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All Journal Journal of Mathematics Education and Application (JMEA) Naturalistic : Jurnal Kajian dan Penelitian Pendidikan dan Pembelajaran JUPE : Jurnal Pendidikan Mandala EARLY CHILDHOOD : JURNAL PENDIDIKAN Magelaran: Jurnal Pendidikan Seni Jurnal Seni dan Pembelajaran Cinematology Journal Anthology of Film and Television Studies Prosiding Seminar Nasional Hasil-hasil Penelitian dan Pengabdian Pada Masyarakat AbdimasMu UMTAS: Journal of Community Service Jurnal Ilmu Sosial, Humaniora dan Seni Riwayat: Educational Journal of History and Humanities Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain Awilaras
apriani, arni
Universitas Muhammadiyah Tasikmalaya
Religion Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Public Health Social Sciences Other

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Rumorwave: Eksplorasi Suara Manusia sebagai Representasi Ketegangan Sosial Indriani, Dini; Apriani, Arni; Setiaji, Deden
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 4 No. 1 (2025): Juli - Agustus
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v4i1.3449

Abstract

The work of Rumorwave explores the potential of the human voice as the main ingredient for the creation of contemporary music without the use of traditional instruments. By utilizing whispers, hiss, muttering, and conversation pieces, this work captures the social dynamics of gossip practices that often occur in everyday life. This research aims to explore how sound works in forming an emotional, reflective, and socially meaningful listening experience. Through an explorative-experimental approach, the creation of works is carried out through the stages of sound collection, vocal manipulation, thematic structure, and sound space packaging. The result is a musical work that is not oriented to conventional forms, but to the honesty of expression and openness of interpretation. This work is also a form of catharsis and criticism of incomplete communication patterns in modern life.
Transformasi Bunyi Sehari-hari menjadi Struktur Musikal: Studi Penciptaan Komposisi Musik “Warung Si Mba" Agustin, Rany Ismaya; Setiaji, Deden; Apriani, Arni
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 4 No. 1 (2025): Juli - Agustus
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v4i1.3450

Abstract

This study explores the aesthetic potential of everyday sounds as the primary material in contemporary music composition, using the work “Warung Si Mba” as a case study. The composition employs a musique concrète and soundscape composition approach by incorporating authentic sound recordings from traditional coffee stalls—such as the sound of sipping coffee, clinking spoons, and distinctive vendor calls. Through techniques such as field recording, editing, and layering, these commonly overlooked sounds are transformed into a structured musical narrative imbued with social and cultural significance. The work does not merely document sounds but interprets the cultural context and social interactions embedded within the coffee stall as a communal space for everyday people. This sound exploration broadens the boundaries of contemporary music by utilizing non-traditional sonic materials and creating an auditory experience that is grounded, reflective, and contextually rich. The results demonstrate that the acoustic landscape of daily life can serve as a meaningful source for musical creation, offering artistic innovation while also functioning as social documentation and cultural critique.
Komposisi Musik Katarsis Vokal Hidayat, Tania Rahmawati; Apriani, Arni; Setiaji, Deden
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 4 No. 1 (2025): Juli - Agustus
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v4i1.3453

Abstract

This article explores the creation of the contemporary music composition Katarsis Vokal, which utilizes the human voice as the primary instrument. The work was born from the need for emotional expression through the exploration of non-conventional sounds such as humming, heavy breathing, and screaming. The creative process included stages of preparation, vocal exploration, dramaturgical structuring, and verification of the work. The results show that free vocal exploration can serve as both an artistic medium and a space for emotional catharsis for both the creator and the audience. In addition to contributing to the development of contemporary music, this work emphasizes that the human voice is the most authentic instrument for conveying deep emotions.
Kesenian Jurig Sarengseng Sebagai Materi Ajar Seni Budaya Kelas 8A MTsN 2 Banjar Muhtar, Agustiana; Apriani, Arni
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 4 No. 1 (2025): Juli - Agustus
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v4i1.3465

Abstract

This study aims to examine the art of Jurig Sarengseng as a teaching material in learning arts and culture for class 8A students at MTsN 2 Banjar City. Jurig Sarengseng art is one of the traditional arts that developed in the Banjar City area, which contains elements of dance, music, and local cultural values. However, the existence of this art has begun to fade along with the development of the times and the lack of preservation in the context of formal education. Therefore, this study was conducted to determine the extent to which the art of Jurig Sarengseng can be preserved in the learning process and its impact on students' understanding and appreciation of local culture. The method used in this study is a qualitative descriptive method with data collection techniques in the form of observation, interviews, and documentation. The subjects of the study were class 8A students. The results of the study showed that the use of Jurig Sarengseng art as a teaching material was able to increase students' enthusiasm and active participation in learning. Students became more interested in learning regional arts because the material taught was close to their environment and daily lives.
Dialog Galon Februarto, Dito; Apriani, Arni; Setiaji, Deden
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 4 No. 1 (2025): Juli - Agustus
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v4i1.3466

Abstract

This article explores the use of water gallon containers as an alternative instrument in contemporary music composition. Inspired by daily experiences, the work 'Dialog Galon' investigates the unique sonic potential of plastic gallons through various playing techniques. The methods used include experimental sound exploration, qualitative observation, and performance practice. The result shows that plastic gallons produce distinctive acoustic textures, offering rich sonic diversity and ecological value in music creation. This work contributes to the expansion of musical vocabulary and supports sustainable creative practices.
Revitalisasi Gerak Tari Nyalawena Di Kabupaten Cianjur Setiawati, Rinda; Apriani, Arni; Wasta, Asep
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 4 No. 1 (2025): Juli - Agustus
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v4i1.3469

Abstract

Tari Nyalawena merupakan seni pertunjukan tradisional asal Kabupaten Cianjur yang terinspirasi dari tradisi menangkap ikan impun oleh masyarakat pesisir. Tarian ini sarat nilai budaya, namun kini mulai jarang ditampilkan dan kurang dikenal generasi muda. Penelitian ini bertujuan mengkaji sejarah Tari Nyalawena, permasalahan yang menyebabkan penurunannya, serta merumuskan strategi revitalisasi. Metode yang digunakan adalah kualitatif deskriptif melalui observasi, wawancara, dan studi literatur. Hasil menunjukkan bahwa kurangnya regenerasi dan dokumentasi menjadi kendala utama. Revitalisasi melalui edukasi, pelatihan seni, dan promosi digital sangat diperlukan agar warisan budaya ini tetap lestari.
Peran Kesenian Kuda Kosong Dalam Pelestarian Budaya Lokal Cianjur Putra, Muhammad Andhika Nazila; Setiaji, Denden; Apriani, Arni
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 4 No. 1 (2025): Juli - Agustus
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v4i1.3493

Abstract

Traditional crafts are an important component of local cultural identity and reflect the principles, beliefs, and social structures of the community. This study investigates the role of the Kuda Kosong art in preserving local culture in Cianjur Regency. Descriptive quantitative with an ethnographic approach was used, with observation, in-depth interviews, and documentation studies. The results of the study indicate that Kuda Kosong is not only used as an art performance; it also functions as a spiritual medium, a means to teach culture, and a symbol of the community's collective identity. This art continues to live thanks to community participation, regeneration of artists, and adaptation to the times. This happens despite facing challenges such as modernization and lack of policy support. According to this study, preserving local culture requires cooperation between communities, educational institutions, and local governments.
Implementation of Creative Dance Based on Sundanese Pakakas to Develop Creativity and Local Cultural Awareness in Elementary School Students Apriani, Arni; Dharma, Budi; Ghani, Abdul; Nur, Zahra Ghaida
JUPE : Jurnal Pendidikan Mandala Vol 10, No 4 (2025): JUPE : Jurnal Pendidikan Mandala (Desember)
Publisher : Lembaga Penelitian dan Pendidikan Mandala

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58258/jupe.v10i4.9927

Abstract

This study aims to implement creative dance based on Sundanese pakakas to develop creativity and local cultural awareness in elementary school students. Globalization and the development of digital technology have resulted in a decline in the younger generation's understanding of traditional Sundanese cultural heritage, especially pakakas (traditional household utensils). This study involved 32 students from Muhammadiyah Elementary School in Tasikmalaya through a descriptive qualitative approach for 18 weeks of implementation. The BASTE (Body, Action, Space, Time, Energy) method was used as a framework in exploring creative dance movements inspired by five types of Sundanese pakakas: se'eng, aseupan, hihid, korang, and koja (Kusuma & Hartono, 2023). The results of the study showed a significant increase in: (1) understanding of Sundanese pakakas from 25% to 85% (+60%), (2) exploration of creative movement from 20% to 90% (+70%), (3) character development from 30% to 88% (+58%), (4) motor skills from 40% to 92% (+52%), and (5) appreciation of local culture from 15% to 90% (+75%). The learning rubric assessment showed that 94% of students achieved the "Very Good" or "Good" category in all aspects of the assessment. The implications of this study indicate that the integration of dance with traditional pakakas is an effective medium in preserving local culture as well as developing the creativity and character competencies of elementary school students.
Analysis of Symbolic Interactionism in Lontang Dance: Cultural Meaning and Social Dynamics in Purwaraja Village, Ciamis Regency Apriani, Arni; Wasta, Asep; Husen, Wan Ridwan
JUPE : Jurnal Pendidikan Mandala Vol 10, No 4 (2025): JUPE : Jurnal Pendidikan Mandala (Desember)
Publisher : Lembaga Penelitian dan Pendidikan Mandala

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58258/jupe.v10i4.9949

Abstract

Lontang Dance is a traditional Sundanese art form that developed in Purwaraja Village, Ciamis Regency, and functions as a medium for spiritual and social communication within the community. This study analyzes the symbolic meaning of Lontang Dance through the perspective of symbolic interactionism developed by George Herbert Mead and Herbert Blumer. Using a qualitative ethnographic approach, the study involved participant observation (n=32 participants), in-depth interviews with traditional figures and artists, and visual documentation. The analysis shows that cultural symbols such as the tray, seeng, and ibing movements in Lontang Dance are constructed through a dynamic and ongoing process of social interaction within the community. These symbolic meanings undergo modification and negotiation to maintain religious relevance without eliminating local cultural identity. These findings contribute to a deeper understanding of how cultural realities are constructed through human interaction and emphasize the importance of local cultural preservation in the context of modernization. This research opens new perspectives in the study of symbolic anthropology and local culture-based arts education.
Co-Authors Abdul Ghani Agi Fajri Nur Agustin, Rany Ismaya ahmadfaozan faozan Al Faridi, Ahmad Fauzi Aldi Ernawan Alfi Munajab Alfin Nurul Azmi Asep Wasta Asep Wasta Asep Wasta Asep Wasta Asti Tri Lestari Asti Tri Lestari Asti Trilestari Asti Trilestari Asyifa Gustia Noer Badar, Alfi Munajab Budi Dharma Chandra Nur Fauzi Denden Setiaji Dewi Pujastuti Umbara Dharma, Budi Dini Indriani, Dini Fajar Nugraha Februarto, Dito Helda Safaat Hidayat, Tania Rahmawati Ikhsan Tri Julian Irvan Irvan Isthi dwi apriliani Krisma Jayanti Maharani, Septi Putri Mega Utami Muhtar, Agustiana Nabilah Syumaisi Nur, Zahra Ghaida Putra, Muhammad Andhika Nazila Rafli Rustan Nawawi, Muhammad Rifki Taufik Faturahman Rika Yuliana Putri Rin Rin agustin Rizka Pajrin Juliasari Rudi Mulyana Salwa Naqiri Ziani Setiaji, Deden setiaji, denden Setiaji, Denden Setiawati, Rinda Sinta Hopipah Sulastri, Salas Tika Rostika Vidia Fauziah Kardila Vivi Hanifah Nurbaeti Wan Ridwan Husen, Wan Ridwan Wasta, Asep Widya Imardhea Wina Yulianti