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Makna Leksikal dalam Satuan Lingual pada Tari Tayub di Desa Jambeyan Kecamatan Sambirejo Kabupaten Sragen: Kajian Semantik Franshaidar Imam Nur Ichsan; Nur Fateah; Eka Yuli Astuti
CARONG: Jurnal Pendidikan, Sosial dan Humaniora Vol. 3 No. 3 (2026): July-September, Emerging Issues in Education, Society, and Humanities.
Publisher : Universitas Serambi Mekkah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.62710/5y7e2a95

Abstract

Tari Tayub di Kabupaten Sragen memiliki nilai budaya yang mendalam. Penelitian ini dilakukan karena belum ada kajian yang secara khusus membahas satuan lingual dalam Tari Tayub dengan kajian semantik. Tarian ini memiliki satuan lingual yang merepresentasikan nilai budaya, tetapi sudah mulai ditinggalkan karena kurang diminati oleh masyarakat. Penelitian ini bertujuan untuk menganalisis bentuk satuan lingual dalam Tari Tayub di Kabupaten Sragen melalui kajian semantik guna mengungkap makna leksikal dan kulturalnya. Metode yang digunakan adalah kualitatif dengan pendekatan semantic kultural. Data dikumpulkan melalui teknik cakap semuka, rekam, dan catat dari informan yang merupakan seniman di Kabupaten Sragen, kemudian dianalisis melalui reduksi, penyajian, dan penarikan kesimpulan. Hasil penelitian pada Tari Tayub ditemukan 45 satuan lingual yang terdiri dari 26 kata monomorfemis, 4 kata polimorfemis, dan 11 frasa. Satuan lingual tersebut diklasifikasikan menjadi empat bagian: paraga, busana, iringan, dan gerakan. Setiap satuan lingual memiliki makna leksikal dan kultural. Tari Tayub bukan hanya sekadar seni pertunjukan, tetapi juga bagian dari warisan budaya yang perlu dilestarikan agar tetap dikenal dan dipahami oleh generasi mendatang.
Bahasa dan Simbol dalam Kesenian Jamjaneng: Kajian Etnolinguistik Masyarakat Kebumen Dita Apresiana Rizky; Widodo Widodo; Nur Fateah
Lingua Susastra Vol 7, No 2 (2026)
Publisher : Departemen Bahasa dan Sastra Indonesia dan Daerah

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24036/ls.v7i2.568

Abstract

The traditional art of Jamjaneng in Kebumen Regency preserves a rich lexicon that records the knowledge system and worldview of its supporting community; however, its existence currently faces the threat of cultural shift. This study aims to describe the lexical and cultural meanings of the lexicon in Jamjaneng art, map its semantic relations and meaning specialization, and uncover the forms of local cultural representation of the Kebumen community through an ethnolinguistic approach. This study employs a qualitative descriptive method with an ethnographic design. The data consist of linguistic units or lexicons found in performance terms, poetic texts (hadoroh), musical instruments, and performance attire, collected through participatory observation, in-depth interviews with key artists at the Jamjaneng Ngudi Rukun Association in Purwoharjo Village, and documentation. Data were analyzed through lexicon identification, Javanese lexicography-based lexical meaning determination, cultural meaning interpretation, and semantic field and cultural representation mapping. The results reveal that the lexicons in Jamjaneng such as hadoroh, singir, kentrung, gubyug, gobyog, bawa, nglagu, sauran, and sodoran, not only possess basic lexical meanings but also undergo technical meaning specialization and form semantic relations based on tempo, interaction patterns, and vocal techniques. Culturally, these lexicons represent three main pillars of the Kebumen community's worldview: Islamic religiosity, social solidarity (guyub rukun), and local cultural identity resulting from Javanese-Islamic acculturation. These findings confirm that the lexicon in Jamjaneng serves as a collective memory and an instrument for intergenerational transmission of cultural values within the Kebumen community.