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All Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Harmonia: Journal of Research and Education Riau Journal of Empowerment Jurnal Seni Tari JSM (Jurnal Seni Musik) Sibatik Journal : Jurnal Ilmiah Bidang Sosial, Ekonomi, Budaya, Teknologi, Dan Pendidikan KOLONI Ranah Research : Journal of Multidisciplinary Research and Development Jurnal Bina Desa Jurnal Seni Tari
Joko Wiyoso
Universitas Negeri Semarang
Agriculture, Biological Sciences & Forestry Arts Humanities Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Computer Science & IT Economics, Econometrics & Finance Education Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Transportation Other

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Pelatihan Pengelolaan Media Sosial sebagai Upaya Penguatan Cultural Destionation Branding Desa Wisata Menari Tanon Kabupaten Semarang Paranti, Lesa; Jazuli, Muhammad; Prameswari, Nadia Sigi; Wiyoso, Joko; Farkhatunnisa, Alif; Latifah, Ani Nur Auliyatun
Jurnal Bina Desa Vol. 6 No. 3 (2024): Vol 6 No 3 (2024)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jurnalbinadesa.v6i3.12832

Abstract

The potential and uniqueness of Menari Village as a tourist village in Semarang Regency needs to be introduced to the wider community. Based on the survey that was carried out, the community service found problems that needed to be resolved, including 1) Menari Tanon Village already has one social media (Instagram) but it has not been managed optimally; 2) lack of human resource capabilities in terms of understanding and skills in creating content that carries local cultural themes and social media management. The aims of this service include: 1) improving social media management; 2) increasing human resource capabilities and forming cadres. One solution offered to this problem is providing training on content and social media management. The approach used in this service activity is Participatory Rural Appraisal (PRA) which takes the form of a training and mentoring method. The stages carried out in this service include 1) FGD with Pokdarwis, 2) training and assistance in social media management. The training activity involved 17 participants who were the young generation of Tanon Hamlet. The results of the training indicate increased understanding and ability to create content as well as manage social media and create. After the training is related to techniques for creating content on social media with activity output in the form of creative content videos. Next, assistance is provided with social media management by forming a social media team and creating a posting schedule
Inovasi Flashmob Desa Ngrawan Kabupaten Semarang untuk Penguatan Pariwisata Berkelanjutan Paranti, Lesa; Wiyoso, Joko; Prameswari, Nadia Sigi; Latifah, Ani Nur Auliyatun; Romayani, Wulan Suci Nur
Jurnal Bina Desa Vol. 7 No. 3 (2025): Vol 7 No 3 (2025)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jurnalbinadesa.v7i3.34164

Abstract

As a step to help Ngrawan Village in Semarang Regency develop sustainable tourism, the Community Service team from Universitas Negeri Semarang (UNNES) carried out an innovative activity. The aim was to create attractive art performances, such as flash mobs, to overcome the problem of a lack of innovation and regeneration of artists in the village. This activity employs a Community-Based Sustainability Development (CBSD) approach, which focuses on community empowerment. The methods used include training, mentoring, and evaluation. The main participants are members of the Karang Taruna ‘Omah Cikal’ youth organisation. As a result, a new flashmob dance themed ‘Ngrawan Menawan’ was successfully created and performed for the first time at the Ngrawan Art Festival on 30 August 2025. This innovation is expected to become an iconic dance in Ngrawan Village to strengthen local identity and unite communities from various hamlets. This activity proves that community empowerment through art can support sustainable tourism.
Bentuk Pertunjukan Tari Seblak Rimong sebagai Tari Kreasi Anak-anak di Sanggar Dharmo Yuwono Kabupaten Banyumas Setyaningrum, Mita Dwi; Wiyoso, Joko
Ranah Research : Journal of Multidisciplinary Research and Development Vol. 8 No. 2 (2026): Ranah Research : Journal Of Multidisciplinary Research and Development
Publisher : Dinasti Research

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38035/rrj.v8i2.1998

Abstract

Tari Seblak Rimong merupakan tari kreasi banyumasan yang diciptakan oleh Sanggar Dharmo Yuwono Purwokerto, Kabupaten Banyumas. Istilah Seblak berarti dolanan sampu, sedangkan Rimong berarti kemben. Penelitian ini bertujuan untuk mendeskripsikan dan menganalisis bentuk pertunjukan Tari Seblak Rimong yang dipentaskan oleh Sanggar Dharmo Yuwono. Metode penelitian yang digunakan adalah kualitatif dengan pendekatan struktural. Teknik pengumpulan data meliputi observasi, wawancara, dan dokumentasi dengan narasumber ketua sanggar, koreografer, dan penata iringan. Hasil pembahasan meunjukkan bahwa struktur pertunjukan Tari Seblak Rimong terdiri atas unsur gerak, iringan, tata rias dan busana, tempat pertunjukan dan penciptaan. Gerak tari berpijak pada pakem lengger banyumasan yang geraknya enerjik, lincah, patah-patah, dinamis, dan ekspresif, yang merepresentasikan kegembiraan anak-anak. Iringan menggunakan musik calung banyumasan dengan tembang cakepan asmarandana yang berfungsi sebagai pengiring tari dan media penyampaian nilai kasih sayang, kepedulian, dan berbakti kepada orang tua. Dengan demikian, Tari Seblak Rimong berperan sebagai media hiburan, sekaligus sebagai sarana pelestarian nilai budaya dan pendidikan karakter berbasis kearifan lokal.
ESTETIKA TARI BANGILUN TRI KARYA TAMA DI DUSUN JENGKOL KABUPATEN TEMANGGUNG Maryani, Avina Budi; Wiyoso, Joko
SIBATIK JOURNAL: Jurnal Ilmiah Bidang Sosial, Ekonomi, Budaya, Teknologi, Dan Pendidikan Vol. 5 No. 5 (2026)
Publisher : Penerbit Lafadz Jaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47353/sibatik.v5i5.4690

Abstract

This study aims to analyze the aesthetics of Bangilun Dance in the Tri Karya Tama art group located in Jengkol Hamlet, Dlimoyo Village, Ngadirejo District, Temanggung Regency. The main focus of this research is to reveal the value of beauty contained in the presentation of dance, both in terms of movement, visual, and musical accompaniment. The method used in this study is qualitative descriptive with an aesthetic approach. Data collection techniques were carried out through participatory observation, in-depth interviews with local managers and artists and documentation studies. The results of the study show that the aesthetics of Bangilun Dance in the Tri Karya Tama art community are reflected through the combination of wiraga, wirama, and wirasa elements. Visually, the use of unique costumes such as sunglasses and colonial-style attributes creates a distinctive folk identity. In terms of movement, this dance displays energetic dynamics that are in harmony with the rhythm of flying music (tambourine) with religious nuances. This aesthetic uniqueness not only serves as a spectacle, but also as a means of binding social solidarity and preserving the cultural identity of the people of Jengkol Hamlet in the midst of modernization.
EDUKASI PAGUYUBAN JARAN KEPANG LANGEN TURONGGO JATI GUNA MENDUKUNG DESA WISATA BUDAYA “NGIDAM MUNCAR” KABUPATEN SEMARANG Lesa Paranti; Bintang Hanggoro Putro; Joko Wiyoso; Nafik Salafiyah; Enggan Fabiyanto; Muhammad Khamdani
Riau Journal of Empowerment Vol 6 No 3 (2023)
Publisher : Lembaga Penelitian dan Pengabdian kepada Masyarakat Universitas Riau

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31258/raje.6.3.216-228

Abstract

"Ngidam Muncar" is a culture-based tourism village located in Muncar Village, Susukan District, Semarang Regency. Muncar has the Jaran Kepang Langen Turonggo Jati (LTJ) community which has so far contributed to strengthening tourism potential in Muncar, however based on the findings there are problems including: 1) lack of regeneration of Jaran Kepang dancer cadres; 2) lack of human resources in terms of understanding and skills in Jaran Kepang dance because they are self-taught; 3) have not been able to wear fashion make-up independently. This problem is urgent to be resolved immediately because currently tourism in Muncar Village has started to revive after yesterday's hiatus due to the Covid 19 pandemic. The program implementation method starts with FGD, training for 5 meetings and evaluation. The results of the activities that have been carried out include 1) forming a cadre of 20 young people and youngsters; 2) participants have basic dance knowledge and movement skills; 3) participants have the knowledge and skills to wear fashion make-up independently. The conclusion of this activity program is that there is an increase in the understanding and skills of the participants. These skills will get better if honed continuously.
Motivasi Kelompok Kesenian Sintren Sokoaji untuk Melaksanakan Pertunjukkan Keliling di Kabupaten Pekalongan Indah Ningrum; Joko Wiyoso
KOLONI Vol. 5 No. 2 (2026): JUNI 2026
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/koloni.v5i2.985

Abstract

This study aims to describe the driving factors behind the Sintren Sanggar Sokoaji arts group's touring performances in Pekalongan Regency. The study employed a qualitative approach with descriptive methods. The research location was at Sanggar Sokoaji, Pekalongan Regency, and involved 10 informants: the studio leader, dancers, musicians, shamans, and members of the group. Data were collected through observation, interviews, and documentation. Data validity was achieved through source and technical triangulation. Data analysis employed the interactive model of Miles, Huberman, and Saldaña, encompassing data reduction, data presentation, and conclusion drawing. The results indicate that the Sintren Sanggar Sokoaji arts group's touring performances are driven by four main factors: economic, cultural preservation, social, and efforts to maintain the group's existence. Economic factors relate to efforts to generate income to support studio operations and meet the needs of members. Cultural preservation factors arise from the group's desire to maintain the sustainability of Sintren art as a regional cultural heritage. Social factors relate to efforts to interact with the community while providing entertainment. Efforts to maintain the group's existence are realized through activities to introduce and maintain the Sanggar Sokoaji presence amidst the development of modern entertainment. Research findings indicate that cultural preservation is the most dominant factor driving the Sanggar Sokoaji Sintren arts group to tour in Pekalongan Regency.
Keberlanjutan Dan Perubahan Tari Angguk Grobogan di Sanggar Seni Kanastren Anggun Lydia Maharani Anggun; Joko Wiyoso
KOLONI Vol. 5 No. 2 (2026): JUNI 2026
Publisher : Universitas Pahlawan Tuanku Tambusai

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31004/koloni.v5i2.1009

Abstract

The Angguk Grobogan Dance is a traditional art form that has grown and developed within the community of Grobogan Regency, Central Java. As an intangible cultural heritage, the Angguk Dance possesses historical, religious, social, and aesthetic values ​​that reflect the identity of its supporters. However, globalization, modernization, technological developments, and changing public tastes pose challenges that impact the sustainability of this traditional art form. This study aims to further explore the desires and changes in the Angguk Grobogan Dance within the context of productions conducted by the Kanastren Art Studio. This study employed a qualitative approach with a descriptive approach. The research location was the Kanastren Art Studio, Grobogan Regency, Central Java. Data collection techniques included observation, in-depth interviews, and documentation. The data obtained were explained using Koentjaraningrat's theory of cultural change to understand the relationship between tradition preservation and the process of cultural adaptation that occurs in the Angguk Grobogan Dance. The results of the study indicate that the desire for the Angguk Grobogan Dance at the Kanastren Art Studio is realized through routine practice, continuous performances, the regeneration process of dancers from various age groups, and the inheritance of cultural values ​​​​contained in the dance. In addition, the study found various forms of change that occurred in the Angguk Grobogan Dance, including changes in musical accompaniment, development of dance movements, adjustments to costumes, and changes in aspects of the dancers. Based on the results of the study, it can be concluded that desire and change are two complementary processes in the preservation of the Angguk Grobogan Dance. Cultural preservation does not have to be done by maintaining old forms rigidly, but can be realized through innovation that remains grounded in traditional values.
Co-Authors Abie, Tian Faoztina Agustin, Putri Fatmasari Anggun Lydia Maharani Anggun Anindya Syafa'at Nur Isnaeni Bintang Hanggoro Putra Bintang Hanggoro Putro Darussalam, Najwa Leonita Dewi Saputri, Mareta Enggan Fabiyanto Farkhatunnisa, Alif Indah Ningrum Isbah, Mohammad Faliqul Iswangga, Komara Dika Komariyah, Isti Latifah, Ani Nur Auliyatun Lesa Paranti Maryani, Avina Budi Muhammad Jazuli Muhammad Khamdani Muttaqin, Moh Muttaqin Nadia Sigi Prameswari Nafik Salafiyah Oktaviana, Dwi Kharisma purnomo, frendy Romayani, Wulan Suci Nur Sabar, Sri Sabandiyah Salnabillah, Humaira Khansa Setyaningrum, Mita Dwi Sidik, Yogi Pratama Slamet Haryono Udi Utomo Wadiyo Wadiyo widjajantie, kusrina Widodo Widodo Zaharani Salsabila