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All Journal E-Journal Of Cultural Studies Jurnal Kajian Bali MUDRA Jurnal Seni Budaya Lekesan: Interdisciplinary Journal of Asia Pacific Arts KALANGWAN Segara Widya: Jurnal Penelitian Seni Kurios Randwick International of Social Science Journal Ghurnita: Jurnal Seni Karawitan Bali-Dwipantara Waskita: Seminar Nasional Republik Seni Nusantara Jurnal Damar Pedalangan Global Art Creativity Conference Open Access DRIVERset
Made Marajaya
Institut Seni Indonesia Denpasar
Religion Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences Other

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The Aesthetic Value of the Accompaniment Music of the Dance Drama 'The Blessing of Siva-Visvapujita' | Nilai Estetika Musik Iringan Drama Tari “The Blessing of Siva-Visvapujita” Ni Ketut, Dewi Yulianti; Sariada, I Ketut; Marajaya, I Made
GHURNITA: Jurnal Seni Karawitan Vol 4 No 3 (2024)
Publisher : Pusat Penerbitan LPPMPP ISI Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.59997/jurnalsenikarawitan.v4i3.3724

Abstract

Music is an art form consisting of sounds arranged in certain patterns to produce compositions containing harmony, melody, and rhythm. Accompaniment music accompanies an activity or event, such as art performances, dances, dance dramas, films, ceremonial events, or daily activities. This paper aims to find aesthetic values in the musical accompaniment influences the dance drama The Blessing of Siva-Visvapujita and find out how the musical accompaniment influences the interpretation and delivery of the story in the dance drama The Blessing of Siva-Visvapujita. This research applies a qualitative descriptive method, which consists of three stages, namely (1) Data collection, (2) Data analysis, and (3) Presentation of analysis results. This research shows that the musical accompaniment to the dance drama The Blessing of Siva-Visvapujita contains aesthetic values with unique melodic beauty and harmony, as well as rhythm and dynamics that suit the storyline and character traits. Synchronization with the dance choreography creates a harmonious experience while expressing emotion and atmosphere through music enriches the aesthetic dimension. The use of MIDI technology brings innovation to the listening experience. Music also plays an important role in creating atmosphere, highlighting emotions and conflict, and strengthening the narrative in the performance as a whole. 
AESTHETIC TRANSFORMATIONS OF BALINESE WAYANG PARWA AND RAMAYANA PERFORMANCES IN THE GLOBAL ERA Marajaya, I Made; Surya Peradantha, Ida Bagus Gede
Lekesan: Interdisciplinary Journal of Asia Pacific Arts Vol. 8 No. 2 (2025)
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31091/lksn.v8i2.3446

Abstract

Since the 1970s, Wayang Parwa and Wayang Ramayana performances in Bali have undergone significant aesthetic transformations in response to the currents of global culture. This study examines the forms and processes of these transformations, as well as their implications for the sustainability of Balinese shadow puppet theatre. The research employs a qualitative method, with data collected through observation, interviews, and documentation, and analyzed using theories of transformation, aesthetics, and creativity. Findings indicate that globalization has influenced Balinese puppeteers (dalang) to innovate various components of the performance, including musical accompaniment, lighting, the screen (kelir), the use of comedic puppets (bebondresan), the structure of the performance, and the overall style of presentation. These creative efforts have succeeded in attracting public interest back to the shadow puppet performances and have also spurred innovations in other types of wayang performances, such as Wayang Calonarang and Wayang Babad. The aesthetic transformation of Wayang Parwa and Wayang Ramayana performances has contributed significantly to the government, entrepreneurs, and society at large, as these performances are often utilized as a medium for communication and dissemination of information directly related to social life in the era of globalization.
Co-Authors Arimbawa, I Gede Artawan , I Gede Dodi Asmara Nata, I Wayan Candra Budiawan, Nyoman Wirahadi Darmawan, James Dru Hendro Dru Hendro Gunawan, Gede Putra Arya Bagus I Gusti Made Darma Putra I Kadek Widnyana, I Kadek I Ketut Sariada I Ketut Sariada, I Ketut I Made Suastika I Nyoman Kutha Ratna I Nyoman Sedana, I Nyoman I Wayan Dibia Dibia, I Wayan Dibia Ida Ayu Gede Sasrani Widyastuti Jaya, Ngurah Made Asmara Manuaba, Ida Bagus Dwilingga Darpita Marhaeni, Ni Komang Sekar Marheni, Ni Komang Sekar Ni Ketut Dewi Yulianti Ni Komang Sekar , Marhaeni Peradantha, Ida Bagus Gede Surya Putra, I Gusti Ngurah Gumana Putra, Ida Bagus Eka Darma Putra, Ida Bagus Gede Jaya Dwija S.Pd. M Kes I Ketut Sudiana . Santika, Sang Nyoman Gede Adhi Sekar Marhaeni, Ni Komang Sudarta, I Gusti Putu Surya Peradantha, Ida Bagus Gede Suteja, I Kt.