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All Journal Pelita - Jurnal Penelitian Mahasiswa UNY Jurnal Sejarah dan Budaya Scholaria: Jurnal Pendidikan dan Kebudayaan Jurnal Sejarah WIDYA LAKSANA Jurnal Keperawatan Komprehensif (Comprehensive Nursing Journal) Lembaran Sejarah ETNOREFLIKA: Jurnal Sosial dan Budaya Kumawula: Jurnal Pengabdian Kepada Masyarakat Pangadereng : Jurnal Hasil Penelitian Ilmu Sosial dan Humaniora Jurnal Ilmiah Keperawatan Imelda ISLAH : JOURNAL OF ISLAMIC LITERATURE AND HISTORY Jurnal Pengabdian Kepada Masyarakat Sisthana HISTORIA: Jurnal Program Studi Pendidikan Sejarah Magistrorum et Scholarium: Jurnal Pengabdian Masyarakat SULUH ABDI : Jurnal Ilmiah Pengabdian Kepada Masyarakat

Galuh Ambar Sasi

Universitas Kristen Satya Wacana

Author-ID : 4186964

Religion Agriculture, Biological Sciences & Forestry Arts Humanities Decision Sciences, Operations Research & Management Dentistry Economics, Econometrics & Finance Education Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Medicine & Pharmacology Nursing Physics Public Health Social Sciences Other

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MAKNA SIMBOLIS DAN NILAI HISTORISWAYANG BEBER KYAI REMENG dan Aditya A. Christian, Lita Sahtila, Galuh Ambar Sasi,
Pelita - Jurnal Penelitian Mahasiswa UNY Volume III, Nomor 2, Agustus 2008
Publisher : Pelita - Jurnal Penelitian Mahasiswa UNY

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (79.763 KB)

Kyai Remeng Puppets are a part of beber puppets in Orchard GelaranII, Bejiharjo Countryside, Karang Mojo Subdistrict, Gunung Kidul. This storytells about the incognition of pennon Asamara Bangun as Kyai RemengMangunjaya.This article analyzes the symbolic meaning and historical value oftotally dissapeared puppets. The symbolic aspects which are analyzed in thisresearch cover the activity done by the one who has the intention, role aspuppets, gamelan drummer, and sinden (woman singer with gamelanorchestra).The historical value in this story covers the comparative study of KyaiRemeng Beber Puppets in the past and in the present time. This study isimportant in showing the society participation in conserving the highlyvalued arts.Key Words: Beber Kyai Remeng puppets, symbolic meaning, historical value

Perwari dalam Kemelut Revolusi Indonesia Sasi, Galuh Ambar
Jurnal Sejarah Vol 4 No 1 (2021): Historiografi Sejarah Perempuan: Kritik, Metodologi dan Capaian
Publisher : Masyarakat Sejarawan Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26639/js.v4i1.339

Women's movement during the Indonesian revolution focused on women mobilization in the Red Cross, paramilitary, liaisons, soup kitchens, organizational changes, and congresses. Reviewing Harry E. Poeze's writings regarding the relationship between the Persatuan Perjuangan and Persatuan Wanita Republik Indonesia (Perwari), this paper argues that the independence proclamation of Indonesia gave a new identity and transformation. These two processes gave birth to different imaginations and interpretations of Indonesianness, independence, the Indonesian revolution, and the position of women in the process. On the other hand, the difference in the imagination and meaning destroys Perwari and affects her movement patterns afterward. Finally, the experience of Perwari may be offering material discussion about an alternative discourse on the periodization of the Indonesian women's movement.

Modifikasi Atau Modernisasi (?): Permainan Anak di Sekolah Kartini Semarang Galuh Ambar Sasi; Emy Wuryani; - Sunardi
Scholaria: Jurnal Pendidikan dan Kebudayaan Vol 11 No 1 (2021)
Publisher : Program Studi Pendidikan Guru Sekolah Dasar, Universitas Kristen Satya Wacana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24246/j.js.2021.v11.i1.p80-90

This paper examines the children's playings at Kartini School Semarang. By Combining the annual reports, memorial albums, colonial magazines and newspapers, archives, literature, ego documents, then approached with history of mentality perspectives, we point out that they developed following Froebel's education system. Therefore, they integrated into the curriculum for the 1st-3rd grade, unlimited by type, philosophy, languages, or its influence on students, while the school resembled a children's playground.

Menyuap Nasi, Mencerna Memori: Memori Kolektif Hongeroedeem Galuh Ambar Sasi
Lembaran Sejarah Vol 11, No 2 (2014)
Publisher : Universitas Gadjah Mada

Javanese families usually say nek mangan dienthekke, ndak pithikke mati to persuade their children to finish their food when they eat. Slightly different sentence is found in the villages of southern Purworejo; nek mangan dienthekke, elinga zaman odhim. Base on ithe nterview sources, it is known that it represents collective memory of starvation in the green revolution era.

Remembering the Disaster: Isra Miraj Commemoration at the Telomoyo Slope Inscription Site during COVID-19 Pandemic Galuh Ambar Sasi; Rosiana Eva Rayanti
Islah: Journal of Islamic Literature and History Vol 3, No 1 (2022): June 2022
Publisher : Institut Agama Islam Negeri Salatiga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18326/islah.v3i1.1-16

Isra Miraj is a commemoration of the amazing journey of the Prophet Muhammad PBUH to the seventh heaven in one night. In Indonesia, this day is celebrated by various traditions, including rejeban in Java. Some activities such as bersih desa (cleaning the village) ceremony, eating together in haunted or ancestral burial places, and performing various artistic performances are held in rejeban. By applying oral tradition methodology suggested by Jan Vansina (1964), this paper aims to propose that rejeban on the Telomoyo slope is more than a commemoration of Isra Miraj resulted from Islamic-Javanese acculturation. This tradition is a medium inheriting the collective memory of natural disasters in the XIX century. In the context of the Covid-19 pandemic, rejeban is a reminder of local disasters occurred globally.

MEMBENTANG REPUBLIK, MEREGANG KONSENSUS: ENTITAS INDONESIA DALAM SPANDUK PROTES PEREMPUAN MASA REVOLUSI Galuh Ambar Sasi
Pangadereng : Jurnal Hasil Penelitian Ilmu Sosial dan Humaniora Vol 6, No 2 (2020)
Publisher : Kementerian Pendidikan dan Kebudayaan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36869/pjhpish.v6i2.168

Spanduk menjadi pemandangan biasa dan mengganggu bagi manusia Indonesia dasawarsa kedua abad ke-21. Namun, itu sekaligus bisa digunakan sebagai sumber penulisan sejarah terutama penting untuk menyingkap periode paling krusial dalam historiografi Indonesia yang didominasi oleh laki-laki serta menghapus skeptisme tentang ketiadaan sumber penulisan sejarah perempuan yang berkaitan dengan kebangsaan atau konsensus keindonesiaan. Berangkat dari foto-foto protes perempuan yang membawa spanduk pada masa revolusi di Yogyakarta, saya menangkap empat realitas. Pertama, aksi-aksi protes perempuan adalah manifestasi kewarganegaraan baru mereka Kedua, agenda protes mereka sangat kompleks dan heterogen, namun mengekspresikan hal yang sama, yaitu kesetiaan, imajinasi warga negara baru, dan pergulatan keindonesiaan mereka. Ketiga, penggerak protes itu adalah perempuan-perempuan dari etnis minoritas, diliyankan, atau dicap tidak nasionalis, dan kaki tangan penjajah. Terakhir, aktivitas protes perempuan masa revolusi terlihat seperti pertunjukkan imaji perempuan tentang negara baru dan nasib mereka di masa depan.

Gejolak di Awal Gerak: Perwari dalam Kemelut Revolusi Indonesia Galuh Ambar Sasi
Lembaran Sejarah Vol 18, No 1 (2022): Special Edition: Revolusi Indonesia
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/lembaran-sejarah.80447

The historical narrative of the Indonesian women’s movement is solely about the congressional activities and their results without giving explanation on the meaning and historical context of the movement. This can be seen from the discourse of Indonesian women’s movement during the revolutionary period, which generally centered on four main points, i.e. women’s mobilization in the Red Cross, women paramilitary troops, public kitchen, as well as organizational change and its congress. As an alternative, in this article I examine the first five months of Perwari (the Women Association of Republic Indonesia), its dynamic and historical context. The research finds out that differences of ideologies, perceptions, and expectations about the Indonesian revolution influenced the direction of women’s movement, triggering internal conflict that eventually destroyed them.

Kolaborasi Pembuatan Media Pembelajaran Kontekstual untuk Pengenalan Rempah-rempah Gloria Rut Karin Pratasik; Sunardi Sunardi; Galuh Ambar Sasi
HISTORIA: Jurnal Program Studi Pendidikan Sejarah Vol 11, No 2 (2023): HISTORIA: Jurnal Program Studi Pendidikan Sejarah
Publisher : UNIVERSITAS MUHAMMADIYAH METRO

Indonesia adalah ibu rempah-rempah dunia. Di lain sisi, kekayaan rempah Indonesia mendorong Kementerian Pendidikan Kebudayaan Riset dan Teknologi mengajukan jalur rempah sebagai warisan budaya dunia pada 2024. Berbagai cara pun dilakukan untuk membesarkan gagasan di atas, termasuk mempopulerkan rempah-rempah dari pedalaman. Tulisan ini mencoba memotret salah satu kerja kolaborasi sebagai usaha untuk memperkenalkan rempah-rempah lokal. Melalui metode participatory action research (PAR) dan pendekatan pendekatan Asset Based Community Development (ABCD) di desa Ngrawan, penelitian menggarisbawahi tiga hal. Pertama, internalisasi pengetahuan rempah-rempah lokal dilakukan melalui lagu rempah yang dihasilkan berjudul. “Rempah-rempah Warisan Nusantara.” Kedua, lagu tersebut terutama mengangkat empat rempah lokal di lokasi penelitian. Keempat rempah-rempah tersebut adalah jahe, kunyit, lada, dan kencur. Terakhir, lagu tersebut tidak hanya menjadi alternatif pengenalan rempah lokal melainkan membentuk identitas masyarakat setempat melalui rempah-rempah.

SINIAR SEBAGAI MEDIA PENGARSIPAN KOLEKTIF BERBASIS KOMUNITAS Novira Ismia Jaen; Galuh Ambar Sasi; Sunardi Sunardi
ETNOREFLIKA: Jurnal Sosial dan Budaya Vol. 11 No. 3 (2022): Volume 11, Nomor 3, Oktober 2022
Publisher : Laboratorium Jurusan Antropologi, Fakultas Ilmu Budaya, Universitas Halu Oleo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33772/etnoreflika.v11i3.1722

Pemberdayaan Masyarakat Dusun Cetho dalam Mendokumentasikan Cagar Budaya di Kawasan Candi Cetho Wuryani, Emy; Mediatati, Nani; Nugroho, Listyanto Aji; Purwiyastuti, Wahyu; Ambarsasi, Galuh; Jati, Dionisius Heckie Puspoko
Magistrorum et Scholarium: Jurnal Pengabdian Masyarakat Vol. 4 No. 3 (2024)
Publisher : Universitas Kristen Satya Wacana Salatiga

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24246/jms.v4i32024p319-328

Cetho Temple area has many historical sites that have not been documented. Because the location and existence of the site spreads in various places and is difficult to reach by the community. RECO Community have cares about these sites. This community was built 2016 and numbered 18 people. They believe historical sites should be cared for and protected. The wishes of the community are in line with the program of the community service from the History Education and Civic Education Course. The purpose of the community service program is for the community to document historical sites in the Cetho Temple Area through activities they have the knowledge and skills to document cultural heritage in the area. The method is to introduce equipment for historical site documentation, exercise, practice, mentoring and evaluation. The results of the activity showed that RECO Community could use them to document historical sites.

Co-Authors Anggoro, Juhan Abel Carolina Lita Permatasari Catherine Natawirarindry Dionisius Heckie Puspoko Jati Emy Wuryani Firosalia Kristin Gloria Rut Karin Pratasik Harvanda, Visianya Agusti Kristina Roseven Nababan Lado Ae, Rikko Yan Laksono, Dwi Listyanto Aji Nugroho Nani Mediatati Nasution, Ali Napiah Natalia, Theresia Destin Novira Ismia Jaen Noya, Wilda Pascalia Petsy Jessy Ismoyo Prakosa, Abel Jatayu Raswandaru, Marsela Riska Rosiana Eva Rayanti Setiyono, Nabella Angellita Sunardi Sunardi Ubro, Maya Santika Uropmabin, Deden Wahyu Purwiyastuti Wahyu Purwiyastuti Werfete, Rivaldy Alfrets Wulandari, Sahesti Sri Yanto, Oliviani

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