Article Per Year (5 Year)
p-Index From 2020 - 2025
2.304
P-Index
This Author published in this journals
All Journal TEKMAPRO Journal of Industrial Engineering and Management Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam BAHTERA : Jurnal Pendidikan Bahasa dan Sastra CALL Paradigm: Journal of Language and Literary Studies Journal of English Development Saksama: Jurnal Sastra Riwayat: Educational Journal of History and Humanities Journal of English Language Teaching and Literature (JELITA)
Hasbi Assiddiqi
UIN Sunan Gunung Djati Bandung
Arts Humanities Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Education Engineering Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Social Sciences

Published : 14 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 14 Documents
Search

 1   2 
PERANCANGAN ALAT PEMOTONG MATA BIBIT TEBU DENGAN METODE VALUE ENGINEERING Hasbi Assiddiqi; Dira Ernawati; Kinanti Resmi Hayati
Tekmapro : Journal of Industrial Engineering and Management Vol 13 No 2 (2018): TEKMAPRO
Publisher : UPN Veteran Jawa Timur

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (293.373 KB) | DOI: 10.33005/tekmapro.v13i2.42

Abstract

Penelitian ini bertujuan untuk merancang Alat Pemotong Mata Bibit Tebu dan menghitung penghematan biaya dengan metode Value Engineering pada pemilihan alternatif desain Alat Pemotong Mata Bibit Tebu. Pada saat ini alat pemotong mata bibit tebu yang digunakan masyarakat umumnya tergolong masih sangat sederhana dan manual. Di Desa Dalegan, Kecamatan Panceng, Kabupaten Gresik masih menggunakan pisau besar yang digunakan untuk memotong mata bibit tebu. Hal ini menyebabkan batang tebu yang diambil mata bibitnya tidak bisa dimanfaatkan secara maksimal. Dan juga pisau yang digunakan sangat berbahaya dan bisa melukai petani tebu jika tidak berhati-hati saat melakukan pekerjaan. Untuk merancang alat pemotong mata bibit tebu ini menggunakan metode Value Engineering. Metode ini digunakan untuk menghitung penghematan biaya pada pemilihan alternatif desain Alat Pemotong Mata Bibit Tebu. Hasil dari penelitian ini dapat diketahui bahwa terdapat 3 alternatif. Alternatif yang dipilih adalah alternatif 1 dengan value paling besar yaitu 4,41. Dengan biaya Rp. 67.901 dan penghematan biaya mencapai 18% atau sebesar Rp. 14.724 dari biaya awal.
Conflicts of Social Class in Movies Sopa Marwati; Nurholis Nurholis; Hasbi Assiddiqi
CALL Vol 3, No 2 (2021): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v3i2.14502

Abstract

Social conflict happens due to diversities of opinion, culture, and ideology in the certain society. It can be discovered in every stratum of society level, social conflict can occur in the upper, middle and lower class. This study explained social class conflicts which were taken from two movies: Parasite (2019) and Joker (2019). This study uses a comparative literary theory by Sussan Bassnet. Th study also used focused on the social class conflict theory by Lewis Coser and the classification of people by Karl Max. The method used in this research is descriptive in technique of analyzing the data was obtaining by categorizing, describing and interpreting the data, then making conclusion. The result showed that in the Parasite and the Joker movies contained of social class conflict, it occurred inter classes of people in a society. based on analysis, it concluded that both of the movie has differences in the social class conflict and the causes of the conflict itself. However, both movies have the same consequences of the conflict. In the Parasite movie social class conflict occurred inter the lower class. While, in the Joker movie, the social class conflict occurred between the upper and lower class.Keywords: social class conflcit, comparative literature, Parasite, Joker
MASCULINITY OF HEROINE IN XENA: WARRIOR PRINCESS (1995) AND THE HUNGER GAMES (2012) Ingga Rosarini; Pepi Siti Paturohmah; Hasbi Assiddiqi
CALL Vol 2, No 1 (2020): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v2i1.8762

Abstract

Abstract: This study is aims at revealing the female masculinity or masculine character reflected in the character heroine of Katniss Everdeen and Xena. The characters created are also both heroes mostly born in the adventure genre. Heroine is the female protagonist character. The hero overcomes these opponents because he is strong, brave, resourceful, rational, and determined to succeed, he may receive assistance from wise and benefit being who recognize him for what he is. The words masculine can refer to the property of being biologically male. Inferiority to high culture are derived from, and refer back to, the sexist constructions of femininity and masculinity in the wider society. Researcher look for data relating to the question of the problem, how are the masculinity aspect of heroine described in Xena: Warrior Princess and The Hunger Games Movie. The researcher used comparative method to find differences and similarities of the both character to be used as objects of research with the topic woman characters. From the analysis, it was found that Katniss and Xena had masculinity of heroine. This also shows a striking difference in both character.Keywords:   heroine, masculinity, comparative, film, sexist.
THE STRUCTURE AND MEANING OF KAWIH IN RONGGENG GUNUNG PERFORMANCE Dian Nurrachman; Hasbi Assiddiqi; Rohanda Rohanda; Deden Hidayat
PARADIGM: Journal of Language and Literary Studies Vol 2, No 2 (2019): Paradigm: Journal of Language and Literary Studies
Publisher : English Letter Department, Universitas Islam Negeri Maulana Malik Ibrahim Malang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18860/prdg.v2i2.7627

Abstract

Ronggeng Gunung is a combined performing art which thrives especially in southern Ciamis (including Pamarican and Banjarsari) and Pangandaran (including Padaherang and Kalipucang). Generally, this is almost the same as the conventional ronggeng, in which a dancer performs while being accompanied by gamelan (Javanese/Sundanese music instrument) and kawih (Sundanese songs). The main ronggeng dancer is a woman who wears a shawl as a part of the dance to invite males to dance with her. Allegedly, in its mythological narratives, Ronggeng Gunung was created from the grief of a princess who lost her beloved husband and her attempt of revenge toward the killer. This paper is actually intended to find out how are the structures and meanings of Kawih as an inseparable part of Ronggeng Gunung performance. This study applies structuralism as both theoretical approach and method, since it provides the theoretical framework to find out both the structural construction and the meaning of the Kawih. The result of this study shows that kawih accompanying Ronggeng Gunung performance represents a passionate romance of solace, unrequited love, as well as the cultural values of modesty, politeness, and the importance of solidarity in facing every problem encountered by human.  
IDEOLOGI ORANG BIASA: NILAI-NILAI KULTURAL MASYARAKAT PANTURA JAWA BARAT DALAM SENI DAN LAGU TARLING Dian Nurrachman; Hasbi Assiddiqi; Rohanda Rohanda; Pepen Priyawan
Al-Tsaqafa : Jurnal Ilmiah Peradaban Islam Vol 16, No 2 (2019): Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/al-tsaqafa.v16i2.5762

Abstract

Penelitian ini tentang tradisi dan narasi Seni Tarling yang berkembang di wilayah pesisir pantai utara (pantura) Jawa Barat, khususnya daerah Subang, Indramayu, dan Cirebon. Penelitian ini bertujuan untuk mengetahui sejarah Tarling dari awal sampai perkembangannya hari ini, bagaimana pertunjukan Tarling, narasi-narasi lagu Tarling dalam kaitannya dengan konteks sosiologis-antropologis masyarakat Pantura, serta nilai-nilai kultural yang diusung dalam Seni Tarling secara keseluruhan. Pada gilirannya, aspek yang disebut terakhir, yaitu nilai-nilai kultural, akan dikaitkan secara interdisiplin dengan menggunakan teori ilmiah Sosiologi Sastra untuk menemukan ideologi dan identitas masyarakat Pantura. Pengaitan ini adalah satu keniscayaan karena struktur-struktur yang dibangun dalam seni/kesenian—dalam hal ini Seni Tarling—berikut struktur kebahasaan-kesastraan (tuturan, nada, metafora, dan simbol) yang tercermin dalam narasi lagunya memiliki unsur homologis (kesamaan struktur) dengan struktur masyarakat yang membangunnya. Dalam konteks sosiologi seni/sastra, bangunan (struktur) karya seni adalah ‘fakta kemanusiaan’ sebagi wujud artefak budaya yang dihasilkan dari aktivitas manusia, baik dalam hubungannya dengan dirinya sendiri maupun dengan orang lain. Sedangkan masyarakat yang membangun karya seni itu adalah ‘subyek kolektif’, yaitu realitas trans-individual yang menjadi latar belakang hadirnya fakta kemanusiaan tersebut, karena fakta-fakta seperti itu juga tidak akan pernah merupakan hasil aktivitas subyek individual, melainkan subyek kolektif sebagai realitas hubungan antar manusia dalam segala aspek kehidupannya. Melalui proses teorisasi struktur di atas, sosiologi sastra kemudian menghadirkan sebuah pengkajian “homologis. Kata Kunci: Tarling, Pantura, identitas, sosiologi sastra, struktur homologis
OVERLAP TYPES IN GOLDEN GLOBE AWARD INTERVIEW BY THE HOLLYWOOD REPORTER Nia Denisa; Toneng Listiani; Hasbi Assiddiqi
Bahtera: Jurnal Pendidikan Bahasa dan Sastra Vol 22 No 1 (2023): BAHTERA: Jurnal Pendidikan Bahasa dan Sastra, Volume 22 Nomor 1 Januari 2023
Publisher : Program Studi Pendidikan Bahasa Program Pascasarjana Universitas Negeri Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/bahtera.221.06

Abstract

The aim of this research is to categorize what types of overlap are constructed in Golden Globe Award Interview 2020 with Nicholas Braun by The Hollywood Reporter. In an interview, it is one of turn taking violations which still becomes a rife phenomenon where many speakers aren’t aware yet about it. The approach used in this research is descriptive qualitative by documentation technique. The main theory of overlap types is based on Schegloff (2000) and French & Local (1983). There are 13 data found which contain 11 non-competitive: 1 terminal overlap, 5 continuers, 4 conditional access to the turn, 1 choral and 2 competitive: 2 high pitch and increased loudness. So, it can be concluded that the most dominant of overlap type is continuers that categorized as unproblematic for the speakers and conversation structure. Because the next speakers used it to respect the current speakers. Therefore, this result is expected as one of overlap examples which can be applied.
MORAL VALUE IN THE PATRIOT MOVIE AND RELATION WITH 18th CENTURY Muhammad Ramdhan; Tenny Sudjatnika; Hasbi Assiddiqi
CALL Vol 4, No 2 (2022): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v4i2.14547

Abstract

Movie is one of the media that has a significant impact on the dissemination of information and the transmission of messages to readers or the general public. This study aimed to discover moral value in "The Patriot" movie. This study aimed to discover how moral principles in the movie compare to those in the 18th century. This study also used a qualitative approach to acquire subjective evaluations by utilizing data sources, data collection techniques, data analysis techniques, and time and location. The primary data source was the movie "The Patriot," while secondary sources included the literature on moral issues, particularly the negative repercussions of the industrial revolution. According to the study, the movie "The Patriot" upholds moral principles such as respect, responsibility, fairness, tolerance, wisdom, helping one another, compassion, cooperation, courage, and self-assurance. The investigation came to the conclusion that there was a connection between the moral principles in the film The Patriot and the social circumstances of 18th-century British society. Keywords: social condition, moral values, movie
REFUTATION OF LAURA MULVEY'S 'MALE GAZE' THEORY IN FILM LITTLE WOMEN (2019) Virgiena Salsabila; Lili Awaludin; Hasbi Assiddiqi
Saksama: Jurnal Sastra Vol 1, No 2 (2022): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (810.409 KB) | DOI: 10.15575/sksm.v1i2.23899

Abstract

Film, along with other literary works such as books, poetry and theater, is one of the mediums used in the contemporary day to communicate messages to society. Greta Gerwig adapted the film Little Women (2019) from the novel Little Women (1868) by Louisa May Alcott. This film shows a breakthrough over the prejudice and discrimination towards women in 19th-century cinema. The subject of female gaze has received attention since, up to this point, women have frequently only been shown as passive narrative objects, or even as the principal sexual objects in movies. Analyzing by comparing Laura Mulvey's theory regarding female gaze and male gaze through the phenomena contained in the film Little Women, which narrates the lives of five young women during their adolescent years. The image of women in the film Little Women does not appear as an object but a subject, the characters in the film Little appears strong, ambitious and optimistic. Little Women proves that Mulvey's theory of the patriarchal world is neither permanent nor obligatory.
THE ADAPTATION OF RICK RIORDAN’S PERCY JACKSON AND THE OLYMPIANS: THE SEA OF MONSTERS NOVEL INTO FILM Muhammad Ghifari Rizki Pratama; Hasbi Assiddiqi
Saksama Vol 1, No 1 (2022): Saksama
Publisher : Saksama

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (624.849 KB)

Abstract

Adaptation is the process of adapting a novel into a film. The emergence of the phenomenon of adaptation of novels into film form is a substantial change in discourse that gave rise to the term Adaptation. Percy Jackson and the Olympians: The Sea of Monsters novel is a popular novel that is good to be adapted into a film. The novel and film are the second installment in the Percy Jackson and the Olympians series after Percy Jackson and the Olympians: The Lightning Thief. Currently, the adaptation process is becoming increasingly important to analyze because the adaptation process can provide interpretation and comparison between novels and films. The adaptation in literary field is become normal as there are a lot of works that produced with helps of adaptation. One of many adaptations case that happens is the shifting process from written literary works into the films, which will produce some changes and variations on its adaptation and that is the interesting topic to be discussed.This study examines the intrinsic adaptation of the elements in it. This study uses a descriptive qualitative method because the research data is in the form of images and text. The data from this study are several pictures from a film as well as excerpts from novels. This study uses the adaptation theory from Eneste Pamusuk and the Structuralism theory from Ferdinand de Saussure. The results of the research show that there have been subtractions, additions, and varied changes to the plot and setting in the film. The plot sequence in Percy Jackson: The Sea of Monsters underwent many changes. In the process of intrinsic element adaptation, the writer found 1 character who experienced a reduction in the film out of a total of 12 characters, Equalization of points of view from novel to film, 1 addition of the theme of friendship, 5 plots that were reduced, 8 plots that were added 1 subplot that was reduced, and 3 flow changes vary. In addition, the setting in the film Percy Jackson: Sea of Monsters also underwent many changes. In the process of adaptation the settings, the writer found 11 backgrounds that were reduced, 7 settings that were added, and 1 setting that underwent various changes. In this study, the authors found several influences related to the process of adaptation of intrinsic elements.First, when adaptations occur on intrinsic elements, not too many changes occur in the film. This change makes the film acceptable and in demand by the audience. Second, when several parts that are quite influential in the plot and setting are removed or changed, important things related to the story are eventually lost. Third, adaptations made in film settings provide many real-life images that novels cannot explain. The setting in the novel is made to look real and very good. Fourth, this film was closer to the tastes and conditions of society at that time, so that this film was more acceptable to the public.
IDEAL ROMANCE FORMULA IN THE MOVIE SCRIPT OF EMMA (2020) AND PERSUASION (2022): COMPARATIVE LITERATURE Yasmin Rifdah Luthfiah; Hasbi Assiddiqi; Udayani Permanaludin
Saksama: Jurnal Sastra Vol 2, No 1 (2023): Saksama
Publisher : Fakultas Adab dan Humaniora UIN Sunan Gunung Djati Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/sksm.v2i1.24820

Abstract

Romance movie scripts are one of the most popular types of popular literature. But most fans don't know that in a work of popular literature there is a formula that is quite important because it influences the plot of the story and helps the audience to understand more about the story. Examples of romance movie scripts that have this formula are Emma (2020) and Persuasion (2022). This research will discuss the ideal romance formula in the movie scripts Emma (2020) and Persuasion (2022) using Radway's ideal romance formula theory and comparative literature theory. The purpose of this study is to find out the differences of the ideal romance formula in the movie scripts of Emma (2020) and Persuasion (2022). This research is qualitative research with a comparative descriptive research method. The results obtained from this research are that Emma fulfills 10 out of 13 functions with the 4th, 5th, and 10th functions which are not fulfilled. Meanwhile, Persuasion also fulfills 10 out of 13 functions with the 3rd, 4th, and 10th functions which are not fulfilled. This is due to the theme of romance which is raised differently. Emma (2020) has the theme from best friends to lover, while Persuasion (2022) has the theme from ex to lover.
Co-Authors Anisa Hanifah Deden Hidayat Dian Nurrachman Dian Nurrachman, Dian Dira Ernawati Hayati, Kinanti Resmi Ingga Rosarini Lili Awaludin Lirang Titania Miranda Listiani, Toneng Muhammad Ghifari Rizki Pratama Muhammad Ramdhan Nazma Sania Rahmah Nia Denisa Nurholis Nurholis Paturohmah, Pepi Siti Permanaludin, Udayani Priyawan, Pepen Rohanda Rohanda Rohanda Rohanda Ruminda Ruminda Sape'i Sape'i Sopa Marwati Tenny Sudjatnika Virgiena Salsabila Yasmin Rifdah Luthfiah