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All Journal TEKMAPRO Journal of Industrial Engineering and Management Language Literacy: Journal of Linguistics, Literature, and Language Teaching Al-Tsaqafa: Jurnal Ilmiah Peradaban Islam BAHTERA : Jurnal Pendidikan Bahasa dan Sastra Jurnal Basataka (JBT) CALL Paradigm: Journal of Language and Literary Studies Journal of English Language and Education Journal of English Development Saksama: Jurnal Sastra Journal of English Language Teaching and Literature (JELITA)
Hasbi Assiddiqi
UIN Sunan Gunung Djati Bandung
Arts Humanities Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Education Engineering Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Social Sciences Other

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MENTAL ILLNESS OF BRUCE WAYNE IN BATMAN BEGINS (2005) AND TONY STARK IN IRON MAN (2010) Lirang Titania Miranda; Sape'i Sape'i; Hasbi Assiddiqi
CALL Vol 5, No 1 (2023): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v5i1.14914

Abstract

Literary psychology is defined as a field of study that examines literary works that involve fictional or factual characters acting out events from human life. Superheroes figure started to show up in 1930s, their characters were always written as a perfect human being due to the WW II. This study compared mental illnesses encountered by the two major protagonists in Christopher Nolan's Batman Begins (2005) and Jon Favreau's Iron Man 2 (2010) films. Mental issues have been very openly discussed in the current days and there are lots of movies which started to portray mental issues in the story, including superhero movies. This was a comparative literature from Bassnett (1993) and Damono (2009) to discover the similarities and differences between the characters, as well as Psychology of Literature by Minderop (2010) assisted by structuralism theory and theories of mental disorder from psychology. This study used a qualitative method. The results showed that Batman and Iron Man suffer from several mental illnesses, such as: depression, anxiety, antisocial, schizoid, PTSD, narcissistic, histrionic, and OCD. The study concluded that both main characters as the centre of the story who have an internal problem within themselves because of their mental illnesses. Keywords: comparative literature, psychology of literature, mental illness, main character
Ms. Marvel: Marvel’s New Model of Islam’s Representation in Popular Culture Anisa Hanifah; Lili Awaludin; Hasbi Assiddiqi
JELITA Vol 5 No 1 (2024): Journal of English Language Teaching and Literature (JELITA)
Publisher : Universitas Muhammadiyah Barru

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56185/jelita.v5i1.544

Abstract

This research aims to examine the Ms. Marvel (2022) film series as Marvel's new model in representing Islam throughout popular culture's advancement. Ms. Marvel, known as Kamala Khan, is the first Muslim superheroine character to have her own series at Marvel. This research investigates how the creation and development of this character reflects an invention in the representation of religion and diversity in an entertainment industry that is generally dominated by Western narratives. The research method employed a descriptive qualitative analysis utilizing a cultural studies approach to discern Islam’s representation in Ms. Marvel (2022). Supported by representation and ideology theories, this research would not only examine the impact of Ms. Marvel's character on the general perception of Islam in popular culture but also analyze how the entertainment industry in its entirety may serve as a means to construct a more inclusive perception of religious diversity. The results of this research are intended to offer deeper insights into characters' roles such as Ms. Marvel in reimagining representations of Islam in popular culture and to contribute towards readers' comprehension of the entertainment industry's power through inclusive narratives. Therefore, Ms. Marvel as Marvel's new model in representing Islam may change the negative stereotypes and people's perceptions of Islam.
The Portrayal of Moderate Islam Representations in Ms. Marvel (2022) TV Series: English Anisa Hanifah; Lili Awaludin; Hasbi Assiddiqi
Journal of English Development Vol. 4 No. 01 (2024): Journal of English Development
Publisher : Prodi Tadris Bahasa Inggris

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25217/jed.v4i01.4099

Abstract

2022 Marvel released a TV series entitled Ms. Marvel, which shows Kamala Khan, a Pakistani-American woman Muslim who leads as a superheroine. Lives as a minority in Jersey City, Kamala Khan shows her Muslim identity moderately conducive to bear with the society. Therefore, this research aims to describe the representation of moderate Islam in Ms. Marvel (2022) TV series and the influence of those representations on Islam’s stereotypes in the United States media. This research uses descriptive qualitative method through cultural studies approach, that is supported by Stuart Hall’s representation and John Storey’s ideology theories. Furthermore, with the changes of superhero motifs in Ms. Marvel, authors presume that this invention effected to Ms. Marvel’s (2022) TV series popularity by transforming the negative stereotype of Islam into a positive one. The Marvel industry itself prepares minorities, especially Muslim hero performances to attract the entertainment market which is currently dominated by Muslims as the second world’s most adherents. The effect of moderate Islam representations on Ms. Marvel’s popularity is a further plan from this research. In fact, besides Ms. Marvel, another minority issue that is packaged as the core story of Marvel's entertainment production has become a separate marketing strategy for them. Therefore, the result of this research is that moderate Islam representations in Ms. Marvel (2022) TV Series are portrayed in numerous forms and constructs an opposition to Islam’s negative streotypes in the United States media.
PSYCHOLOGICAL CONFLICT OF MAIN CHARACTER IN FREDRICK BACKMAN’S A MAN CALLED OVE Sigit Agustian; Hasbi Assiddiqi; Erfan Muhammad Fauzi
Jurnal Basataka (JBT) Vol. 8 No. 1 (2025): Juni 2025
Publisher : Prodi Pendidikan Bahasa dan Sastra Indonesia, Universitas Balikpapan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36277/basataka.v8i1.692

Abstract

Penellitian ini bertujuan untuk mengidentifikasikan dan mendeskripsikan konflik psikologis pada karakter utama dalam novel A Man Called Ove karya Fredrick Backman berdesarkan pendekatan psikoanalisis Jacques Lacan. Penelitian ini menggunakan jenis penelitian kualitatif deskriftif. Sumber data utama yang digunakan dalam penelitian ini adalah Novel A Man Called Ove dengan tambahan beberapa data sekunder dalam penelitian ini adalah jurnal, skripsi, buku-buku teori, dan ensiklpoedia. Teknik pengumpulan data dalam penelitian ini menggunakan Teknik kajian Pustaka yaitu membaca, mencatat dan mengklasifikasikan. Analisis data dalam penelitian kualitatif deskriftif ini menggunakan pendekatan psikoanalisis Jacques Lacan dengan focus pada struktur 3 tahap konflik kesadaran real, simbolik, dan imaginary. Hasil analaisis naratif pada tokoh utama dalam novel A Man Called Ove karya Fredrick Backman ditemukan terdaapat 13 bentuk psikologi konflik yang terjadi, terbagi dalam 5 konflik pada tahap Real, 4 konflik pada tahap Imaginary, dan 4 topik pada tahap symbolic. Konflik tersebut mempengaruhi karakter utama dalam menjalankan cerita di dalam novel. Untuk menjaga ketefokusan dan kedalaman analisis, penelitian ini hanya berfokus membahas konflik yang terjadi pada karakter utama Ove yang dianggap paling signifikan dalam perkembangan alur dan karakter yang berpuncak pada rasa kehilangan, kekosongan, namun tetap memperlihatkan sisii kebaikan dan ketulusan pada akhir carita. Temuan penelitian ini menegaskan bahwa psikoanalisis Jacques Lacan efektif dan bisa digunakan untuk mengungkapkan dinamika psikologi dan penjelasan konflik dalam suatau karya sastra.
Self-Inadequacy in Daniel Caesar’s Lyrics Album Never Enough Muhammad Sayyid Fathan Fadhlullah; Toneng Listiani; Hasbi Assiddiqi
Journal of English Language and Education Vol 11, No 3 (2026)
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/jele.v11i3.2507

Abstract

This study examines the representation of self-inadequacy in Daniel Caesar’s Never Enough album, focusing on the songs “Ocho Rios,” “Toronto 2014,” and “Always.” While previous studies often apply Paul Ricoeur’s hermeneutics in a limited or descriptive manner, this research provides a more structured application of the hermeneutic arc as a systematic method. By focusing on textual autonomy, explanation, understanding, and the world of the text, the analysis reveals how linguistic and symbolic patterns construct feelings of inadequacy. The findings show that self-inadequacy appears in three dimensions: dependency in “Ocho Rios,” temporal stagnation in “Toronto 2014,” and emotional subordination in “Always.” Ultimately, the lyrics construct a coherent “world of the text” where the subject lacks agency and relies on external validation. This study concludes that the selected lyrics serve as a structured narrative of modern vulnerability, demonstrating the potential of song lyrics as complex interpretive texts.
ILLOCUTIONARY ACTS AND MOTIVATIONAL FUNCTIONS IN DR. JILL BOLTE TAYLOR’S TED TALK MY STROKE OF INSIGHT Muna Inarul Hida; Ruminda Ruminda; Hasbi Assiddiqi
Language Literacy: Journal of Linguistics, Literature, and Language Teaching Vol 10, No 1: June 2026 (In Progress)
Publisher : Universitas Islam Sumatera Utara (UISU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/ll.v10i1.13467

Abstract

This study investigates how illocutionary acts function as motivational strategies in Dr. Jill Bolte Taylor’s TED Talk My Stroke of Insight. While previous studies have primarily focused on classifying speech acts, limited attention has been given to how illocutionary force contributes to the construction of motivational discourse in public speeches. Addressing this gap, the present research analyzes the intersection between linguistic action and motivational intent. Using a qualitative descriptive approach, 139 purposively selected utterances were examined based on their identifiable illocutionary force and motivational meaning. The analysis integrates Searle’s speech act framework with concepts of motivational communication, including emotional engagement, cognitive reframing, inspirational direction, supportive encouragement, and the strengthening of self-efficacy. The findings reveal that representative acts are the most dominant type, indicating the speaker’s emphasis on conveying information and personal insight. Emotional appeal appears as the most frequent motivational function, reflecting the talk’s strong affective orientation. Common combinations such as Representative + Emotional Appeal and Directive + Encouragement demonstrate how linguistic forms work synergistically with motivational strategies to enhance the persuasive and inspirational power of the message. This study contributes to a deeper understanding of how illocutionary acts shape motivational discourse in spoken communication.
Co-Authors Anisa Hanifah Deden Hidayat Dian Nurrachman Dian Nurrachman, Dian Dira Ernawati Erfan Muhammad Fauzi Hayati, Kinanti Resmi Ingga Rosarini Lili Awaludin Lirang Titania Miranda Listiani, Toneng Muhammad Ghifari Rizki Pratama Muhammad Ramdhan Muhammad Sayyid Fathan Fadhlullah Muna Inarul Hida Nia Denisa Nurholis Nurholis Paturohmah, Pepi Siti Permanaludin, Udayani Priyawan, Pepen Rohanda Rohanda Ruminda Ruminda Sape'i Sape'i Sigit Agustian Sopa Marwati Tenny Sudjatnika Virgiena Salsabila Yasmin Rifdah Luthfiah