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Prestise Batu Na Pir Sebagai Sarana Peningkatan Status Sosial Masyarakat Suku Batak Toba di Desa Silalahi II, Sumatera Utara Limbong, Angli Rosalia; Zuryani, Nazrina; Aditya, I Gst. Ngr Agung Krisna
Socio-political Communication and Policy Review Vol. 1 No. 4 (2024)
Publisher : Lenggogeni Data Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61292/shkr.161

Abstract

This study examines the tradition of building "batu na pir" in Silalahi II Village as a means of enhancing the social status of the local community. The research aims to analyze the prestige associated with batu na pir, employing an exploratory qualitative method with the theoretical framework of habitus, arena, and capital by Bourdieu. The findings reveal that batu na pir, which serves as a repository for the remains of ancestors, is a longstanding tradition of the Batak Toba people, maintained due to their strong belief in the power of ancestral spirits. The size and grandeur of batu na pir play a significant role in elevating the social status of its owner, leading the community to compete in constructing larger and more luxurious batu na pir. This study recommends education to prevent unhealthy competition and emphasizes the importance of preserving the tradition's original purpose as a form of respect for ancestors.
PRESTISE BATU NA PIR SEBAGAI SARANA PENINGKATAN STATUS SOSIAL MASYARAKAT SUKU BATAK TOBA DI DESA SILALAHI II, SUMATERA UTARA Limbong, Angli Rosalia; Zuryani, Nazrina; Krisna Aditya, I Gst. Ngr Agung; Mahadewi, Ni Made Anggita Sastri
JURNAL ILMIAH SOSIOLOGI: SOROT Vol 4 No 2 (2024): JISSOROT
Publisher : Program Studi Sosiologi Fakultas Ilmu Sosial dan Ilmu Politik Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This study examines the tradition of building "batu na pir" in Silalahi II Village as a means of enhancing the social status of the local community. The research aims to analyze the prestige associated with batu na pir, employing an exploratory qualitative method with the theoretical framework of habitus, arena, and capital by Bourdieu. The findings reveal that batu na pir, which serves as a repository for the remains of ancestors, is a longstanding tradition of the Batak Toba people, maintained due to their strong belief in the power of ancestral spirits. The size and grandeur of batu na pir play a significant role in elevating the social status of its owner, leading the community to compete in constructing larger and more luxurious batu na pir. This study recommends education to prevent unhealthy competition and emphasizes the importance of preserving the tradition's original purpose as a form of respect for ancestors. Keywords : Prestige, Batu na pir, Social status, Batak Toba community
Drag Queen Performers in Urban Pink Tourism: Community of People, Place, and Poverty Zuryani, Nazrina; Erviantono, Tedi; Pramestisari, Nyoman Ayu Sukma
SOCIUS Vol 9 No 2 (2022): Jurnal Socius: Journal of Sociology Research and Education, Universitas Negeri Pa
Publisher : Labor Jurusan Sosiologi Fakultas Ilmu Sosial Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/scs.v9i2.466

Abstract

Komunitas Aghumi Sebagai Wadah Seni Perfomatif Berbasis ‘Tarot’ Melalui Perspektif Interaksionisme Simbolik Herbert Blumer Syachputra, Arjuna Adji Pangestu Arifin; Zuryani, Nazrina; Tamim, Imron Hadi
Socius: Jurnal Penelitian Ilmu-Ilmu Sosial Vol 3, No 1 (2025): Agustus
Publisher : Penerbit Yayasan Daarul Huda Kruengmane

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Abstract

This study analyzes symbolic communication practices within Komunitas Aghumi, an experimental performance art community utilizing ‘Tarot’ Card’ as its primary creative medium. Employing a qualitative approach and Herbert Blumer’s symbolic interactionism theory, the research explores how ‘tarot’ symbols function not only as tools of expression but also as catalysts for self-reflection, collective meaning-making, and negotiation of identity and emotional well-being among members. Findings reveal that ‘tarot’ symbols are deconstructed from their conventional meaning as magical divination tools into transformative mediums for art, mental health therapy, and self-reflection, processed into non-verbal language that facilitates empathetic dialogue and collective narratives in performances. The quest for “benang merah” (conceptual thread) or consensus-building among members through mechanisms like card shuffling, thematic discussions, and interpretative negotiations constitutes the core artistic practice, demonstrating symbolic flexibility aligned with Blumer’s principle that meaning arises from social interaction rather than inherent object properties. The community further affirms art’s role as social transformation through inclusivity, notably collaborations with neurodivergent groups (e.g., autistic children) that dismantle stigma and foster self-confidence. Symbols, language, and cognition integrate to create an egalitarian, transformative, and therapeutic communication ecosystem serving as implicit critique against reductive views of performance art, positioning art as a medium of empowerment and resistance against conventional meanings. The implications of this research are expected to raise awareness of the community’s existence, deconstruction of the ‘tarot’ meanings, and the value of inclusivity for vulnerable groups, thus contributing sustainably to their empowerment and the preservation of arts and the culture.
Modular Parties, Customary Networks, and Constructivist Institutionalism Erviantono, Tedi; Zuryani, Nazrina; Vandenberg, Andrew
Politicon : Jurnal Ilmu Politik Vol. 6 No. 1 (2024): Vol 6, No 1 (2024): Politicon : Jurnal Ilmu Politik
Publisher : UIN Sunan Gunung Djati

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15575/politicon.v6i1.33869

Abstract

This article discusses the practice of modular parties as a discourse strategy that underpins patron-client relationships between politicians candidates, free-agent party functionaries, and mass voters. This practice departs from the conditions surrounding activism to mobilize voters in the context of: internal conflicts, parties that are too centralistic, the lack of regeneration, the de-ideologization of political parties, discourses about closed proportional elections, and the rampant phenomenon of cadres reconfiguring political parties. This article is based on qualitative interviews with groups of people in the networks of customary collectives, incumbent politicians, free agents, and political party functionaries in Bali. During the electoral process for the legislature in Bali, we conducted four interviews in 2021 and ten interviews in 2023. Bali is a province where the customary village-based activism is particularly important. The research is framed by constructivist institutionalism. We find that the network of customary collectivities and the relationship between free agents and incumbent politicians follows patron-client patterns. Within that pattern, actors innovate and communicate discourses about cultural preservation and the welfare of the customary collective. At the same time, they position the relevant leaders or parties as central actors who can provide solutions to the problems posed. This discourse strengthens ties between the mass of voters, free agents within the parties, and politicians or candidates. Such ties mobilize family-cum-community in the collectives of the villages and customary networks.  
Konstruksi Sosial Tradisi Siraman Gong Kyai Pradah di Lodoyo Kabupaten Blitar Jawa Timur Pratiwi, Diana Yuni; Zuryani, Nazrina; Kamajaya, Gede
Socio-political Communication and Policy Review Vol. 3 No. 1 (2026)
Publisher : Lenggogeni Data Publishing

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61292/shkr.315

Abstract

The Siraman Gong Kyai Pradah tradition in Lodoyo, Blitar Regency, is a sacred cultural heritage that remains preserved and plays a vital role in the social life of the local community. This research aims to analyze how the social construction of the siraman tradition is built, transmitted, and its impacts on the social structure and cultural identity of Lodoyo society. The study employs a descriptive qualitative approach, using observation, in- depth interviews, and documentation as data collection techniques. The main theoretical framework is the social construction theory of Peter L. Berger & Thomas Luckmann (1966), which emphasizes three dialectical processes: externalization, objectivation, and internalization. The findings reveal that the Siraman Gong Kyai Pradah tradition serves not only as a means of social solidarity but also as a mechanism for value transmission, social integration, and the strengthening of community identity. The Siraman Gong Kyai Pradah tradition has undergone objectivation through the symbolism of the gong as a sacred heirloom believed to possess magical and historical powers. This tradition is no longer seen as an ordinary social activity, but has become an objective social reality, recognized and accepted by the community as a cultural heritage. The impact of internalization for the people of Lodoyo is that Siraman Gong Kyai Pradah has become a form of cultural identity. This tradition serves as a spiritual moment not only because of its ritual, but also due to the symbolic meaning that has been internalized from ancestral legends. The impact of externalization is that the community expresses their values and beliefs through the legend of Pangeran Prabu and Mbo Rondo as the sacred origin of the Gong Kyai Pradah. The story of love, loyalty, and betrayal in the tale of Pangeran Prabu and Mbo Rondo reflects the norms and morals of the Lodoyo community.Social negotiation and adaptation processes within this tradition have a direct impact on the economic aspects of the community, particularly for seasonal traders, and provide spiritual influence believed to bring blessings, prosperity, and hope for healing. The study also highlights the importance of adaptation strategies in facing the challenges of preserving tradition amidst modernization. Additionally, the active participation of young generations and support from educational institutions are seen as crucial in maintaining the continuity and meaning of the Siraman Gong Kyai Pradah tradition for the future.
Sosio-Agrikultur Bali untuk Gastronomi Berkelanjutan di Indonesia Nazrina Zuryani
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 10 No. 2 (2020): TEKS DAN TRADISI BALI
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2020.v10.i02.p13

Abstract

Agriculture is the foundation of sustainable gastronomy. With or without the Corona pandemy, rice-based meals such as uduk, red, campur, and tumpeng make up Indonesians’ staple food. This article analyzes how novel Balinese culinary technique enriches gastronomy and lifestyle, by blending old and new menus and thus engineering the hybrid gastronomy of the future. This research utilized qualitative explorative area of Jatiluwih and bamboo tabah cultivation in Tabanan District, Bali. Both Jatiluwih rice and bamboo tabah offer the possibility to spur culinary creativity while respecting the theory of gastronomy localisation. Typical magibung as Balinese collective eating is also a healthy moment of ethno-pedagogy for touristic purposes with local content. Regarding sustainable gastronomy in Bali, magibung with rice from Jatiluwih and tabah bamboo are topic of studies that come under the aegis “Nusantara Culinary Sociology”, a subject proposed to sociology and other students in Udayana University.
Co-Authors -, Mustami’uddin Aditya, I Gst. Ngr Agung Krisna Aditya, I Gusti Ngurah Agung Krisna Amiruddin Jalil, Andi Ahmad Anshori, Ivan Ardiyansyah, Bagus Ariesta Krisna, I Gst. Made Bagus Arizona, Vransiska Fami Arjawa, I Gst Putu Bagus Suka Ayuningtyas, Anastasia Baiwu, Fredrik Lepa Baskara, I Made Cahya Bina Meni, Gregorius Yakobus Cahyaning Putri, Anggraeni Nur Chayani Samosir, Zefanya Yuni Damayanti, Luh Made Mira Dharmayasaswini, Ni Ketut Eden, Antonius Setiarja Erik Saputra, I Kadek Gede Kamajaya Gede Kamajaya, Gede Heri Susanto Hikmah, Rifqikah Durrotul I Gst. Pt. Bagus Suka Arjawa I Gusti Ngurah Agung Krisna Aditya I Nengah Punia I Nyoman Mangku Karmaya Ida Ayu Eka Suartika Ikma Citra Ranteallo Imron Hadi Tamim, Imron Hadi Ketut Sudhana Astika, Ketut Sudhana Krisna Aditya, I Gst. Ngr Agung Kristina, Ruth Kusuma Putra, Dewa Ngurah Tresna Limbong, Angli Rosalia Lokasari, Putu Vita Milla Riauzie Poetri, Milla Riauzie Muhammad Ali Azhar Mulya Astari, Gusti Ayu Agung Chandra Naibaho, Leander F. Ni Luh Nyoman Kebayantini Ni Made Anggita Sastri Mahadewi Ningwulansari, Ria Agnes Novelia, Ruth Nyoman Ayu Sukma Pramestisari Octafitri, Amelia Olav Rizky, Antonius Paramita Sari, Ida Ayu Indah Prami, Anak Agung Istri Ngurah Dyah Praptikasari, Ni Kadek Ayu Juwita Prathika Wibowo, Dhea Anisha Pratiwi, Diana Yuni Putra, Bayu Sandika Putu Putra Ardika, Putu Putra Putu Satya Manggala Paramarta, Putu Satya Manggala Rizki, Andini Putri Safitri, Leni Santana, I Gede Agung Krishna Sharon Khatlean, Bawiling Mawar Siagian, Edy Diyana Sinaga, Sry Rahayu Sukma, Adinda Putri Suryanatha, Ida Bagus Suryawan, Irfa' Ade Syachputra, Arjuna Adji Pangestu Arifin Tedi Erviantono Tedi Irviantono Tresna Putra, Dewa Gede Yoga Trisna Dewi, Ni Luh Kade Upa Raji, Rambu Vandenberg, Andrew Wahyu Budi Nugroho Widyastuti Widyastuti Wulandari, Retno Asti Yoga, I Komang Dharma Zakaria, Ady