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All Journal E-Jurnal Ekonomi Pembangunan LINGUAL: Journal of Language and Culture Journal of Language and Literature Culturalistics: Journal of Cultural, Literary, and Linguistic Studies JURNAL PENDIDIKAN TAMBUSAI Research and Innovation in Language Learning Jurnal Review Pendidikan dan Pengajaran (JRPP) Pustaka : Jurnal Ilmu-Ilmu Budaya Basic and Applied Education Research Journal (BAERJ) English Language Teaching Journal Stilistika: Journal of Indonesian Language and Literature Jurnal Riset Rumpun Ilmu Bahasa (JURRIBAH) Innovative: Journal Of Social Science Research Loquēla Sintaksis: Publikasi Para Ahli Bahasa dan Sastra Inggris Litera : Jurnal Bahasa dan Sastra J-CEKI Ulil Albab Langua: Journal of Linguistics, Literature, and Language Education Jurnal Pendidikan dan Sastra Inggris
Made Detriasmita Saientisna
English Department, Faculty Of Humanities, Udayana University, 80114, Indonesia
Religion Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Mathematics Public Health Social Sciences Other

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Face-Threatening Acts Performed by Joe Gardner in Soul Movie Budianto, Clarissa Lievany; Maharani, Sang Ayu Isnu; Saientisna, Made Detriasmita
Culturalistics: Journal of Cultural, Literary, and Linguistic Studies Vol 9, No 2 (2025): Culturalistics: Journal of Cultural, Literary, and Linguistics Studies (December
Publisher : English Literature Study Program, Faculty of Humanities, Diponegoro University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.14710/ca.v9i2.27562

Abstract

Speech acts are actions carried out through language that do more than just share information; they can also affect the listener or change social situations. Sometimes, these spoken interactions may cause the listener to feel uncomfortable or lose respect. The idea of protecting a person’s dignity and social standing in communication is known as ‘face.’ When speech acts threaten this sense of face, they are called face-threatening acts. This study aims at identifying and analyzing the face-threatening acts performed by the character Joe Gardner in Pixar’s animated movie Soul (2020), by applying Brown and Levinson’s (1987) framework. Data were collected using the documentation method and note-taking technique, focusing on Joe Gardner’s utterances throughout the movie. The analysis employs a descriptive qualitative method, involving classification, identification, and verification based on the four types of face-threatening acts. The findings show that Joe Gardner performs all four types of face-threatening acts in 103 utterances: threatening the hearer’s negative face (61.2%), threatening the hearer’s positive face (23.3%), threatening the speaker’s negative face (6.8%), and threatening the speaker’s positive face (8.7%). The most frequently used type is the threat to the hearer’s negative face.
Dissecting Slang Words in the Album of 'Kirk' by DaBaby I Komang Sidny Darma Yadnya; Made Detriasmita Saientisna; Sang Ayu Isnu Maharani
Jurnal Pendidikan dan Sastra Inggris Vol. 6 No. 1 (2026): Jurnal Pendidikan dan Sastra Inggris
Publisher : Lembaga Pengembangan Kinerja Dosen

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55606/jupensi.v6i1.6573

Abstract

This undergraduate thesis entitled Dissecting Slang Words in the Album of ‘Kirk’ by DaBaby examines the types and functions of slang expressions in DaBaby’s lyrics. Adopting Allan and Burridge’s (2006) sociolinguistic framework, the research identifies and categorizes slang types, for instance Fresh and Creative, Clipping, Imitative, Acronym, and Flippant as well as analyses their communicative functions within hip-hop culture. Data were collected from all 13 songs on the Kirk album using qualitative methods. A total of 52 slang expressions were systematically classified and evaluated to determine their roles in expressing identity, emotion, resistance, humor, and social bonding. The findings reveal the Fresh and Creative slang (e.g., drip, vibez, bop) is the most prevalent (41.6%), highlighting DaBaby’s linguistic innovation. Clipping(e.g., gon’, ‘em,) and Imitative (e.g., finna, wanna) types support rhythmic flow and cultural authenticity, while Flippant terms (e.g., nigga, hoe) convey emotional intensity and in-group solidarity. Functionally, slang primarily reinforces group identity and enables emotional expression, with secondary roles in humor, resistance, and social intimacy. This research underscores slang’s significance in hip-hop as a tool for cultural representation, artistic creativity, and generational discourse. It contributes to sociolinguistic studies of music by demonstrating how informal lexicon shapes artist identity and listener engagement in contemporary rap.  
Co-Authors Adam Brahimi Cooper Aptanta Faiz Ayu Amartha Sabhagani Ayudhea Putri, Wayan Denaya Budianto, Clarissa Lievany Evi Wahyu Citrawati, Putu Hanny Milanda I Gusti Agung Istri Aryani I Gusti Ayu Sundari Okasunu I Komang Sidny Darma Yadnya I MADE RAJEG I Made Suastra I Nyoman Udayana I Wayan Sukadana Kadek Dinda Dwi Mahadewi Kadek Yuda Wardana Lestari, Ni Putu Lia Cahya Luh Putu Laksminy Maharani , Sang Ayu Isnu Ni Komang Sri Sapitri Ni Luh Nyoman Seri Malini Ni Made Ayu Widiastuti Ni Nyoman Ayu Ulandari Ni Nyoman Putri Rahayu Ningsih, Ni Wayan May Widhia Nyoman Cindy Marantika Dewi Puspadewi, I Dewa Ayu Tri Rosmilinda Rinche Sang Ayu Isnu Maharani Setyawan, I Gusti Ngurah Adi Sri, Diana Wayan Widia Sri Meniang