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CONSTRUING IDEATIONAL MEANING IN ELECTRONICS DEVICESADVERTISEMENTS IN JAWA POS: A SYSTEMIC FUNCTIONAL LINGUISTICMULTIMODAL DISCOURSE ANALYSIS Erna Fitria Ningsih; Albert Tallapessy; Riskia Setiarini
Publika Budaya Vol 2 No 1 (2014): Maret
Publisher : Fakultas Ilmu Budaya Universitas Jember

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This research deals with multimodal discourse analysis. The data were collected from printed advertisements ofJawa Pos newspaper. Generic Structure Potential of printed advertisement (GSP) proposed by Cheong (2004)and Halliday's (1994) transitivity were applied. Cheong's framework is applied to reveal the elements of visualand linguistic elements, meanwhile Halliday's transitivity is used to know the processes. Thereby, this researchdiscovers the relationship between image and text in one context. The result shows that visual elements in theprinted advertisements are Lead, Emblem, and Display. Lead consists of Locus of Attention (LoA) andComplements to the Locus of Attention (Comp. LoA). Meanwhile, the linguistic elements are Announcement,Emblem, Enhancer, Tag, and Call-and-Visit Information. Finally, it is found that there is interconnectednessbetween the visual and linguistic elements in the printed advertisement. It causes high ContextualizationPropensity (CP), narrow Interpretative Space (IS), and also small Semantic Effervescence (SE).Keywords: Generic Structure Potential (GSP), Ideational Meaning, Multimodal Discourse, PrintedAdvertisement

A Critical Discourse Analysis on Implicit Opinion of Russian Dissatisfaction upon Putin Regime as Expressed in Article “The Civil Archipelago : How Far Can The Resistance To Vladimir Putin Go?” Niken Wresthi Kinanthi Marlangen; Albert Tallapessy; Sabta Diana
Publika Budaya Vol 2 No 2 (2014): Juli
Publisher : Fakultas Ilmu Budaya Universitas Jember

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This research discusses the implicit opinion about Russian people dissatisfaction upon Putin regime as expressed in article The Civil Archipelago: How Far Can the Resistance to Vladimir Putin Go? This article was published by an American popular mass media, The New Yorker. The main goal of this research is to uncover the hidden opinion that it is unable to emerge an ambiguous interpretation. The implicitness is analysed by using Potts’s (2005) theory of Conventional Implicature. The domains used are Nominal Appositive and Supplementary Relative. In order to see the relationship between the implication and the ideological effect of mass media, a critical discourse analysis is applied as well. Namely by taking the socio-political relationship of Russia and US into account. Keywords: critical discourse analysis, conventional implicature, supplementary relative, nominal appositive, US-Russia’s socio-political relationship

Exertion of Cultures and Hegemonic Power in Banyuwangi: The Midst of Postmodern Trends Ikwan Setiawan; Albert Tallapessy; Andang Subaharianto
Karsa: Journal of Social and Islamic Culture Vol. 25 No. 1 (2017)
Publisher : Institut Agama Islam Negeri Madura

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.19105/karsa.v25i1.1118

This article aims to criticize the incorporation and commodification of Using cultures undergone by Abdullah Azwar Anas in Banyuwangi, East Java. To answer the problem, we analyze primary data from our field research and secondary data from online media related to AAA’s efforts to incorporate, articulate, and commodify Using cultures into various carnival programs (2011-2017) by applying theories of commodification, postmodernism, and hegemony. The result of this study shows that, driven by his desire to promote Using cultures globally in the midst of postmodern trends, since 2011 the government of Banyuwangi has created many carnivals and festivals, such as “Banyuwangi Ethno Carnival”, “Banyuwangi Beach Jazz Festival”, “Parade Gandrung Sewu”, and other various programs. Economically, the programs are idealized to support the regional economic growth through tourism activities, both for domestic and international tourists, by displaying traditional expressions with new styles and performances. Politically, the carnivals and festivals can support AAA efforts to negotiate its political concern in order to produce consensus.Copyright (c) 2017 by KARSA. All right reserved DOI: 10.19105/karsa.v25i1.1118

Poskolonialitas Jawa dalam Campursari: Dari Era Orde Baru hingga Reformasi Ikwan Setiawan; Albert Tallapessy; Andang Subaharianto
PANGGUNG Vol 30, No 2 (2020): Identitas Sosial Budaya dan Ekonomi Kreatif
Publisher : LP2M ISBI Bandung

Artikel ini bertujuan menjelaskan dan mengkritisi konstruksi lokalitas Jawa pascakolonial dalam lagu campursari dari masa Orde Baru hingga Reformasi. Menggunakan pembacaan tekstual-kontekstual dengan perspektif poskololonial, kami akan menganalisis beberapa lagu campursari karya Nartosabdo, Manthous, dan Didi Kempot untuk mengungkap poskolonialitas Jawa dalam moda transformatif. Analisis tekstual akan menghasilkan wacana-wacana partikular lokalitas yang berhubungan dengan beberapa isu seperti nilai dan praktik kultural baru serta hubungan lelaki-perempuan di tengah-tengah modernitas dari masing-masing era. Kami, kemudian, akan memberikan penekanan yang lebih kritis terhadap wacana-wacana tersebut dengan menghubungkan mereka dengan kondisi kontekstual yang di dalamnya nilai dan praktik modern mulai mempengaruhi orang-orang Jawa. Kajian ini menunjukkan bahwa lagu-lagu campursari merepresentasikan transformasi lokalitas yang di dalamnya pencipta lagu membawa pandangan mereka terhadap perubahan kehidupan kultural dengan cara menegosiasikan budaya Jawa dengan paradigma yang lentur. Hal itu berarti pencipta lagu secara sadar merepresentasikan budaya lokal yang sudah berdialog dengan budaya modern serta sebagai usaha untuk menegosiasikan dan mentransformasi lokalitas ke-Jawa-an sekaligus sebagai strategi untuk mempopulerkan dan memasarkan campursari.

Critical Discourse Analysis on Markesot Bertutur Lagi (MBL) Ulya Maulani Subhan; Sukarno Sukarno; Albert Tallapessy; Roni Subhan
Budapest International Research and Critics Institute-Journal (BIRCI-Journal) Vol 5, No 3 (2022): Budapest International Research and Critics Institute August
Publisher : Budapest International Research and Critics University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33258/birci.v5i3.6268

Markesot Bertutur Lagi (MBL) text is a form of literary work that discusses the existence of social events in real society. The purpose of this research is to describe and analyze MBL text using critical discourse analysis on microstructure, superstructure, and macrostructure elements. The type of research used is descriptive qualitative method with the critical discourse analysis method of Teun Van Dijk. The data collection used is using the method of listening and noting. The object of this research is one of the chapters in the MBL text entitled Markesot Bertutur Hakikat Hidup. Meanwhile, the step of analyzing the data is reading and recording several sentences and words that contain elements of microstructure, superstructure, and macrostructure. Analyze and describe text into microstructure, superstructure, and macrostructure. The results of this study, firstly, in the microstructure there are syntax and semantics that have been found in several parts, including sentence form words, pronouns, coherence, and sentence meanings in some texts. Second, the plot superstructure elements that have been found are opening, conflict, solution, and closing. Third, the macro-cultural elements found in people's lives today are different from the culture in foreign countries or the author's thoughts on the text.

Wacana Nasionalisme Kritis dalam Musik Banyuwangian pada Masa Orde Baru Tallapessy, Albert; Setiawan, Ikwan; Sariono, Agus; Suwargono, Eko
Paradigma: Jurnal Kajian Budaya Vol. 9, No. 3
Publisher : UI Scholars Hub

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This article deals with the representation of critical nationalism discourse in Banyuwangian music in the New Order era. By juxtaposing representation and hegemony theory which emphasizes textual-contextual reading, we will analyze the constructions of local metaphors we assume supporting the establishment of nationalism. Such constructions intertwined with the mobilization of the uniqueness of local cultures that contributed to establishing the national culture through which nationalism got its “nutrition”. However, some songwriters constructed critical nationalism by representing unique metaphors related to the characteristics of subaltern subjects that in the midst of their problems songwriters still have, in their silence, critical view toward the ruling faction, without negating their responsibility to guard the nation. The representation of critical nationalism using local metaphors is a critique of the social and economic problems caused by the injustice of development programs as well as a creative strategy to negotiate Using cultures in the midst of modernity.

POLA KOMUNIKASI KIAI DAN SANTRI DI PONDOK PESANTREN AT-TAUFIQWRINGIN BONDOWOSO Abdul Azizul Ghaffar; Akhmad Haryono; Albert Tallapessy
KREDO : Jurnal Ilmiah Bahasa dan Sastra Vol 4, No 2 (2021): JURNAL KREDO VOLUME 4 NO 2 TAHUN 2021
Publisher : Universitas Muria Kudus

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24176/kredo.v4i2.5629

Pola komunikasi merupakan model retorika tau strategi seseorang dalam menyampaikan suatu pesan dengan tujuan tertentu. Penelitian ini bertujuan untuk mengetahui wujud dan faktor-faktor yang menyebabkan pola komunikasi di Pesantren Attaufiq Wringin Bondowoso. Metode yang digunakan dalam penelitian ini adalah metode simak libat cakap dengan teknik observasi partisipasi yang disertai dengan teknik catat. Hasil penelitian menunjukkan bahwa (1) wujud pola komunikasi antara kiayi dan santri di Pesantren Attaufiq Wringin Bondowoso selalu diawali salam pembuka dan di akhri salam penutup kecuali kia mejadi penutur utama maka sangat jarang diawali dengan salam pembuka (2) faktor-faktor yang menyebabkan pola komunikasi antara kiayi dan santri di Pesantren Attaufiq Wringin Bondowoso adalah setatus sosial, budaya pesantren dan peraturan yang berlaku di pondok pesantren.

EXPLORING NOMINALIZATION USE IN GRADUATE THESIS ABSTRACTS: AN SFL APPROACH TO ACADEMIC WRITING Ilzam Mahfudurido; Albert Tallapessy; Dina Dyah Kusumayanti
Leksema: Jurnal Bahasa dan Sastra Vol. 6 No. 2 (2021)
Publisher : UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/ljbs.v6i2.3888

Abstract becomes the mandatory part of an article which should be concise and lexically condensed. Unfortunately, not all academic writers can meet this demand. Following Halliday & Matthiessenâ€™s (1999) types of the grammatical metaphor in which the nominalization plays as the main tendency of the construal, this study investigates nominalization cases and how they are manifested in the texts. Seven graduate studentsâ€™ thesis abstracts of the Linguistics Department of a state university in Indonesia were opted as the object of the investigation. Each instance of the nominalization was coded, counted, and classified to decide their types and an in-depth elaboration of how they are manifested in the texts is provided as well. The results showed that the graduate students employed all types of the nominalization to increase the abstractsâ€™ conciseness. The Process nominalization realized from the process-thing transference highly dominates the abstracts. The findings also reveal a wide gap of the nominalization use between the process nominalization and the other types indicating the studentsâ€™ lower intermediacy of the nominalization mastery in the academic writing. Therefore, the explicit teaching of the nominalization is highly recommended as this could be of value to the students involved in the scientific publication in this university.

Poskolonialitas Jawa dalam Campursari: Dari Era Orde Baru hingga Reformasi Ikwan Setiawan; Albert Tallapessy; Andang Subaharianto
PANGGUNG Vol 30 No 2 (2020): Identitas Sosial Budaya dan Ekonomi Kreatif
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v30i2.948

Artikel ini bertujuan menjelaskan dan mengkritisi konstruksi lokalitas Jawa pascakolonial dalam lagu campursari dari masa Orde Baru hingga Reformasi. Menggunakan pembacaan tekstual-kontekstual dengan perspektif poskololonial, kami akan menganalisis beberapa lagu campursari karya Nartosabdo, Manthous, dan Didi Kempot untuk mengungkap poskolonialitas Jawa dalam moda transformatif. Analisis tekstual akan menghasilkan wacana-wacana partikular lokalitas yang berhubungan dengan beberapa isu seperti nilai dan praktik kultural baru serta hubungan lelaki-perempuan di tengah-tengah modernitas dari masing-masing era. Kami, kemudian, akan memberikan penekanan yang lebih kritis terhadap wacana-wacana tersebut dengan menghubungkan mereka dengan kondisi kontekstual yang di dalamnya nilai dan praktik modern mulai mempengaruhi orang-orang Jawa. Kajian ini menunjukkan bahwa lagu-lagu campursari merepresentasikan transformasi lokalitas yang di dalamnya pencipta lagu membawa pandangan mereka terhadap perubahan kehidupan kultural dengan cara menegosiasikan budaya Jawa dengan paradigma yang lentur. Hal itu berarti pencipta lagu secara sadar merepresentasikan budaya lokal yang sudah berdialog dengan budaya modern serta sebagai usaha untuk menegosiasikan dan mentransformasi lokalitas ke-Jawa-an sekaligus sebagai strategi untuk mempopulerkan dan memasarkan campursari.

THE VOICE OF THE VOICELESS: COUNTERING THE FESTIVAL AND ELEVATING REYOG OBYOKAN AS CULTURAL CAPITAL Tallapessy, Albert; Setiawan, Ikwan
Paradigma: Jurnal Kajian Budaya Vol. 14, No. 3
Publisher : UI Scholars Hub

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This article examines two performance models of Reyog Ponorogo: the festival model and the obyokan model. These two competing models represent differing perspectives on one side, the interests of the artists and the community, and on the other, the interests of the state. By applying cultural studies theories, particularly those of representation and hegemony, this study analyzes data collected through observations of Reyog performances at both festival and obyokan events, as well as interviews with artists and community members. The findings reveal that the obyokan model emphasizes an egalitarian spirit, allowing artists greater aesthetic freedom and providing the community with a sense of belonging in Reyog culture. In contrast, the festival model has historically been associated with the state's efforts to impose order on Reyogartists and choreographies, while simultaneously promoting tourism in Ponorogo.

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