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MENTAL ILLNESS OF BRUCE WAYNE IN BATMAN BEGINS (2005) AND TONY STARK IN IRON MAN (2010) Lirang Titania Miranda; Sape'i Sape'i; Hasbi Assiddiqi
CALL Vol 5, No 1 (2023): CALL
Publisher : Universitas Islam Negeri Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/call.v5i1.14914

Abstract

Literary psychology is defined as a field of study that examines literary works that involve fictional or factual characters acting out events from human life. Superheroes figure started to show up in 1930s, their characters were always written as a perfect human being due to the WW II. This study compared mental illnesses encountered by the two major protagonists in Christopher Nolan's Batman Begins (2005) and Jon Favreau's Iron Man 2 (2010) films. Mental issues have been very openly discussed in the current days and there are lots of movies which started to portray mental issues in the story, including superhero movies. This was a comparative literature from Bassnett (1993) and Damono (2009) to discover the similarities and differences between the characters, as well as Psychology of Literature by Minderop (2010) assisted by structuralism theory and theories of mental disorder from psychology. This study used a qualitative method. The results showed that Batman and Iron Man suffer from several mental illnesses, such as: depression, anxiety, antisocial, schizoid, PTSD, narcissistic, histrionic, and OCD. The study concluded that both main characters as the centre of the story who have an internal problem within themselves because of their mental illnesses. Keywords: comparative literature, psychology of literature, mental illness, main character
Ms. Marvel: Marvel’s New Model of Islam’s Representation in Popular Culture Anisa Hanifah; Lili Awaludin; Hasbi Assiddiqi
JELITA Vol 5 No 1 (2024): Journal of English Language Teaching and Literature (JELITA)
Publisher : Universitas Muhammadiyah Barru

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56185/jelita.v5i1.544

Abstract

This research aims to examine the Ms. Marvel (2022) film series as Marvel's new model in representing Islam throughout popular culture's advancement. Ms. Marvel, known as Kamala Khan, is the first Muslim superheroine character to have her own series at Marvel. This research investigates how the creation and development of this character reflects an invention in the representation of religion and diversity in an entertainment industry that is generally dominated by Western narratives. The research method employed a descriptive qualitative analysis utilizing a cultural studies approach to discern Islam’s representation in Ms. Marvel (2022). Supported by representation and ideology theories, this research would not only examine the impact of Ms. Marvel's character on the general perception of Islam in popular culture but also analyze how the entertainment industry in its entirety may serve as a means to construct a more inclusive perception of religious diversity. The results of this research are intended to offer deeper insights into characters' roles such as Ms. Marvel in reimagining representations of Islam in popular culture and to contribute towards readers' comprehension of the entertainment industry's power through inclusive narratives. Therefore, Ms. Marvel as Marvel's new model in representing Islam may change the negative stereotypes and people's perceptions of Islam.
The Portrayal of Moderate Islam Representations in Ms. Marvel (2022) TV Series: English Anisa Hanifah; Lili Awaludin; Hasbi Assiddiqi
Journal of English Development Vol. 4 No. 01 (2024): Journal of English Development
Publisher : Prodi Tadris Bahasa Inggris

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25217/jed.v4i01.4099

Abstract

2022 Marvel released a TV series entitled Ms. Marvel, which shows Kamala Khan, a Pakistani-American woman Muslim who leads as a superheroine. Lives as a minority in Jersey City, Kamala Khan shows her Muslim identity moderately conducive to bear with the society. Therefore, this research aims to describe the representation of moderate Islam in Ms. Marvel (2022) TV series and the influence of those representations on Islam’s stereotypes in the United States media. This research uses descriptive qualitative method through cultural studies approach, that is supported by Stuart Hall’s representation and John Storey’s ideology theories. Furthermore, with the changes of superhero motifs in Ms. Marvel, authors presume that this invention effected to Ms. Marvel’s (2022) TV series popularity by transforming the negative stereotype of Islam into a positive one. The Marvel industry itself prepares minorities, especially Muslim hero performances to attract the entertainment market which is currently dominated by Muslims as the second world’s most adherents. The effect of moderate Islam representations on Ms. Marvel’s popularity is a further plan from this research. In fact, besides Ms. Marvel, another minority issue that is packaged as the core story of Marvel's entertainment production has become a separate marketing strategy for them. Therefore, the result of this research is that moderate Islam representations in Ms. Marvel (2022) TV Series are portrayed in numerous forms and constructs an opposition to Islam’s negative streotypes in the United States media.
Turn-Taking Mechanism in Piers Morgan Uncensored Talkshow: Going Down For LIFE Piers Morgan Discusses the Downfall of Diddy Nazma Sania Rahmah; Ruminda Ruminda; Hasbi Assiddiqi
Riwayat: Educational Journal of History and Humanities Vol 8, No 1 (2025): Januari, Special Issue on "Educational design research for human beings learning
Publisher : Universitas Syiah Kuala

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24815/jr.v8i1.44273

Abstract

This research analyzes how the turn of conversation on Piers Morgan Uncensored Talkshow episode Going Down Forlife Piers Morgan Discusses The Downfall of Diddy, using Jacob L Mey, (2001) conversation analysis theory as a framework. This research analyzes taking the floor, holding the floor, and yielding the floor through a qualitative examination of the conversation that took place between Piers Morgan and his guest. This study analyzes how the turn of conversation on the piers morgan talk-show in the episode going down for life thr downfall of diddy, using Jacob L. Mey's theory of conversation analysis as a framework. This research identifying the type of turn-taking mechanism used in the conversation. The method used in this research is descriptive qualitative method to produce precise and factual conclusions by using approaches to collect data. The result shows that holding the floor most common used in the conversation that happened in this talk show.