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All Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Harmonia: Journal of Research and Education Riau Journal of Empowerment Jurnal Seni Tari JSM (Jurnal Seni Musik) Ranah Research : Journal of Multidisciplinary Research and Development Jurnal Bina Desa Jurnal Seni Tari
Joko Wiyoso
Universitas Negeri Semarang
Agriculture, Biological Sciences & Forestry Arts Humanities Chemical Engineering, Chemistry & Bioengineering Civil Engineering, Building, Construction & Architecture Economics, Econometrics & Finance Education Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Transportation Other

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The Inheritance Pattern of Geculan Bocah Dance in Tanon Hamlet, Ngrawan Village, Getasan Sub-District, Semarang Regency Anindya Syafa'at Nur Isnaeni; Wiyoso, Joko
Jurnal Seni Tari Vol. 13 No. 1 (2024)
Publisher : Universitas Negeri Semarang

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Abstract

The people of Tanon Hamlet have developed folk arts, one of which is the Geculan Bocah Dance. Geculan Bocah dance is a manifestation of a children's game. This dance is developed and maintained through a process of inheritance.  Inheritance pattern is an activity that has the purpose of maintaining and developing an art object from time to time to keep it alive in the development of the times. The purpose of the study is to describe the inheritance pattern and performance form of the Geculan Bocah dance in Tanon Hamlet. The method used in the research is a descriptive qualitative method, using sociology and ethnocoreology approaches. Data collection used observation, interview, and documentation techniques. Data analysis was conducted using data collection techniques, data reduction, data presentation, and conclusion. The data validity test used triangulation techniques. The results show that the inheritance pattern of Geculan Bocah dance in Tanon Hamlet adheres to three inheritance pattern systems namely "vertical transmission", "diagonal transmission" and "horizontal transmission". The presentation form of the Geculan Bocah dance has three presentation sequences, consisting of the beginning, middle, and end. There are two-floor patterns, namely straight lines and curved lines. The accompaniment used is bonang barung, demung, saron, kendang, bende, gong, and jedor with witty vocals. The makeup used is witty character makeup and uses warok ponorogo costumes consisting of headbands, vests, pants, jarik, and lilit belts.
Pelatihan Pengelolaan Media Sosial sebagai Upaya Penguatan Cultural Destionation Branding Desa Wisata Menari Tanon Kabupaten Semarang Paranti, Lesa; Jazuli, Muhammad; Prameswari, Nadia Sigi; Wiyoso, Joko; Farkhatunnisa, Alif; Latifah, Ani Nur Auliyatun
Jurnal Bina Desa Vol. 6 No. 3 (2024): Vol 6 No 3 (2024)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jurnalbinadesa.v6i3.12832

Abstract

The potential and uniqueness of Menari Village as a tourist village in Semarang Regency needs to be introduced to the wider community. Based on the survey that was carried out, the community service found problems that needed to be resolved, including 1) Menari Tanon Village already has one social media (Instagram) but it has not been managed optimally; 2) lack of human resource capabilities in terms of understanding and skills in creating content that carries local cultural themes and social media management. The aims of this service include: 1) improving social media management; 2) increasing human resource capabilities and forming cadres. One solution offered to this problem is providing training on content and social media management. The approach used in this service activity is Participatory Rural Appraisal (PRA) which takes the form of a training and mentoring method. The stages carried out in this service include 1) FGD with Pokdarwis, 2) training and assistance in social media management. The training activity involved 17 participants who were the young generation of Tanon Hamlet. The results of the training indicate increased understanding and ability to create content as well as manage social media and create. After the training is related to techniques for creating content on social media with activity output in the form of creative content videos. Next, assistance is provided with social media management by forming a social media team and creating a posting schedule
Inovasi Flashmob Desa Ngrawan Kabupaten Semarang untuk Penguatan Pariwisata Berkelanjutan Paranti, Lesa; Wiyoso, Joko; Prameswari, Nadia Sigi; Latifah, Ani Nur Auliyatun; Romayani, Wulan Suci Nur
Jurnal Bina Desa Vol. 7 No. 3 (2025): Vol 7 No 3 (2025)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jurnalbinadesa.v7i3.34164

Abstract

As a step to help Ngrawan Village in Semarang Regency develop sustainable tourism, the Community Service team from Universitas Negeri Semarang (UNNES) carried out an innovative activity. The aim was to create attractive art performances, such as flash mobs, to overcome the problem of a lack of innovation and regeneration of artists in the village. This activity employs a Community-Based Sustainability Development (CBSD) approach, which focuses on community empowerment. The methods used include training, mentoring, and evaluation. The main participants are members of the Karang Taruna ‘Omah Cikal’ youth organisation. As a result, a new flashmob dance themed ‘Ngrawan Menawan’ was successfully created and performed for the first time at the Ngrawan Art Festival on 30 August 2025. This innovation is expected to become an iconic dance in Ngrawan Village to strengthen local identity and unite communities from various hamlets. This activity proves that community empowerment through art can support sustainable tourism.
Bentuk Pertunjukan Tari Seblak Rimong sebagai Tari Kreasi Anak-anak di Sanggar Dharmo Yuwono Kabupaten Banyumas Setyaningrum, Mita Dwi; Wiyoso, Joko
Ranah Research : Journal of Multidisciplinary Research and Development Vol. 8 No. 2 (2026): Ranah Research : Journal Of Multidisciplinary Research and Development
Publisher : Dinasti Research

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.38035/rrj.v8i2.1998

Abstract

Tari Seblak Rimong merupakan tari kreasi banyumasan yang diciptakan oleh Sanggar Dharmo Yuwono Purwokerto, Kabupaten Banyumas. Istilah Seblak berarti dolanan sampu, sedangkan Rimong berarti kemben. Penelitian ini bertujuan untuk mendeskripsikan dan menganalisis bentuk pertunjukan Tari Seblak Rimong yang dipentaskan oleh Sanggar Dharmo Yuwono. Metode penelitian yang digunakan adalah kualitatif dengan pendekatan struktural. Teknik pengumpulan data meliputi observasi, wawancara, dan dokumentasi dengan narasumber ketua sanggar, koreografer, dan penata iringan. Hasil pembahasan meunjukkan bahwa struktur pertunjukan Tari Seblak Rimong terdiri atas unsur gerak, iringan, tata rias dan busana, tempat pertunjukan dan penciptaan. Gerak tari berpijak pada pakem lengger banyumasan yang geraknya enerjik, lincah, patah-patah, dinamis, dan ekspresif, yang merepresentasikan kegembiraan anak-anak. Iringan menggunakan musik calung banyumasan dengan tembang cakepan asmarandana yang berfungsi sebagai pengiring tari dan media penyampaian nilai kasih sayang, kepedulian, dan berbakti kepada orang tua. Dengan demikian, Tari Seblak Rimong berperan sebagai media hiburan, sekaligus sebagai sarana pelestarian nilai budaya dan pendidikan karakter berbasis kearifan lokal.
Co-Authors Abie, Tian Faoztina Agustin, Putri Fatmasari Anindya Syafa'at Nur Isnaeni Bintang Hanggoro Putra Bintang Hanggoro Putro Darussalam, Najwa Leonita Dewi Saputri, Mareta Fabiyanto, Enggan Farkhatunnisa, Alif Isbah, Mohammad Faliqul Iswangga, Komara Dika Khamdani, Muhammad Komariyah, Isti Latifah, Ani Nur Auliyatun Lesa Paranti Muhammad Jazuli Muttaqin, Moh Muttaqin Nadia Sigi Prameswari Nafik Salafiyah Oktaviana, Dwi Kharisma purnomo, frendy Romayani, Wulan Suci Nur Sabar, Sri Sabandiyah Salnabillah, Humaira Khansa Setyaningrum, Mita Dwi Sidik, Yogi Pratama Slamet Haryono Udi Utomo Wadiyo Wadiyo widjajantie, kusrina Widodo Widodo Zaharani Salsabila