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All Journal Batoboh : Jurnal Pengabdian Pada Masyarakat Garak Jo Garik : Jurnal Pengkajian dan Penciptaan Seni Laga-Laga: Jurnal Seni Pertunjukan Ekspresi Seni : Jurnal Ilmu Pengetahuan dan Karya Seni Melayu Arts and Performance Journal Musica: Journal of Music Jurnal Riset Rumpun Seni, Desain dan Media (JURRSENDEM) Scoring: Journal of Film Music
Hafif HR
ISI Padangpanjang
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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Interpretation of Balinese Goddess Saraswati Worship Ritual Into Illustrative Musical Composition in Multimedia Music Pratama, Yuda; Hendri, Yon; HR, Hafif
Scoring: Journal of Film Music Vol 1, No 1 (2023): Scoring Jurnal of Film Musik
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v1i1.3399

Abstract

ABSTRAKArtikel ini memuat tentang karya musik ilustrasi yang berangkat dari prosesi  Ritual Pemujaan Dewi Saraswati  yang dilaksaanakan  di Bali pada setiap tahunnya yang dilakukan pada pagi hari. Pengkarya menghadirkan suasana sesuai alur cerita dari tahap persiapan hingga tahan prosesi ritual,. Tujuan dari penulisan artikel ini adalah untuk mewujudkan komposisi musik ilustrasi dalam bentuk garapan multimedia dengan mengambil ide musical  dari mantra pemujaan terhadap Dewi Saraswati.  Metode pencitaan yang digunakan  dalam penggarapan karya ini adalah  metode penciptaan A.M. Hawkins yang terdiri atas tiga tahap yaitu ; (2) Tahap explorasi , (2) tahap eksperimen, (3) perwujudan.  Penggarapan komposisi musik  ilustrasi  ini menghasilkan komposisi musik multimedia yang berjudul “ Ilustrasi of Music “Ritual Pemujaan Saraswati dalam bentuk free formKata Kunci:Ritual Pemujaan Dewi Saraswati; Musik Ilustrasi; Musik MultimediaABSTRACTThis article contains an illustrated piece of music that departs from the procession of the Ritual Worship of Dewi Saraswati which is held in Bali every year which is done in the morning. The creators present the atmosphere according to the storyline from the preparation stage to the ritual procession. The purpose of writing this article is to create an illustrated musical composition in the form of a multimedia work by taking the musical idea from the mantra of worship of Dewi Saraswati. The creation method used in the creation of this work is A.M. Hawkins which consists of three stages namely; (2) Exploration stage, (2) experimental stage, (3) embodiment. The cultivation of this illustration music composition resulted in a multimedia music composition entitled "Illustration of Music" Saraswati Worship Ritual in free form Keywords: Goddess Saraswati Worship Rituals; Illustrated Music; Multimedia Music.        
Fantasia Taur-Taur Purba, Jayanto; Herdianto, Ferry; Sina, Ibnu; Munafri, Sastra; HR, Hafif
Musica: Journal of Music Vol 4, No 2 (2024): MUSICA : JOURNAL OF MUSIC
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/musica.v4i2.4720

Abstract

Komposisi musik Fantasia Taur-taur  adalah komposisi yang berangkat dari salah satu kesenian Batak Simalungun yaitu Taur-taur Simbandar. Komposisi musik Fantasia Taur-taur merupakan musik komposisi dengan gaya Fantasia digarap dalam bentuk dua bagian dengan format orkestra. Pada komposisi musik ini, melodi dan pola ritme yang berangkat dari lagu Taur-taur Simbandar diambil sebagai ide garapan yang digarap dalam sebuah komposisi musik instrumental. Dalam penggarapan komposisi musik Fantasia Taur-taur digunakan beberapa teknik pengolahan variasi motif seperti repitisi, sequen, imitasi, diminusi tanpa menghilangkan ciri khas dari lagu Taur-taur Simbandar tersebut.. Kata Kunci: Taur-Taur, Inggou, Doding,Fantasia dan Orchestra
Pertunjukan Solis Vokal Dengan Repertoar Bella Mia Fiamma, Lemak Manis Dan I Surrender Tambunan, Reza Reswati; Rosa, Della; Tindaon, Rosmegawaty; Kumala, Ofa Yutri; HR, Hafif
Musica: Journal of Music Vol 5, No 1 (2025): MUSICA : JOURNAL OF MUSIC
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/musica.v5i1.5318

Abstract

Pertunjukan musik merupakan bentuk ekspresi seni yang menghadirkan keindahan melalui elemen-elemen vokal dan instrumen. Penelitian ini bertujuan untuk menganalisis bagaimana mengekspresikan dan menginterpretasikan tiga repertoar musik dari berbagai genre dan gaya musikal dengan bentuk iringan musik yang berbeda. Karya pertama, Bella Mia Fiamma oleh Wolfgang Amadeus Mozart, dieksplorasi dalam konteks gaya klasik dengan iringan orkestra, menekankan pada dinamika, artikulasi, dan ekspresi khas era Klasik. Karya kedua, Lemak Manis oleh Ruslan Madun, dikaji dalam interpretasi gaya Musik Melayu dengan iringan Combo Band, yang mengedepankan ornamentasi khas musik tradisional Melayu serta nuansa ekspresi vokal yang sesuai dengan karakter musiknya. Sementara itu, karya ketiga, I Surrender oleh Louis Biancaniello dan Sam Watters, dianalisis dari aspek ekspresi dan interpretasi dalam format musik pop dengan iringan Combo Band, memperhatikan teknik vokal yang mendukung emosi serta gaya modern yang khas. Dengan metode analisis kualitatif berbasis studi interpretasi musik, penelitian ini mengidentifikasi pendekatan terbaik dalam mengekspresikan ketiga karya sesuai dengan gaya dan karakteristik musikalnya.Kata Kunci: Ekspresi, Interpretasi, Bella Mia Fiamma, Lemak Manis, I Surrender
PENERAPAN MULTI DISIPLIN SENI DALAM KEGIATAN DRUMBAND PADA EKSTRAKURIKULER SMA 3 PADANGPANJANG HR, Hafif; Marh, Fahmi; Sulistiawan, Ade; Ashari, Dino
Batoboh Vol 1, No 2 (2016): Batoboh -Jurnal Pengabdian Pada Masyarakat
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/bt.v1i2.158

Abstract

Kegiatan Drumband merupakan suatu rangkaian kegiatan yang cukup komplek, tidak hanya berfokus kepada unsur musikal namun lebih luas dari pada itu, seni Drumband perwujudannya membutuhkan disiplin seni lainnya seperti seni tari, desain komunikasi visual dan seni kepemimpinan serta seni baris berbaris. Hal tersebut terangkum dalam Seni Drumband dengan penjabaran yang terdapat pada keutuhan drumband seperti pada section Battery,section Hornline dan section color guard. Kata Kunci :Drumband, Seni Musik, Seni Tari dan seni Desain Visual.
The Implementation and Transformation of Kulintang Melodies in the Rite of Mak Kamalun: A Minimalist Composition Analysis Kadafi, Fadel; HR, Hafif; Anggara, Rama
Scoring: Journal of Film Music Vol 3, No 2 (2025): Scoring
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/scoring.v3i2.6157

Abstract

The fusion of traditional Indonesian musical material with modern Western aesthetics has become a field of exploration in musical composition. Kulintang, as a musical system from the Mamasa people (West Toraja/West Sulawesi) and the Maranao people of the Philippines, provides a rich source of melodic and rhythmic structures that have not been widely explored within a minimalist musical framework. This article aims to analyze the implementation and transformation of kulintang melodies in the orchestral composition "Ritus Mak Kamalun," using an analytical approach to the minimalist musical techniques used. This study uses a descriptive-analytical method of music analysis, combining the theory of motif transformation (Straus, 2016) and the principles of minimalist music (Potter, 2002; Johnson, 1989). Primary data consists of scores and audio recordings of Ritus Mak Kamalun, and secondary data consists of ethnomusicological literature on kulintang. The analysis shows that Kulintang melodies are not simply implemented as excerpts, but are systematically transformed through (1) phase shifts and additive processing of short patterns (cells), (2) repetitions with microvariations of typical Kulintang intervals (such as the minor second and quart), and (3) recontextualization of pentatonic melodic patterns into an expanded tonal system. These transformations produce organically evolving structures, retaining the "soul" of traditional motifs while operating within a minimalist logic. The Mak Kamalun ritual demonstrates that ethnic material can function as a generative core in minimalist compositions, not merely as additional color. This study contributes to an analytical model for integrating traditional material into modern musical forms, as well as enriching the understanding of Kulintang's potential beyond its traditional ritual context.Keywords: Kulintang, minimalist music, compositional analysis, motif transformation, contemporary Indonesian music, applied ethnomusicology.
Interpretasi dan Ekspresi Solis French Horn, Saxophone, Seruling, Trumpet pada Repertoar O Tano Batak Heppi Malau; Hafif HR; Nursyirwan Nursyirwan
Jurnal Riset Rumpun Seni, Desain dan Media Vol. 4 No. 1 (2025): April : Jurnal Riset Rumpun Seni, Desain dan Media
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jurrsendem.v4i1.8174

Abstract

Success in a musical performance cannot be separated from the ability of a presenter to bring works in accordance with the art and beauty of music made by a composer. Research with the title Interpretation and Expression of Solis French Horn, Saxophone, Flute, Trumpet in the O Tano Batak Performance in the aspect of sound color. In this study, the authors use the concept of interpretation in the concept of sound color, as well as in wind instruments. The second concept is a visual concept, namely expression. O Tano Batak's work has differences in each part. In compiling the design of the presentation of the music used, namely French Horn, Saxophone, Flute and Trumpet. The techniques for playing each instrument that must be prepared, both ambouchure and fingering techniques in interpreting the demands contained in the musical repertoire and presentation in the form of musical performances to the audience or audience. This writer aims to reveal what abilities should be carried out technically in playing French Horn, Saxophone, Flute, Trumpet in interpreting a musical repertoire with different musical styles and how to present this musical repertoire to the audience in a French Horn Solis performance, Saxophone, Flute, Trumpet accompanied by Combo Band.
Trombone Soloist Performance with The Repertoire "Sonata In F Minor", "Djoget Hitam Manis," and "Dancing Queen" Muhammad Rheinhard Afana; Hafif HR; Ibnu Sina; Hadaci Sidik; Ofa Yutri
Musica: Journal of Music Vol 6, No 1 (2026): MUSICA : JOURNAL OF MUSIC
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/musica.v6i1.6315

Abstract

This solo trombone recital is a practice-based research aimed at exploring the interpretative capacity and flexibility of the trombone as a solo instrument through the performance of three selected repertoires: Sonata in F Minor by Georg Philipp Telemann, Joget Hitam Manis arranged in a Malay–tango style, and Dancing Queen by ABBA. The research employs a performance-based methodology consisting of preparation, rehearsal process, performance, and post-performance evaluation. The results indicate that each repertoire requires a distinct technical and interpretative approach in terms of articulation, phrasing, dynamics, and stylistic understanding. Sonata in F Minor emphasizes the mastery of Baroque idioms and ornamentation, Joget Hitam Manis demands the ability to blend Malay musical characteristics with tango elements, while Dancing Queen requires adaptation of vocal idioms and pop–disco grooves into trombone performance. This recital demonstrates that the trombone possesses broad interpretative flexibility and is capable of functioning as a communicative solo instrument across diverse musical genres.
Interpretasi Musikal Flight of the Bumblebee dalam Pertunjukan Solis Trombone Beriringan Big Band Fajri Rahmanda; Nursyirwan Nursyirwan; Hafif HR; Sastra Munafri; Nofridayati Nofridayati
Musica: Journal of Music Vol 5, No 2 (2025): MUSICA : JOURNAL OF MUSIC
Publisher : Institut Seni Indonesia Padangpanjang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26887/musica.v5i2.4722

Abstract

Penelitian ini bertujuan untuk mengeksplorasi interpretasi musikal repertoar Flight of the Bumblebee karya Nikolay Rimsky-Korsakov dalam pertunjukan solis trombone dengan iringan big band. Objek kajian penelitian ini adalah partitur dan praktik pertunjukan Flight of the Bumblebee yang dianalisis melalui pendekatan kualitatif dengan metode deskriptif analisis. Pengumpulan data dilakukan melalui studi kepustakaan, observasi pertunjukan, serta analisis teknik permainan trombone. Hasil penelitian menunjukkan bahwa interpretasi musikal dalam repertoar ini menuntut penguasaan teknik pernapasan, kecepatan (speed), artikulasi, serta pemahaman karakter musikal karya sebagai musik programa. Tempo cepat menjadi elemen utama dalam membangun imaji musikal pergerakan lebah, yang diwujudkan melalui teknik kromatis, staccato, legato, dan tonguing. Interpretasi yang efektif hanya dapat dicapai melalui pemahaman struktural karya, konteks historis penciptaan, serta latihan teknis yang terstruktur dan berkelanjutan.
Co-Authors Ahmad Zaidi Aldo, Yoni Andranofa Andranofa Anggara, Rama Ashari, Dino Dede Pramayoza Emridawati Emridawati Fajri Rahmanda Ferry Herdianto Fresti Yuliza H, Afrizal Hadaci Sidik Hendri, Yon Heppi Malau HERDIANTO, FERRY Ibnu Sina Ibnu Sina Kadafi, Fadel Kumala, Ofa Yutri M. Iqbal Widianto Muhammad Rheinhard Afana Nofridayati Nofridayati Nursyirwan Nursyirwan Nursyirwan Nursyirwan Ofa Yutri Panggabean, Della Rosa Purba, Jayanto Raissa Danuka Rosmegawaty Tindaon Roza Muliati Saduddin Saaduddin Sastra Munafri Sastra Munafri, Sastra Selvi Kasman Sena, Alvi Sherli Novalinda Sulistiawan, Ade Surayya, Yade Tambunan, Reza Reswati Toni Rahmat Putra Vindo Alhamda Putra Yang Junchu yuda pratama