Article Per Year (5 Year)
p-Index From 2020 - 2025
5.234
P-Index
This Author published in this journals
All Journal Humaniora Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Jurnal Kawistara : Jurnal Ilmiah Sosial dan Humaniora ASEAN Journal on Hospitality and Tourism Jurnal Antropologi: Isu-Isu Sosial budaya Bakti Budaya: Jurnal Pengabdian kepada Masyarakat Sorai: Jurnal Pengkajian dan Penciptaan Musik Ultimart: Jurnal Komunikasi Visual Jurnal Seni Tari Jantra Gadjah Mada Journal of Tourism Studies Jurnal Kajian Seni Bakti Budaya: Jurnal Pengabdian kepada Masyarakat Literacy : International Scientific Journals of Social, Education, Humanities SASDAYA: Gadjah Mada Journal of Humanities Wacana, Journal of the Humanities of Indonesia Jurnal Kawistara
Wiwik Sushartami
Faculty Of Cultural Sciences, Universitas Gadjah Mada
Religion Arts Humanities Decision Sciences, Operations Research & Management Education Engineering Environmental Science Languange, Linguistic, Communication & Media Library & Information Science Social Sciences

Published : 21 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 21 Documents
Search

 1   2   3 
PERAN NOTASI BALOK DALAM PEMBELAJARAN BIOLA DI LEMBAGA KURSUS MUSIK (Studi Kasus Pembelajaran Lagu Klasik dan Pop di Jogja Music School) Santy Alif Patuh Briyandewi; Wiwik Sushartami; Gabriel Roosmargo Lono Lastoro Simatupang
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol 13, No 2 (2020)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v13i2.3370

Abstract

Classical music notation is a basis for studying Western classical music instruments (including violin) in formal institution with majoring classical music. Based on pre-observation the author knows the classical music notation has undergoing adjustment in non-formal institution (music course), one of them is at Jogja Music School course violin class, so this research will discuss how a classical music notation play a role for students in the violin process in Jogja Music School. This research used a qualitative method with a musicological approach, that is done with observation, interviews, and documentation. Based on the data obtained from two students, it was found that one student played pop songs with classical music notation in different ways (playing improve) and author found the other student played pop songs without classical music notation, therefore in the discussion section the comparative technique is used to analyze the learning process of the two students. The results of this research showed that classical music notation has a role in forming the disciplinary attitude of students in playing a musical piece. The discipline in playing a musical piece includes the discipline of reading rhythm and melody, also discipline in playing the violin technique as written on the score.
KIPRAH SAKDIAH DALAM KANCAH MUSIK POP DAERAH GAYO Raudhatul Jannah; G. R. Lono Lastoro Simatupang; Wiwik Sushartami
Jantra. Vol 14 No 2 (2019): Seni Pertunjukan
Publisher : Balai Pelestarian Nilai budaya Daerah Istimewa Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (333.434 KB) | DOI: 10.52829/jantra.v14i2.95

Abstract

Sakdiah is a woman from Gayo, Aceh. She has pursued her career as a pop singer in the land of Sharia Aceh, among the Gayo ethnic group that practice a patriarchal system. Pop music is mostly dominated by men and this situation determines the position of women in the world of music. Using the methods from ethnomusicology, this research looks at Sakdiah’s position in the Gayo pop music and her journey in the world of music. The result of this research proves that Sakdiah is one of the most productive singers releasing albums. She has chosen to appear on stage as a solo singer. Her success is inseparable from music agents and producers.
Representation and beyond; Female victims in Post-Suharto media Sushartami, Wiwik
Wacana, Journal of the Humanities of Indonesia Vol. 14, No. 2
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study analyses representations of female victims in post-Suharto media. In so doing, it underlines the import of the fall of the New Order regime and the concurrent opening up of the media world in Indonesia. The study is based on notably influential issues that emerged among media producers, feminist activists, social scientists, policy makers, and general audiences during the period of study (1998-2004). Based on observations made in women's NGOs and other institutions concerned with women, interviews and informal conversations with individuals engaged in projects related to female mediation, and content analysis of a large number of mainstream and alternative media presentations, this study finds that the context of the reform (reformasi) in Indonesia constituted a major factor in influencing the changes that affected women and the media, and more importantly, on the burgeoning of the discourse of female victimization. This study also addresses the concepts of ideology, interpellation, identity, and agency to show how the media culture during the reform period, or rather the cultural producers during that time, constructed female victims' identities by sorting out and selecting the representations that represented the context and the history of the regime's change
DAPUR KE PANGGUNG: BENTUK DAN MODA PERTUNJUKAN TALEMPONG GANDANG LASUANG Tri Ananda; Wiwik Sushartami; Aton Rustandi Mulyana
Sorai: Jurnal Pengkajian dan Penciptaan Musik Vol. 16 No. 1 (2023)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/sorai.v16i1.5005

Abstract

Talempong Gandang Lasuang Talempong Gandang Lasuang is one of the Minangkabau women's talempong music ensembles in Sikapak Timur Village, Pariaman City. This art had disappeared in Sikapak in the 1980s and reappeared in 2010 with a different performance space, from the kitchen to the stages of the performing arts realm followed by changes in its formal elements. This study aims to determine changes in the form and mode of TGL performances in the kitchen and on stage. This research is a qualitative research. The results of this study show that, TGL kitchen and stage are performance events with different forms and modes of performance.  As a talempong music ensemble, the change of TGL from the kitchen to the stage is related to six basic elements of music namely transition, style, genre, text, movement and composition. The formal elements are presented in two modes of performance according to the space; kitchen and participatory mode which contains the idea of play; stage and presentational mode which contains the idea of display.
Kampung Durian Pranan Agritourism Initiatives: An Analysis of Actor Dynamics Yulianti, Hetri; Mulyasari, Runavia; Sushartami, Wiwik
Sasdaya: Gadjah Mada Journal of Humanities Vol 8 No 1 (2024): 2024 Nomor 1
Publisher : Humanities Studies, Post-Graduate Program, Faculty of Cultural Sciences, Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/sasdaya.12679

Abstract

Developing agritourism is a useful strategy to enhance the value of the local agriculture industry. Agritourism utilises agricultural products and activities to attract tourists to rural areas. As an early stage of agritourism development, land conversion has become a supporter of attempts to create agritourism attractions. The notion of locality exists to distinguish and identify the tourism attraction area. This research focuses on durian agritourism in Padukuhan Pranan, Banjaroya Village, Kalibawang, Kulon Progo Regency, Special Region of Jogjakarta. Special attention is made to the dynamics of the local actors. Data collection was carried out using ethnographic methods through observation and in-depth interviews, for approximately three months (July-September 2023). The informants in this research were several actors involved in the development and management of Kampung Durian Pranan agritourism. The study discovered that converting the property to agritourism benefited Padukuhan Pranan by establishing the Kepranan durian as a symbol of local identity. With its central emphasis on the local populace, the Pranan Durian Village Festival serves as an outstanding instance of the substantial contributions made by community members. The collaborative efforts of local actors to effect positive change are exemplified through the festival’s design and execution, which are built upon their roles as initiators, motivators, and educators. However, it is worth noting that the reestablishment of a sustainable family farm as a means to regenerate agritourism’s sustainability has yet to transpire due to the continued dearth of interest among the younger generation in agritourism. Hence, agritourism planning needs to be designed by organising activities involving the younger generation and rebuilding family farms to create resilience and sustainability.
Pancoh Bercerita: Storynomics dalam Pengemasan Promosi Paket Wisata Seni dan Budaya Sari, Yulita Kusuma; Sushartami, Wiwik; Aji, Khusnul Bayu
Gadjah Mada Journal of Tourism Studies Vol 4, No 2 (2022)
Publisher : Program Studi Pariwisata Fakultas Ilmu Budaya Universitas Gadjah Mada Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/gamajts.v4i2.88026

Abstract

The COVID-19 epidemic has impeded tourism activities worldwide. Pancoh Ecotourism Village is an instance of a tourist destination that was compelled to cease its operations amid the pandemic. Nevertheless, that does not imply that nothing can be accomplished.   Amidst the pandemic, it is imperative to create tourism offerings that are more inventive in order to adapt to the new normal period. The Pancoh Ecotourism Village offers an innovative tourism package that combines art and culture based on the concept of storynomics. This study employs the Participatory Action Research (PAR) method to engage village communities as active participants, rather than just sources of information. The aim is to involve them in the process of gathering, organizing, and presenting narratives about the local arts and culture that define the Ecotourism Villages of Pancoh.   This study discovered that the PAR technique is beneficial for students who are examining the extent of community involvement in developing a work plan, namely in this case, the creation of tour packages based on storynomics. However, PAR encounters challenges such as extended research duration, varying levels of informant motivation, and the researcher's requirement for considerable adaptability in terms of time and ability to engage with informants. 
PRODUKSI BUDAYA DALAM WEDDING PLANNER PADA MASYARAKAT URBAN Risky Chairani Putri; Wiwik Sushartami
Jurnal Kawistara Vol 9, No 3 (2019)
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/kawistara.43156

Abstract

Wedding has been seen as an example of the reflection of social culture. Changes in wedding culture reflect changes in society. Such a social transformation is reflected in the growing demand for impressive wedding party in the urban areas has made new problems concerning to management and creativity. From the wedding management perspective, this has been caught as opportunities, not only in term of economi gains but also their role in power-knowledge production. In recognition of this non-material aspect of social chenges reflet in wedding party, this research attempts to identify the production of culture wedding planner. This study takes the case of prominent wedding organizer company in Surabaya, Mahar Agung Organizer. The data for this research come form interview with managerial personnel of the the Maha Agung. The result shows that the production of culture in the wedding planner’s activity involves six facets: technology, law and regulation, industry structure, organization structure, occupational career, and market. In addition, the production of culture of wedding planner is not singular, which means it engages the role of client, media, vendor and business competitor. Consequently, the power relation of wedding planner in the production of culture is not dominant. Production of culture of a wedding planner has produced complexity, ambivalence, and contestation which appear through technology, especially the Internet. All of these lead wedding planner to take a creative and ambivalent position, since there is no rule (copyright) in wedding planners industry.
ANALISIS METAFORA VISUAL ADEGAN PENOBATAN RATU ELIZABETH II DALAM DRAMA BIOPIK 'THE CROWN' Anugerah, Anggun Rezky; Sushartami, Wiwik; Irawanto, Budi
Jurnal Kajian Seni Vol 11, No 2 (2025): Jurnal Kajian Seni Vol 11 No 2 April 2025
Publisher : Universitas Gadjah Mada

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22146/jksks.98522

Abstract

Penelitian ini menganalisis penggunaan metafora visual dalam adegan penobatan Ratu Elizabeth II pada season satu episode 5 dari serial drama biografi The Crown. Tujuannya adalah mengidentifikasi berbagai bentuk metafora visual, seperti pencahayaan, komposisi gambar, dan simbol visual lainnya yang memperkaya narasi dan penggambaran sejarah. Teknik yang dianalisis meliputi Potret/Gambar Gabungan, Konstruksi Gabungan, Fotomontase, Kategori Animasi, dan Superimposisi. Penelitian ini menggunakan metode kualitatif dengan pendekatan analisis tekstual untuk mengevaluasi efektivitas setiap teknik. Hasil menunjukkan bahwa metafora visual dalam The Crown memperkuat narasi visual sekaligus meningkatkan apresiasi terhadap kompleksitas sejarah dan karakter. Fotomontase menggambarkan peristiwa penting secara kompleks, Konstruksi Gabungan menciptakan citra visual yang kaya, sementara Superimposisi dan Potret/Gambar Gabungan menambah kedalaman emosional dan simbolik. Kategori Animasi menghadirkan dinamika dan gerakan dalam cerita. Temuan ini menunjukkan bahwa penggunaan metafora visual dalam film dan drama dapat menjadi strategi efektif untuk menghidupkan kembali peristiwa sejarah secara menarik dan bermakna.
"Hai...It's Me, I Am Your Fanboy" : Self-Representation Fanboy K-Pop on Instagram Kusnul Fitria; Budi Irawanto; Wiwik Sushartami
LITERACY : International Scientific Journals of Social, Education, Humanities Vol. 4 No. 1 (2025): April : International Scientific Journals of Social, Education, Humanities
Publisher : Badan Penerbit STIEPARI Press

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56910/literacy.v4i1.2072

Abstract

This study aimed to explore the self-representation of K-Pop fanboys on Instagram by using a qualitative approach with digital ethnography and content analysis methods. Data was collected by investigated the self-representation of K-Pop fanboy Instagram accounts. The results showed that their self-representation involved a complex set of strategies, both visual and collaborative. By examining via the photos, videos and collaborations with some various parties, K-Pop fanboys creatively presented their identity as K-Pop fans. This representation is consciously constructed as an authentic expression of identity, reflecting a unique self-image rather than a mere imitation. Moreover, their creative activities demonstrated an active role in producing new meanings, these were not only as consumers of popular culture but also as contributors in the fandom community. This research provided an in-depth understanding of the dynamics of self-representation in the digital age as well as the role of social media in fan identity construction.
Adapt or Perish: Women's Resiliency in Tourism Village during the COVID-19 Pandemic in Nglanggeran Sushartami, Wiwik; Aji, Khusnul Bayu; Persada, Herlambang Eka
Jurnal Antropologi: Isu-Isu Sosial Budaya Vol 26 No 2 (2024): December
Publisher : Universitas Andalas

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.25077/jantro.v26.n2.p144-157.2024

Abstract

The growth of tourism villages is a central tenet of Indonesia’s tourism development policy. Nevertheless, based on the number of affected workers, the tourism village is one of the types of Indonesian tourist destinations hardest impacted by the COVID-19 pandemic. The pandemic has nearly entirely paralyzed the majority of tourism-related activities in the tourism village of Nglanggeran in Java. However, one unit has remained operational, namely Griya Cokelat, the women-led cocoa processing work unit. This study seeks to examine the situation of female workers in the tourism village during the pandemic, the capacity of women to acquire technology skills to bolster tourism resilience, and the impact of these activities on domestic relationships. The data collection included observing the working conditions of women in the tourism industry during the pandemic, conducting interviews with eleven informants, and examining pertinent literature. As a consequence of the COVID-19 pandemic, it was discovered that these women have had to learn more keenly how to use technology in order to shift their offline to online sales. Their technological adaptation has helped the tourism village’s resilience efforts.  Women’s ability to use technology—in this example, the Internet—supports the change in gender roles in families.
Co-Authors Agus Indiyanto Aji, Khusnul Bayu AM Hermien Kusmayati AM Hermien Kusmayati Anugerah, Anggun Rezky Aton Rustandi Mulyana Aton Rustandi Mulyana Bambang Hudayana Budi Irawanto Deni Kristanto Dzikriawan, Dika Eli Irawati Firmansyah Firmansyah Firmansyah Firmansyah Fitriana, Rifa Fitriasari, Rr. Paramitha D. G. R. Lono Lastoro Simatupang G.R. Lono Lastoro Simatupang Intan Purwandani Jordyna Austine Xaviera Susanto Kaeksi, Maharani Hares Karlina Maizida kusnul Fitria Lastoro Simatupang, GR Lono M. Dwi Marianto Mario Albert Arif Hardian Mohamad Yusuf Mubarika Dyah F. Nugraheni Pande Made Kutanegara Persada, Herlambang Eka Putri, Risky Chairani Raudhatul Jannah Riana Kapri Rr. Paramitha Dyah Fitriasari Runavia Mulyasari Santy Alif Patuh Briyandewi Setiadi Setiadi Tomi, Muhammad Tri Ananda Tri Ananda Yulianti, Hetri Yulita Kusuma Sari Zamzam Fauzanafi