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All Journal Dialektika Jurnal Ilmu Budaya Dewa Ruci : Jurnal Pengkajian dan Penciptaan Seni JENTERA: Jurnal Kajian Sastra TARBAWI: Journal on Islamic Education NOTION: Journal of Linguistics, Literature, and Culture Media Pustakawan Arif: Jurnal Sastra dan Kearifan Lokal Jumantara: Jurnal Manuskrip Nusantara Nalar: Jurnal Pendidikan dan Kebudayaan Widyaparwa MIMBAR INTEGRITAS Paradigma: Jurnal Kajian Budaya International Review of Humanities Studies International Journal of Performing Arts (IJPA) CandraRupa: Journal of Art, Design, and Media Multikultura Tambo: Journal of Manuscript and Oral Tradition
Mamlahatun Buduroh
Universitas Indonesia
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences Other

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Penyamaran, Kekuasaan, dan Konstruksi Gender: Analisis Tokoh dalam Naskah Syair Sultan Syarif Zahrani, Raditha Maryam; Buduroh, Mamlahatun
Arif: Jurnal Sastra dan Kearifan Lokal Vol. 4 No. 2 (2025): Arif: Jurnal Sastra dan Kearifan Lokal
Publisher : Fakultas Bahasa dan Seni

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.21009/Arif.042.06

Abstract

Syair Sultan Syarif adalah naskah Melayu klasik yang menceritakan penyamaran Siti Zuhrah menjadi laki-laki hingga memiliki kekuasaan sebagai raja. Penelitian bertujuan mengungkap perubahan identitas dan peran gender dalam penyamaran Siti Zuhrah dan kaitannya dengan konstruksi gender. Penelitian ini menggunakan metode kualitatif deskriptif dengan pendekatan tekstologi dan feminisme. Hasil analisis menunjukkan bahwa konstruksi gender yang terdapat dalam cerita berpengaruh terhadap perubahan identitas dan peran gender Siti Zuhrah. Konstruksi gender dalam cerita ini didominasi oleh ideologi patriarki. Akan tetapi, penyamaran Siti Zuhrah sebagai Sultan Syarif Istur berhasil menunjukkan kemampuan sebagai pemimpin yang ideal, meningkatkan ekonomi negara, dan menjaga hubungan sosial. Hal itu menunjukkan bahwa perempuan berpotensi sebagai pemimpin. Kemampuan memimpin tersebut terhalang akibat konstruksi gender mengenai peran raja.
Perjuangan Tuan Guru Bangkol dalam Suku Sasak: Analisis Representasi Tokoh dalam Naskah Babad Praya Koleksi Museum NTB Anisa, Mozeea Kiara; Mamlahatun Buduroh
Tambo: Journal of Manuscript and Oral Tradition Vol. 3 No. 1 (2025): Tambo
Publisher : Pusat Riset Manuskrip, Literatur, dan Tradisi Lisan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55981/tambo.2025.8948

Abstract

Babad Praya is a classic Lombok manuscript that tells the struggle of the Sasak Praya tribe to escape the rule of Karangasem Bali. An important character in this story is Tuan Guru Bangkol. This study discusses Tuan Guru Bangkol as a representation of Sasak tribal warrior figures in Babad Praya. This study aims to describe the role of Tuan Guru in the social life of the Sasak people and focuses on the resistance of Tuan Guru Bangkol as the warlord of Praya II in 1891-1894. The main source of data for this research is the transliteration of the Babad Praya manuscript by Lalu Gde Suparman. Furthermore, in reviewing the text, descriptive qualitative research methods are used with the representation theory approach of Jacob Sumardjo and Stuart Hall. The results of this study show that Tuan Guru Bangkol played an important role in liberating the Sasak community of Lombok from the rule of Karangasem. Tuan Guru Bangkol is a representative of fighters who have a major role in the resistance of the Sasak people against Karangasem. He acted as a warlord as well as the leader of the Qadiriyah wa Naqsabandiyah tarikat.
SERAT YUSUF: SASTRA ISLAM POPULER DI JAWA TIMUR Pudjiastuti, Titik; Buduroh, Mamlahatun; Mu’jizah, Mu’jizah; Suharjo, Rias; Setyani, Turita Indah; Rahmawanto, Dwi
Paradigma: Jurnal Kajian Budaya Vol. 15, No. 2
Publisher : UI Scholars Hub

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Abstract

Serat Yusup is one of the popular Islamic literary works in Java, especially in East Java. This literary work is a handwritten ancient manuscript written in the form of tembang macapat, in Javanese language, and using Pegon or Javanese script. Serat Yusup which create by the students (santri) is inspired by Surah Yusuf, the 12th Surah of the Quran. As a literary work, its story differs significantly from its inspirational text, and there are so many of it. In relation to this, the question arises: what are the reasons behind the creation of Serat Yusup and why is it highly favored by the Muslim community in East Java? This article aims to uncover the popularity of Serat Yusup in East Java. The primary data source for this article is ancient manuscripts; therefore, the appropriate method to study it is philology. From the discussion of its content, it is estimated that there are three reasons for the adaptation of Serat Yusup: it represents Islamic teachings, Javanese culture, and human ideals. In conclusion, Serat Yusup was composed in the form of Javanese Islamic literary work not only for aesthetic fulfilment and creative expression of its student creators but also to spread Islam in East Java.
Pemaknaan dan Simbolisasi Ikan dalam Khazanah Naskah Melayu: Analisis Semiotika Roland Barthes Putra, Ragil; Buduroh, Mamlahatun
Dialektika: Jurnal Bahasa, Sastra, dan Pendidikan Bahasa dan Sastra Indonesia Vol. 10 No. 2 (2023)
Publisher : Department of Indonesia Language and Literature Teaching, UIN Syarif Hidayatullah Jakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15408/dialektika.v10i2.35396

Abstract

Al-Attas in one of his sub-chapters mentions the use of the word 'Ikan Tunggal' (Unique Fish) in one of Hamza Fansuri's works entitled Sha’ir Jawl fasal fl bayan ‘Ilm al-Suluk wa’l-Tawhid. "Ikan Tunggal" or Unique Fish is a symbol of the Spirit, or can be interpreted as 'soul' or 'al-Ruh'. The problem discussed is whether the meaning of "ikan" brought by Hamza Fansuri affects the meaning of "ikan" in Malay texts or not. The corpus data used comes from the Malay Concordance Project by utilizing the direct search and chronological order features to bring up the word "ikan" in different texts and periods. This is qualitative research and the collected data would be analyzed with descriptive methods. All the collected data would be interpreted one by one according to the context in the text itself and with some addition to the secondary data, which is another research to support the arguments. The results of this paper conclude that the concept of "ikan" brought by Hamza Fansuri was not immediately accepted and followed by Malay authors and copyists because they still have their own variety. However, two works are excluded from interpreting "ikan" with such a concept, namely "ikan" as a sign in a dream and "ikan" as a catastrophic phenomenon from Allah SWT.Keyword: Hamzah Fansuri; Al-Attas; Ikan; Naskah Melayu; Semiotics; Roland Barthes.
PENYEWAAN NASKAH PADA ABAD KE-19 SEBAGAI USAHA MEMPOPULERKAN CERITA DAN PELESTARIAN TRADISI TULIS NUSANTARA Mamlahatun Buduroh
NALAR: Jurnal Pendidikan dan Kebudayaan Vol. 2 No. 1 (2023): April, NALAR: Jurnal Pendidikan dan Kebudayaan
Publisher : Universitas 17 Agustus 1945 Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56444/nalar.v2i1.458

Abstract

Abad ke-19 dapat dikatakan sebagai era peralihan sastra klasik ke sastra modern di kawasan Nusantara. Salah satu karya yang masih disalin pada masa ini adalah naskah-naskah yang berisi cerita MahabharataNaskah-naskah tersebut disalin untuk beberapa kepentingan, di antaranya untuk tujuan pendidikan dan penyewaan. Penelitian ini menguraikan sistem penyewaan naskah Melayu yang berisi cerita Mahabharata pada masa tersebut. Selanjutnya, analisis dilakukan secara deskriptif menggunakan pendekatan sejarah sastra. Kajian dilakukan dengan menganalisis kolofon naskah yang berisi cerita Mahabharata yang ada di koleksi Perpustakaan Nasional RI. Dengan demikian, penelitian ini dapat memberikan gambaran sistem penyewaan naskah cerita Mahabharata di Melayu pada abad ke-19. Hasilnya menunjukkan bahwa sistem penyewaan naskah cerita Mahabharata di Melayu memperlihatkan fungsi nilai ekonomi sastra pada masa tersebut. Selain itu, proses penyalinannya berfungsi sebagai usaha mempopulerkan cerita Mahabharata dan pemertahanan budaya tulis Arab-Melayu.
Visualisasi Penokohan Purasara Dalam Hikayat Purasara Sebagai Penanda Jejak Pertunjukan Wayang Kulit Pada Abad Ke-19 Putri Melina Febrianti; Buduroh, Mamlahatun
CandraRupa : Journal of Art, Design, and Media Vol. 2 No. 1 (2023): Vol.2 No.1, March (2023)
Publisher : Universitas Dinamika

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37802/candrarupa.v2i1.301

Abstract

Penelitian ini membahas visualisasi tokoh Purasara, Rara Amis, dan Semar dalam cerita dan pertunjukan wayang. Permasalahan yang diangkat adalah bagaimana hubungan cerita dan visual Purasara dalam naskah Melayu klasik, wayang kulit Jawa, dan wayang kulit Betawi. Berkaitan dengan hal tersebut, penelitian ini bertujuan untuk mendeskripsikan kaitan antara Hikayat Purasara di Betawi dengan pertunjukan wayang di Jawa. Penelitian ini dilakukan dengan menggunakan metode kualitatif dengan studi pustaka untuk penelusuran sumber dan penelitian lapangan untuk observasi dan wawancara. Data yang diperoleh dianalisis menggunakan pendekatan sastra bandingan untuk mengkaji keterkaitan antara cerita dan visual Purasara dari tiga korpus, yaitu Hikayat Purasara, lakon “Purasara” gaya Yogyakarta, dan koleksi wayang kulit Betawi milik sanggar Marga Juwita. Hasil penelitian menunjukkan bahwa cerita dan ilustrasi tokoh wayang baik dalam Hikayat Purasara maupun wayang kulit Betawi dipengaruhi oleh wayang kulit Jawa. Selain itu, melalui visual yang terdapat dalam tiga korpus tersebut ditemukan adanya pola bentuk penggambaran anatomi yang serupa di antara tokoh-tokoh tersebut. Akan tetapi, terdapat kekhasan pada visual tokoh wayang Betawi yang terlihat pada segi pewarnaan yang lebih terang, penggambaran atau tatahan dengan garis lebih tegas dan tebal, dan penyesuaian dengan prinsip agama masyarakat Betawi.
INDONESIA KETUA ASEAN 2023 : MENILIK MANUSKRIP KEISLAMAN ASEAN MELALUI MANUSKRIP MARAWI Hermawan, Eman; Limbong, Priscila Fitriasih; Buduroh, Mamlahatun
TARBAWI:Journal on Islamic Education Vol 8, No 1: April 2024
Publisher : Universitas Muhammadiyah Ponorogo

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24269/tarbawi.v1i1.2491

Abstract

ASEAN has three pillars of cooperation, namely the political and security pillar; economic pillar; and socio-cultural pillars. In the context of the socio-cultural pillar, the ASEAN region has an extraordinary diversity of manuscripts; has an extraordinary diversity of languages, scripts, culture and religious content. However, ASEAN also has its own challenges, such as conflict or extremism that could threaten the existence of manuscripts. One of the ASEAN regions that has armed conflict but has many Islamic manuscripts is Marawi, which has scientific relations with Indonesian ulama. The aim of this research is to see the transmission of knowledge from Marawi ulama in the Philippines with Indonesian ulama. The method used is a literature study approach. The research results show that the manuscripts in Marawi are connected to scholars in Indonesia. The research conclusion is the connection between Indonesia and the Philippines in the past, both scientific transmission and social, economic and religious interactions. Therefore, the Marawi catalog can be studied in more depth, both for academic purposes and for other studies.
Narrating power: Hunting and state formation in Malay and Old Javanese texts—a comparative philological critique Windayanto, Riqko Nur Ardi; Buduroh, Mamlahatun
NOTION: Journal of Linguistics, Literature, and Culture Vol. 7 No. 2 (2025): NOTION: Journal of Linguistics, Literature, and Culture
Publisher : Universitas Ahmad Dahlan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.12928/notion.v7i2.13705

Abstract

This study aims to reveal the articulation of state formation as depicted in Hikayat Raja-Raja Pasai and Ādiparwa by examining the hunting events narrated in both texts. By employing the narratology to analyze the events comparatively, this study finds that in the Malay Hikayat, the hunting carried out by Raja Ahmad and Merah Silu (Sultan Maliku’l-Saleh) is incidental, as instead of encountering animal as the primary target, they encounter other objects, directly signifying the formation of a state—namely genealogy and the city/palaces founding as a form of territorialization. Meanwhile, in the Ādiparwa, the hunting is not incidental; the actors do encounter their game (deer), but it results in a curse and death. Nevertheless, hunting articulates genealogy and rituals demonstrating the grandeur of the state. The Malay text originates from the 14th century Sultanate of Samudera-Pasai and was written to justify the relocation of the capital to Pasai for security and defense. In contrast, the Old Javanese text was written in the 10th century under the patronage of Dharmawangśa Tĕguh, aiming to build a myth of descent as a form of political cultural capital. This study contributes to decolonial practice by challenging Geertz's notion that ignores the significance of manuscript. Otherwise, this study sheds light that hunting in the texts is not merely the relation between the king and the game, but discursively also Shapes the political symbol regarding the understanding the historiography of state formation in Southeast Asia. However, as both texts belong to court literature, they tend to reflect elite perspectives and may overlook subaltern voices. Therefore, cross-source analysis and corroboration are necessary to strengthen our understanding of state formation in Indonesia and Southeast Asia.
EKSISTENSI DAN PEWARISAN SILAT PISAU DI KABUPATEN KEPULAUAN ANAMBAS Mubarok, Jauhar; Buduroh, Mamlahatun; Sari, Renny Puspa
Multikultura Vol. 4, No. 3
Publisher : UI Scholars Hub

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Silat Pisau is a distinctive cultural heritage of the Anambas Islands Regency. Although it has existed for quite some time, its presence has remained relatively obscure—possibly due to its exclusion from modern silat organizations. Silat Pisau began to develop several years before Indonesia’s independence in the village of Candi, Anambas Islands Regency, with the knife serving as the primary weapon in its practice. The use of this weapon carries both practical and philosophical significance. This paper aims to provide an overview of the existence and transmission of Silat Pisau in the Anambas Islands Regency. A qualitative approach was employed in this study, utilizing literature review, observation, and interviews. Analysis of the movements and the tradition of inheritance reveals that the knife is used primarily due to its accessibility; it can be found easily in nearly every household. Its relatively small size and shape also make it convenient to carry. Furthermore, the transmission of this tradition contains symbols or signs that can be interpreted as moral guidelines for personal conduct and social interaction.
Dalem Kadipaten Ngabeyan: Court Dance Laboratory in 19th Century Surakarta Kingdom Yudhistira, Naufal Anggito; Suparta, I Made; Buduroh, Mamlahatun; Setyani , Turita Indah
International Journal of Performing Arts (IJPA) Vol. 4 No. 2 (2025): December (On Progress)
Publisher : Yayasan Pusat Cendekiawan Intelektual Nusantara

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.56107/ijpa.v4i2.264

Abstract

Dalem Kadipaten Ngabeyan or also known as Dalem Sasana Mulya is one of the royal residences from Surakarta Kingdom, located in Surakarta, Central Java, Indonesia. Dalem Kadipaten Ngabeyan have an important position in Javanese court dance history as a dance laboratory during 19th century. This research tries to understanding Bedhaya-Srimpi Kadipaten Ngabeyan as a part of court dance tradition in Surakarta and also to understanding Dalem Kadipaten Ngabeyan context. This research tries to integrate historiography method with ethno-philology approach, which try to understanding past culture by text. Bedhaya and Srimpi dance that created in Dalem Kadipaten Ngabeyan cannot be separated with Dutch Colonial context in Java during 19th century. The dance itself represent how Surakarta facing cultural trauma caused by long series of war and internal intrigue. In another hand, many dances from Dalem Kadipaten Ngabeyan represent romantic atmosphere and romanticism of Mataram-Surakarta golden era.
Co-Authors Aditia Aditia Anisa, Mozeea Kiara Apriyadi, Clara Shinta Anindita Astari, Muhammad Rifky Chika Amelia Pektra Dwi Rahmawanto Hermawan, Eman Hilyati, Aalaa I Made Suparta Mubarok, Jauhar Mu’jizah, Mu’jizah Priscila Fitriasih Limbong Pudjiastuti, Titik Putra, Ragil Putri Melina Febrianti Raharjo, Rias Antho Rahmi Rahmi Rahmi Rahmi Suharjo, Rias Antho Rischer, Farah Annisa Sari, Renny Puspa Setyani , Turita Indah Sibarani, Citra Dewi Suharjo, Rias Suwargono, Eko Turita Indah Setyani Windayanto, Riqko Nur Ardi Yudhistira, Naufal Anggito Zahrani, Raditha Maryam