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All Journal Gelar : Jurnal Seni Budaya Waca Cipta Ruang: Jurnal Ilmiah Desain Interior VCD : Journal of Visual Communication Design Narada : Jurnal Desain dan Seni International Journal of Engineering, Science and Information Technology International Journal of Tourism Business Research JUPARITA: Jurnal Pariwisata Tawangmangu Jurnal Arsitektur ARCADE
Hendrawan, Freddy
Institut Desain Dan Bisnis Bali
Arts Humanities Astronomy Biochemistry, Genetics & Molecular Biology Chemical Engineering, Chemistry & Bioengineering Chemistry Civil Engineering, Building, Construction & Architecture Computer Science & IT Control & Systems Engineering Decision Sciences, Operations Research & Management Earth & Planetary Sciences Economics, Econometrics & Finance Education Electrical & Electronics Engineering Energy Engineering Environmental Science Industrial & Manufacturing Engineering Languange, Linguistic, Communication & Media Library & Information Science Materials Science & Nanotechnology Mathematics Mechanical Engineering Physics Social Sciences Transportation

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OPTIMALISASI LIMBAH PARAS PUTIH MELALUI DIVERSIFIKASI PRODUK INTERIOR Kadek Risna Puspita Giri; I Gusti Ayu Canny Utami; Freddy Hendrawan
Narada : Jurnal Desain dan Seni Vol 10, No 2 (2023)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2023.v10.i2.009

Abstract

Saka Bali Arts, as one of the home-based woodcarving industries in Singapadu Village, Gianyar Regency, Bali, has a potential to process white sandstone residue into artworks. Using sandstone as the main base material, Saka Bali  Arts produces 1.4 cubic to 2 tons monthly of sandstone residue. Normally, this is disposed of or used as landfill material for building construction or sent to other vendors to produce artworks like small sculptures and reliefs with simpler shapes, depending on the customer's demand. However, producing processed white sandstone residue received little attention from producers and consumers. This situation resulted in the lack of diversified artwork products displayed on the storefront. The main reasons are the lack of local artisans' skills to produce different kinds of products from sandstone residue and the lack of a marketing development strategy, so the market reach of processed sandstone residue is unexploited. Hence, efforts are needed to develop more specific interior products and a product diversification strategy through product recycling to increase long-term sales. Another way to support this is by optimizing branding and marketing to expand marketing. This study uses the methodology of Murdjito (2022) in the form of stages carried out in the implementation of community service activities. In the long term, we expect Saka Bali Arts to become a model for similar home-based industries in optimizing white parasite stone material residues through increased product innovation, sales, and profitability.
Analysis of Special Standardization of Accessible Toilet Facilities at Dharma Negara Alaya Arts Building, Denpasar, Bali Trisnasari Subrata, Ni Putu Eka; Hendrawan, Freddy; Emmi Nutrisia Dewi, Ni Made; Algifari Hayatullah, Muhammad
International Journal of Engineering, Science and Information Technology Vol 5, No 1 (2025)
Publisher : Malikussaleh University, Aceh, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52088/ijesty.v5i1.785

Abstract

People with disabilities in Indonesia still often face limitations in accessing public facilities that meet their needs. This highlights the importance of providing disability support facilities that meet standards, especially in public spaces, for community interaction. One example of a public facility that accommodates the community is an art building, the Dharma Negara Alaya (DNA) Arts Building, located in Denpasar City, Bali Province. This study aims to analyze the standardization of supporting facilities for people with disabilities in the Dharma Negara Alaya Arts Building, focusing on accessible toilet facilities. The analysis was carried out based on the Regulation of the Minister of Public Works Number 30 of 2006, which regulates technical guidelines for facilities and accessibility in building structures and the environment. This study uses a descriptive qualitative approach through direct observation and interviews with building users to evaluate the adequacy and suitability of the design of accessible toilet facilities. The study results on the Implementation of accessible toilet facilities in the Alaya Building have followed the standards by the Regulation of the Minister of Public Works of 2006 concerning Guidelines for Technical Requirements for Buildings, and the availability of toilet facilities has been met. However, some design deficiencies still need to be fixed or improved, such as the use of door materials, the room size not yet optimal for standard movement, and no elbow ramps to help wheelchair users access. There are no sanitary facilities or special washbasins for people with disabilities. This research is expected to provide insight into fulfilling the needs of inclusive design for people with disabilities and provide recommendations for improving accessibility at the Dharma Negara Alaya Arts Building, especially for accessible toilet facilities.
Reimagining Vegetable Markets Eco-Friendly, Waste Efficiency, & Neo-Vernacular Inspired Traditional Market for Agritourism Potential Ni Putu Cahyanti; Hendrawan, Freddy; Ni Nyoman Sri Rahayu; Lelo
Waca Cipta Ruang Vol. 11 No. 1 (2025): Waca Cipta Ruang : Jurnal Ilmiah Desain Interior
Publisher : Program Studi Desain Interior Unikom

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.34010/wcr.v11i1.15713

Abstract

Pasar Induk Sayur Mayur Baturiti merupakan pusat perdagangan hasil pertanian lokal yang memiliki peran penting dalam mendukung perekonomian masyarakat Desa Baturiti. Namun, pasar ini masih menghadapi beberapa permasalahan, seperti kurangnya daya tarik pasar, kebutuhan ruang yang luas, kurangnya fasilitas pendukung, serta sistem pengelolaan limbah yang belum optimal. Untuk mengatasi permasalahan tersebut, maka perlu dilakukan perancangan ulang Pasar Induk Sayur Mayur Baturiti menggunakan pendekatan desain neo-vernakular yang mengintegrasikan elemen-elemen budaya lokal dengan prinsip ramah lingkungan guna mendukung potensi agrowisata. Penelitian deskriptif kualitatif menggunakan analisis tematik di dalam mengidentifikasi dan menginterpretasikan data-data empiris untuk kemudian digunakan di dalam proses perancangan. Pengumpulan data dilakukan melalui observasi, wawancara, dan studi literatur terkait desain berkelanjutan dan sistem pengelolaan limbah organik. Perancangan ulang ruang Pasar Induk Sayur Mayur Baturiti mempertimbangkan aspek zonasi ruang yang lebih efisien, penerapan sistem pengelolaan limbah melalui fasilitas pengomposan terpadu, penggunaan material lokal yang ramah lingkungan, serta penyediaan fasilitas pendukung seperti rest area, kios pedagang suvenir, kios kuliner, dan pojok edukasi agrowisata. Melalui perancangan ulang ruang ini diharapkan dapat menjadi referensi dalam pengembangan desain ruang pasar tradisional yang tidak hanya berfungsi sebagai pusat perdagangan, tetapi juga sebagai destinasi agrowisata yang dapat mendukung perekonomian lokal dan pelestarian budaya setempat dengan konsep modern, efisien, dan berkelanjutan.   Kata Kunci: pasar tradisional, desain neo-vernakular, agrowisata.
A qualitative photographic analysis of Guardian figures in Chinese temples in Bali: visual rhetoric and cultural hybridity Dinata, Ramanda Dimas Surya; Hendrawan, Freddy; Setyawan, Agus Budi; Prameswari, Gusti Ayu Ratih
Gelar: Jurnal Seni Budaya Vol. 23 No. 1 (2025)
Publisher : Institut Seni Indonesia Surakarta

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33153/glr.v23i1.7131

Abstract

This study investigates how the guardian figures in Chinese temples across Bali visually represent cultural hybridity between Chinese religious traditions and Balinese symbolic aesthetics. Using a descriptive-interpretive qualitative approach based on the idea of visual rhetoric, this study examines seven temples across Balinese regencies. Photographic documentation and ethnographic interviews with temple representatives and craftsmen were conducted to collect data. In this sense, photography is a documentation tool, yet also a visual analysis method, providing a deeper interpretation of cultural negotiation. This study shows that while the guardian figures within the Chinese temples in Bali retain core Chinese iconographic elements, such as mythological animals and heroic deities, they also adopt Balinese traditional ornaments. Due to influenced by the both Chinese and Balinese heritage of the Chinese-Balinese community, these visual adaptations demonstrate a conscious integration of Balinese cultural identity within Chinese sacred forms. In this sense, guardian figures play a significant role as visual intermediaries within sacred spaces, representing both protective symbolism and the spatial hierarchy of the temple’s design. Ultimately, this study contributes to the understanding of transcultural religious design and provides insights into the role of visual culture as a medium of spiritual expression and the construction of hybrid identity within a multicultural urban environment.
What Brings Gen-Z to the Library? An Investigation of Interior Design Elements in Denpasar City's Libraries Anjaeni, Sharon Febrina; Hendrawan, Freddy; Dewi, Ni Made Emmi Nutrisia
International Journal of Engineering, Science and Information Technology Vol 5, No 3 (2025)
Publisher : Malikussaleh University, Aceh, Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52088/ijesty.v5i3.889

Abstract

The development of technology and easier access to information have changed how Generation Z learns and interacts with their surroundings, including how they utilize library facilities. This study aims to analyze the factors influencing Generation Z's preferences in visiting libraries in Denpasar City, focusing on the interior design aspects of library spaces. The method used in this study is a descriptive qualitative approach, which involves observation, questionnaire distribution, and in-depth interviews with Generation Z students in Denpasar City. The results showed that interior design is crucial in attracting Generation Z's interest in visiting the Library. Libraries that carry a modern design concept, with adequate technological facilities to support learning and working activities, are more desirable than libraries that carry traditional concepts. Based on these findings, the proposed strategic solution is to implement the Modern Reading Hub concept, which combines ergonomic interior design, advanced technological facilities, and other supporting facilities. This concept is expected to create a library space that is more interactive, comfortable, and relevant to the needs of Generation Z in undergoing productive and fun learning activities. 
KAJIAN NARASI FOTO TRADISI DAN BUDAYA ETNIS TIONGHOA PADA TITD DI BALI SEBAGAI REPRESENTASI HARMONI DALAM MULTIKULTURALISME Surya Dinata, Ramanda Dimas; Hendrawan, Freddy; Pratama, I Gede Yudha; Septiani Dewi, Ni Made Diah
Narada : Jurnal Desain dan Seni Vol 11, No 3 (2024)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2024/v11.i3.005

Abstract

The notion of multiculturalism is conceived as an idea to acknowledge and accommodate diversity and differences in beliefs, practices, traditions, languages, or lifestyles. However, the understanding of the notion of multiculturalism is limited to the recognition of cultural diversity possessed by certain individuals or groups. During the intercultural interactions in urban society that occur dynamically, hybridity has become an important capital for being to live side by side and have the ability to be renewed. This hybridity phenomenon has been recorded through photographs of traditional and cultural activities of the Chinese ethnic group at the Tri Dharma Temples in Bali. The practice of Chinese ethnic traditions and culture in Bali is an effort by the Chinese-Balinese ethnic group to preserve their ancestral heritage by adopting Balinese cultural elements. As a work of art that embodies narrative function, photographs of traditional and cultural activities of the Chinese ethnic group at the Tri Dharma Temples in Bali conveyed stories and connected several events within the framework of the concept of multiculturalism. This qualitative descriptive research aimed to document the traditional and cultural activities of the Chinese ethnic group at the Tri Dharma temples in Bali using a combination of photo-ethnography and narrative research designs.The narrative of photographs within this study provided a visual that described stories about minority groups of migrant cultures in indexical, iconic, and symbolic forms. The occurred events implemented the concept of multiculturalism and reflected aspects of religion, socio-culture, economics, art and design. This study provides a concrete picture of how diversity and cultural differences are not only recognized and accommodated, yet, also how minority groups can maintain and express their cultural identity amidst diversity and cultural differences.
ARCHIVISUALTECTURE: INVENTARISASI DAN PENGARSIPAN RANCANGAN GAMBAR LAYOUT TEMPAT IBADAT TRI DHARMA (TITD) DI BALI Hendrawan, Freddy; Dinata, Ramanda Dimas Surya; Artana, I Wayan Bimaskaran; Dewi, Ni Made Diah Septiani
Narada : Jurnal Desain dan Seni Vol 11, No 3 (2024)
Publisher : Universitas Mercu Buana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.22441/narada.2024/v11.i3.010

Abstract

Tri Dharma temples in Bali are spread almost throughout the district to accommodate the religious, social, and cultural needs of the Chinese ethnic group and adherents of the Tri Dharma Religion. In traditional Chinese culture, the concept of cosmology and religion from residential, religious, to monument buildings has a long history. Some Tri Dharma temples in Bali have been around for more than 50 years and have historical value. However, since the beginning of the planning of the establishment/development, TITD in Bali has not had a proper building layout drawing document as an archive or architectural or interior data. Therefore, an effort is needed to inventory and archive the TITD layout drawing data in Bali. The solution to this data inventory and archive is to conduct observations, measurements, and interviews and make technical and graphic drawings by utilizing architectural and graphic softwares (AutoCAD dan Adobe Photoshop). Through this documentation and inventory of architectural drawings, TITD can provide benefits in preserving cultural heritage, recovery and restoration, design references, education and research, security and maintenance.
Transformation of Islamic Geometric Principles and Symbolic Colors in the Design of the Sign System at Ribath Al-Falah Islamic Boarding School, Mataram City- West Nusa Tenggara Azhari, Ridho Fidhi; Dinata, Ramanda D.S.; Hendrawan, Freddy
Journal of Visual Communication Design Vol. 11 No. 1 (2026): VCD: Journal of Visual Communication Design
Publisher : Universitas Ciputra

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37715/vcd.v11i1.6519

Abstract

Sign systems in Islamic educational environments are often designed primarily as navigational tools, while Islamic identity is applied only as decorative ornamentation. This study develops a contextual sign system for Pondok Pesantren Ribath Al-Falah, Mataram City, through a geosemiotic visual transformation approach integrating Islamic geometry, symbolic color, and bilingual typography. The novelty of this study lies in positioning Islamic geometric principles not merely as aesthetic elements, but as structural components regulating hierarchy, modularity, and visual consistency within the signage system. The research responds to navigation difficulties and low environmental visibility identified through questionnaires, field observations, and user responses within the pesantren environment. A descriptive qualitative method was employed using a Design Thinking framework supported by Charles Sanders Peirce’s semiotic theory. Islamic geometric patterns, symbolic green color, and Arabic–Latin typography were transformed into a modular Environmental Graphic Design system consisting of directional, identification, and regulatory signage. The findings indicate that repetitive geometric structures, modular layouts, and consistent information hierarchy contribute to symbolic representation and navigational communication simultaneously. User evaluations also suggested positive responses regarding legibility, visibility, and semantic clarity of the proposed signage system. Overall, this study contributes a contextual Environmental Graphic Design approach integrating Islamic visual identity and wayfinding communication within Islamic educational environments.
Adaptive Reuse of Heritage Buildings in Cultural Tourism: A Multi-Layered Design-Tourism Interface Framework from Kota Lama Surabaya Daniel Pandu Mau; Freddy Hendrawan; Ramanda Dimas Surya Dinata
Jurnal Internasional Riset Bisnis Pariwisata Vol 5 No 1 (2026): International Journal of Tourism Business Research (INTOUR)
Publisher : Faculty of Economics and Business, University of Mataram

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.29303/intour.v5i1.2994

Abstract

Historic urban heritage areas are key resources for cultural tourism but often face challenges of functional obsolescence and underutilization. Existing studies, however, often examine adaptive reuse from architectural or tourism perspectives separately, with limited integration between these dimensions. This study examined how design-based adaptive reuse of heritage buildings contributes to cultural tourism development in Kota Lama Surabaya by analyzing functional repositioning, design mediation, and tourism value structuring as interconnected processes shaping tourism outcomes. A qualitative multi-case study approach was employed, focusing on four heritage buildings representing different cultural zones. Data were collected through field observations, in-depth interviews, and document analysis, and analyzed using within-case and cross-case comparative methods. The findings reveal that adaptive reuse operates as an integrated interaction-based system rather than a linear transformation. Functional repositioning redefines the role of heritage buildings within socio-economic and tourism systems, while design mediation translates these changes into spatial experiences and cultural narratives. Tourism value emerges through the interplay of economic, experiential, and symbolic dimensions, which are often characterized by inherent tensions. This study proposes a multi-layered design-tourism interface framework, demonstrating that the effectiveness of adaptive reuse depends on the alignment between function, design, and value. Through integrating design and tourism perspectives, the study contributes to adaptive reuse literature by conceptualizing heritage transformation as an interconnected socio-spatial and experiential process within tourism systems.
DESIGN-DRIVEN PLACE BRANDING THROUGH ADAPTIVE REUSE IN MULTICULTURAL HERITAGE DISTRICTS Daniel Pandu Mau; Freddy Hendrawan; Ramanda Dimas Surya Dinata
Jurnal Pariwisata Tawangmangu Vol 4 No 2 (2026): July 2026
Publisher : Institut Teknologi dan Bisnis Kristen Bukit Pengharapan

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.61696/juparita.v4i2.1095

Abstract

Adaptive reuse of heritage buildings has become increasingly important for supporting the sustainability of historic districts. However, studies integrating design intervention, spatial character, and district identity formation within the context of place branding remain limited, particularly in multicultural heritage districts. This study aimed to examine how design interventions in heritage buildings shaped spatial character, generated spatial experience potential, and contributed to district identity formation in the Old Town of Surabaya. This research employed a qualitative approach using a multiple-case study strategy involving four heritage buildings representing different cultural zones. Data were collected through field observation, visual documentation, and literature review, and subsequently were analyzed using a descriptive-interpretative approach through spatial configuration analysis, functional transformation analysis, and cross-case comparison. The findings indicated that design interventions influenced spatial configuration, circulation patterns, functional hierarchy, and contextual integration, resulting in diverse forms of spatial experience potential. The findings further indicated that spatial experience potential functioned as a mediating mechanism between spatial transformation and place perception, while place branding in heritage districts emerged through the interaction between spatial identity, narrative meaning, and spatial experience generated through design. This study developed a design-driven place branding model that linked design intervention, spatial experience potential, and district identity formation. Future research is recommended to further validate this model through post-occupancy evaluation and visitor perception studies across different heritage district contexts.
Co-Authors Agus Budi Setyawan Algifari Hayatullah, Muhammad Andrean James Darmawan Anjaeni, Sharon Febrina Artana, I Wayan Bimaskaran Azhari, Ridho Fidhi Daniel Pandu Mau Dewi, Ni Made Diah Septiani Dinata, Ramanda D.S. Giri, Kadek Risna Puspita I Gede Yudha Pratama I Gusti Ayu Canny Utami Kadek Risna Puspita Lelo, Lelo Ni Kadek Yuni Utami Ni Made Emmi Nutrisia Dewi, Ni Made Ni Made Sri Wahyuni Ni Nyoman Sri Rahayu Ni Putu Cahyanti Ni Putu Eka Trisnasari Subrata Prameswari, Gusti Ayu Ratih Ramanda Dimas Surya Dinata Septiani Dewi, Ni Made Diah Susanti, Ardina