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EXPLORING NOMINALIZATION USE IN GRADUATE THESIS ABSTRACTS: AN SFL APPROACH TO ACADEMIC WRITING Ilzam Mahfudurido; Albert Tallapessy; Dina Dyah Kusumayanti
Leksema: Jurnal Bahasa dan Sastra Vol. 6 No. 2 (2021)
Publisher : UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/ljbs.v6i2.3888

Abstract becomes the mandatory part of an article which should be concise and lexically condensed. Unfortunately, not all academic writers can meet this demand. Following Halliday & Matthiessenâ€™s (1999) types of the grammatical metaphor in which the nominalization plays as the main tendency of the construal, this study investigates nominalization cases and how they are manifested in the texts. Seven graduate studentsâ€™ thesis abstracts of the Linguistics Department of a state university in Indonesia were opted as the object of the investigation. Each instance of the nominalization was coded, counted, and classified to decide their types and an in-depth elaboration of how they are manifested in the texts is provided as well. The results showed that the graduate students employed all types of the nominalization to increase the abstractsâ€™ conciseness. The Process nominalization realized from the process-thing transference highly dominates the abstracts. The findings also reveal a wide gap of the nominalization use between the process nominalization and the other types indicating the studentsâ€™ lower intermediacy of the nominalization mastery in the academic writing. Therefore, the explicit teaching of the nominalization is highly recommended as this could be of value to the students involved in the scientific publication in this university.

Poskolonialitas Jawa dalam Campursari: Dari Era Orde Baru hingga Reformasi Ikwan Setiawan; Albert Tallapessy; Andang Subaharianto
PANGGUNG Vol 30 No 2 (2020): Identitas Sosial Budaya dan Ekonomi Kreatif
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v30i2.948

Artikel ini bertujuan menjelaskan dan mengkritisi konstruksi lokalitas Jawa pascakolonial dalam lagu campursari dari masa Orde Baru hingga Reformasi. Menggunakan pembacaan tekstual-kontekstual dengan perspektif poskololonial, kami akan menganalisis beberapa lagu campursari karya Nartosabdo, Manthous, dan Didi Kempot untuk mengungkap poskolonialitas Jawa dalam moda transformatif. Analisis tekstual akan menghasilkan wacana-wacana partikular lokalitas yang berhubungan dengan beberapa isu seperti nilai dan praktik kultural baru serta hubungan lelaki-perempuan di tengah-tengah modernitas dari masing-masing era. Kami, kemudian, akan memberikan penekanan yang lebih kritis terhadap wacana-wacana tersebut dengan menghubungkan mereka dengan kondisi kontekstual yang di dalamnya nilai dan praktik modern mulai mempengaruhi orang-orang Jawa. Kajian ini menunjukkan bahwa lagu-lagu campursari merepresentasikan transformasi lokalitas yang di dalamnya pencipta lagu membawa pandangan mereka terhadap perubahan kehidupan kultural dengan cara menegosiasikan budaya Jawa dengan paradigma yang lentur. Hal itu berarti pencipta lagu secara sadar merepresentasikan budaya lokal yang sudah berdialog dengan budaya modern serta sebagai usaha untuk menegosiasikan dan mentransformasi lokalitas ke-Jawa-an sekaligus sebagai strategi untuk mempopulerkan dan memasarkan campursari.

THE VOICE OF THE VOICELESS: COUNTERING THE FESTIVAL AND ELEVATING REYOG OBYOKAN AS CULTURAL CAPITAL Tallapessy, Albert; Setiawan, Ikwan
Paradigma: Jurnal Kajian Budaya Vol. 14, No. 3
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

This article examines two performance models of Reyog Ponorogo: the festival model and the obyokan model. These two competing models represent differing perspectives on one side, the interests of the artists and the community, and on the other, the interests of the state. By applying cultural studies theories, particularly those of representation and hegemony, this study analyzes data collected through observations of Reyog performances at both festival and obyokan events, as well as interviews with artists and community members. The findings reveal that the obyokan model emphasizes an egalitarian spirit, allowing artists greater aesthetic freedom and providing the community with a sense of belonging in Reyog culture. In contrast, the festival model has historically been associated with the state's efforts to impose order on Reyogartists and choreographies, while simultaneously promoting tourism in Ponorogo.

APPRAISAL ANALYSIS OF THE JAKARTA POST’S NEWS ARTICLE ON THE ENVIRONMENTAL ISSUE Lestari, Yurike Ayu; Tallapessy, Albert; Murti, Ghanesya Hari
Language Literacy: Journal of Linguistics, Literature, and Language Teaching Vol 7, No 1: June 2023
Publisher : Universitas Islam Sumatera Utara (UISU)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30743/ll.v7i1.6650

This research discusses journalists' ideology and position in four selected news articles from the English-language newspaper, The Jakarta Post. The news articles report on the no-deforestation pledge of the 26th Conference of Parties (COP26), which commits to working collectively to halt and reverse forest loss and land degradation by 2030. This research aims to find the appraisal devices used by the journalist and explain the journalist's ideology and position toward the deforestation pledge. The revelation of ideology is analyzed through Appraisal System by Martin and White (2005). There are 90 sentences obtained in this thesis. The result shows that the three appraisal subsystems are applied in the texts. We found that the ideology of the journalists in two opposite sides. From four selected news articles, two news articles support the capitalist ideology, and the other supports the environmentally friendly ideology.

Figurative Language in the Short Story Ayah by Tetin Sobariah on Kompas.id SANTUSO, Santuso; TALLAPESSY, Albert
Integration: Journal Of Social Sciences And Culture Vol. 2 No. 3 (2024): Integration: Journal Of Social Sciences And Culture (July – September)
Publisher : PT. Keberlanjutan Strategis Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38142/ijssc.v2i3.235

Purpose:Literary works aim to entertain and hold aesthetic value. To achieve both, a literary work must be rich in the use of figurative language. This research aims to describe the use of figurative language in the short story Ayah by Tetin Sobariah.Methodology:This study is classified as qualitative descriptive research. The research data consists of words containing figurative language, sourced from Kompas.id. Data collection involves reading, note-taking, and classification techniques. Data analysis employs contemporary stylistic theory.Findings:The results of this research indicate that the short story Ayah exhibits various figurative languages, including the comparison style group (27 instances), emphasis style (20 instances), conflicting style (2 instances), and satirical style (1 instance). Other variations of figurative language identified include the certainty style (8 instances), causality style (7 instances), reinforcement style (6 instances), surprise style (3 instances), denial style (3 instances), and non-standard style (2 instances).Implication:This research enhances stylistic studies in understanding the role of figurative language in short stories. The findings can serve as a reference for language and literature learning. Additionally, it provides insights for writers to align their writing style with the characteristics of short stories in Kompas.id. Further research may reveal patterns of figurative language usage and the literary identity of the media.

The Discourse of Postmemory of Grand Watudodol Underwater Posbox Advertisement Akbar, Syaiful; Tallapessy, Albert; Hari Murti, Ghanesya
International Journal Of Humanities Education and Social Sciences (IJHESS) Vol 4 No 6 (2025): IJHESS JUNE 2025
Publisher : CV. AFDIFAL MAJU BERKAH

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55227/ijhess.v4i6.1512

This paper examines the discourse of postmemory in the promotional media of Grand Watudodol Underwater Posbox tourist attraction, Banyuwangi, Indonesia. This is qualitative research. The data were cdollected from Instagram posts taken from the official accounts of Banyuwangi tourism, bwi.id, and posindonesia.ig. The collected data wer analysed using multimodal discourse analysis. To restore the tourism sector affected by the pandemic, the Banyuwangi government has built new tours in various areas. Among them is one that collaborates with Pos Indonesia, called Posbox Underwater, which is located on Grand Watudodol (GWD) beach. This tour offers diving activities and traumatic events when sending letters. Traumatic events in this context come from the Millennial generation. For example, they must find proper paper, buy stamps, and go to the nearest post office, all of which are quite a hassle. Not to mention the worry about the letter not being delivered, the recipient not replying, making the writer curious about their response, and the time required. This research uses Gunther Kress & van Leeuewen's visual grammar design, McCabe's thematic progression, and Mariane Hirsch's postmemory to find the discourse in the existing promotional media. It is found that the transmission of trauma is depicted visually. However, textually, persuasive discourse is found in the caption. In addition, visitor testimonials also confirmed that the postmemory discourse was indeed transmitted affiliative. It can be concluded that multimodal becomes a means to advertise postmemory discourse.

Countering Gender Stereotypes: The Power of the Main Female Character in Thor: Ragnarok Movie (2017) Fitriyah, Lailatul; Sukarno, Sukarno; Setiarini, Riskia; Tallapessy, Albert
Journal of Language and Literature Vol 24, No 2 (2024): October
Publisher : Universitas Sanata Dharma

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24071/joll.v24i2.8866

Gender stereotypes constructed by society are detrimental for women. Women were seen as weak and underestimated by society (the PEW Research Center’s survey in 2017). This study aims to discover how a film entitled Thor: Ragnarok (2017) countered gender stereotypes through the portrayal of the main female character, Hela, and to reveal the reason behind such portrayal of Hela. This study is a qualitative study because the data are qualitative data. The data of this study are clauses collected from the movie subtitles, containing Hela’s power to counter gender stereotypes. This study applied Fairclough’s Critical Discourse Analysis (three-dimensional framework), supported by Halliday’s Systemic Functional Linguistics (SFL), which focused on the transitivity system for the first-dimension analysis. After doing the three-dimensional analysis, it is found that Hela’s character in the movie is portrayed as opposing gender stereotypes. Hela is represented as strong, brave, and feared. These traits are against the stereotype of women described as weak, fearful, and underestimated. The reason behind the portrayal of Hela as a strong woman is to promote the feminism spirit to the people in that women should be empowered, in line with the goal of the United Nations (UN) Women and the UN Foundation that protect women's rights and supports women in achieving gender equality.

Poskolonialitas Jawa dalam Campursari: Dari Era Orde Baru hingga Reformasi Setiawan, Ikwan; Tallapessy, Albert; Subaharianto, Andang
PANGGUNG Vol 30 No 2 (2020): Identitas Sosial Budaya dan Ekonomi Kreatif
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v30i2.948

Artikel ini bertujuan menjelaskan dan mengkritisi konstruksi lokalitas Jawa pascakolonial dalam lagu campursari dari masa Orde Baru hingga Reformasi. Menggunakan pembacaan tekstual-kontekstual dengan perspektif poskololonial, kami akan menganalisis beberapa lagu campursari karya Nartosabdo, Manthous, dan Didi Kempot untuk mengungkap poskolonialitas Jawa dalam moda transformatif. Analisis tekstual akan menghasilkan wacana-wacana partikular lokalitas yang berhubungan dengan beberapa isu seperti nilai dan praktik kultural baru serta hubungan lelaki-perempuan di tengah-tengah modernitas dari masing-masing era. Kami, kemudian, akan memberikan penekanan yang lebih kritis terhadap wacana-wacana tersebut dengan menghubungkan mereka dengan kondisi kontekstual yang di dalamnya nilai dan praktik modern mulai mempengaruhi orang-orang Jawa. Kajian ini menunjukkan bahwa lagu-lagu campursari merepresentasikan transformasi lokalitas yang di dalamnya pencipta lagu membawa pandangan mereka terhadap perubahan kehidupan kultural dengan cara menegosiasikan budaya Jawa dengan paradigma yang lentur. Hal itu berarti pencipta lagu secara sadar merepresentasikan budaya lokal yang sudah berdialog dengan budaya modern serta sebagai usaha untuk menegosiasikan dan mentransformasi lokalitas ke-Jawa-an sekaligus sebagai strategi untuk mempopulerkan dan memasarkan campursari.

Undoing Gender in Indonesian Beauty Brand Dear Me Beauty Instagram Post Ningsih, Ana Widia; Tallapessy, Albert; Hari Murti, Ghanesya
MOZAIK HUMANIORA Vol. 25 No. 1 (2025): MOZAIK HUMANIORA VOL. 25 NO. 1
Publisher : Universitas Airlangga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20473/mozaik.v25i1.51073

This article deals with the investigation of undoing gender in Dear Me Beauty advertised in Instagram post. The promotions of makeup products using male models are identified as an action to break the stereotypes of beauty products by “undoing” dominant notions of personhood commonly done by woman. The data were collected from Instagram which were posted in 2022. This research constitutes a reconsideration of Dear Me Beauty advertisement that employs gender performativity for celebrating persistence and existence of diverse gender expression. Multimodal Discourse Analysis combining Systemic Functional Linguistics by Halliday (1994), Visual Grammar by Kress & van Leeuwen (2006), and a concept of Gender by Butler (2004) were used to show how the interplay between semiotic modes to construe meaning. There are four images and 26 clauses selected from the post. The result of the study shows the visual and linguistics analysis of Dear Me Beauty celebrates gender diversity but remains to focus on target market as the target consumers.

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