engkus Leihitu, Irsyad Lutfi Yondri Lutfi Yondri M Sabri, M Mas'ud, Zubair Moh Habibi Mohammad Habibi Mohammad Habibi Namira, Adinda Tasya Nugroho, Yogi Abdi Pasaribu, Yosua Adrian Pojoh, Ingrid H.E. Priscila Fitriasih Limbong Puspitasari, Maria Putra, Hutomo Saparudin, Endin Sulistyowati, Dian Tiara Aninditha Turita Indah Setyani Wardhana, Iwan Henry Yogi Abdi Nugroho Yosua Adrian Pasaribu Zubair Mas’ud