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All Journal Resital: Jurnal Seni Pertunjukan (Journal of Performing Arts) Journal of Urban Society´s Arts MUDRA Jurnal Seni Budaya Panggung Dance and Theatre Review: Jurnal Tari, Teater, dan Wayang Sebatik Laga-Laga: Jurnal Seni Pertunjukan Jurnal Budaya Nusantara JURNAL PENDIDIKAN TAMBUSAI Jurnal Rupa Seminar Nasional Teknologi Informasi Komunikasi dan Administrasi [SEMINASTIKA] Buana Ilmu Journal of Applied Science, Engineering, Technology, and Education Atrat: Jurnal Seni Rupa Jurnal Budaya Etnika Prosiding Konferensi Nasional PKM-CSR Musik Etnik Nusantara Jurnal Dekonstruksi Seminar Ilmiah Nasional Teknologi, Sains, dan Sosial Humaniora (SINTESA) Panggung Prosiding Seminar Nasional Ilmu Teknik
Sri Rustiyanti
Institut Seni Budaya Indonesia Bandung
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Economics, Econometrics & Finance Education Electrical & Electronics Engineering Engineering Environmental Science Health Professions Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Nursing Public Health Social Sciences Other

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Musik Iringan Tari Pencak Silat Rancak Takasima dalam Koreografi Idiom Baru Rustiyanti, Sri; Listiani, Wanda; Ningdyah, Anrilia E.M.; Dwiatmini, Sriati; Suryanti, Suryanti
Resital: Jurnal Seni Pertunjukan Vol 25, No 1 (2024): April 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v25i1.11998

Abstract

The objective of this article is to elucidate the significance of music in complementing the choreography of the innovative Pencak Silat dance form known as Rancak Takasima. In the realm of dance performance, music plays a pivotal role as an accompaniment. While dance accompaniment music can exist independently, the reciprocal is not true – dance cannot be fully actualized without the support of accompanying music. Essentially, dance and music are inseparable counterparts, mutually enhancing and interdependent, akin to the interconnected sides of a coin. In the crafting of a dance performance, the presence of dance accompaniment, specifically in the form of musical compositions, serves as a crucial catalyst. This concept is referred to as external music, encompassing instruments like percussion, strings, and wind instruments employed as accompaniment in dance. In contrast, internal music entails sounds not generated by instrumental music but rather emanating from the dancer or performer, such as vocals, rhythmic footwork, finger snaps, chest and thigh percussion, hand claps, elbow taps, and the use of galembong (a patting technique on wide-legged pants). This research used a qualitative method with a dance ethnographic approach model. This technique research collected data through diverse methods such as observation, demonstration, interviews, and documentation during creating the creative process of choreographing the new idiom of Rancak Takasima. The development of dance accompaniment music and choreography unfolds gradually, originating from initially abstract ideas and taking visual form through Seni Pencak movements and the musicality crafted by the internal body's dancers themselves and using sound of  'serut bambu' props. The research outcomes showcase the Seni Pencak dance accompaniment music model as a valuable contribution to the evolution of Pencak Silat Nusantara dance. This particular dance accompaniment music model integrates seamlessly into the new idiom's choreography, featuring the distinctive ‘serut bambu’ property that generates the accompanying dance music. This research result conducted under Penelitian Terapan Jalur Hilirisasi (PTJH) scheme. For those interested in learning more, the dance accompaniment music and Seni Pencak choreography of Rancak Takasima can be easily accessed through the website https://www.dayaversapasua.tech.
Digital Photographies of Silek Rantak Kudo Dance : The West Sumatra Folklore Preservation Rustiyanti, Sri; Listiani, Wanda; Ningdyah, Anrilia E.M.; Dwiatmini, Sriati; Suryanti
Mudra Jurnal Seni Budaya Vol 40 No 3 (2025)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/mudra.v40i3.3087

Abstract

The Silek Rantak Kudo Dance, a rich expression of Indonesian folklore and cultural identity—particularly in West Sumatra—requires preservation. To support this effort, a photographic experiment was conducted to explore visual representations capable of conveying the folkloric elements embedded in the dance. Notably, there is a lack of scholarly literature on dance photography in Indonesia, making this study a pioneering contribution to the field. The experiment produced 66 photographs of the Silek Rantak Kudo Dance, with 10% selected for inclusion in a questionnaire aimed at evaluating whether respondents could effectively perceive the folkloric content. This research employed Visual Arts-Based Research Practices, with data collected through a literature review and questionnaires completed by 396 participants. Findings indicate that dance photography of Silek Rantak Kudo should emphasize traditional elements in both movement and visual representation to ensure its recognition as a traditional West Sumatran art form. Furthermore, the study demonstrates that photographic techniques—such as motion photography and posed imagery—can serve as effective tools for promoting and preserving the dance on social media among the Indonesian public.
Augmented Reality Pasua Pa Sebagai Alternatif Media Pembelajaran Seni Pertunjukan 4.0 Listiani, Wanda; Rustiyanti, Sri; Sari, Fani Dila; Peradantha, IBG. Surya
PANGGUNG Vol 29 No 3 (2019): Transformasi Bentuk dan Nilai dalam Seni Budaya Tradisi
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v29i3.1012

Abstract

Abstract            The collaboration between art and technology of augmented reality (AR) has not been get attention in the field of Nusantara Performing Arts. On the other side, performances of traditional dance get hardly found in the era of smartphone technology which gets more sophisticated. Mostly all people either kids or adults own handphone which can be used as the media for learning performing arts. This research aims to develop AR technology as the alternative performing arts learning media 4.0 by digitalizing performing arts from Biak tribe, Papua; Cikeruhan Sunda peforming arts, and Guel Aceh performing arts. These combined performing arts name from Papua, Sunda, and Aceh is shortened into PASUA PA. The research method applied is experiment method and interaction based on pixel-cloud avatar AR virtual dance. The result of the study portrays the phases of creative process of designing PASUA PA AR performing arts and the real time synchronization between music, virtual dancer, and 4.0 performing art learners.   Keywords: Augmented Reality, Papua-Sunda-Aceh, learning media, performing arts 4.0 Abstrak            Kolaborasi antara seni dan teknologi augmented reality (AR) masih belum banyak dilakukan dalam seni pertunjukan nusantara. Di sisi lain, semakin langkanya pertunjukan tari tradisi di setiap daerah di Indonesia di antara perkembangan teknologi smartphone. Padahal hampir setiap orang, mulai anak-anak hingga dewasa memiliki handphone yang dapat digunakan sebagai medium pembelajaran seni pertunjukan. Penelitian ini mengembangkan teknologi AR sebagai media alternatif pembelajaran seni pertunjukan 4.0 dengan mendigitalisasi seni pertunjukan khas Suku Biak Papua, seni pertunjukan Cikeruhan Sunda, dan seni pertunjukan Guel Aceh. Seni Pertunjukan Papua, Sunda dan Aceh disingkat PASUA PA. Metode penelitian yang digunakan adalah metode eksperimen dan interaksi berdasar pixel-cloud avatar penari virtual AR. Hasil penelitian ini menggambarkan tahapan proses kreatif pembuatan AR seni pertunjukan PASUA PA dan sinkronisasi real-time antara musik, penari virtual, dan pembelajar seni pertunjukan 4.0.  Kata kunci: Augmented Reality, Papua-Sunda-Aceh, Media Pembelajaran, Seni Pertunjukan 4.0 
‘Passompe’: Konsep dan Bentuk Rekacipta Tari Terinspirasi Nilai Pappaseng Tellu Cappa Budaya Masyarakat Bugis Haruna, Ilham; Caturwati, Endang; Rustiyanti, Sri
PANGGUNG Vol 34 No 1 (2024): Artistik dan Estetik pada Rupa, Tari, dan Musik
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v34i1.2746

Abstract

ABSTRACT The creation of dance from the cultural values of pangadereng manifested in pappaseng tellu cappa can be an integrative problem solver. The interpretation of symbolic nonverbal language becomes the cohesion of the choreographer to produce an ecranization of visual ideas in the entity of the dance 'Passompe'. This dance creation uses qualitative research and elaborating with creativity approach proposed by Zeng in the General model of the creative process which consists of four phases of analysis, ideation, evaluation, and implementation. The archetype in the dance creation also uses the approach of exploration, improvisation, and composition. The dance repertoire that manifests pappaseng tellu cappa is a form of reading ancestral messages through nonverbal language entities. The substantial construction in the tellu cappa values can be a universal learning medium as a parameter for success in social life. Keywords: Dance, Passompe, Pappaseng, Tellu cappa, Bugis ABSTRAK Perekaciptaan tari yang bersumber dari nilai-nilai kultural pangadereng yang termanifestasi dalam pappaseng tellu cappa dapat menjadi temuan (problem solver) yang bersifat integratif. Interpretasi bahasa nonverbal yang bersifat simbolik, menjadi kohesi koreografer sehingga menghasilkan ekranisasi terhadap gagasan visual dalam entitas karya tari ‘Passompe’. Rekacipta tari ini menggunakan penelitian kulitatif dan mengelaborasi pendekatan kreativitas yang ditasbihkan oleh Zeng dalam General model of the creative process yang terdiri empat fase analysis, ideation, evaluation, dan implementation. Arketipe dalam rekacipta tari juga menggunakan pendekatan eksplorasi, improvisasi dan komposisi. Repertoar tari yang memanifestasikan pappaseng tellu cappa menjadi bentuk pembacaan pesan-pesan leluhur melalui entitas bahasa nonverbal. Konstruksi substansial dalam nilai-nilai tellu cappa tersebut dapat menjadi medium pembelajaran secara universal sebagai parameter keberhasilan dalam kehidupan sosial. Kata Kunci: Tari, Passompe, Pappaseng, Tellu cappa, Bugis
PENERAPAN COMPUTER VISION DALAM ESTIMASI POSE DAN PROSES KREATIF PENCAK SILAT TRADISI SEBAGAI SUMBER KOREOGRAFI RANCAK TAKASIMA Rustiyanti, Sri; Listiani, Wanda; E.M. Ningdyah, Anrilia; Dwiatmini, Sriati; Suryanti Suryanti
PROSIDING SEMINASTIKA Vol. 5 No. 1 (2024): 5th SEMINASTIKA 2024
Publisher : Universitas Mulia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.47002/seminastika.v5i1.788

Abstract

Pencak silat sebagai salah satu kearifan lokal yang ada di setiap wilayah nusantara menjadi sumber gerak koreografi tarian etnik dari Sabang sampai Merauke. Secara konseptual korografi ini terinspirasi dari vokabuler gerak pencak silat nusantara yang mengacu gerak flora dan fauna yang ada di alam lingkungan (koreografi lingkungan). Berdasarkan teori proses kreatif model Alma M. Hawkins terdiri atas beberapa tahapan dari sensing, feeling, imaging, transforming dan forming. Ragam pencak silat dieksplorasi dengan komposisi dan koreografi gerak yang mempunyai kesan tajam dan tegas, seperti gerak serang, tangkis, tahan, dan elak; menjadi gerak berkesan lembut dan mengalir. Proses eksplorasi ini memberikan dinamika tari, sehingga pencak silat dari berbagai nusantara ini menjadi seni pencak sebuah koreografi yang memiliki kesatuan, kompleksitas, dan intensitas. Tari yang terinspirasi dengan gerak pencak silat ini sebagai koreografi idiom baru dinamakan Rancak Takasima. Rancak merupakan akronim dari kata Ragam Pencak Nusantara, sedangkan Takasima mempunyai arti pesona. Koreografi Rancak Takasima merupakan koreografi baru yang terinspirasi dari idiom ragam pencak silat nusantara, diolah menjadi koreografi idiom baru yang memberikan aura dan spirit seni pencak Rancak Takasima. Penelitian ini menggunakan metode kualitatif dan eksperimen serta computer vision dengan model deep learning estimasi pose GluonCv. Hasil penelitian ini menjelaskan model koreografi Rancak Takasima dengan koreografi idiom baru. Karya tari ini memiliki dinamika gerak bernuansa dinamis, sedangkan konseptual pencak silat nusantara mengacu pada gerak tajam dan tegas. Eksplorasi koreografi Rancak Takasima ini merupakan perwujudan tari yang terinspirasi dari konsep garap gerak tradisi dan unsur gerak seni pencak yang terdapat di seluruh pelosok nusantara.
Warisan Kolonial Belanda di Desa Pangadegan, Sumedang: Studi Etnografi atas Interaksi Sejarah dan Kearifan Aris Junaedi; Wanda Listiani; Sri Rustiyanti; Agung Eko Sutrisno
Jurnal Pendidikan Tambusai Vol. 9 No. 3 (2025): Desember
Publisher : LPPM Universitas Pahlawan Tuanku Tambusai, Riau, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Artikel ini mengkaji peran masyarakat Buddha dalam memperkuat kebangsaan Indonesia melalui pendekatan studi pustaka. Fokus utama diberikan pada integrasi nilai-nilai Buddhisme dengan tradisi lokal seperti Kejawen, Cit Gwee Pua, dan Syoko, yang merupakan wujud nyata sinkretisme budaya dan agama di tengah masyarakat Indonesia. Melalui analisis terhadap sumber-sumber sejarah, literatur akademik, dan dokumen kebijakan, artikel ini menunjukkan bahwa umat Buddha tidak hanya berperan sebagai komunitas religius minoritas, tetapi juga sebagai agen aktif dalam membangun karakter kebangsaan yang inklusif, toleran, dan berbasis nilai universal seperti metta (cinta kasih), karuṇā (belas kasih), dan upekkhā (keseimbangan batin). Tradisi-tradisi lokal tersebut menjadi media efektif dalam menginternalisasi ajaran Dharma sekaligus menjaga kearifan lokal sebagai bagian dari identitas nasional. Temuan ini memperkuat posisi Buddhisme sebagai bagian tak terpisahkan dari peradaban Nusantara, baik secara historis maupun kontemporer.
Desain Chatbot Digital Twin Atlet Pencak Silat Wanda Listiani; Sri Rustiyanti; Anrilia E.M Ningdyah; Sriati Dwiatmini; Suryanti Suryanti
Prosiding Seminar Nasional Ilmu Teknik Vol. 2 No. 2 (2025): Desember: Prosiding Seminar Nasional Ilmu Teknik
Publisher : Asosiasi Riset Ilmu Teknik Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/prosemnasproit.v2i2.200

Abstract

This research aims to develop a customized chatbot based on a local large language model (LLM) using Ollama Anything as a form of psychosocial support for Pencak Silat athletes. Mental toughness is a critical factor for Pencak Silat athletes, particularly when coping with competitive failure or sports-related injuries. Injuries sustained in Pencak Silat competitions often involve psychological consequences, including trauma, fear, anxiety, and disturbances in self-identity. To address these challenges, the proposed chatbot functions as a screen-integrated psychosocial support system for athletes. This research used an experimental method combined with Natural Language Processing (NLP) techniques was employed to construct a digital twin chatbot capable of simulating athlete-centered conversations. The Pencak Silat Athlete Chatbot is designed to assist athletes by providing responsive support when they experience defeat or performance setbacks during competitions. The research findings indicate that, although the chatbot is functional, its conversational responses remain relatively rigid, access times are prolonged, and further testing with Pencak Silat athletes in controlled settings is required. Overall, the development of the Pencak Silat Athlete Digital Twin Chatbot represents an ongoing effort to advance digital innovation and strengthen the ecosystem of sports achivements development in Indonesia.
Aplikasi Computer Vision pada Desain Batik Folklor Muara Jambi sebagai Upaya Inovasi Digital Berkelanjutan Sri Rustiyanti; Wanda Listiani
Prosiding Seminar Nasional Ilmu Teknik Vol. 2 No. 2 (2025): Desember: Prosiding Seminar Nasional Ilmu Teknik
Publisher : Asosiasi Riset Ilmu Teknik Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61132/prosemnasproit.v2i2.204

Abstract

This research aims to recontextualize the local wisdom embedded in the visual culture of the Muara Jambi Temple through the development of folklore-inspired batik motif designs. As a traditional Indonesian textile craft, batik serves not only functional purposes but alsp embodies profound cultural values and indigenous knowledge systems. Batik as a medium of cultural expression that invites multidimensional interpretaion within both practical and theoretical academic discourses. Its visual strength lies in the richness of colors, ornaments, and symbolic elements, which generate diverse interpretative meanings. These interpretations subsequently shape value systems that function as guiding principles in the everyday lives of Indonesian communities. The research used an experimental design method integrated with computer vision techniques to generate distinctive folklore batik motifs rooted in the cultural heritage of Muara Jambi, Sumatra. The research results are the creation of a Muara Jambi folklore batik motif that represents cultural expression, resilience, and continuity through the preservation of traditional patterns and environmentally conscious practices within the Jambi community. The transformation of motifs derived from artifacts from the Muara Jambi temple complex, serves as a primary source of inspiration for contemporary folklore batik design. The application of computer vision in the batik design process constitutes a form of sustainable digital innovation, facilitating the preservation, reinterpretation, and adaptive transformation of traditional visual heritage.
Machine Learning Approach for Ibing Penca Stance Recognition Using Landmark Detection and Angle-Based Classification Ratnadewi, Ratnadewi; Agus Prijono; Aan Darmawan Hangkawidjaja; Sri Rustiyanti; Deri Al Badri
Journal of Applied Science, Engineering, Technology, and Education Vol. 8 No. 1 (2026)
Publisher : PT Mattawang Mediatama Solution

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.35877/454RI.asci4539

Abstract

The problem is how students can learn independently when no assistant teachers are present. The main objective of this research is to build an application system that can recognize the stances in Ibing Penca martial art. This research aims to help facilitate independent learning for martial arts practitioners, especially Ibing Penca, by developing a system that is able to recognize and classify the movements in 62 Ibing Penca stances. To achieve these goals, the research method used is to collect input data in the form of images or videos taken using an Orbbec camera. After the images are obtained, the next stage is data processing to detect important points on the body using landmark detection techniques. The next process is the identification of 33 keypoints on the body using the MediaPipe algorithm. From these keypoints, six important angles were calculated which included the right arm, left arm, right leg, left leg, right foot and left foot. This angle calculation is done using the angle method of the three relevant key points. The system is able to recognize the movements in Ibing Penca with a high degree of accuracy, which is very useful for learners who want to practice independently. The results of this study show that the system is able to classify 62 Ibing Penca moves with a success rate of 95.2% (58 moves), while the error rate is only 4.8% (4 moves). For future research, it is expected to develop this system by adding variations of movements and improving detection accuracy in more diverse environmental conditions.
STRUKTUR DAN FUNGSI PEMBERIAN ULOS PADA PERNIKAHAN ETNIK BATAK TOBA DI KOTA BANDUNG Johannes Budiman; Sri Rustiyanti; Djuniwati Djuniwati
Jurnal Budaya Etnika Vol. 3 No. 2 (2019): Artefak Budaya Arkais dan Kontemporer : dari Ulos Hingga Seni Digital
Publisher : Institute of Indonesia Arts and Culture (ISBI) Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/be.v3i2.1119

Abstract

ABSTRAKUpacara pernikahan etnik Batak Toba, merupakan kegiatan upacara adat yang menjalani prosesi sangat panjang. Upacara ini, dilakukan oleh masyarakat etnik Batak Toba baik yang menetap di provinsi Sumatera Utara maupun yang sudah tidak menetap di wilayah tersebut. Salah satu kota tujuan perantauan yang masih menggelar upacara pernikahan Etnik Batak Toba, yaitu Kota Bandung. Masyarakat Entik Batak Toba yang bermukim di Kota Bandung selalu menerapkan adat istiadatnya dalam kelangsungan hidupnya. Dalam pernikahan tersebut, terdapat adanya peranan ulos sebagai suatu simbol yang penuh akan makna. Pemberian ulos sangatlah penting dan merupakan suatu keharusan, ulos tersebut tidak sembarang orang yang memberikannya, melainkan sesuai dengan hubungan kekerabatan dari kedua mempelai dan pihak keluarga mempelai.Tulisan ini, merupakan deskripsi analisis dengan menggunakan metode penelitian kualitatif. Adapun teori yang digunakan, yaitu strukturalisme fungsionalisme Radcliffe Brown. Penelitian ini, bertujuan untuk menggali stuktur sosial yang ada pada pemberian ulos dan fungsi pemberian ulos pada pernikahan masyarakat etnik Batak Toba di Kota Bandung.Kata kunci: Ulos, Pemberian Ulos, Struktur, dan FungsiABSTRACTBatak Toba’s Wedding Ceremony, is a long processed custom ceremony. This is done by the people of Toba either lived in North Sumatera or anywhere else outside. One of the province abroad that still uses this tradition is in Bandung. The people of Batak Toba which stayed in Bandung always apply this tradition in their daily life activities. On the wedding, there are ulos that used as one of the meaningful symbol towards the ceremony. The present of ulos are very crucial and it has to be done by either one with relation to the bride or groom’s family.This research, is an analysis research towards the material by using qualitative method. As for the theory, the writer uses Radcliffe Brown functional structuralism theory. This research is done to get a knowledge about the social structure found in the presenting the ulos and the function of ulos in the Batak Toba Ethnics wedding ceremony in Bandung.Keywords: Ulos, Presenting of Ulos, Structure and function
Co-Authors Aan Darmawan Hangkawidjaja Agung Eko Sutrisno Agung Trihandono Putra Agus Prijono Alfiyanto, Ronaldo Ruzali dan Andang Iskandar Andang Iskandar, Andang Anggy Giri Prawiyogi Annisa Arum Mayang Anrilia E.M Ningdyah Anrilia E.M Ningdyah Anrilia E.M. Ningdyah Ari Sakti Dwi Putra Aris Junaedi Arthur S.Nalan Buana, Prega Panji Deni Hermawan Deri Al Badri Djuniwati Djuniwati Endang Caturwati Endang Caturwati Eric Putra Anggara Fani Dila Sari FANI DILA SARI Fani Dila Sari Fani Dila Sari Fani Dila Sari Fatimah Djajasudarma Gelar Seftiyana Gugun Gunardi Gymnastiar Gymnastiar Haruna, Ilham Heppy Millanyani IBG Surya Peradantha IBG Surya Peradantha IBG. Surya Peradantha IBG. Surya Peradantha IBG. Surya Peradantha IBG. Surya Peradantha Ida Bagus Gede Surya Peradantha Ida Bagus Gede Surya Peradantha Ida Bagus Gede Surya Peradhanta Ilham Haruna Imam Setyobudi Ismet Ruchimat Johannes Budiman Karolina Sianipar Karolina Sianipar, Karolina Khofifah Khofifah Lahpan, Neneng Yanti K. Lina Meilinawati Lina Meilinawati, Lina M Ningdyah, Anrilia Ema M. Yogi Riyantama Isjoni Muhamad Irfan Maulana Sidik Nurmalena - Nurmalena -, Nurmalena Peradantha, IBG. Surya Ratnadewi, Ratnadewi Sari, Fani Dila Soleh, Erin Rintana Sriati Dwiatmini Sriati Dwiatmini Suryamah, Dede SURYANTI Suryanti Suryanti Suryanti Turyati Turyati Wanda Listiani Widyo Nugrahanto