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All Journal E-Journal Of Cultural Studies PRASI: Jurnal Bahasa, Seni, dan Pengajarannya Jurnal Kajian Bali MUDRA Jurnal Seni Budaya Lekesan: Interdisciplinary Journal of Asia Pacific Arts PRABANGKARA Segara Widya: Jurnal Penelitian Seni Jurnal Bahasa Rupa Panggung Semiotika: Jurnal Komunikasi Studi Budaya Nusantara PRATAMA WIDYA : JURNAL PENDIDIKAN ANAK USIA DINI Widya Duta: Jurnal Ilmiah Ilmu Agama dan Ilmu Sosial Budaya Jurnal Senirupa Warna (JSRW) Bakti Budaya: Jurnal Pengabdian kepada Masyarakat Amarasi : Jurnal Desain Komunikasi Visual Jurnal Desain Komunikasi Visual Nirmana Abdi Widya: Jurnal Pengabdian Masyarakat Widya Duta: Jurnal Ilmiah Ilmu Sosial Budaya Journal of Communication Studies and Society Pratama Widya: Jurnal Pendidikan Anak Usia Dini Panggung Jurnal Bahasa Rupa Open Access DRIVERset Jurnal Bahasa Rupa
I Wayan Nuriarta
Institut Seni Indonesia Bali
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Public Health Social Sciences Other

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Articulation of Indonesian Identity in Mahabharata Epic Puppet Comics by Sundanese, Javanese, and Balinese Comic Artists I Wayan Nuriarta; I Nyoman Suarka; Ida Ayu Laksmita Sari; Suryadi
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 14 No. 1 (2024): Articulating Identity
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2024.v14.i01.p02

Abstract

This research examines Mahabharata epic puppet (wayang) comics, created by three renowned comic artists: R. A. Kosasih, Teguh Santosa, and Gun Gun, who respectively have Sundanese, Javanese, and Balinese cultural backgrounds, through the lens of Indonesian identity articulation. The comics of wayang which translates ‘puppet’, are a distinctive genre that employs panels to depict puppetry tales. While being influenced by foreign cultures such as American comic art and the Indian Mahabharata epic, these artists intentionally incorporate Indonesian elements into their works. This is evident from 1955 to the present. This research used a critical qualitative descriptive approach to investigate the articulation of the identity discourse within the cultural realm of comics. The comic works of the artists are analysed through articulation and hegemony theory. The research concludes that the artists’ works establish a cultural connection and relate cultural comic art to Indonesian readers. This not only constructs Indonesian identity but also promotes cultural diversity.
A Hermeneutical Study of Mass Media Cartoons in The Political Year of 2024 I Wayan Nuriarta; Ida Ayu Dwita Krisna Ari
Jurnal Desain Komunikasi Visual Nirmana Vol. 26 No. 1 (2026): JANUARY 2026
Publisher : Institute of Research and Community Outreach - Petra Christian University

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.9744/nirmana.26.1.67-76

Abstract

Mass media cartoons are works of visual communication that have the 'task' of conveying opinions or criticism of socio-political discourse with a touch of humor. This research aims to describe the visual structure of political cartoons and the role of humour in these cartoons in conveying opinions in mass media. The research design utilises a qualitative approach, with data sourced from the KOMPAS newspaper cartoons by cartoonist Thomdean, published on February 14 and April 24, 2024, and weekly cartoons from TEMPO magazine by Yuyun Nurrachman, from the issues of January 15-21 and January 22-28, 2024. Theories applied in this research include visual communication design, humour theory, and hermeneutics. The results show that the political cartoons in KOMPAS and TEMPO are conveyed through a single-panel storytelling format and utilise humour to communicate political messages. This political cartoon focuses on the general election with an explicit narrative as a representation of visual power. This humour is evident in the visual elements and the written text. The intended message becomes more acceptable to diverse audiences, including those critiqued for using this political humour.
Articulation of Indonesian Identity in Mahabharata Epic Puppet Comics by Sundanese, Javanese, and Balinese Comic Artists I Wayan Nuriarta; I Nyoman Suarka; Ida Ayu Laksmita Sari; Suryadi
Jurnal Kajian Bali (Journal of Bali Studies) Vol. 14 No. 1 (2024): Articulating Identity
Publisher : Universitas Udayana

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24843/JKB.2024.v14.i01.p02

Abstract

This research examines Mahabharata epic puppet (wayang) comics, created by three renowned comic artists: R. A. Kosasih, Teguh Santosa, and Gun Gun, who respectively have Sundanese, Javanese, and Balinese cultural backgrounds, through the lens of Indonesian identity articulation. The comics of wayang which translates ‘puppet’, are a distinctive genre that employs panels to depict puppetry tales. While being influenced by foreign cultures such as American comic art and the Indian Mahabharata epic, these artists intentionally incorporate Indonesian elements into their works. This is evident from 1955 to the present. This research used a critical qualitative descriptive approach to investigate the articulation of the identity discourse within the cultural realm of comics. The comic works of the artists are analysed through articulation and hegemony theory. The research concludes that the artists’ works establish a cultural connection and relate cultural comic art to Indonesian readers. This not only constructs Indonesian identity but also promotes cultural diversity.
Representasi Wayang Bali dalam Kartun Opini: Perspektif Cultural Studies I Wayan, Nuriarta
Jurnal SeniRupa Warna Vol. 14 No. 2 (2026): Representasi Dunia Wayang dalam Seni Rupa Kini
Publisher : Faculty of Arts and Design, Jakarta Institute of the Arts

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36806/jsrw.v14i2.782

Abstract

Wayang Bali bukanlah simbol budaya yang stabil, melainkan objek representasi yang terus dinegosiasikan sesuai dengan perkembangan konteks sosial-politik dan budaya. Artikel ini bertujuan untuk mengkaji representasi wayang Bali dalam kartun opini dari perspektif cultural studies. Wayang Bali sebagai produk budaya tradisional tidak hanya berfungsi sebagai media hiburan dan ritual, tetapi juga sebagai sistem tanda yang mengandung nilai-nilai, ideologi, dan wacana sosial. Dalam konteks media populer khususnya kartun opini, wayang mengalami transformasi makna dan fungsi. Artikel ini menggunakan pendekatan deskriptif-kritis dengan mengkaji bagaimana figur, simbol, dan narasi wayang Bali direpresentasikan kembali dalam kartun opini untuk mengomentari isu-isu sosial, politik, dan budaya. Analisis berfokus pada praktik representasi, relasi kekuasaan, dan negosiasi makna antara tradisi dan modernitas. Hasil analisis menunjukkan bahwa kartun opini tidak hanya mereproduksi wayang sebagai simbol budaya, tetapi juga merekonstruksi identitas budaya Bali dalam konteks globalisasi dan media visual. Wayang Bali dalam kartun opini menjadi arena artikulasi ideologis yang menunjukkan wacana antara pelestarian budaya dan kritik sosial.
Co-Authors Alit Kumala Dewi Anak Agung Gde Bagus Udayana Bianda Aprilia Rahardjo Gabriel Rico Adhitya I Bagus Wijna Bratanatyam I Gede Agus Indram bayu Artha I Gusti Agung Bagus Wimajaya I Made Arsa Krisnawan I Nyoman Darma Putra I Nyoman Larry Julianto I Nyoman Suarka I Nyoman Suarka I Putu Arya Janottama I Wayan Swandi Ida Ayu Dwita Krisna Ari Ida Ayu Laksmita Sari Ida Ayu Laksmita Sari Ida Bagus Ketut Trinawindu Kumala, Alit Maria Christina Ongkowidjojo Muhammad Farhan Ashshiddiqie Natabuana, Nugraha Ni Luh Ayu Praba Intarini Ni Luh Desi In Diana Sari, Ni Luh Desi In Ni Putu Dhea Pramesti Pande Putu Sastra Wibawa Patrick Hendrata Putra Pramesti, Ni Putu Dhea Pranawa, I.G.A.Ngurah Bagus Rama Renata Lusilaora Siringo Ringo Risvi Pangestu Sastra Wibawa, Pande Putu Sujayanthi, Ni Wayan Masyuni Sumbo Tinarbuko Suryadi Suryadi Suryadi Suryadi Suryawan I Gde Suryawan, I Gde Wirawan, I Gusti Ngurah