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TRANSLATION SHIFT FROM ENGLISH INTO INDONESIA ON THE BAD GUYS SUBTITLING Sulaiman, Salma R; Sama, Gratiana; Doi, Maksimilianus; Ngatu, Simon P K
Lantern: Journal of Language and Literature Vol. 10 No. 1 (2024): Volume 10 Number 1 (2024)
Publisher : Fakultas Hukum dan Sosial Humaniora Universitas Flores

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37478/lantern.v10i1.4012

Abstract

This study aims at explore the types of translation shifts in the subtitles of the movie The Bad Guys. This research is based on Catford's theory of shifts and utilizes a qualitative descriptive method. The data collected involves translations found in the dialogues of the characters Wolf, Snake, and Diane Foxington, focusing on words, phrases, clauses, and sentences that contain shifts. The results show that all types of shifts are found in the translated text of the movie "The Bad Guys." From the 247 shifts identified, there are 9 level shifts and 238 category shifts, in which, in detail, 98 data are classified as state shifts, 9 data are classified as class shifts, 123 data are classified as unit shifts, and 8 data are classified as intra-system shifts.
Tradisi Sodho Nderi pata Mata dalam Upacara Kematian Masyarakat Maunori Etnis Keo Kabupaten Nagekeo Doi, Maksimilianus; Wanggai, Febe F. Irawati
Ksatra: Jurnal Kajian Bahasa dan Sastra Vol. 6 No. 2 (2024): Ksatra
Publisher : LPPM STKIP PGRI Bandar Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52217/ksatra.v6i2.1653

Abstract

This article discusses the tradition of death and its speech in conveying condolence messages to the family and social environment, and how condolence messages are conveyed by bereavement family messengers according to the status of kinship relations in the Maunori Ethnic Keo area, Nagekeo Regency. This research uses a qualitative descriptive method with an ethnographic approach. Data was collected through interviews and documentation. The results of the research show that in the death ritual tradition, the family whose condolences are conveyed are puu bheto (uncle of the dead's mother), embu mame/ine ame (uncle of the dead derived from the mother's lineage), tua eja wai daki (parents-in-laws, son-in-law, brother-in-law of the dead), and nua oda (local village residents). Speeches are interpreted in various ways depending on who the message of condolence is delivered to, and the impact of the message being conveyed is carried with it in accordance with the status of the kinship relationship.
SOCIAL STRATIFICATION IN ROY’S THE GOD OF SMALL THINGS NOVEL (A SOCIOLOGICAL APPROACH) Yosman, Arminsius; Surfaifel, Fety; Doi, Maksimilianus
Lantern: Journal of Language and Literature Vol. 11 No. 2 (2025): Volume 11 Number 2, September 2025
Publisher : Fakultas Hukum dan Sosial Humaniora Universitas Flores

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37478/lantern.v11i2.7207

Abstract

This study aimed to describe the forms of social stratification in Arundhati Roy’s novel The God of Small Things. The object of the study was the novel written by Arundhati Roy. The analysis focused on the depiction of social hierarchy and inequality among the characters in the story. The study applied a sociological approach using the theory by (Zahara & Anwar, 2021:24), which stated that there were three dimensions of social stratification in society: wealth (economic class), prestige (social status), and power. The research method used was descriptive qualitative, with data collected in the form of words, phrases, and sentences found in the novel. The results of the study showed that wealth was reflected through differences in the economic background of the characters, prestige was portrayed through caste position and family reputation, while power appeared in the form of authority, influence, and control exercised by certain characters over others. These three dimensions interacted to form a complex picture of social inequality that affected the relationships, lives, and conflicts of the characters in the novel. The findings emphasized that social stratification was not only a background element of the story but also a key factor driving the dynamics of conflict and the development of the plot in The God of Small Things.