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Transformasi Bunyi Sehari-hari menjadi Struktur Musikal: Studi Penciptaan Komposisi Musik “Warung Si Mba" Rany Ismaya Agustin; Deden Setiaji; Arni Apriani
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 4 No. 1 (2025): Juli - Agustus
Publisher : CV. ITTC INDONESIA

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Abstract

This study explores the aesthetic potential of everyday sounds as the primary material in contemporary music composition, using the work “Warung Si Mba” as a case study. The composition employs a musique concrète and soundscape composition approach by incorporating authentic sound recordings from traditional coffee stalls—such as the sound of sipping coffee, clinking spoons, and distinctive vendor calls. Through techniques such as field recording, editing, and layering, these commonly overlooked sounds are transformed into a structured musical narrative imbued with social and cultural significance. The work does not merely document sounds but interprets the cultural context and social interactions embedded within the coffee stall as a communal space for everyday people. This sound exploration broadens the boundaries of contemporary music by utilizing non-traditional sonic materials and creating an auditory experience that is grounded, reflective, and contextually rich. The results demonstrate that the acoustic landscape of daily life can serve as a meaningful source for musical creation, offering artistic innovation while also functioning as social documentation and cultural critique.
Komposisi Musik Katarsis Vokal Tania Rahmawati Hidayat; Arni Apriani; Deden Setiaji
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 4 No. 1 (2025): Juli - Agustus
Publisher : CV. ITTC INDONESIA

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Abstract

This article explores the creation of the contemporary music composition Katarsis Vokal, which utilizes the human voice as the primary instrument. The work was born from the need for emotional expression through the exploration of non-conventional sounds such as humming, heavy breathing, and screaming. The creative process included stages of preparation, vocal exploration, dramaturgical structuring, and verification of the work. The results show that free vocal exploration can serve as both an artistic medium and a space for emotional catharsis for both the creator and the audience. In addition to contributing to the development of contemporary music, this work emphasizes that the human voice is the most authentic instrument for conveying deep emotions.
Kesenian Jurig Sarengseng Sebagai Materi Ajar Seni Budaya Kelas 8A MTsN 2 Banjar Muhtar, Agustiana; Arni Apriani
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 4 No. 1 (2025): Juli - Agustus
Publisher : CV. ITTC INDONESIA

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Abstract

This study aims to examine the art of Jurig Sarengseng as a teaching material in learning arts and culture for class 8A students at MTsN 2 Banjar City. Jurig Sarengseng art is one of the traditional arts that developed in the Banjar City area, which contains elements of dance, music, and local cultural values. However, the existence of this art has begun to fade along with the development of the times and the lack of preservation in the context of formal education. Therefore, this study was conducted to determine the extent to which the art of Jurig Sarengseng can be preserved in the learning process and its impact on students' understanding and appreciation of local culture. The method used in this study is a qualitative descriptive method with data collection techniques in the form of observation, interviews, and documentation. The subjects of the study were class 8A students. The results of the study showed that the use of Jurig Sarengseng art as a teaching material was able to increase students' enthusiasm and active participation in learning. Students became more interested in learning regional arts because the material taught was close to their environment and daily lives.
Dialog Galon Dito Februarto; Arni Apriani; Deden Setiaji
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 4 No. 1 (2025): Juli - Agustus
Publisher : CV. ITTC INDONESIA

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Abstract

This article explores the use of water gallon containers as an alternative instrument in contemporary music composition. Inspired by daily experiences, the work 'Dialog Galon' investigates the unique sonic potential of plastic gallons through various playing techniques. The methods used include experimental sound exploration, qualitative observation, and performance practice. The result shows that plastic gallons produce distinctive acoustic textures, offering rich sonic diversity and ecological value in music creation. This work contributes to the expansion of musical vocabulary and supports sustainable creative practices.
Revitalisasi Gerak Tari Nyalawena Di Kabupaten Cianjur Setiawati, Rinda; Arni Apriani; Asep Wasta
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 4 No. 1 (2025): Juli - Agustus
Publisher : CV. ITTC INDONESIA

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Abstract

Tari Nyalawena merupakan seni pertunjukan tradisional asal Kabupaten Cianjur yang terinspirasi dari tradisi menangkap ikan impun oleh masyarakat pesisir. Tarian ini sarat nilai budaya, namun kini mulai jarang ditampilkan dan kurang dikenal generasi muda. Penelitian ini bertujuan mengkaji sejarah Tari Nyalawena, permasalahan yang menyebabkan penurunannya, serta merumuskan strategi revitalisasi. Metode yang digunakan adalah kualitatif deskriptif melalui observasi, wawancara, dan studi literatur. Hasil menunjukkan bahwa kurangnya regenerasi dan dokumentasi menjadi kendala utama. Revitalisasi melalui edukasi, pelatihan seni, dan promosi digital sangat diperlukan agar warisan budaya ini tetap lestari.
Peran Kesenian Kuda Kosong Dalam Pelestarian Budaya Lokal Cianjur Putra, Muhammad Andhika Nazila; Denden Setiaji; Arni Apriani
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 4 No. 1 (2025): Juli - Agustus
Publisher : CV. ITTC INDONESIA

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Abstract

Traditional crafts are an important component of local cultural identity and reflect the principles, beliefs, and social structures of the community. This study investigates the role of the Kuda Kosong art in preserving local culture in Cianjur Regency. Descriptive quantitative with an ethnographic approach was used, with observation, in-depth interviews, and documentation studies. The results of the study indicate that Kuda Kosong is not only used as an art performance; it also functions as a spiritual medium, a means to teach culture, and a symbol of the community's collective identity. This art continues to live thanks to community participation, regeneration of artists, and adaptation to the times. This happens despite facing challenges such as modernization and lack of policy support. According to this study, preserving local culture requires cooperation between communities, educational institutions, and local governments.