Article Per Year (5 Year)
p-Index From 2021 - 2026
5.049
P-Index
This Author published in this journals
All Journal Naturalistic : Jurnal Kajian dan Penelitian Pendidikan dan Pembelajaran JISIP: Jurnal Ilmu Sosial dan Pendidikan JUPE : Jurnal Pendidikan Mandala EARLY CHILDHOOD : JURNAL PENDIDIKAN Magelaran: Jurnal Pendidikan Seni Jurnal Seni dan Pembelajaran Cinematology Journal Anthology of Film and Television Studies Prosiding Seminar Nasional Hasil-hasil Penelitian dan Pengabdian Pada Masyarakat AbdimasMu UMTAS: Journal of Community Service Jurnal Ilmu Sosial, Humaniora dan Seni Riwayat: Educational Journal of History and Humanities Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual Abstrak: Jurnal Kajian Ilmu Seni, Media dan Desain Awilaras Jurnal Pendidikan dan Inovasi Pembelajaran Jurnal Seni dan Desain Kreatif (JSDK)
apriani, arni
Universitas Muhammadiyah Tasikmalaya
Religion Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

Published : 41 Documents Claim Missing Document
Claim Missing Document
Check
Articles

Found 41 Documents
Search

 1   2   3   4   5 
Dialog Galon Februarto, Dito; Apriani, Arni; Setiaji, Deden
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 4 No. 1 (2025): Juli - Agustus
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v4i1.3466

Abstract

This article explores the use of water gallon containers as an alternative instrument in contemporary music composition. Inspired by daily experiences, the work 'Dialog Galon' investigates the unique sonic potential of plastic gallons through various playing techniques. The methods used include experimental sound exploration, qualitative observation, and performance practice. The result shows that plastic gallons produce distinctive acoustic textures, offering rich sonic diversity and ecological value in music creation. This work contributes to the expansion of musical vocabulary and supports sustainable creative practices.
Revitalisasi Gerak Tari Nyalawena Di Kabupaten Cianjur Setiawati, Rinda; Apriani, Arni; Wasta, Asep
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 4 No. 1 (2025): Juli - Agustus
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v4i1.3469

Abstract

Tari Nyalawena merupakan seni pertunjukan tradisional asal Kabupaten Cianjur yang terinspirasi dari tradisi menangkap ikan impun oleh masyarakat pesisir. Tarian ini sarat nilai budaya, namun kini mulai jarang ditampilkan dan kurang dikenal generasi muda. Penelitian ini bertujuan mengkaji sejarah Tari Nyalawena, permasalahan yang menyebabkan penurunannya, serta merumuskan strategi revitalisasi. Metode yang digunakan adalah kualitatif deskriptif melalui observasi, wawancara, dan studi literatur. Hasil menunjukkan bahwa kurangnya regenerasi dan dokumentasi menjadi kendala utama. Revitalisasi melalui edukasi, pelatihan seni, dan promosi digital sangat diperlukan agar warisan budaya ini tetap lestari.
Peran Kesenian Kuda Kosong Dalam Pelestarian Budaya Lokal Cianjur Putra, Muhammad Andhika Nazila; Setiaji, Denden; Apriani, Arni
Jurnal Ilmu Sosial, Humaniora dan Seni Vol. 4 No. 1 (2025): Juli - Agustus
Publisher : CV. ITTC INDONESIA

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62379/jishs.v4i1.3493

Abstract

Traditional crafts are an important component of local cultural identity and reflect the principles, beliefs, and social structures of the community. This study investigates the role of the Kuda Kosong art in preserving local culture in Cianjur Regency. Descriptive quantitative with an ethnographic approach was used, with observation, in-depth interviews, and documentation studies. The results of the study indicate that Kuda Kosong is not only used as an art performance; it also functions as a spiritual medium, a means to teach culture, and a symbol of the community's collective identity. This art continues to live thanks to community participation, regeneration of artists, and adaptation to the times. This happens despite facing challenges such as modernization and lack of policy support. According to this study, preserving local culture requires cooperation between communities, educational institutions, and local governments.
The Presentation Structure of Lontang Dance as a Symbolic System in Cultural Communication: A Symbolic Interactionist Study of Ritual Tradition in Purwaraja, Ciamis Arni Apriani; Asep Wasta; Wan Ridwan Husen; Abdul Khoer Al Gani
JISIP: Jurnal Ilmu Sosial dan Pendidikan Vol 10 No 3 (2026): JISIP (Jurnal Ilmu Sosial dan Pendidikan) (Juli)
Publisher : Lembaga Penelitian dan Pendidikan (LPP) Mandala

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58258/veq29741

Abstract

Lontang Dance, a ritual performance from Purwaraja, Ciamis, operates as a medium of cultural communication beyond its aesthetic function. Although prior studies address its symbolic meanings, limited attention has been given to how its performance structure organizes communicative processes. This study examines the presentation structure of Lontang Dance as a symbolic communication system through symbolic interactionism, cultural communication theory, and ethnocoreology. A qualitative focused ethnography was conducted using participant observation, in-depth interviews, and visual documentation, with data analyzed thematically. The findings identify four structural phases opening, core, participatory, and closing each serving distinct communicative roles: spiritual legitimation, embodied value expression, collective interaction, and social redistribution. These phases actively shape how meanings are produced and negotiated among participants. This study offers a novel contribution by positioning performance structure as an operative symbolic communication system, extending symbolic interactionism into the analysis of ritual performance.
Penerapan Kurikulum Rsl pada Pembelajaran Vokal Di Kursus Musik Indonesia Music Academy Tasikmalaya Putri Dara Utami; Arni Apriani; Asep Wasta
Jurnal Pendidikan dan Inovasi Pembelajaran Vol. 1 No. 4 (2026): Edisi: Juli-September
Publisher : Pustaka Bangsa Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Penelitian ini bertujuan untuk mendeskripsikan penerapan Kurikulum RSL dalam pembelajaran vokal di Kursus Musik IndonesiaMusic Academy Tasikmalaya. Penelitian ini dilatarbelakangi oleh kebutuhan peningkatan kualitas pembelajaran vokal melaluikurikulum berstandar internasional pada lembaga pendidikan musik nonformal. Penelitian ini menggunakan pendekatankualitatif dengan metode deskriptif. Data dikumpulkan melalui observasi, wawancara, dan dokumentasi dengan melibatkaninstruktur vokal, peserta didik, dan pengelola lembaga. Analisis data dilakukan melalui tahap reduksi data, penyajian data, danpenarikan kesimpulan, sedangkan validitas data diuji melalui triangulasi sumber dan teknik. Hasil penelitian menunjukkanbahwa Kurikulum RSL diterapkan secara sistematis melalui pelatihan teknik vokal, kegiatan praktik, dan evaluasi berbasispenampilan. Kurikulum ini berkontribusi dalam meningkatkan kemampuan vokal, musikalitas, kepercayaan diri, sertaketerampilan pertunjukan peserta didik.
Analisis Pola Iringan Gambang dalam Kesenian Tembang Sunda Pagerageungan Chandra Nur Fauzi; Denden Setiaji; Arni Apriani
Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual Vol. 2 No. 4 (2025): Desember: Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/misterius.v1i4.483

Abstract

Sundanese song pagerageungan is a traditional art originating from Tasikmalaya district. The xylophone accompaniment pattern in the Sundanese song art Pagerageungan plays a very important role in creating an atmosphere and strengthening the message contained in the song lyrics. The xylophone, as a traditional Sundanese instrument made from wooden blades, produces a distinctive sound and has a dual function as a rhythm regulator as well as adding melodic nuances to the song. The xylophone accompaniment pattern in this song is not only rhythmic, but also often has a melodic character that beautifies the song's strains. This gambang accompaniment pattern has 3 parts, namely merean, cacagan and geumbyang. The aims of this research are: (1) to find out the xylophone accompaniment pattern in the Sundanese pagerageungan song art (2) to find out the function of the xylophone accompaniment pattern in the Pagerageungan Sundanese song art. The method used in this research is qualitative with a descriptive analysis approach. The techniques used in this research are observation, interview and documentation techniques. The main instrument in this research is the research itself using tools in the form of field notes and recording tools in the form of cellphones.
Analisis Struktur Gerak Ibing Jagatraharja di Padepokan Fajar Kancana Kumpay Kuning Putra Desa Nagarakembang Kabupaten Majalengka Tika Rostika; Arni Apriani; Budi Dharma
Abstrak : Jurnal Kajian Ilmu seni, Media dan Desain Vol. 3 No. 1 (2026): Januari: Jurnal Kajian Ilmu seni, Media dan Desain
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/abstrak.v2i1.508

Abstract

This study aims to analyze one of the movements that is characteristic of Padepokan Fajar Kancana Kumpay Kuning Putra in Nagarakembang Village, Majalengka Regency, namely the Ibing Jagatraharja movement. Ibing Pencak Silat can be interpreted as a basic martial arts movement presented in the form of dance or the development of the pencak silat martial arts movement. The form of the Jagatraharja Movement is a development of core movements such as Tonjok, Nahan, and Siku Ajul. The problem raised in this study is to describe the structure of the Ibing Jagatraharja movement. The purpose of this study is to describe the structure of the movement of Ibing Jagatraharja Padepokan Fajar Kancana Kumpay Kuning Putra. This study uses a qualitative method with a descriptive approach with data collection techniques of observation, interviews and documentation.
Implementation of Creative Dance Based on Sundanese Pakakas to Develop Creativity and Local Cultural Awareness in Elementary School Students Arni Apriani; Budi Dharma; Abdul Ghani; Zahra Ghaida Nur
JUPE : Jurnal Pendidikan Mandala Vol 10 No 4 (2025): JUPE : Jurnal Pendidikan Mandala (Desember)
Publisher : Lembaga Penelitian dan Pendidikan Mandala

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58258/jupe.v10i4.9927

Abstract

This study aims to implement creative dance based on Sundanese pakakas to develop creativity and local cultural awareness in elementary school students. Globalization and the development of digital technology have resulted in a decline in the younger generation's understanding of traditional Sundanese cultural heritage, especially pakakas (traditional household utensils). This study involved 32 students from Muhammadiyah Elementary School in Tasikmalaya through a descriptive qualitative approach for 18 weeks of implementation. The BASTE (Body, Action, Space, Time, Energy) method was used as a framework in exploring creative dance movements inspired by five types of Sundanese pakakas: se'eng, aseupan, hihid, korang, and koja (Kusuma & Hartono, 2023). The results of the study showed a significant increase in: (1) understanding of Sundanese pakakas from 25% to 85% (+60%), (2) exploration of creative movement from 20% to 90% (+70%), (3) character development from 30% to 88% (+58%), (4) motor skills from 40% to 92% (+52%), and (5) appreciation of local culture from 15% to 90% (+75%). The learning rubric assessment showed that 94% of students achieved the "Very Good" or "Good" category in all aspects of the assessment. The implications of this study indicate that the integration of dance with traditional pakakas is an effective medium in preserving local culture as well as developing the creativity and character competencies of elementary school students.
Analysis of Symbolic Interactionism in Lontang Dance: Cultural Meaning and Social Dynamics in Purwaraja Village, Ciamis Regency Arni Apriani; Asep Wasta; Wan Ridwan Husen
JUPE : Jurnal Pendidikan Mandala Vol 10 No 4 (2025): JUPE : Jurnal Pendidikan Mandala (Desember)
Publisher : Lembaga Penelitian dan Pendidikan Mandala

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.58258/jupe.v10i4.9949

Abstract

Lontang Dance is a traditional Sundanese art form that developed in Purwaraja Village, Ciamis Regency, and functions as a medium for spiritual and social communication within the community. This study analyzes the symbolic meaning of Lontang Dance through the perspective of symbolic interactionism developed by George Herbert Mead and Herbert Blumer. Using a qualitative ethnographic approach, the study involved participant observation (n=32 participants), in-depth interviews with traditional figures and artists, and visual documentation. The analysis shows that cultural symbols such as the tray, seeng, and ibing movements in Lontang Dance are constructed through a dynamic and ongoing process of social interaction within the community. These symbolic meanings undergo modification and negotiation to maintain religious relevance without eliminating local cultural identity. These findings contribute to a deeper understanding of how cultural realities are constructed through human interaction and emphasize the importance of local cultural preservation in the context of modernization. This research opens new perspectives in the study of symbolic anthropology and local culture-based arts education.
Eksistensi Angklung Buncis Sawargi di Desa Manggungjaya Kecamatan Rajapolah Kabupaten Tasikmalaya Rifki Taufik Faturahman; Arni Apriani; Wan Ridwan Husen
Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual Vol. 2 No. 1 (2025): Maret: Misterius: Publikasi Ilmu Seni dan Desain Komunikasi Visual
Publisher : Asosiasi Seni Desain dan Komunikasi Visual Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62383/misterius.v2i1.497

Abstract

Angklung Buncis Sawargi is one of the high-value traditional Sundanese cultural heritages in Manggungjaya Village, Rajapolah District, Tasikmalaya Regency. This study aims to analyze the existence of Angklung Buncis Sawargi amidst the social and cultural changes of the local community. This research uses a qualitative method with a descriptive approach, through observation, in-depth interviews, and documentation. The study finds that the existence of this art form is still preserved due to the support of the local community, the participation of younger generations, and innovations in performances, such as the integration of traditional and modern music elements. Additionally, the role of art groups like Angklung Buncis Sawargi in various traditional events, entertainment, and education plays a crucial part in maintaining the continuity of this art. The implications of this research highlight the importance of collaboration between the government, art communities, and the public in preserving traditional art as local cultural identity, while also encouraging its development to remain relevant in the modern era. This preservation effort is expected to make Angklung Buncis not only locally recognized but also nationally acknowledged as a cultural heritage.
Co-Authors Abdul Ghani Abdul Khoer Al Gani Agi Fajri Nur Agustiana Muhtar Agustin, Rany Ismaya ahmadfaozan faozan Al Faridi, Ahmad Fauzi Aldi Ernawan Alfi Munajab Alfin Nurul Azmi Asep Wasta Asep Wasta Asep Wasta Asep Wasta Asep Wasta Asti Tri Lestari Asti Trilestari Asyifa Gustia Noer Badar, Alfi Munajab Budi Dharma Budi Dharma Chandra Nur Fauzi Dewi Pujastuti Umbara Dini Indriani, Dini Fajar Nugraha Februarto, Dito Helda Safaat Hidayat, Tania Rahmawati Ikhsan Tri Julian Isthi dwi apriliani Krisma Jayanti Maharani, Septi Putri Mega Utami Muhtar, Agustiana Nabilah Syumaisi Putra, Muhammad Andhika Nazila Putri Dara Utami Rafli Rustan Nawawi, Muhammad Rifki Taufik Faturahman Rika Yuliana Putri Rin Rin agustin Rizka Pajrin Juliasari Rudi Mulyana Salwa Naqiri Ziani Setiaji, Deden Setiaji, Denden setiaji, denden Setiawati, Rinda Sinta Hopipah Sulastri, Salas Tika Rostika Vidia Fauziah Kardila Vivi Hanifah Nurbaeti Wan Ridwan Husen, Wan Ridwan Wasta, Asep Widya Imardhea Wina Yulianti Zahra Ghaida Nur