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All Journal Naturalistic : Jurnal Kajian dan Penelitian Pendidikan dan Pembelajaran JISIP: Jurnal Ilmu Sosial dan Pendidikan JUPE : Jurnal Pendidikan Mandala EARLY CHILDHOOD : JURNAL PENDIDIKAN Magelaran: Jurnal Pendidikan Seni Jurnal Seni dan Pembelajaran Cinematology Journal Anthology of Film and Television Studies Prosiding Seminar Nasional Hasil-hasil Penelitian dan Pengabdian Pada Masyarakat AbdimasMu UMTAS: Journal of Community Service Jurnal Ilmu Sosial, Humaniora dan Seni Riwayat: Educational Journal of History and Humanities Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain Awilaras Jurnal Pendidikan dan Inovasi Pembelajaran Jurnal Seni dan Desain Kreatif (JSDK)
apriani, arni
Universitas Muhammadiyah Tasikmalaya
Religion Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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Analisis Semiotika Roland Barthes pada Pelapalan Mantra Kesenian Bebegig Sukamantri Rudi Mulyana; Asep Wasta; Arni Apriani
Magelaran: Jurnal Pendidikan Seni Vol. 5 No. 1 (2022): Magelaran: Jurnal Pendidikan Seni
Publisher : Prodi Pendidikan Sendratasik FKIP UMTAS

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35568/magelaran.v5i1.2129

Abstract

Penelitian ini mencoba mengkaji seni tradional yang berada di Kabupaten Ciamis Jawa Barat yang bernama Bebegig Sukamantri. Bebegig adalah sebuah benda yang biasa disebut di berbagai daerah sebagai orang-orangan sawah yang berfungsi untu\k mengusir hama burung di sawah yang kemudian berubah menjadi sebuah bentuk kesenian daerah yang mengandung unsur seni dan magis. Nama Sukamantri diambil dari nama desa asal terlahirnya kesenian tersebut yakni Desa Sukamantri Kecamatan Sukamantri Kabupaten Ciamis Provinsi Jawa Barat. Hal yang membuat peneliti tertarik untuk mengkaji kesenian ini adalah karena mempunyai sisi unik dari kesenian diantaranya dari sudut pandang sejarah, filosofi-filosofi yang terkandung dari kostum yang digunakan serta dari pelafalan mantra yang berfungsi dan dianggap sebagai sebuah do’a serta pesan-pesan, kemudian pola pelestarian yang terbilang berhasil mempertahankan kesenian tradisional ini. Maka dari itu peneliti membatasi permasalahan pada penelitian ini melalui beberapa rumusan masalah yaitu tentang bentuk penyajian kesenian dan makna simbolik yang terkandung dari pelafalan mantra pada kesenian Bebegig Sukamantri tersebut. Metode yang digunakan dalam penelitian ini adalah metode penelitian kualitatif dengan pendekatan deskriptif analitik. Sedangkan pisau bedah penelitian ini dikupas dengan inter disiplin ilmu, diantaranya dengan kajian ilmu Anthropologi, Sosiologi dan ilmu Semiotika gaya Roland Barthes untuk mengungkap makna makna yang ada pada kesenian ini diantaranya pada pelapalan mantra mantra khas yang digunakan, Instrumen yang digunakan dalam penelitian untuk menghimpun data yaitu dengan menggunakan instrumen observasi, wawancara, dan studi dokumentasi, internet dan sumber lainnya yang relevan.
EKSISTENSI KRIYA KULIT TARUMPAH DI BIDO COLLECTION KELURAHAN SAMBONG JAYA KECAMATAN MANGKUBUMI KOTA TASIKMALAYA Rafli Rustan Nawawi, Muhammad; Husen, Wan Ridwan; Apriani, Arni
Jurnal Seni dan Pembelajaran Vol 11, No 2 (2023): Jurnal Seni dan Pembelajaran
Publisher : Jurnal Seni dan Pembelajaran

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Tarumpah is a typical Tasikmalaya leather craft. One of the manufacturers that produces this tarumpah leather craft is the Bido Collection Company which started producing tarumpah from 1997, with innovative and modern style models as well as strong and durable resistance, this makes the tarumpah produced by the Bido Collection unique. The research method used is qualitative research with an analytical descriptive. The results of this study say that the history of tarumpah is divided into 3 periods, namely the Hindu and Buddhist periods of the 9th century to the 13th century, the Islamic period of the 15th century to 1930, and the period after independence in 1950-2000. The process of making the first tarumpah leather patterning and cutting, secondly painting, thirdly leather rubbing and re-patterning, fourthly giving motifs, sizes and brands, fifthly upper fitting, sixth fitting of soles, seventh sewing, eighth sanding and finishing. Tarumpah regeneration at the Bido Collection occurred in 2015 and 2018 because many craftsmen left and needed craftsmen for production. Craftsmen training in Bido is carried out for 3 months. The method used is the drill or repetition method.Keywords: Leather Craft, Tarumpah, Bido Collection.
ANALISIS STRUKTUR PENYAJIAN MUSIK TANJI GRUP SARI ENDAH DALAM KESENIAN BANGRENG DI DESA CONGGEANG KABUPATEN SUMEDANG Badar, Alfi Munajab; Setiaji, Denden; Apriani, Arni
Awilaras Vol 10 No 2 (2023): JURNAL AWILARAS
Publisher : LPPM ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/jal.v10i2.2859

Abstract

ABSTRAK Tanji merupakan kesenian khas Jawa Barat yang merupakan versi pentatonik dari kesenian Tanjidor. Walaupun memiliki nama yang hampir sama dengan kesenian Tanjidor, tetapi musik Tanji ini memiliki sejarah yang berbeda dengan Tanjidor, musik tanji lahir dan berkembang pada abad pertengahan sekitar dekade 1960-an di daerah Bojongloa, Buahdua, Sumedang. Musik tanji merupakan musik pengiring untuk kesenian bangreng, dasar pemikiran yang melatar belakangi masalah penelitian ini adalah bagaimana struktur penyajian musik tanji dari grup sari endah serta upaya pelestarian yang dilakukan oleh grup sari endah. Permasalahan yang diangkat dalam penelitian ini adalah Bagaimana struktur penyajian musik tanji yang dibawakan grup Sari Endah dalam kesenian bangreng? Bagaimana upaya pelestarian grup Sari Endah untuk menjaga eksistensinya hingga sekarang?. Tujuan dilaksanakan penelitian ini adalah untuk mendeskripsikan struktur penyajian musik Tanji dan upaya pelestarian yang dilakukan oleh grup sri endah. Kajian teori yang digunakan pada penelitian ini adalah teori strukur dan , penelitian ini menggunakan metode kualitatif dengan pendekatan deskriptif analisis yaitu peneliti berusaha memaparkan semua hasil penelitian yang ada di lapangan. Teknik pengumpulan data yang digunakan adalah dengan observasi, wawancara, studi pustaka, dokumentasi, dan teknik analisis data. Struktur penyajian musik grup sari endah memiliki tiga bagan dalam pertunjukannya. Grup Sari Endah memiliki dua buah lagu wajib yang biasa dibawakan oleh grup Sari Endah Kata kunci : Struktur Penyajian, Musik Tanji, Sari Endah, Bangreng
Pentatonic Scale on Electric Guitar as A Mandatory Scale in Music Arts Extracurricular Courses at SMK YPC Tasikmalaya Al Faridi, Ahmad Fauzi; Wasta, Asep; Apriani, Arni
Riwayat: Educational Journal of History and Humanities Vol 7, No 4 (2024): October, Social Issue and Education
Publisher : Universitas Syiah Kuala

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24815/jr.v7i4.42560

Abstract

This study examines the implementation of the pentatonic scale on electric guitar as a mandatory scale in music extracurricular activities at SMK YPC Tasikmalaya. The research background was based on low levels of student participation and understanding in electric guitar learning. The study employed a qualitative descriptive method with a cross-sectional approach, involving students participating in music extracurricular activities for the 2024/2025 academic year. Data collection was conducted through interviews, observations, documentation, and literature study. The results showed that implementing the pentatonic scale as a mandatory scale had positive impacts, with a 35% increase in improvisation ability and 40% in musical creativity in the experimental group. The program also successfully integrated Indonesian traditional music elements into modern learning, supporting the preservation of local musical culture. The study concludes that implementing the pentatonic scale as a mandatory scale is effective in improving students' technical abilities and musical creativity, while contributing to the development of a comprehensive music learning model at the vocational high school level.
Kointik: Eksplorasi Auditif dan Notasi Grafis dalam Penciptaan Musik Eksperimental Berbasis Bunyi Koin Sulastri, Salas; Apriani, Arni; Setiaji, Deden
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 4 No. 1 (2025): Juli - Agustus
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v4i1.3445

Abstract

This study presents an experimental music composition on sound eksploration from a single object: the metal coin. Entitled Kointik (Koin Tekstur Intuitif Komposisi), the work applies an intuitive and purely auditory approach, focusing on the exploration of texture, rhythm, and sound dynamics. The composition is constructed entirely between the body and the coin object. A set of graphic and symbolic notations was developed contextually to represet sound qualities, silences, gestures, and dramaturgical structures. The result reveal that everyday objects like coins possess strong musical and symbolic potential when treated as artistic materials. This work produces not only an immersive listening experience but also opens reflective space in value, social pressure, and the meaning of silence. Kointik contributes to the development of experimental music rooted in sensory experience and the curtular significance of local object.
Transformasi Bunyi Aktivitas Rumah Tangga Menjadi Ekspresi Artistik dalam Karya “Bisikan Cucian” Maharani, Septi Putri; Apriani, Arni; Setiaji, Deden
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 4 No. 1 (2025): Juli - Agustus
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v4i1.3448

Abstract

This study explores the creation process of a contemporary music composition entitled “Bisikan Cucian” (“The Whisper of Laundry”), which originates from the sonic exploration of domestic activities, particularly manual laundry routines. Through an experimental and reflective approach, this work transforms everyday household sounds such as water splashes, fabric friction, whispers, and hanger taps into the main elements of its musical structure. The study adopts a qualitative method with an artistic research approach, involving direct observation, sound recording, selection, and composition based on expressive and narrative values. The composition aims to reframe domestic labor as a legitimate artistic space, while presenting emotional narratives and personal reflection through sound and bodily movement. In addition to voicing personal experiences, “Bisikan Cucian” addresses gender issues and body aesthetics, challenging conventional listening spaces by highlighting often-ignored sounds. The result reveals that domestic soundscapes hold strong artistic potential when consciously and contextually processed, and that they can expand the discourse of contemporary sound art in Indonesia through the lens of everyday aesthetics and acoustic ecology.
Rumorwave: Eksplorasi Suara Manusia sebagai Representasi Ketegangan Sosial Indriani, Dini; Apriani, Arni; Setiaji, Deden
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 4 No. 1 (2025): Juli - Agustus
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v4i1.3449

Abstract

The work of Rumorwave explores the potential of the human voice as the main ingredient for the creation of contemporary music without the use of traditional instruments. By utilizing whispers, hiss, muttering, and conversation pieces, this work captures the social dynamics of gossip practices that often occur in everyday life. This research aims to explore how sound works in forming an emotional, reflective, and socially meaningful listening experience. Through an explorative-experimental approach, the creation of works is carried out through the stages of sound collection, vocal manipulation, thematic structure, and sound space packaging. The result is a musical work that is not oriented to conventional forms, but to the honesty of expression and openness of interpretation. This work is also a form of catharsis and criticism of incomplete communication patterns in modern life.
Transformasi Bunyi Sehari-hari menjadi Struktur Musikal: Studi Penciptaan Komposisi Musik “Warung Si Mba" Agustin, Rany Ismaya; Setiaji, Deden; Apriani, Arni
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 4 No. 1 (2025): Juli - Agustus
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v4i1.3450

Abstract

This study explores the aesthetic potential of everyday sounds as the primary material in contemporary music composition, using the work “Warung Si Mba” as a case study. The composition employs a musique concrète and soundscape composition approach by incorporating authentic sound recordings from traditional coffee stalls—such as the sound of sipping coffee, clinking spoons, and distinctive vendor calls. Through techniques such as field recording, editing, and layering, these commonly overlooked sounds are transformed into a structured musical narrative imbued with social and cultural significance. The work does not merely document sounds but interprets the cultural context and social interactions embedded within the coffee stall as a communal space for everyday people. This sound exploration broadens the boundaries of contemporary music by utilizing non-traditional sonic materials and creating an auditory experience that is grounded, reflective, and contextually rich. The results demonstrate that the acoustic landscape of daily life can serve as a meaningful source for musical creation, offering artistic innovation while also functioning as social documentation and cultural critique.
Komposisi Musik Katarsis Vokal Hidayat, Tania Rahmawati; Apriani, Arni; Setiaji, Deden
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 4 No. 1 (2025): Juli - Agustus
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v4i1.3453

Abstract

This article explores the creation of the contemporary music composition Katarsis Vokal, which utilizes the human voice as the primary instrument. The work was born from the need for emotional expression through the exploration of non-conventional sounds such as humming, heavy breathing, and screaming. The creative process included stages of preparation, vocal exploration, dramaturgical structuring, and verification of the work. The results show that free vocal exploration can serve as both an artistic medium and a space for emotional catharsis for both the creator and the audience. In addition to contributing to the development of contemporary music, this work emphasizes that the human voice is the most authentic instrument for conveying deep emotions.
Kesenian Jurig Sarengseng Sebagai Materi Ajar Seni Budaya Kelas 8A MTsN 2 Banjar Muhtar, Agustiana; Apriani, Arni
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 4 No. 1 (2025): Juli - Agustus
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v4i1.3465

Abstract

This study aims to examine the art of Jurig Sarengseng as a teaching material in learning arts and culture for class 8A students at MTsN 2 Banjar City. Jurig Sarengseng art is one of the traditional arts that developed in the Banjar City area, which contains elements of dance, music, and local cultural values. However, the existence of this art has begun to fade along with the development of the times and the lack of preservation in the context of formal education. Therefore, this study was conducted to determine the extent to which the art of Jurig Sarengseng can be preserved in the learning process and its impact on students' understanding and appreciation of local culture. The method used in this study is a qualitative descriptive method with data collection techniques in the form of observation, interviews, and documentation. The subjects of the study were class 8A students. The results of the study showed that the use of Jurig Sarengseng art as a teaching material was able to increase students' enthusiasm and active participation in learning. Students became more interested in learning regional arts because the material taught was close to their environment and daily lives.
Co-Authors Abdul Ghani Abdul Khoer Al Gani Agi Fajri Nur Agustiana Muhtar Agustin, Rany Ismaya ahmadfaozan faozan Al Faridi, Ahmad Fauzi Aldi Ernawan Alfi Munajab Alfin Nurul Azmi Asep Wasta Asep Wasta Asep Wasta Asep Wasta Asep Wasta Asti Tri Lestari Asti Trilestari Asyifa Gustia Noer Badar, Alfi Munajab Budi Dharma Budi Dharma Chandra Nur Fauzi Dewi Pujastuti Umbara Dini Indriani, Dini Fajar Nugraha Februarto, Dito Helda Safaat Hidayat, Tania Rahmawati Ikhsan Tri Julian Isthi dwi apriliani Krisma Jayanti Maharani, Septi Putri Mega Utami Muhtar, Agustiana Nabilah Syumaisi Putra, Muhammad Andhika Nazila Putri Dara Utami Rafli Rustan Nawawi, Muhammad Rifki Taufik Faturahman Rika Yuliana Putri Rin Rin agustin Rizka Pajrin Juliasari Rudi Mulyana Salwa Naqiri Ziani Setiaji, Deden Setiaji, Denden setiaji, denden Setiawati, Rinda Sinta Hopipah Sulastri, Salas Tika Rostika Vidia Fauziah Kardila Vivi Hanifah Nurbaeti Wan Ridwan Husen, Wan Ridwan Wasta, Asep Widya Imardhea Wina Yulianti Zahra Ghaida Nur