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All Journal Dialektika Jurnal Ilmu Budaya TARBAWI: Journal on Islamic Education NOTION: Journal of Linguistics, Literature, and Culture Media Pustakawan Arif: Jurnal Sastra dan Kearifan Lokal Jumantara: Jurnal Manuskrip Nusantara Nalar: Jurnal Pendidikan dan Kebudayaan Widyaparwa MIMBAR INTEGRITAS Paradigma: Jurnal Kajian Budaya International Review of Humanities Studies International Journal of Performing Arts (IJPA) CandraRupa: Journal of Art, Design, and Media Multikultura Tambo: Journal of Manuscript and Oral Tradition Sawerigading JENTERA: Jurnal Kajian Sastra
Mamlahatun Buduroh
Universitas Indonesia
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences

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SERAT YUSUF: SASTRA ISLAM POPULER DI JAWA TIMUR Pudjiastuti, Titik; Buduroh, Mamlahatun; Mu’jizah, Mu’jizah; Suharjo, Rias; Setyani, Turita Indah; Rahmawanto, Dwi
Paradigma: Jurnal Kajian Budaya Vol. 15, No. 2
Publisher : UI Scholars Hub

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Abstract

Serat Yusup is one of the popular Islamic literary works in Java, especially in East Java. This literary work is a handwritten ancient manuscript written in the form of tembang macapat, in Javanese language, and using Pegon or Javanese script. Serat Yusup which create by the students (santri) is inspired by Surah Yusuf, the 12th Surah of the Quran. As a literary work, its story differs significantly from its inspirational text, and there are so many of it. In relation to this, the question arises: what are the reasons behind the creation of Serat Yusup and why is it highly favored by the Muslim community in East Java? This article aims to uncover the popularity of Serat Yusup in East Java. The primary data source for this article is ancient manuscripts; therefore, the appropriate method to study it is philology. From the discussion of its content, it is estimated that there are three reasons for the adaptation of Serat Yusup: it represents Islamic teachings, Javanese culture, and human ideals. In conclusion, Serat Yusup was composed in the form of Javanese Islamic literary work not only for aesthetic fulfilment and creative expression of its student creators but also to spread Islam in East Java.
PENYEWAAN NASKAH PADA ABAD KE-19 SEBAGAI USAHA MEMPOPULERKAN CERITA DAN PELESTARIAN TRADISI TULIS NUSANTARA Mamlahatun Buduroh
NALAR: Jurnal Pendidikan dan Kebudayaan Vol. 2 No. 1 (2023): April, NALAR: Jurnal Pendidikan dan Kebudayaan
Publisher : Universitas 17 Agustus 1945 Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56444/nalar.v2i1.458

Abstract

Abad ke-19 dapat dikatakan sebagai era peralihan sastra klasik ke sastra modern di kawasan Nusantara. Salah satu karya yang masih disalin pada masa ini adalah naskah-naskah yang berisi cerita MahabharataNaskah-naskah tersebut disalin untuk beberapa kepentingan, di antaranya untuk tujuan pendidikan dan penyewaan. Penelitian ini menguraikan sistem penyewaan naskah Melayu yang berisi cerita Mahabharata pada masa tersebut. Selanjutnya, analisis dilakukan secara deskriptif menggunakan pendekatan sejarah sastra. Kajian dilakukan dengan menganalisis kolofon naskah yang berisi cerita Mahabharata yang ada di koleksi Perpustakaan Nasional RI. Dengan demikian, penelitian ini dapat memberikan gambaran sistem penyewaan naskah cerita Mahabharata di Melayu pada abad ke-19. Hasilnya menunjukkan bahwa sistem penyewaan naskah cerita Mahabharata di Melayu memperlihatkan fungsi nilai ekonomi sastra pada masa tersebut. Selain itu, proses penyalinannya berfungsi sebagai usaha mempopulerkan cerita Mahabharata dan pemertahanan budaya tulis Arab-Melayu.
Visualisasi Penokohan Purasara Dalam Hikayat Purasara Sebagai Penanda Jejak Pertunjukan Wayang Kulit Pada Abad Ke-19 Putri Melina Febrianti; Buduroh, Mamlahatun
CandraRupa : Journal of Art, Design, and Media Vol. 2 No. 1 (2023): Vol.2 No.1, March (2023)
Publisher : Universitas Dinamika

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37802/candrarupa.v2i1.301

Abstract

Penelitian ini membahas visualisasi tokoh Purasara, Rara Amis, dan Semar dalam cerita dan pertunjukan wayang. Permasalahan yang diangkat adalah bagaimana hubungan cerita dan visual Purasara dalam naskah Melayu klasik, wayang kulit Jawa, dan wayang kulit Betawi. Berkaitan dengan hal tersebut, penelitian ini bertujuan untuk mendeskripsikan kaitan antara Hikayat Purasara di Betawi dengan pertunjukan wayang di Jawa. Penelitian ini dilakukan dengan menggunakan metode kualitatif dengan studi pustaka untuk penelusuran sumber dan penelitian lapangan untuk observasi dan wawancara. Data yang diperoleh dianalisis menggunakan pendekatan sastra bandingan untuk mengkaji keterkaitan antara cerita dan visual Purasara dari tiga korpus, yaitu Hikayat Purasara, lakon “Purasara” gaya Yogyakarta, dan koleksi wayang kulit Betawi milik sanggar Marga Juwita. Hasil penelitian menunjukkan bahwa cerita dan ilustrasi tokoh wayang baik dalam Hikayat Purasara maupun wayang kulit Betawi dipengaruhi oleh wayang kulit Jawa. Selain itu, melalui visual yang terdapat dalam tiga korpus tersebut ditemukan adanya pola bentuk penggambaran anatomi yang serupa di antara tokoh-tokoh tersebut. Akan tetapi, terdapat kekhasan pada visual tokoh wayang Betawi yang terlihat pada segi pewarnaan yang lebih terang, penggambaran atau tatahan dengan garis lebih tegas dan tebal, dan penyesuaian dengan prinsip agama masyarakat Betawi.
INDONESIA KETUA ASEAN 2023 : MENILIK MANUSKRIP KEISLAMAN ASEAN MELALUI MANUSKRIP MARAWI Hermawan, Eman; Limbong, Priscila Fitriasih; Buduroh, Mamlahatun
TARBAWI:Journal on Islamic Education Vol 8, No 1: April 2024
Publisher : Universitas Muhammadiyah Ponorogo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24269/tarbawi.v1i1.2491

Abstract

ASEAN has three pillars of cooperation, namely the political and security pillar; economic pillar; and socio-cultural pillars. In the context of the socio-cultural pillar, the ASEAN region has an extraordinary diversity of manuscripts; has an extraordinary diversity of languages, scripts, culture and religious content. However, ASEAN also has its own challenges, such as conflict or extremism that could threaten the existence of manuscripts. One of the ASEAN regions that has armed conflict but has many Islamic manuscripts is Marawi, which has scientific relations with Indonesian ulama. The aim of this research is to see the transmission of knowledge from Marawi ulama in the Philippines with Indonesian ulama. The method used is a literature study approach. The research results show that the manuscripts in Marawi are connected to scholars in Indonesia. The research conclusion is the connection between Indonesia and the Philippines in the past, both scientific transmission and social, economic and religious interactions. Therefore, the Marawi catalog can be studied in more depth, both for academic purposes and for other studies.
Narrating power: Hunting and state formation in Malay and Old Javanese texts—a comparative philological critique Windayanto, Riqko Nur Ardi; Buduroh, Mamlahatun
NOTION: Journal of Linguistics, Literature, and Culture Vol. 7 No. 2 (2025): NOTION: Journal of Linguistics, Literature, and Culture
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/notion.v7i2.13705

Abstract

This study aims to reveal the articulation of state formation as depicted in Hikayat Raja-Raja Pasai and Ādiparwa by examining the hunting events narrated in both texts. By employing the narratology to analyze the events comparatively, this study finds that in the Malay Hikayat, the hunting carried out by Raja Ahmad and Merah Silu (Sultan Maliku’l-Saleh) is incidental, as instead of encountering animal as the primary target, they encounter other objects, directly signifying the formation of a state—namely genealogy and the city/palaces founding as a form of territorialization. Meanwhile, in the Ādiparwa, the hunting is not incidental; the actors do encounter their game (deer), but it results in a curse and death. Nevertheless, hunting articulates genealogy and rituals demonstrating the grandeur of the state. The Malay text originates from the 14th century Sultanate of Samudera-Pasai and was written to justify the relocation of the capital to Pasai for security and defense. In contrast, the Old Javanese text was written in the 10th century under the patronage of Dharmawangśa Tĕguh, aiming to build a myth of descent as a form of political cultural capital. This study contributes to decolonial practice by challenging Geertz's notion that ignores the significance of manuscript. Otherwise, this study sheds light that hunting in the texts is not merely the relation between the king and the game, but discursively also Shapes the political symbol regarding the understanding the historiography of state formation in Southeast Asia. However, as both texts belong to court literature, they tend to reflect elite perspectives and may overlook subaltern voices. Therefore, cross-source analysis and corroboration are necessary to strengthen our understanding of state formation in Indonesia and Southeast Asia.
EKSISTENSI DAN PEWARISAN SILAT PISAU DI KABUPATEN KEPULAUAN ANAMBAS Mubarok, Jauhar; Buduroh, Mamlahatun; Sari, Renny Puspa
Multikultura Vol. 4, No. 3
Publisher : UI Scholars Hub

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Abstract

Silat Pisau is a distinctive cultural heritage of the Anambas Islands Regency. Although it has existed for quite some time, its presence has remained relatively obscure—possibly due to its exclusion from modern silat organizations. Silat Pisau began to develop several years before Indonesia’s independence in the village of Candi, Anambas Islands Regency, with the knife serving as the primary weapon in its practice. The use of this weapon carries both practical and philosophical significance. This paper aims to provide an overview of the existence and transmission of Silat Pisau in the Anambas Islands Regency. A qualitative approach was employed in this study, utilizing literature review, observation, and interviews. Analysis of the movements and the tradition of inheritance reveals that the knife is used primarily due to its accessibility; it can be found easily in nearly every household. Its relatively small size and shape also make it convenient to carry. Furthermore, the transmission of this tradition contains symbols or signs that can be interpreted as moral guidelines for personal conduct and social interaction.
Dalem Kadipaten Ngabeyan: Court Dance Laboratory in 19th Century Surakarta Kingdom Yudhistira, Naufal Anggito; Suparta, I Made; Buduroh, Mamlahatun; Setyani , Turita Indah
International Journal of Performing Arts (IJPA) Vol. 4 No. 2 (2025): December (On Progress)
Publisher : Yayasan Pusat Cendekiawan Intelektual Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56107/ijpa.v4i2.264

Abstract

Dalem Kadipaten Ngabeyan or also known as Dalem Sasana Mulya is one of the royal residences from Surakarta Kingdom, located in Surakarta, Central Java, Indonesia. Dalem Kadipaten Ngabeyan have an important position in Javanese court dance history as a dance laboratory during 19th century. This research tries to understanding Bedhaya-Srimpi Kadipaten Ngabeyan as a part of court dance tradition in Surakarta and also to understanding Dalem Kadipaten Ngabeyan context. This research tries to integrate historiography method with ethno-philology approach, which try to understanding past culture by text. Bedhaya and Srimpi dance that created in Dalem Kadipaten Ngabeyan cannot be separated with Dutch Colonial context in Java during 19th century. The dance itself represent how Surakarta facing cultural trauma caused by long series of war and internal intrigue. In another hand, many dances from Dalem Kadipaten Ngabeyan represent romantic atmosphere and romanticism of Mataram-Surakarta golden era.
Representasi Konflik Masyarakat Jawa Bagian Timur dalam Babad Blambangan Dwi Rahmawanto; Titik Pudjiastuti; Mamlahatun Buduroh; Turita Indah Setyani; Rias Antho Rahmi Raharjo; Mu’jizah Mu’jizah; Eko Suwargono
JENTERA: Jurnal Kajian Sastra Vol 13, No 1 (2024): Jentera: Jurnal Kajian Sastra
Publisher : Badan Pengembangan dan Pembinaan Bahasa

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/jentera.v13i1.7283

Abstract

The opposition between community members that gave rise to the conflict was recorded in the Babad Blambangan (BB), an East Javanese manuscript from the 19th century. The text narrated the causes of the succession of the kings in Blambangan and the conflict situations that accompanied the change of power for every king in Blambangan, from Prabu Tawangalun until Raden Tumenggung Pringgakusuma. The conflicts that are represented indicate the existence of ideas in the minds of the people of East Java about building and maintaining social relations between communities. In this regard, this research aims to understand the perspective of the East Java society towards the phenomenon of conflict in social relations as represented in BB. To find this perspective, qualitative methods were used. This research was also carried out using a multidisciplinary approach through language analysis and socio-cultural conflict approaches. With this approach, various phenomena are classified, identified, analyzed, and interpreted. Theories used to understand the conflict phenomenon are semantics preference and conflict situations. The results of this research show that the conflict in the BB is dominated by issues of power and retaliation. This results reflects the community's perspective on social relations in eastern Java at that time, namely that the existence of personal ambition for power was something that needed to be controlled. If this desire is left uncontrolled, it can damage social relations in society. The findings also strengthen and add to the ideas of previous research regarding the concept of harmony in Javanese society, especially in eastern Javanese society. AbstrakSituasi pertentangan antaranggota masyarakat yang menimbulkan konflik tersebut tercatat dalam Babad Blambangan (BB), naskah Jawa Timur yang berasal dari abad ke-19. Dalam naskah itu dikisahkan penyebab suksesi raja-raja di Blambangan dan situasi konflik yang mengiringi pergantian kekuasaan setiap raja-raja di Blambangan mulai dari Prabu Tawangalun hingga Raden Tumenggung Pringgakusuma. Konflik-konflik yang direpresentasikan tersebut menandai adanya gagasan dalam pemikiran masyarakat Jawa Timur tentang membangun dan mempertahankan hubungan sosial antarmasyarakat. Berkaitan dengan hal tersebut, penelitian ini bertujuan untuk memahami cara pandang masyarakat Jawa bagian timur terhadap fenomena konflik dalam hubungan sosial yang direpresentasikan dalam BB. Upaya untuk menemukan cara pandang tersebut dilakukan dengan metode kualitatif. Penelitian ini juga dilakukan dengan pendekatan multidisiplin melalui analisis bahasa dan pendekatan konflik sosio-kultural. Dengan pendekatan tersebut, fenomena konflik diklasifikasi, diidentifikasi, dianalisis dan diinterpretasi. Teori yang dimanfaatkan untuk memahami fenomena konflik tersebut adalah preferensi semantik dan konsep conflict situation. Hasil penelitian ini memperlihatkan bahwa konflik dalam kisah BB didominasi oleh isu kekuasaan dan pembalasan. Hal tersebut mencerminkan cara pandang masyarakat tentang hubungan sosial masyarakat di Jawa bagian timur di masa  itu yakni keberadaan ambisi pribadi atas kekuasaan merupakan suatu hal yang perlu dikendalikan. Apabila kehendak tersebut dibiarkan tanpa kendali maka dapat merusak hubungan sosial di masyarakat. Temuan dalam penelitian ini memperkuat dan menambahkan gagasan penelitian terdahulu tentang  konsep kerukunan masyarakat Jawa,  terutama pada masyarakat Jawa bagian timur.
INOVASI PERMAINAN CONGKAK MENJADI PERMAINAN DIGITAL SEBAGAI UPAYA PELESTARIAN Afifah Luthfiani; Mamlahatun Buduroh; Syahrial; Silva Tenrisara Pertiwi Isma
NALAR: Jurnal Pendidikan dan Kebudayaan Vol. 5 No. 1 (2026): April, NALAR: Jurnal Pendidikan dan Kebudayaan
Publisher : Universitas 17 Agustus 1945 Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56444/nalar.v5i1.3062

Abstract

Preferensi bermain anak-anak di era digital cenderung beralih ke permainan digital sehingga permainan tradisional seperti congkak mulai ditinggalkan. Sebagai upaya pelestarian, permainan congkak dialihwahanakan ke bentuk digital, salah satunya melalui aplikasi Congkak di Google Play Store. Namun, congkak digital menghadirkan pengalaman dan aturan bermain yang berbeda dari congkak tradisional yang berdampak pada pewarisan nilai dan fungsi budaya congkak tradisional. Penelitian ini menggunakan metode kualitatif dengan teknik dokumentasi dan observasi partisipatif serta diolah dengan analisis komparatif. Hasil penelitian ini menunjukkan bahwa aplikasi Congkak tidak sepenuhnya mewariskan unsur nilai dan fungsi budaya permainan congkak tradisional. Aplikasi Congkak memberikan rasa senang dan bebas serta mewariskan fungsi permainan congkak untuk melatih keuletan, kemampuan berpikir kritis, dan berhitung anak.  Ketika aplikasi dimainkan berdua, unsur nilai yang diwariskan meliputi nilai demokrasi (musyawarah dan kejujuran), nilai sosial (kemampuan berkomunikasi, bersosialisasi, serta menghadapi dan memecahkan masalah), dan nilai kesatria (sportivitas, rendah hati, lapang dada, dan tenggang rasa).  Namun, ketika aplikasi dimainkan sendiri, unsur nilai-nilai tersebut tidak terwariskan. Meskipun inovasi ini relevan dengan era digital, peneliti berharap pengembang dapat memperbarui aplikasi dengan mempertimbangkan pewarisan nilai dan fungsi budaya congkak tradisional. Dengan demikian,  nilai dan fungsi congkak tradisional yang terwariskan bisa lebih banyak.
Menentukan Waktu Terbaik: Etnoastronomi Orang Bugis Berdasarkan Naskah Kutika Abad XIX Rahmatia Ayu Widyaningrum; Priscila Fitriasih Limbong; Mamlahatun Buduroh; Tommy Christomy
SAWERIGADING Vol 32, No 1 (2026): Sawerigading, Edisi Juni 2026
Publisher : Balai Bahasa Sulawesi Selatan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26499/sawer.v32i1.1537

Abstract

This study aims to map the ethnoastronomical structure and analyze the cosmological knowledge of the Buginese as represented in the Kutika Ugi’ Sakke Rupa (KUSR) manuscript. It employs a qualitative method with a philological-astronomical approach to bridge classical texts and the logic of traditional science. Data were collected through literature review and close reading of the Lontara-script manuscript, including stages of description, transcription, and transliteration. The data were analyzed using a descriptive-analytical approach by examining the structure and cosmological meanings of the Kutika Lima and Kutika Tujuh systems, as well as specific tables such as Kanjorona Masuwara and Putika Pa’kulu Jangé. The findings show that the KUSR manuscript presents a time system that functions as a form of social navigation to maintain harmony between the microcosm and macrocosm. This system demonstrates the standardization of local knowledge, integrating practical, symbolic, and spiritual dimensions into a unified framework, while reinforcing the position of Buginese ethnoastronomy as an adaptive and systematic form of traditional science. AbstrakPenelitian ini bertujuan untuk memetakan struktur etnoastronomi dan menganalisis pengetahuan kosmologis masyarakat Bugis yang terepresentasi dalam naskah Kutika Ugi’ Sakke Rupa (KUSR). Metode yang digunakan adalah kualitatif dengan pendekatan filologi-astronomi untuk menjembatani teks klasik dengan logika sains tradisional. Data dikumpulkan melalui teknik studi pustaka dan pembacaan mendalam (close reading) terhadap naskah beraksara lontara’, yang meliputi tahap deskripsi, transkripsi, serta transliterasi teks. Analisis data dilakukan secara deskriptif-analitis dengan membedah struktur dan makna kosmologis pada sistem Kutika Lima dan Kutika Tujuh, serta tabel-tabel spesifik, seperti Kanjorona Masuwara dan Putika Pa’kulu Jangé. Hasil penelitian menunjukkan bahwa naskah KUSR memuat sistem waktu yang berfungsi sebagai instrumen navigasi sosial untuk menjaga harmoni antara mikrokosmos dan makrokosmos. Sistem penentuan waktu dalam naskah ini membuktikan adanya standardisasi pengetahuan lokal yang mengintegrasikan dimensi praktis, simbolik, dan spiritual dalam satu kesatuan, sekaligus mempertegas posisi etnoastronomi Bugis sebagai bentuk sains tradisional yang adaptif dan sistematis.
Co-Authors Aditia Aditia Afifah Luthfiani Anisa, Mozeea Kiara Apriyadi, Clara Shinta Anindita Chika Amelia Pektra Dwi Rahmawanto Dwi Rahmawanto Farah Annisa Rischer Hermawan, Eman Hilyati, Aalaa I Made Suparta Mubarok, Jauhar Muhammad Rifky Astari Mu’jizah Mu’jizah Mu’jizah, Mu’jizah Priscila Fitriasih Limbong Pudjiastuti, Titik Putra, Ragil Putri Melina Febrianti Ragil Putra Raharjo, Rias Antho Rahmi Rahmatia Ayu Widyaningrum Rahmi Rahmi Rias Antho Rahmi Raharjo Rias Antho Rahmi Suharjo, Rias Antho Rahmi Sari, Renny Puspa Setyani , Turita Indah Sibarani, Citra Dewi Silva Tenrisara Pertiwi Isma Suharjo, Rias Suwargono, Eko Syahrial Titik Pudjiastuti Tommy Christomy Turita Indah Setyani Turita Indah Setyani Windayanto, Riqko Nur Ardi Yudhistira, Naufal Anggito Zahrani, Raditha Maryam