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WAGADHEWE: MEDIA INOVASI SOSIALISASI PENDIDIKAN KARAKTER KAUM MARGINAL BANTARAN SUNGAI BENGAWAN SOLO Sudaryanto, Memet; Murni, Endri Sintiana; Nurriyah, Nitta Ayu Azzahra SyafaÃ¢Â€Â™atun
Program Kreativitas Mahasiswa - Pengabdian Kepada Masyarakat PKM-M 2013
Publisher : Ditlitabmas, Ditjen DIKTI, Kemdikbud RI

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Wagadhewe (Wayang Gawean Dhewe) comes as a new breakthrough socialization as well as character development of students who will be directly applied in society. Expected outcomes of this program is a child care Bengawan Solo river bank for the betterment of the moral and spiritual qualities, the founding PABLO (Paguyuban Anak Bengawan Solo) is an interactive, productive, conducive, applicative.. The method used to conduct training with thirty four observation times and one time gig, plus two times the training of marriage conductivity, formed a partnership with local RT, ketua RW as coordinator of entrepreneurship and a team of expert consultants, Rumah Hebat Indonesia.The Results is the creation Wagadhewe with more than 45 types, workshop passes are able to express themselves, character creation stories are inspiring and sometimes unthinkable by adults.

TOPENG SENI BARONGAN DI KENDAYAKAN TEGAL: EKSPRESI SIMBOLIK BUDAYA MASYARAKAT PESISIRAN Murni, Endri Sintiana; Rohidi, Tjetjep Rohendi; Syarif, Muh. Ibnan
Catharsis Vol 5 No 2 (2016)
Publisher : Catharsis

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Kehadiran seni dalam kehidupan manusia menjadi salah satu kebutuhan bagi manusia. Salah satunya topeng seni barongan di Kendayakan Tegal. Bentuk topeng mengarah pada keislaman dan masih mempertahankan bentuk terdahulu. Masalah yang dikaji dalam penelitian ini: (1) bagaimana bentuk topeng dalam seni barongan di Kendayakan Tegal?; (2) mengapa bentuk topeng dalam seni barongan di Kendayakan Tegal mengekspresikan secara simbolik budaya pesisiran?. Metode dan pendekatan penelitian adalah kualitatif dengan kajian interdisiplin. Analisis data seni dengan intra dan ekstraestetik. Hasil penelitian yang pertama, topeng seni barongan terdiri dari Capluk, Gendruwo Lanang, Gendruwo Wadon, Singa, dan Buroq. Bentuk visual topeng memiliki gaya imajinatif dan stilaisi dengan corak sederhana serta variatif. Warna topeng cerah dan tegas. Topeng juga terkait dengan nilai kosmologis, klasifikasi simbolik, dan orientasi kehidupan. Kedua, topeng seni barongan sebagai praktik budaya masyarakat Desa Kendayakan berada di kawasan pesisir menghasilkan produk budaya berupa topeng seni barongan yang mengekspresikan secara simbolik budaya pesisiran. Topeng seni barongan dahulu memiliki unsur-unsur budaya Hindu bergeser menjadi budaya dan simbol Islam sebagai legitimasi yang kuat pada masyarakat Kendayakan serta bertujuan sebagai media syiar Islam.

PELATIHAN PACKAGING YANG SUSTANABLE DAN RAMAH LINGKUNGAN DI UKM KAMPUNG JOYORAHARJAN SURAKARTA Murni, Endri Sintiana; Handayani, Endang Sri; Fuad, Figur Rahman
ADI WIDYA : JURNAL PENGABDIAN MASYARAKAT Vol 5, No 1 (2021): ADIWIDYA
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33061/awpm.v5i1.4638

Abstract Joyoraharjan village is a densely populated village. This densely populated village has a creative village empowerment program that supports the Surakarta City tourism awareness program. However, the existing potential needs to be supported by efforts to support the products contained in the village to become selling power and able to boost the residents' economy. The packaging for the products in Joyoraharjan Village has not been able to attract tourists to buy their products. So that the packaging training is held. Training on product packaging in Joyoraharjan Village as a tourism village has been started and in its manufacture through several activities both making logos and making packaging. The final result of the packaging training using printing techniques is in the form of several packaging models that are environmentally friendly and sustainable. Product packaging is made with environmentally friendly and easy-to-obtain manufacturing materials so that they are able to independently package their superior products. Abstrak Kampung Joyoraharjan merupakan kampung padat penduduk. Kampung dengan kondisi lingkungan padat penduduk ini memiliki program pemberdayaan kampung kreatif yang mendukung program sadar wisata Kota Surakarta. Namun, dari potensi yang ada perlu didukung dengan adanya upaya dalam mendukung produk-produk yang terdapat di kampung tersebut menjadi berdaya jual dan mampu mendongkrak perekonomian warga. Packaging pada produk yang terdapat di Kampung Joyoraharjan belum dapat menarik minat wisatawan dalam membeli produknya. Sehingga diadakannya pelatiahan packaging. Pelatihan packaging produk di Kampung Joyoraharjan sebagai kampung wisata mulai dilakukan dan dalam pembuatannya melalui berberapa kegiatan baik membuat logo dan membuat packaging. Hasil akhir dari pelatihan pembuatan packaging dengan teknik cetak ini berupa beberapa model packaging ramah lingkungan dan suistanable. Packaging produk dibuat dengan bahan pembuatan yang ramah lingkungan dan mudah didapatkan sehingga mampu untuk membuat packaging produk-produk unggulan mereka secara mandiri.

TOPENG SENI BARONGAN DI KENDAYAKAN TEGAL: EKSPRESI SIMBOLIK BUDAYA MASYARAKAT PESISIRAN Murni, Endri Sintiana; Rohidi, Tjetjep Rohendi; Syarif, Muh. Ibnan
Catharsis Vol 5 No 2 (2016)
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar

Kehadiran seni dalam kehidupan manusia menjadi salah satu kebutuhan bagi manusia. Salah satunya topeng seni barongan di Kendayakan Tegal. Bentuk topeng mengarah pada keislaman dan masih mempertahankan bentuk terdahulu. Masalah yang dikaji dalam penelitian ini: (1) bagaimana bentuk topeng dalam seni barongan di Kendayakan Tegal?; (2) mengapa bentuk topeng dalam seni barongan di Kendayakan Tegal mengekspresikan secara simbolik budaya pesisiran?. Metode dan pendekatan penelitian adalah kualitatif dengan kajian interdisiplin. Analisis data seni dengan intra dan ekstraestetik. Hasil penelitian yang pertama, topeng seni barongan terdiri dari Capluk, Gendruwo Lanang, Gendruwo Wadon, Singa, dan Buroq. Bentuk visual topeng memiliki gaya imajinatif dan stilaisi dengan corak sederhana serta variatif. Warna topeng cerah dan tegas. Topeng juga terkait dengan nilai kosmologis, klasifikasi simbolik, dan orientasi kehidupan. Kedua, topeng seni barongan sebagai praktik budaya masyarakat Desa Kendayakan berada di kawasan pesisir menghasilkan produk budaya berupa topeng seni barongan yang mengekspresikan secara simbolik budaya pesisiran. Topeng seni barongan dahulu memiliki unsur-unsur budaya Hindu bergeser menjadi budaya dan simbol Islam sebagai legitimasi yang kuat pada masyarakat Kendayakan serta bertujuan sebagai media syiar Islam.

PELATIHAN PENGOLAHAN LIMBAH KAIN PERCA MENJADI PRODUK AKSESORIS DESAIN INTERIOR DI BANK SAMPAH GULON ASRI, JEBRES, SURAKARTA Alimin, Nurhayatu Nufut; Murni, Endri Sintiana; Cahyani, Dwi
Adi Widya : Jurnal Pengabdian Masyarakat Vol 7 No 2 (2023): Adi Widya: Jurnal Pengabdian Masyarakat
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33061/awpm.v7i2.8143

Basically, the cloth is indispensable in the interior design sector, especially in the manufacture of interior accessories products made from textiles or upholstery. The problem of fabric waste that is abundant and difficult to decompose should be a solution for interior design products. Interior Design can utilize patchwork waste into products that have beauty, function, and economic value. Therefore, this community service activity at the Gulon Asri Waste Bank focuses on processing patchwork into interior accessory products, such as blankets, carpets, pillows, and others. Then the product is packaged and marketed online.

PELATIHAN FOTOGRAFI PRODUK DI BANK SAMPAH GULON ASRI SURAKARTA Murni, Endri Sintiana; Nufut Alimin, Nurhayatu; Yunianti, Esterica
Adi Widya : Jurnal Pengabdian Masyarakat Vol 7 No 2 (2023): Adi Widya: Jurnal Pengabdian Masyarakat
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33061/awpm.v7i2.9398

Garbage banks have the potential to increase people's income. Where the waste bank can turn waste into useful items. Products made by waste banks are diverse, both in the form of accessories and crafts. The production of product waste is already good and useful. The member of the waste bank can make attractive products to fulfil the demand of the public. But in terms of selling their products, the waste bank doesn't really understand what kind of attraction is suitable to make their products sell. To overcome these problems, direction is needed using product photography which can increase the selling value of the product. This training aims to improve the community's ability to manage their products with product photography that can increase selling power. The method in this service is the mentoring method. The mentoring was conducted at the Gulon Asri Garbage Bank, Jebres, Surakarta. This training focuses on fostering the creativity of residents to make product photography with smartphones so that it is hoped that it can help residents sell their work from the Gulon Asri Waste Bank to become more attractive through social media.

PENDAMPINGAN PENGEMBANGAN DAN KOMERSIALISASI PRODUK INTERIOR BERBAHAN BAKU LIMBAH KAIN DI BANK SAMPAH GULON ASRI, JEBRES, SURAKARTA Alimin, Nurhayatu Nufut; Nadim, Nadim; Adisa, Hikmah Pra; Murni, Endri Sintiana; Purwandaru, Pandu; Sulistyono, If Bambang; Mulyono, Ambar
Adi Widya : Jurnal Pengabdian Masyarakat Vol 8 No 2 (2024): Adi Widya: Jurnal Pengabdian Masyarakat
Publisher : Lembaga Penelitian dan Pengabdian Masyarakat

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33061/awpm.v8i2.9410

The trend of thrifting has exacerbated the problem of fabric waste in Indonesia. Therefore, sustainable efforts are needed, such as activating fabric waste processing activities in the community. The Gulon Asri Jebres waste bank is a place for community service activities carried out by the UNS interior design study program to develop interior products that have more value for fabric waste materials. This community service activity emphasizes the development of interior product designs made from fabric waste. Development activities are accompanied by lecturers and interior design students from the start of making sketches until later they become ready-to-sell products using a design thinking approach. The products produced include chairs, laundry baskets, curtains, cushions, and plant hangings.

Development of the Weaving Industry through the Adoption of Higher Education Science and Technology Wardani, Dewi Kusuma; Mulyanto, Mulyanto; Hariyani, Endang Sri; Murni, Endri Sintiana; Yunianti, Esterica; Ranu, Arif; Indira, Fransisca Rahcmawati
International Journal of Public Devotion Vol 7, No 1 (2024): January - July 2024
Publisher : STKIP Singkawang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26737/ijpd.v7i1.5245

Weaving Yoga Art Business Partners, located in Klaten, Central Java, face challenges in business development, namely the limited design of woven motifs and fashion product designs, as well as the lack of optimal promotional media. The objectives of this service are as follows: (1) developing woven motif designs and improving the quality of woven products (both lurik weaving, ikat weaving, dobby weaving, painted weaving, and batik weaving); (2) developing designs for woven clothing products; and (3) creating promotional media designs, both print and digital, to increase marketing or partner turnover. The activity approach is participatory, involving business partners in planning, production processes, products, and the evaluation of activity results. The methods applied include interviews, discussions, observations, practice, training, product trials, and limited or mass production. Product trials have been well achieved which is implemented by the creation of weaving products and promotional media. The results achieved from these activities are: the creation of ten digital weaving designs, five striated weaving product designs, five ikat weaving product designs, three dobby weaving product designs, three painted weaving product designs, two batik stamp weaving product designs, twenty-two weaving-based fashion product designs, one product catalog, one promotional video, four weaving production tutorial videos, and the Yoga Art website.

Teak Trees as Source of Inspiration for Developing Batik Motifs Mulyanto, Mulyanto; Hartono, Lili; Murni, Endri Sintiana; Handayani, Endang Sri; Nurcahyanti, Desy
Harmonia: Journal of Arts Research and Education Vol 22, No 2 (2022): December 2022
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v22i2.37874

Many batik motifs have been developed in various regions, inspired by various local resources such as plants, animals, regional icons, cultural arts, etc. The objective of this study is to look for ideas in the form of teak leaves and flowers that can be developed into batik and textile motif designs. The descriptive qualitative, literature review, participatory follow-up study, focus group discussion method, and the development of craftsman creativity were all used to achieve these goals. The study took place at the Jalidin batik craft shop in Sragen. Teak plant objects, motif designers, batik craftsmen, and libraries were among the data sources. The findings of the study were the motifs in the form of teak leaves and flowers, which could be used as master designs for both batik and textiles. Then the shape of the teak leaves and flowers are arranged in various compositions to produce several designs, and the batik motif designs are applied to jarit-patterned batik, long-sleeved shirt-patterned batik, and textile/printed batik. The resulting motifs were then produced into batik according to the economic class projections of the consumers, namely the consumer’s economic class projections, using prima and primissima cloths, combination and writing techniques, synthetic and natural dyes, and synthetic and natural dyes. In addition, the motifs were produced into printed textiles/batik. Batik cloths and textiles that have been produced are then made into shirts.

Lifestyle Ambiguity: The Visuals of Cigarette Advertisements in the Dutch East Indies Era Riyanto, Bedjo; Alimin, Nurhayatu Nufut; Murni, Endri Sintiana
Harmonia: Journal of Arts Research and Education Vol 22, No 2 (2022): December 2022
Publisher : Department of Drama, Dance and Music, FBS, Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/harmonia.v22i2.38636

The focuses of this research are the visual style reconstruction of cigarette advertisements published in magazines during the colonial era of the Dutch East Indies and the expressions of lifestyle recorded in them. This study examines the visualization and visual style of cigarette advertisements published in magazines in Indonesia from 1925 to 2000. This study also aims to reconstruct the lifestyle in the visual representation of cigarette advertisements as a reflection of the process of social change in Indonesian society during the colonial to the post-colonial period (1925 - 2000). This research employed descriptive analytical methodology, with the main theory of the social history of Art and David Chaney’s lifestyle theory. The visual style of Oriental Modern Eclecticism captures the Indies’ hybrid lifestyle expression, namely: a pseudo-modernity lifestyle as a result of the integration among the colonized communities which were spread across the Dutch East Indies (1925-1942). The cigarette advertisements of that era presented an imaginary world that depicted the harmonious social interactions of various social layers which is contrary to the social reality of the segregated colonial life.

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