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Mencari Formulasi Baru antara Agama dan Sains: Refleksi Etis atas Kasus Bank Sperma Mibtadin Mibtadin
SHAHIH: Journal of Islamicate Multidisciplinary Vol. 1 No. 2 (2016)
Publisher : UIN Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/shahih.v1i2.404

Abstract

The emergence of a sperm bank with its effects becomes the topics that are strictly discussed by religion and science, and there is no common ground. The religion with its text power as a justification forced of science. The conflict between the religion and science related to the sperm bank occurred since there are no clear boundaries among them.  The existence of the sperm bank basically becomes a necessity for those with special needs, for instance to continue the descendant, under a certain condition, as the objective to keep human from extinction. The sperm bank as a form of representation of biotechnology advance should not be impacted with the religious values, because the sperm bank itself is not free from the values, then the religion and science is able to cooperate to bring people to the better life conception in which the knowledge is reinforced by the religious morality. The harmonious relations will be materialized if the science and religion is able to keep their egos not to overthrow; otherwise both of them have to be interrelated each other. Kemunculan bank sperma dengan berbagai efeknya menjadi diskursus yang secara ketat dibicarakan oleh agama dan sains, serta belum ada titik temu. Agama dengan kekuatan teks sebagai kekuatan justifikasi pada sains. Konflik antara agama dan sains terkait bank sperma terjadi karena tidak jelasnya batas-batas diantara keduanya. Keberadaan bank sperma pada dasarnya menjadi kebutuhan bagi mereka yang berkebutuhan khusus, misalnya untuk menyambung generasi, dengan catatan dalam kondisi tertentu, sebagaimana tujuannya untuk menjaga manusia dari kemusnahan. Keberadaan bank sperma sebagai bentuk representasi kemajuan bioteknologi tidak seharusnya dibenturkan dengan nilai-nilai agama, karena keberadaan bank sperma sendiri tidak bebas dari nilai, maka agama dan sains bisa bekerja sama untuk membawa manusia pada konsepsi kehidupan yang lebih baik dimana keberadaan pengetahuan dikuatkan dengan moralitas agama. Relasi yang harmonis ini akan bisa terwujud selama sains dan agama mampu menjaga ego masing-masing untuk tidak saling menjatuhkan, malah sebaliknya keduanya harus saling tegur sapa.    
THE URBAN SUFISM, SOCIAL MOVEMENT AND THE ‘SMILING’ ISLAM: A case study of “Hubbun Nabi” Kartasura, Sukoharjo Mibtadin, Mibtadin
Analisa: Journal of Social Science and Religion Vol 3, No 1 (2018): Analisa: Journal of Social Science and Religion
Publisher : Balai Penelitian dan Pengembangan Agama Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18784/analisa.v3i1.591

Abstract

The urban sufism movement namely Hubbun Nabi becomes an interesting phenomenon since it emerges in the midst of Islamic-militant religious movement which is symptomatic in Sukoharjo. Hubbun Nabi represents the unity of many denominations whose Islamic understandings are Ahlussunnah wal Jama’ah (Aswaja) of Nahdliyin in Sukoharjo. It carries a moderate religious style. This research portrayed the style of moderate religiosity which is developed by Majlis Dzikir and Sholawat Hubbun Nabi. It was a descriptive-qualitative research. The techniques of collecting data are direct observation on the activities of Majlis Dzikir and Sholawat Hubbun Nabi, in-depth interview to Kyai Abdulloh Faishol, and documentation. Data was analyzed by reducing and displaying data, then drawing conclusion. Data validation was processed through triangulation method and informant review. Sukoharjo is one of the important cities for it has long been the basis of radical and moderate movements. One of the local movements in Sukoharjo whose rapid development was Majlis Dzikir and Sholawat Hubbun Nabi. The core values carried out by Hubbun Nabi movement are moderatism and tolerance, open-mindness, respecting plurality, and anti-fanaticism. Hubbun Nabi has indeed a significant role in the process of de-radicalization of the religious movement through transforming the values into the wider community. Hubbun promotes moderate Islam, the theology of humanity as a form of the “smiling of Islam.”
THE PEACE NARRATIVE AND INTERFAITH NOTIONS OF SEKAR AYU COMMUNITY Mibtadin, Mibtadin
Analisa: Journal of Social Science and Religion Vol 7, No 2 (2022): Analisa: Journal of Social Science and Religion
Publisher : Balai Penelitian dan Pengembangan Agama Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18784/analisa.v7i2.1658

Abstract

The presence of Islamist activism in Ngargoyoso encourages the role of places of worship from places of voice of harmony to mouthpieces of intolerance. Sekar Ayu's interfaith women community counters the intolerant narrative. How did Sekar Ayu proclaim peace in Ngargoyoso? The purpose of this study is to determine the role of Sekar Ayu in building peace in Ngargoyoso. This research is a descriptive qualitative research with a sociology of religion approach. Data collection was through direct observation, in-depth interviews, and documentation. Its data analysis uses interactive analysis models including data reduction, data delivery, and conclusions. Sekar Ayu's interfaith women community as a social movement of Ngargoyoso civil society is actively developing a culture of peace. First, Sekar Ayu actively builds communication and dialogue between religious groups and advocates for humanitarian and religious issues at the lower community level based on places of worship. Second, Sekar Ayu became a space for interfaith community encounters with various activities such as places of worship and family gatherings in it with discussions about religious, social, and cultural issues as a form of life dialogue. Third, Sekar Ayu empowers interfaith women to build a mutually beneficial life between religious groups. Fourth, Sekar Ayu's activities are expected to be a dialogue of sustainable life by emphasizing an inclusive, pluralist perspective, by promoting religion as a social ethic.
JAVANESE FAMILY ETHIC IN SERAT SALOKATAMA Mustolehudin, Mustolehudin; Muawanah, Siti; Rahmah, Yulinar Aini; Mibtadin, Mibtadin; Sulaiman, Sulaiman
Analisa: Journal of Social Science and Religion Vol 7, No 1 (2022): Analisa: Journal of Social Science and Religion
Publisher : Balai Penelitian dan Pengembangan Agama Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18784/analisa.v7i1.1518

Abstract

The role of family has significant in maintaining harmonious life for each family member. For playing the family role, it is possible for the family refers to an ethical value. Javanese people maintain highly respectable values from their ancestors transferred by poets in the past. One of them was Mangkunegara IV, a descendant of King Surakarta who was prolific in producing some forms of literary works, such as serat piwulang. This article is a discussion about Serat Salokatama, one of Mangkunegara IV’s valuable works. By using literature study and hermeneutical approaches, this study found out some important findings related to Javanese ethic. First, the Serat Salokatama is a work which contains some values important for family life. The most important is religious value as it will produce other respectable values, such as honesty, vigilant, patient, politeness, and kindness, humble, toughness and never giving up easily, and not arrogant. Second, the Serat Salokatama also teaches its readers the significance of interactive and constructive dialogue to maintain good family lives.
Masque, Da’wa, and Social Resilience: Study of the Integration of the Sampangan Mosque Surakarta Mibtadin, Mibtadin
Proceedings of International Conference on Da'wa and Communication Vol. 2 No. 1 (2020): Moderate Da’wa: Instruments of Reception for the Superdiverse Society
Publisher : Da’wa and Communication Faculty of the Sunan Ampel State Islamic University, Surabaya, Indonesia.

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/icondac.v2i1.353

Abstract

A mosque is commonly known as a place for Muslim to do pray. Sampangan mosque has been multifunctional as spiritual and non-spiritual development of the society as so far, particularly in the form of empowerment and strengthening the social defense from radical religious movements. How about society empowerment carried out by the Sampangan mosque in Pasar Kliwon Surakarta improving the social and religious resilience of the community? This research is a qualitative descriptive, data collection is done through observation; deep interview; and documentation on community empowerment and strengthening the social defense of the community from radical religious movement. Data analysis uses an interactive analysis model of data reduction, displaying data, and conclusions. society empowerment through the Sampangan mosque in Surakarta is indirectly to improve the social life of worshipers and society. Empowerment through the Sampangan mosque strengthens the capacity, the aspects of education, economics, health, and moderate religious narratives to strengthen the resilience of the community from radical religious movement by assisting the community.
RELIGION, CULTURAL TRANSFORMATION, AND MODERNIZATION: A Narrative on the Shift of Religious Paradigm of the Community in Surakarta Lilam, Lilam Kadari Nuriyanto; Mibtadin, Mibtadin; Arnis, Arnis Rachmadhani
The Sunan Ampel Review of Political and Social Sciences Vol. 1 No. 2 (2022): June
Publisher : UIN Sunan Ampel Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15642/sarpass.2022.1.2.179-190

Abstract

Globalization is characterized by advances in science and technology that are inevitable by the community, including the people of Surakarta. People in Surakarta are in dilemma between tradition and modernization. Education, transportation, and economic advancement have transformed the social, religious, and cultural aspects of the people in Surakarta over the last three decades. Thus, how is the narrative of the paradigm shift of religiosity of the Surakarta community amid modernization? This descriptive qualitative study collected data through observation, in-depth interviews, and documentation. The analysis employed an interactive analysis model. The findings revealed that the paradigm shift of religiosity of the Surakarta community is directly proportional to the social, political, economic, and cultural changes. There is a shift in the religious perspective of the Surakarta community known as hijrah from the abangan Muslim community to Islamist activism or new santri with all the limitations of understanding and Islamic doctrine, which requires assistance in terms of Javanese Islamic culture and local beliefs to avoid uprooting them. As a result of hijrah and becoming Islamic activism, people left the Javanese culture such as Kejawen and local beliefs. However, some of them have transformed the culture to fit the teachings of Islam. So far, those who hijrah to NU still adhere to religious traditions and even transform Javanese culture to suit the times. Meanwhile, Islamic activism has left Javanese Islamic traditions and local beliefs. The shift in religious paradigm asserts two things. They are internal and external encouragement. First, internal factors are in the form of encouragement from within religious communities. Second, external factors are external stimuli that can encourage a shift in the Surakarta community's religious perspective.
Metafora Konseptual dalam Praktik Musik Keroncong Vernakular Setiawan, Yulius Erie; Aribowo, Widodo; Mibtadin, Mibtadin; May, Adam
Resital: Jurnal Seni Pertunjukan Vol 25, No 1 (2024): April 2024
Publisher : Institut Seni Indonesia Yogyakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/resital.v25i1.12479

Abstract

Artikel ini bertujuan untuk menggambarkan (mengonseptualisasikan) praktik musik keroncong vernakular, yaitu sub-genre musik keroncong yang mengakomodasi keberagaman idiom musikal, syair, alat musik, teknik permainan, bentuk musik, dan ekspresi informal lainnya (kostum dan bahasa), yang berbeda dengan ekspresi keroncong asli (pakem). Penelitian ini adalah penelitian kualitatif yang mengelaborasikan pendekatan musikologi, etnografi, dan kajian budaya. Analisis dilakukan dengan mengamati keberadaan sebuah kelompok musik asal Malang, yaitu Kos Atos dengan mengamati dua sample rekaman video musik lagu Kita Beda Berbahaya dan Kopi, didukung wawancara klarifikatif dari subjek. Ditemukan hasil: pertama, praktik musik keroncong vernakular yang diusung Kos Atos adalah bentuk artikulasi subjek (tindakan ekspresif dan praktik diskursif) yang bertujuan untuk menemukan segmentasi pendengar keroncong di luar keroncong asli dan mewacanakan nilai pengetahuan baru di bidang musik keroncong; kedua, terdapat beberapa elemen yang dapat dikonseptualisasikan dari praktik musik keroncong vernakular, yaitu ekspresi demotik (ekspresi kerakyatan), lagu yang tidak tersofistikasi (berselera umum), musical mood, dan politik-ekonomi; ketiga, praktik keroncong vernakular dapat dikatakan sebagai bentuk pelestarian keroncong dalam konsep yang lain. Melalui praktik keroncong vernakular, genre musik keroncong dapat dijamin kelestariannya karena dapat lebih mudah diterima masyarakat umum, aktual, serta dekat dengan praktik ekonomi yang menjamin kesejahteraan hidup seniman.
Religion, Tradition, and Modernization: Portrait of the Shift in Dawuhan Tradition in the Ngerso Community, Tawangmangu Karanganyar Nabilla, Hawa La'ala; Mibtadin, Mibtadin; Farhah, Eva; Talib, Kartini Aboo
Analisa: Journal of Social Science and Religion Vol 9, No 2 (2024): Analisa Journal of Social Science and Religion
Publisher : Balai Penelitian dan Pengembangan Agama Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.18784/analisa.v9i2.2547

Abstract

This study explains the transformation of the Dawuhan Tradition in Ngerso, Tawangmanggu, which is influenced by changes in religious practices that develop in the local community. This study uses a Cultural Studies approach to analyze changes in symbols and rituals that occur in the ceremony. The theory chosen in this study is Derrida's deconstruction theory, which is determined to reveal and understand the layers of meaning behind cultural and religious transformations. The main objective of this study is to show how negotiations between local traditions and religious influences reshape the implementation of the Dawuhan Tradition. Descriptive and qualitative methods collect data through in-depth interviews, observations, and documentation. The results of this study indicate that there are changes in the implementation of the Dawuhan Ceremony, such as changes in the time of implementation, replacement of sacred elements, and changes in offerings presented to ancestors. These changes are a reflection of the cultural negotiations that occur between local traditions and religious influences. This negotiation is carried out to maintain the relevance of the ritual in the context of modern life. In conclusion, this study provides an overview of the complex socio-cultural dynamics in society (religion and culture); tradition must adapt to social change without losing its essence. This research implies that it is a form of preserving tradition in changing times, which is done by reinterpreting it to be more relevant. On the other hand, this research also shows the existence of social and political hegemony over changes in tradition, and it can be underlined that the flexibility and ambiguity of Javanese tradition allow society to negotiate and adapt to change without losing its cultural identity.
Agama, Covid-19, dan Tatanan Budaya Baru: Pengabdian Kalangan Muda NU Soloraya terhadap Pandemi Covid-19 Mibtadin, Mibtadin; Masamah, Ulfa; Fatimah, Lilis
Transformatif : Jurnal Pengabdian Masyarakat Vol. 3 No. 2 (2022)
Publisher : Universitas Islam Negeri Raden Mas Said Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22515/tranformatif.v3i2.3967

Abstract

Covid-19 appeared in early 2020 until now its spread has not been cut off and has changed the order of life, including religion. This article describes the role of NU Soloraya's youth in responding to the spread of Covid-19. This research is descriptive qualitative in nature and uses a sociological approach to religion. Data collection was carried out through observation, in-depth interviews, and documentation. Data were analyzed using an interactive analysis model. States to limit its spread by implementing health protocols. The youth of NU Soloraya responded by providing spiritual guidance and also encouraging the congregation to actively develop moderation theology, namely the theology of caring for others that is manifested in the spirituality of humanity. They position themselves as facilitators, animators, enablers, catalysts so that they can become opinion leaders and balance discourse about Covid-19. With empathy, sympathy, and concern, they strengthen social resilience so that the majlis taklim network and Islamic boarding schools become social capital to tackle Covid-19.
Deconstructing aesthetics of shadow puppet art in Wahyu Katentreman by Cahyo Kuntadi Santoso, Eko Herry; Mibtadin, Mibtadin; Wibowo, Prasetyo Adi Wisnu
LITE: Jurnal Bahasa, Sastra, dan Budaya Vol. 21 No. 2 (2025): September
Publisher : Universitas Dian Nuswantoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33633/lite.v21i2.12515

Abstract

Abstract This study analyzes the aesthetic deconstruction in wayang kulit (shadow puppet) performances, focusing on the Wahyu Katentreman play performed by puppeteer Cahyo Kuntadi. The study aims to identify the causes, processes, and implications of aesthetic deconstruction in wayang kulit performances and their impact on the sustainability of this traditional art form in the modern era. Using Jacques Derrida’s deconstruction theory as the primary approach, this research also references Jakob Sumardjo’s paradoxical aesthetic theory and Sunardi’s concepts of nuksma and mungguh. A qualitative research method with an interpretative analysis technique was employed, utilizing both primary and secondary data sources. The findings indicate that aesthetic deconstruction in this wayang kulit performance is driven by changing audience preferences influenced by materialism and hedonism. The deconstruction process is evident in the transition from sacred to profane elements, the fusion of various performance styles from Surakarta, Yogyakarta, and East Java, as well as the integration of spontaneous humor within the Punakawan characters. The implications of this deconstruction include the emergence of new references for young puppeteers, increased appreciation of wayang kulit among the millennial generation, and economic benefits for karawitan music groups and local communities. Thus, this study asserts that aesthetic deconstruction in wayang kulit not only contributes to innovation in performing arts but also plays a crucial role in maintaining the relevance of traditional culture amidst dynamic social changes.