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All Journal CaLLs : Journal of Culture, Arts, Literature, and Linguistics Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Ruhui Rahayu: Jurnal Pengabdian Kepada Masyarakat
Chris Asanti, Chris
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Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Social Sciences Other

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EUPHEMISM EXPRESSED BY THE CHARACTERS OF SHAKESPEARE IN LOVE MOVIE SCRIPT Candra, Sutiwi Indriani; Arifin, M. Bahri; Asanti, Chris
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 1 (2022): Januari 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i1.5097

Abstract

ABSTRACT This study is focused on the euphemism used by the characters in Shakespeare in Love movie. The movie tells about the story around fictional character of an infamous man during the era of English development, William Shakespeare. The plot revolves around the making of William’s popular drama Romeo and Juliet, his love affairs, friendship and the life in Elizabethan era. By using qualitative method, this study aimed to answer the following questions. The first question is which types of euphemism are found from Shakespeare in Love movie script and the second research question is what functions of euphemism are applied in the data found from Shakespeare in Love movie script. The result of the analysis using Warren’s model of euphemism theory showed that there were six types euphemism expressed by the characters and they were implication, metonym, particularization, rhyming slang, onomatopoeia and metaphor. The result of the second question using Burridge’s functions of euphemism theory showed that the characters used five out of six functions of euphemism. They were protective euphemism, cohesive euphemism, ludic euphemism, provocative euphemism and underhand euphemism. The type of euphemism preferred by the characters was implication while the function of euphemism mainly used was protective euphemism. The data found were from ten characters whom each one had different kind of social background and class. It became a big revelation that euphemism was not majorly used by well-educated people but also by the commoners. Key words: Euphemism, Shakespeare in Love  ABSTRAK Fokus dari penelitian ini adalah menemukan euphemism yang digunakan oleh karakter-karakter dalam naskah film Shakspeare in Love. Film tersebut menceritakan tentang figur seseorang yang sangat berjasa dalam masa perkembangan bahasa Inggris yaitu William Shakespeare. Alur cerita dari naskah film tersebut berputar sekitar pembuatan naskah drama terkenal karya William Shakespeare yang berjudul Romeo and Juliet, kisah cintanya, persahabatan dan kehidupan di era Elizabethan. Dengan menggunakan metode kualitatif,  penelitian ini dimaksudkan untuk menjawab beberapa pertanyaan. Pertanyaan pertama adalah tipe euphemism manakah yang dapat ditemukan dalam naskah film Shakespeare in Love dan pertanyaan kedua adalah fungsi euphemism manakah yang teraplikasi dalam data yang ditemukan. Hasil dari analisa dengan menerapkan teori model euphemism oleh Warren menunjukkan bahwa ada enam tipe euphemism yang digunakan oleh karakter-karakter dalam film. Tipe euphemism yang digunakan adalah implikasi, metonim, partikularisasi, slang berima, onomatopoeia dan metafora. Hasil penelitian berdasarkan pertanyaan kedua menggunakan teori fungsi dari euphemism oleh Burridge menunjukkan bahwa ada lima dari enam fungsi euphemism yang digunakan oleh karakter dalam naskah film Shakespeare in Love. Lima fingsi euphemism yang digunakan adalah protective euphemism, cohesive euphemism, ludic euphemism, provocative euphemism dan underhand euphemism. Tipe euphemism yang sering gunakan adalah implikasi sedangkan fungsi euphemism yang sering teraplikasi adalah protective euphemism. Data ditemukan berasal dari sepuluh karakter yang mempunyai latar belakang sosial yang berbeda-beda. Sebuah penemuan besar dari penelitian ini adalah bawha euphemism tidak hanya berlaku dan digunakan oleh orang-orang yang berasal dari latar belakang berpendidikan namun juga orang – orang yang berasal dari kelas sosial kebawah. Kata kunci: Euphemism, Shakespeare in Love
THE PORTRAYAL OF REJECTIVE BEHAVIORS TOWARD AFRICAN-AMERICAN PEOPLE IN LANGSTON HUGHES’ NOT WITHOUT LAUGHTER NOVEL Fajriati, Dwi Nor; Asanti, Chris; Muhajir, Fatimah
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 2 (2022): April 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i2.5862

Abstract

This research analyzed Langston Hughes’ novel Not Without Laughter. The novel was published in1930. The novel talks about the condition of the black American family in the early twentieth century. This research discussed the issue of rejective behaviors occurring towards white people towards African-American family life. Meanwhile, the researcher focused on analyzing two research questions. First, the researcher analyzes the kinds of rejective behavior portrayed in Not Without Laughter novel. Second, the researcher analyzed how the responses of black people characters towards the rejective behavior portrayed in Not Without Laughter novel. Under the paradigm of qualitative research, this research employed a mimetic approach. The data were obtained from words, sentences, clauses, phrases, and paragraphs that are related to the act of rejective behaviors experienced by African-American people and their reaction toward these rejective behaviors that are suitable with Allport’s theory. The results of this research showed that there are three types of rejective behavior they are verbal rejection, discrimination, and physical attack. The results also showed that the response of rejective behavior toward African-American family life in the novel are obsessive concern response, withdrawal and passivity response, clowning response, self-hate response, sympathy response, and fighting back response. From the results it can be implied that both male and female characters responded differently to the rejective behaviour that happened to them.
THE GRIEF OF RACHEL WATSON IN THE GIRL ON THE TRAIN FILM Pambayun, Aulia Putri; Natsir, Muhammad; Asanti, Chris
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 4 (2022): Oktober 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i4.6565

Abstract

The Girl on The Train Film tells the story of a woman named Rachel. Rachel is the main character in the film that experienced grief in her life. Grief is the sorrow that occurs in life after someone is losing his loved one. The objective of the study is to find out the grief experienced by Rachel in The Girl on The Train Film. The researcher chooses the theory of five stages of grief by Kubler Ross to analysis the data in this study. This study is included in qualitative research because the researcher examines the main character's psychological state by using Kubler Ross theory through the dialogue from the script of the film. The source of the data on this study is The Girl on The Train film and script. From the research findings, it is found that Rachel went through the five stages of grief by Kubler Ross. The stages are denial, anger, bargaining, depression, and acceptance. At first, Rachel did not accept the divorce with her ex-husband. However, in the end of the story, she decided to move on and continue her life.
THE PRINCIPLES BEHIND SOCIALIST FEMINISM MOVEMENT THROUGH THE FEMALE CHARACTERS IN CHERRY ORCHARD DRAMA Ayu W., Maria Komang; Surya, Satyawati; Asanti, Chris
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 2 (2022): April 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i2.6720

Abstract

This research analyzes the principle behind the socialist feminism movement through the female characters in Cherry Orchard drama. Socialist feminism becomes the struggle to get equal in social and economic. This research classifies the female characters into four principles behind the socialist feminism movement, that uses the socialist feminism theory by Mandell. This research uses the qualitative-descriptive method to analyze the principles behind socialist feminism through the four female characters' experiences in Cherry Orchard drama. There are four principles behind the socialist feminism movement those are women’s position, women’s rights, women’s role, and women’s participation.
A PRAGMATICS ANALYSIS OF ILLOCUTIONARY ACTS IN MICHELLE OBAMA’S SPEECHES Nurhalizah, A. Siti Madya; Sili, Surya; Asanti, Chris
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 2 (2022): April 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i2.5925

Abstract

This research is aimed to find the classification of illocutionary acts, and the way it is conveyed by Michelle Obama in delivering her political campaign speeches in supporting Hillary Clinton and Tim Kaine in United States presidential election in 2016. The researcher used qualitative analysis approach in analyzing and interpreting the data. The data source of this research was Michelle Obama’s political campaign speeches that were held in Manchester, New Hampshire on October 13, 2016 and in Phoenix on October 20, 2016. Through the finding of the analysis, there were 267 data of illocutionary acts. They are divided into four types, namely representatives, directives, commissives, and expressives. And from all the data of illocutionary acts found in the speeches, there were 230 data conveyed in direct way and there were 37 data conveyed in indirect way.
THE REPRESENTATION OF MEXICAN CULTURE IN COCO FILM Nurlaili, Devi; Asanti, Chris; Nasrullah, Nasrullah
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 4 (2022): Oktober 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i4.7377

Abstract

The representation of Mexican culture becomes one of the main focuses on visual media since many visual media display the Mexican as something bad. In Hollywood films, the depictions of Mexican are usually different from the Mexican perspective. Mexico is a place where awful things happen in the film. Coco film is a film that genuinely gives Mexico a good name. It has shown the beauty of Mexico through its culture. The purpose of this research is to find the representation of Mexican culture in Coco film. In order to get more thorough understanding, the theory of Cultural Representation by Stuart Hall was employed. In this research, the researcher used qualitative research methodology. The results of the research show that there are eighteen representations of Mexican culture in Coco film. Those representations are paple picado, piñata, luchador, tamales, pan dulce, alebrijes, xolo dog, cumbia, mariachi, huaraches, hacienda, Aztec pyramid, churros, marimba, el grito, the dominant religion, Dia de los Muertos, and spanish language.
SLANG WORDS IN GROWN UPS 2 MOVIE Herman, Herman; Asanti, Chris; Setyowati, Ririn
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 2 (2022): April 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i2.6232

Abstract

ABSTRACTThis research aimed to identify the types of slang used by the characters and explain the function of slang uttered by the characters in Grown Ups 2 movie. This research employed a qualitative descriptive approach. The data source of this research was the script of Grown Ups 2 movie. The data were taken from the utterances, words, and conversation which contained slang words or phrases uttered by the four main characters. Through the findings of the analysis, there were 30 utterances containing the types of slang words. From four types of slangs that were fresh and creative, compounding, imitative, acronym and clipping, the four characters within the movie used only four types of slang, namely fresh and creative, compounding, imitative, and clipping. In types of slang, it was found that the characters had purposes when using those slangs word. It was revealed that there were three functions of slang, pursuit of self-identity, emotive feeling of slang users, and achieving politeness.Keywords: sociolinguistics, language variety, slang word ABSTRAKPenelitian ini bertujuan untuk mengidentifikasi jenis bahasa slang yang digunakan oleh para karakter dan menjelaskan fungsi bahasa slang yang diucapkan oleh para karakter dalam film Grown Ups 2. Penelitian ini menggunakan pendekatan deskriptif kualitatif. Sumber data penelitian ini adalah naskah film Grown Ups 2. Data diambil dari ujaran, kata, dan percakapan yang mengandung kata atau frasa slang yang diucapkan oleh empat tokoh utama. Melalui temuan analisis, terdapat 30 ujaran yang mengandung jenis kata slang. Dari empat jenis slang yang fresh and creative, compounding, imitative, acronim dan clipping, namun didalam film tersebut peneliti mendaptkan bahwa keempat karakter hanya menggunakan empat jenis slang, yaitu fresh and creative, compounding, imitative, dan clipping. Pada jenis slang, ditemukan bahwa karakter memiliki tujuan ketika menggunakan kata slang tersebut. Terungkap bahwa ada tiga fungsi slang, pursuit of self identity, emotive feeling of slang users, dan achieving politeness.Kata kunci: sosiolinguistik, variasi bahasa, kata-kata slang
CODE MIXING IN SELEB ENGLISH VIDEO CONTENT ON YOUTUBE Wulandari, Tri; Valiantien, Nita Maya; Asanti, Chris
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 5, No 3 (2021): Juli 2021
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v5i3.4050

Abstract

Code mixing usage can easily be found in everyday use for public communication, both in formal and non-formal contexts. In this millennial era, code mixing is commonly found in social media, particularly in YouTube. In Indonesia, the video creators or usually called as YouTubers sometimes mix their languages, and the commonly mixed languages used are Indonesian and English. Considering the previously mentioned phenomena, this research focuses on analyzing and observing the code mixing on YouTube entitled Seleb English by Sacha Stevenson. The researchers applied qualitative method because the data of this study were described by looking at the reality that occurred in the form of oral language. What is more, the data were then analyzed and interpreted objectively in the forms of words and languages. The purposes of this study were to find out the types of code mixing, this was answered by using Muysken’s theory (2000) and in order to determine the reasons of using code mixing, Hoffmans’s theory (1991) was applied. Based on the result of this research, it is found that there are three types of code mixing such as insertion, alternation, and congruent lexicalization. In addition, the researchers found that the reasons of using code mixing in Seleb English are talking about a particular topic, being emphatic about something (express solidarity), interjection, repetition used for clarification, and expressing group identity. Therefore, code mixing as a language phenomenon is not only found in real life, but also in digital context.
REJECTIVE BEHAVIOUR TOWARDS THE AFRICAN-AMERICAN CHARACTERS OF MATT RUFF’S LOVECRAFT COUNTRY NOVEL Rozzan, Alya; Kuncara, Singgih Daru; Asanti, Chris
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 5, No 1 (2021): Januari 2021
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v5i1.3140

Abstract

The study aims to identify the types of rejective behaviours portrayed in Matt Ruff’s Lovecraft Country novel and to discuss the portrayal of African-American characters’ responses to rejective behaviours. This research is a descriptive research that uses a mimetic approach and multicultural criticism to conduct the investigation. The data source of the study is Matt Ruff’s Lovecraft Country novel. The data are acquired from the narration and dialogues related to the mistreatments toward the African-American characters and their responses that are suitable to the criteria of Allport’s theory of rejective behaviours and Mellor’s responses to racism theory. The results show that verbal rejection (antilocution), discrimination, and physical attack are all portrayed in this novel albeit with different frequencies for each African-American character.  It is also discovered that the characters have depicted defensive response, controlled response, and confrontational response in dealing with rejective behaviours.
STEREOTYPE OF BLACK FEMALE CHARACTERS IN TONI MORRISON’S THE BLUEST EYE Mayasakti, Novia Caessar; Asanti, Chris; Fatimah, Fatimah
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 6, No 4 (2022): Oktober 2022
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v6i4.6521

Abstract

Stereotype is one of the issues which happens in America’s multicultural society up to now. This research investigates two objects. First, the type of stereotype: Black female stereotype and the second is stereotype formation which applied in Toni Morrison’s The Bluest Eye. Qualitative method was used in this research. The theories used to approach this research are taken from Mahassen Mgadmi (2009) and James L. Hilton and William von Hippel (1996). The research revealed that there are two main findings in this research. First, the type of stereotype found in the novel is Black female stereotype which represented by two characters. Second, there are two stages of stereotype formation occurred in the novel: Illusory Correlation and Self-Fulfilling Prophecy. The acts of Self-fulfilling Prophecy are harsh word choice, verbal tones, degree of interpersonal distance, facial expressions, and teaching methods or classroom practices. Hence, it can be assumed that the black female characters in the novel are still defined by their physical appearances which then strengthen the stereotype towards them. In addition, the stereotype that happens is actually formed in their mind, and then it is shown in their actual behaviors.
Co-Authors Agus Kastama Putra Anugerah, Resky Ainun Juni Arifin, M Bahri Ayu W., Maria Komang Bata, Zakaria Bungan, Winny Candra, Sutiwi Indriani Dyah Sunggingwati Fajriati, Dwi Nor fatimah Fatimah Kiftiawati M. Natsir Madarita, Madarita Maghfirah, Monika Dwi Mayasakti, Novia Caessar Muhajir, Fatimah Muhammad Natsir Nasrullah Nasrullah Nita Maya Valiantien Nurhalizah, A. Siti Madya Nurlaili, Devi Pambayun, Aulia Putri Pratiwi, Mardliya Ririn Setyowati Rozzan, Alya Saidah, Nur Satyawati Surya, Satyawati Setiawati, Lisa Setya Ariani Sili, Surya Singgih Daru Kuncara Sofyan, Fitria Sudirman, Eka Pratiwi Syamdianita Syamdianita, Syamdianita Tri Wulandari Wulandari, Tri Oetari