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TRANSLATION SHIFT FROM ENGLISH INTO INDONESIA ON THE BAD GUYS SUBTITLING Sulaiman, Salma R; Sama, Gratiana; Doi, Maksimilianus; Ngatu, Simon P K
Lantern: Journal of Language and Literature Vol. 10 No. 1 (2024): Volume 10 Number 1 (2024)
Publisher : Fakultas Hukum dan Sosial Humaniora Universitas Flores

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37478/lantern.v10i1.4012

Abstract

This study aims at explore the types of translation shifts in the subtitles of the movie The Bad Guys. This research is based on Catford's theory of shifts and utilizes a qualitative descriptive method. The data collected involves translations found in the dialogues of the characters Wolf, Snake, and Diane Foxington, focusing on words, phrases, clauses, and sentences that contain shifts. The results show that all types of shifts are found in the translated text of the movie "The Bad Guys." From the 247 shifts identified, there are 9 level shifts and 238 category shifts, in which, in detail, 98 data are classified as state shifts, 9 data are classified as class shifts, 123 data are classified as unit shifts, and 8 data are classified as intra-system shifts.
Tradisi Sodho Nderi pata Mata dalam Upacara Kematian Masyarakat Maunori Etnis Keo Kabupaten Nagekeo Doi, Maksimilianus; Wanggai, Febe F. Irawati
Ksatra: Jurnal Kajian Bahasa dan Sastra Vol. 6 No. 2 (2024): Ksatra
Publisher : LPPM STKIP PGRI Bandar Lampung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.52217/ksatra.v6i2.1653

Abstract

This article discusses the tradition of death and its speech in conveying condolence messages to the family and social environment, and how condolence messages are conveyed by bereavement family messengers according to the status of kinship relations in the Maunori Ethnic Keo area, Nagekeo Regency. This research uses a qualitative descriptive method with an ethnographic approach. Data was collected through interviews and documentation. The results of the research show that in the death ritual tradition, the family whose condolences are conveyed are puu bheto (uncle of the dead's mother), embu mame/ine ame (uncle of the dead derived from the mother's lineage), tua eja wai daki (parents-in-laws, son-in-law, brother-in-law of the dead), and nua oda (local village residents). Speeches are interpreted in various ways depending on who the message of condolence is delivered to, and the impact of the message being conveyed is carried with it in accordance with the status of the kinship relationship.
SOCIAL STRATIFICATION IN ROY’S THE GOD OF SMALL THINGS NOVEL (A SOCIOLOGICAL APPROACH) Yosman, Arminsius; Surfaifel, Fety; Doi, Maksimilianus
Lantern: Journal of Language and Literature Vol. 11 No. 2 (2025): Volume 11 Number 2, September 2025
Publisher : Fakultas Hukum dan Sosial Humaniora Universitas Flores

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37478/lantern.v11i2.7207

Abstract

This study aimed to describe the forms of social stratification in Arundhati Roy’s novel The God of Small Things. The object of the study was the novel written by Arundhati Roy. The analysis focused on the depiction of social hierarchy and inequality among the characters in the story. The study applied a sociological approach using the theory by (Zahara & Anwar, 2021:24), which stated that there were three dimensions of social stratification in society: wealth (economic class), prestige (social status), and power. The research method used was descriptive qualitative, with data collected in the form of words, phrases, and sentences found in the novel. The results of the study showed that wealth was reflected through differences in the economic background of the characters, prestige was portrayed through caste position and family reputation, while power appeared in the form of authority, influence, and control exercised by certain characters over others. These three dimensions interacted to form a complex picture of social inequality that affected the relationships, lives, and conflicts of the characters in the novel. The findings emphasized that social stratification was not only a background element of the story but also a key factor driving the dynamics of conflict and the development of the plot in The God of Small Things.
PENGENALAN BAHASA INGGRIS MELALUI MEDIA AUDIO-VISUAL BAGI SISWA TK MARIA VIRGO 2 ENDE Maksimilianus Doi; F. F. Irawati Wanggai; Marianus Woda Liru
ABDI KAMI: Jurnal Pengabdian Kepada Masyarakat Vol. 7 No. 1 (2024): (Februari 2024)
Publisher : LPPM Institut Agama Islam (IAI) Ibrahimy Genteng Banyuwangi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.69552/abdi_kami.v7i1.2383

Abstract

This Community Service Activity aimed at introducing English to young children as beginners through audio-visual media. The learning media was implemented audio-visually with 15 students at TK Maria Virgo 2 Ende. The methods used were two phases, namely preparation and implementation phases. During the learning process, learning materials were presented in the form of videos displayed in LCD regarding alphabeth, colors, and numbers. The results of this program show that the process of introducing English is very enjoyable and students are able to follow it well.
PEMAHAMAN MAHASISWA SASTRA INGGRIS TENTANG PROGRAM MERDEKA BELAJAR- KAMPUS MERDEKA Falentina Lucia Banda; Hamsa Doa2; Febe F.I. Wanggai; Maksimilianus Doi
Jurnal PAJAR (Pendidikan dan Pengajaran) Vol. 6 No. 2 (2022): March
Publisher : Laboratorium Program Studi Pendidikan Guru Sekolah Dasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.33578/pjr.v6i2.8704

Abstract

Artikel ini membahas tentang kesiapan mahasiswa dalam implementasi MBKM. Tujuan penelitian ini adalah mengetahui pemahaman mahasiswa Program Studi Sastra Inggris Universitas Flores tentang Merdeka Belajar–Kampus Merdeka. Penelitian dilakukan dengan melakukan survei kepada 112 mahasiswa. Mahasiswa mengisi kuesioner melalui aplikasi SPADA Dikti, kemudian data dideskripsikan dengan metode deskriptif kuantitatif. Hasil penelitian menunjukkan pemahaman mahasiswa tentang MBKM belum merata, hal ini disebabkan sosialisasi dari program studi dan fakultas belum dilakukan secara baik. Mahasiswa mendapat pengetahuan tentang MBKM melalui media sosial. Kegiatan di luar program studi yang paling banyak diminati oleh mahasiswa adalah kegiatan kewirausahaan sebesar 46.70% dan kesiapan mahasiswa untuk ikut dalam kegiatan MBKM sebesar 66.10% serta kekhawatiran akan mengeluarkan biaya sebesar 58%. Hasil survei menunjukkan bahwa MBKM bermanfaat meningkatkan soft skill. Sebesar 58.8% mahasiswa tertarik mempelajari panduan MBKM dan kurikulum yang memfasilitasi MBKM serta akan merekomendasikan MBKM kepada mahasiswa lain dan koleganya dalam kategori sedang. Sosialisasi perlu dilakukan kepada mahasiswa secara berjenjang agar pemahaman MBKM dapat secara utuh dipahami, sehingga akan berdampak pada peningkatan kualitas atau kompetensi diri.
WOMEN EMPOWERMENT DEPICTED IN GANGUBAI KATHIAWADI FILM: A FEMINIST APPROACH marianus woda liru; Maksimilianus Doi; Atika Halima Tusadiah
SOSIOEDUKASI Vol 14 No 3 (2025): SOSIOEDUKASI : JURNAL ILMIAH ILMU PENDIDIKAN DAN SOSIAL
Publisher : Fakultas Keguruan Dan Ilmu Pendidikan Universaitas PGRI Banyuwangi

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36526/sosioedukasi.v14i3.6199

Abstract

Abstract This research adopts women's empowerment found in the film Gangubai Kathiawadi that focusing on female sex workers who are often marginalized by society. The study investigates two primary issues: the types of women empowerments and the techniques employed by the main character to empower herself, the sex workers, and their daughters. This study utilizes a descriptive qualitative method grounded in feminist theory and Mandal’s empowerment framework. The findings reveal that the film illustrates various forms of empowerment, including social, educational, and political empowerment. The main character employs empowering techniques, such as standing behind women, standing up for them, giving them confidence, and acting as a sister. The film serves as both a portrayal of women's struggle and a critique of patriarchal injustice. Keywords: Women Empowerment, Feminism, Sex Workers, Film, Gangubai
SYNCHRONIC RECEPTION OF ERNEST HEMINGWAY’S SELECTED SHORT STORIES (A READER RESPONSE APPROACH) Maria Fradesanti; Fety Surfaifel; Febe F I Wanggai; Marianus W Liru; Maksimilianus Doi
Lantern: Journal of Language and Literature Vol. 12 No. 1 (2026): Volume 12 Number 1 March 2026
Publisher : Fakultas Hukum dan Sosial Humaniora Universitas Flores

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.37478/lantern.v12i1.8461

Abstract

This study, titled "Synchronic Reception of Ernest Hemingway’s Selected Short Stories (A Reader Response Approach)," examines the interpretations of contemporary readers regarding classic literary works. The primary objective is to analyze how modern readers interpret three selected short stories by Ernest Hemingway: "Hills Like White Elephants," "Cat in the Rain," and "A Clean, Well-Lighted Place." Utilizing Hans Robert Jauss's Reader-Reception Theory, this study focuses on the influence of the horizon of expectations encompassing both aesthetic and non-aesthetic aspects in shaping subjective interpretations. This study employs a synchronic approach through a descriptive qualitative method, involving 25 fourth-semester students of the English Literature Study Program at the University of Flores as respondents. Synchronic reception is defined as an approach in literary studies that analyzes how a literary work is received, interpreted, and appreciated by readers within the same time period. The results reveal that aesthetic aspects, particularly Hemingway’s minimalist style and the "Iceberg Theory," effectively challenge readers to engage actively in dissecting implied meanings. Universal themes such as profound loneliness, moral dilemmas, and the search for love remain highly relevant to modern readers. Furthermore, non-aesthetic aspects, including personal experiences, emotional conditions, and literary literacy levels, significantly shape the unique understanding and appreciation of the texts. Overall, the dynamic interaction between text structure and the readers' sociocultural backgrounds creates a profound reading experience. This demonstrates that the reception of Hemingway’s literature remains alive and continues to evolve dynamically in the current era, transcending the boundaries of generations and time.