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All Journal Nusa: Jurnal Ilmu Bahasa dan Sastra Lingua Didaktika: Jurnal Bahasa dan Pembelajaran Bahasa Humanus: Jurnal ilmiah Ilmu-ilmu Humaniora Jurnal Pendidikan Indonesian Language Education and Literature Jurnal Pendidikan Bahasa dan Sastra Indonesia Metalingua Aksis : Jurnal Pendidikan Bahasa dan Sastra Indonesia Jurnal Sastra Indonesia Sasando : Jurnal Bahasa, Sastra Indonesia, dan Pengajarannya UTAMAX : Journal of Ultimate Research and Trends in Education Jurnal Ide Bahasa Jurnal Skripta Lingua Rima: Jurnal Pendidikan Bahasa dan Sastra Indonesia ELEMENTARY : Jurnal Inovasi Pendidikan Dasar Jurnal Disastri: Pendidikan Bahasa dan Sastra Indonesia Cendekia: Jurnal Ilmu Sosial, Bahasa dan Pendidikan J-ABDIPAMAS (Jurnal Pengabdian Kepada Masyarakat) Education & Learning Jurnal Kajian dan Penelitian Umum Lingeduca: Journal of Language and Education Studies Javanologi: International Journal of Javanese Studies Karunia: Jurnal Hasil Pengabdian Masyarakat Indonesia Pragmatik : Jurnal Rumpun Ilmu Bahasa dan Pendidikan Tabasa: Jurnal Bahasa, Sastra Indonesia, dan Pengajarannya INDONESIAN JOURNAL OF SOCIAL SCIENCE EDUCATION (IJSSE)
Kodrat Eko Putro Setiawan
Universitas PGRI Madiun
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Computer Science & IT Economics, Econometrics & Finance Education Engineering Health Professions Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences Other

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FORMULA DALAM SERIAL TELEVISI MALAM MINGGU MIKO SEASON 1 KARYA RADITYA DIKA Devi Cintia Kasimbara; Kodrat Eko Putro Setiawan; Wahyuningsih Wahyuningsih
Lingua Rima: Jurnal Pendidikan Bahasa dan Sastra Indonesia Vol 12, No 1 (2023)
Publisher : Universitas Muhammadiyah Tangerang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31000/lgrm.v12i1.8073

Abstract

Bergenre komedi, Malam Minggu Miko Season 1 (M3S1) memiliki formula khusus dalam penceritaannya yang membedakannya dengan genre film lainya. M3S1 yang ditulis dan disutradarai oleh Raditya Dika merupakan salah satu jenis film (serial televisi) yang banyak diminati oleh masyarakat karena pada awal mula kemunculannya di YouTube telah berhasil merebut perhatian masyarakat dengan mendapatkan 1.679.874 viewer. Serial televisi ini terdiri atas 26 episode yang semuanya memiliki formula yang sama. Penelitian dilakukan untuk mengetahui bagaimana formula dalam serial televisi M3S1. Analisis dilakukan dengan menggunakan analisis formula dengan membandingkan episode-episode tersebut lalu menggeneralisasikannya sehingga diperoleh formula umum dalam serial televisi ini, kemudian dilanjutkan dengan menghubungkan M3S1 dengan budaya sehingga diperoleh gambaran mengapa formula ini disukai oleh masyarakat. Hasil dari penelitian ini, yaitu M3S1 memiliki formula: (1) karakter tokoh yang unik; (2) tokoh mengalami kejadian yang tidak menyenangkan, menarik, dan menggelikan; (3) terdapat tokoh wanita yang menjadi sasaran cinta tokoh utama; (4) tema cerita diangkat dari kejadian-kejadian aktual di masyarakat; dan (5) dalam setiap episode tokoh utama selalu mengalami kesialan, tetapi pada akhirnya cerita berakhir dengan happy ending. M3S1 disukai oleh masyarakat karena memiliki unsur kelucuan yang dipengaruhi oleh faktor incongruity dan superioritas dalam memancing gelak tawa penonton.Kata kunci: formula, serial televisi, malam minggu Miko
THE MEANING AND TEACHING OF “BUDI PEKERTI” IN THE POETRY OF KEKEAN BY F. AZIZ MANNA: SEMIOTIC STUDIES OF RIFFATERRE Kodrat Eko Putro Setiawan; Andayani Andayani; Retno Winarni
Humanus: Jurnal Ilmiah Ilmu-ilmu Humaniora Vol 16, No 2 (2017)
Publisher : Pusat Kajian Humaniora FBS Universitas Negeri Padang

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (137.935 KB) | DOI: 10.24036/humanus.v16i2.8034

Abstract

Poetry can be used as a medium internalization precept of “budi pekerti” (manner). The theory of semiotic Riffaterre can be used in understand the meaning and precepts of “budi pekerti” mind contained in poetry Kekean work F. Aziz Manna. Research methodology this is descriptive qualitative. The result of this research suggests that indirectness expression by replacing meaning in the form of metaphors and similes and the deflection the meaning of ambiguity. Reading a heuristic useful to clarify the meaning of language. Reading hermeneutic in poetry Kekean remembrance people is in this world for permits god, therefore attitude “tawaduk” should be owned by each individual. Matrix poetry Kekean is an attitude “tawaduk” that should be owned by each individual.  The model in Kekean poetry is “hanya kepala dan torso. tubuhku bulat. togog. Lenganku buntung”, “Aku pun tumbuh bagai barang aduan”. The varians in the Kekean poem is “Leherku terlilit tali panjang; berjuang dalam gerak melingkar; Aku pun tumbuh bagai barang aduan”. The teaching of “budi pekerti” that are contained in the poetry Kekean among others: believe in the existence of God; have a sense of self-worth; developing work ethos and learning; have a sense of responsibility; and able to control themselves.Keyword: Kekean poetry, budi pekerti, semiotik Riffaterre MAKNA DAN AJARAN BUDI PEKERTI DALAM PUISI KEKEAN KARYA F. AZIZ MANNA: KAJIAN SEMIOTIK RIFFATERREAbstrakPuisi dapat digunakan sebagai media internalisasi ajaran budi pekerti. Teori Semiotik Riffaterre dapat digunakan dalam memahami makna dan ajaran budi pekerti yang terkandung dalam puisi Kekean karya F. Aziz Manna. Metode penelitian ini adalah deskriptif kualitatif. Hasil penelitian ini menujukkan bahwa ketidaklangsungan ekspresi berupa penggantian arti dalam bentuk metafora dan simile dan penyimpangan arti berupa ambiguitas. Pembacaan heuristik berguna untuk memperjelas arti secara kebahasaan. Pembacaan hermeneutik dalam puisi Kekean mengandung makna manusia ada di dunia ini atas izin Allah, oleh sebab itu sikap tawaduk harus dimiliki oleh setiap individu. Matriks puisi Kekean adalah sikap tawadhu yang harus dimiliki oleh setiap individu. Model dalam puisi Kekean adalah “hanya kepala dan torso. tubuhku bulat. togog. Lenganku buntung”, “Aku pun tumbuh bagai barang aduan”. Varian dalam puisi Kekean adalah  “Leherku terlilit tali panjang; berjuang dalam gerak melingkar; Aku pun tumbuh bagai barang aduan”. Ajaran budi pekerti yang terkandung dalam puisi Kekean antara lain: meyakini adanya Tuhan; memiliki rasa menghargai diri sendiri; mengembangkan etos kerja dan belajar; memiliki rasa tanggungjawab; dan mampu mengendalikan diri.Kata kunci: puisi Kekean, budi pekerti, semiotik Riffaterre
Makna dan Nilai-Nilai Pendidikan Akhlak pada Puisi Piatu Karya F. Aziz Manna Kodrat Eko Putro Setiawan; Wahyuningsih Wahyuningsih; Devi Cintia Kasimbara
Education & Learning Vol. 1 No. 1 (2021)
Publisher : Medan Resource Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (826.541 KB) | DOI: 10.57251/el.v1i1.5

Abstract

Understanding the meaning in a poem requires a theory. The object of this research is the poem Piatu by F. Aziz Manna. The theory used in this research is Michael Riffaterre's semiotics. The purpose of this research is to understand the meaning of poetry through heuristic reading, hermeneutic reading, models, matrices, and variants as well as moral education values. The method in this research is descriptive qualitative. The result of this research is the heuristic reading in the poem entitled Piatu, there are eight stanzas that produce the meaning of the poem based on language convention, not yet at the meaning. In the hermeneutic reading in the poem entitled Piatu, there are eight stanzas which in total contain the meaning of the longing of a child (immature) who does not have a mother anymore because he has passed away. This longing is a manifestation of a child's love and affection for his mother. This love and affection made him stronger and more willing to accept all the conditions given by Allah. The model in this poem is the Orphan. The matrix is ??a child whose mother has abandoned because of her death. The variants in this poem include: I don't cry or laugh; Flowers that embrace twigs; this solitude is strange. The values ??of moral education are respect for mothers and the command to love orphans.
Makna dan Nilai-Nilai Pendidikan Akhlak pada Puisi Piatu Karya F. Aziz Manna Kodrat Eko Putro Setiawan; Wahyuningsih Wahyuningsih; Devi Cintia Kasimbara
Education & Learning Vol. 1 No. 1 (2021)
Publisher : Medan Resource Center

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (826.541 KB) | DOI: 10.57251/el.v1i1.5

Abstract

Understanding the meaning in a poem requires a theory. The object of this research is the poem Piatu by F. Aziz Manna. The theory used in this research is Michael Riffaterre's semiotics. The purpose of this research is to understand the meaning of poetry through heuristic reading, hermeneutic reading, models, matrices, and variants as well as moral education values. The method in this research is descriptive qualitative. The result of this research is the heuristic reading in the poem entitled Piatu, there are eight stanzas that produce the meaning of the poem based on language convention, not yet at the meaning. In the hermeneutic reading in the poem entitled Piatu, there are eight stanzas which in total contain the meaning of the longing of a child (immature) who does not have a mother anymore because he has passed away. This longing is a manifestation of a child's love and affection for his mother. This love and affection made him stronger and more willing to accept all the conditions given by Allah. The model in this poem is the Orphan. The matrix is ??a child whose mother has abandoned because of her death. The variants in this poem include: I don't cry or laugh; Flowers that embrace twigs; this solitude is strange. The values ??of moral education are respect for mothers and the command to love orphans.
Dekonstruksi Makna Priyayi dalam Novel Para Priyayi Karya Umar Kayam Devi Cintia Kasimbara; Wahyuningsih Wahyuningsih
Nusa: Jurnal Ilmu Bahasa dan Sastra Vol 15, No 3: Agustus 2020
Publisher : Program Studi Sastra Indonesia, Fakultas Ilmu Budaya, Universitas Diponegoro

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (0.036 KB) | DOI: 10.14710/nusa.15.3.341-351

Abstract

Kepriyayian identik dengan status sosial seseorang dalam pandangan masyarakat. Priyayi dipandang sebagai orang yang memiliki status sosial yang tinggi dan terpandang. Bisa karena keturunan dari keluarga terpandang ataupun karena memiliki pekerjaan yang berstatus sosial tinggi. Dalam novel Para Priyayi makna yang ideal tersebut dijungkirbalikkan oleh Umar Kayam. Penelitian ini menggunakan cara kerja teori dekonstruksi Derrida dengan menemukan oposisi-oposisi berlawanan pada novel Para Priyayi. Hasilnya dapat dilihat bahwa Umar Kayam menunjukkan bahwa kepriyayian bukanlah sekadar gaya hidup maupun status sosial, namun lebih kepada kepribadian itu sendiri, bagaimana seseorang berguna bagi masyarakat. Hal ini menjungkirbalikkan esensi makna priyayi yang telah tertanam kuat di hati dan pikiran masyarakat bahwa kepriyayian yang sangat lekat dengan gaya hidup maupun status sosial.Kata Kunci: dekonstruksi, priyayi, derrida, umar kayam, para priyayi.
Suwuk : Construction of the Javanese People's Mindset in Medicine Kodrat Eko Putro Setiawan; Wahyuningsih Wahyuningsih Wahyuningsih; Dedy Richi Rizaldy; Devi Cintia Kasimbar
Jurnal Javanologi Vol 5, No 1 (2021): Javanologi Volume 5 No. 1: Desember
Publisher : Pusat Unggulan Ipteks Javanologi Universitas Sebelas Maret

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.20961/javanologi.v5i1.67938

Abstract

Suwuk is a traditional medicine that still exists in Javanese society, including the Ngawi people. This study aims to describe and explain the Javanese people's mindset about suwuk as a traditional medicine. The method in this research is descriptive qualitative. The subjects in this study were people who were directly involved in the Suwuk procession in the Ngawi Regency, East Java Province. The result of his research is that Suwuk is included in the element of technology. The practice of suwuk is carried out using media and mantras. Community pattern construction: Suwuk still exist and coexist with modern medicine; The emergence of diseases can be caused by two things, namely diseases that can be treated medically and there are diseases that are considered unnatural so that they must be treated through Suwuk. There is a pattern of community treatment that applies from generation to generation and is suggestive. The treatment procedure through Suwuk consists of two stages, namely: first, the stage of diagnosis and selection of the right treatment method; and second, the application of treatment. Diagnosis is basically done through numerology or petungan , intuitive knowledge. While the application of treatment through techniques, among others, through the media and spells.
KAJIAN PSIKOANALISIS LACAN DALAM PUISI IDUL FITRI KARYA SUTARDJI CALZOUM BACHRI: KAJIAN PSIKOANALISIS LACAN DALAM PUISI IDUL FITRI KARYA SUTARDJI CALZOUM BACHRI Devi Cintia Kasimbara; Kodrat Eko Putro Setiawan; Wahyuningsih
Jurnal Disastri (Jurnal Pendidikan Bahasa dan Sastra Indonesia) Vol 4 No 3 (2022): Jurnal Disastri: Pendidikan Bahasa dan Sastra Indonesia
Publisher : Program Studi Pendidikan Bahasa dan Sastra Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

Idul Fitri merupakan puisi karya Sutardji Calzoum Bakhri yang sarat akan metaforadan metonimi. Penelitian ini bertujuan mendeskripsikan kondisi bawah sadar tokoh“aku” untuk menutupi kekurangan dan menemukan identitasnya kembali. Semuadapat dilihat melalui bahasa dalam puisi tersebut. Penelitian ini menggunakanmetode penelitian kualitatif dengan pendekatan poststrukturalisme yangmenggunakan analisis psikoanalisis Lacan. Teori psikoanalisis Lacan menjadi pisauanalisis yang digunakan untuk mengungkap sejauh mana fenomena metafora danmetonimi yang ada di dalam puisi Idul Fitri. Secara metonimi, puisi Idul Fitrimenggantikan diri manusia yang hina, kotor, tidak luput dari dosa dengan “aku” yangmerupakan si bekas pemabuk. Penggantian metonimik secara parte prototo(sebagian untuk menunjukkan keseluruhan) ini menunjukkan bahwa padahakikatnya manusia adalah makhluk yang tidak pernah luput dari dosa, manusiaselalu dalam kondisi yang kurang. Melalui metafora dan metonimi tersebut tampakbahwa puisi ini mengungkapkan hasrat “aku” yang begitu besar untuk bertobat danmendekatkan diri kepada jalan Tuhan.
Analisis Wacana Kritis Berita Daerah Ngawi dalam Media Daring radarmadiun.co.id Edisi Oktober 2021 Setiawan, Kodrat Eko Putro; Arwansyah, Yanuar Bagas; Sumarlam, Sumarlam
Jurnal Sastra Indonesia Vol 11 No 2 (2022): July
Publisher : Universitas Negeri Semarang

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.15294/jsi.v11i2.56189

Abstract

Kemajuan teknologi informasi berdampak sangat luas dalam kehidupan manusia. Berita adalah sebuah wacana yang menggunakan bentuk bahasa tertentu. Bahasa menjadi objek dalam analisis wacana kritis. Penelitian ini bertujuan untuk mendeskripsikan hasil dari analisis kritis versi Leeuwen khususnya pada inclusion. Jenis penelitian ini adalah deskriptif kualitatif. Sumber data dalam penelitian ini adalah berita daring yang dimuat radarmadiun.co.id edisi Oktober 2021. Teknik pengumpulan data dalam penelitian ini adalah dokumentasi, baca, dan catat. Teknik analisis data dalam penelitian ini adalah reduksi data, penyajian data, verifikasi atau penarikan simpulan. Hasil penelitian ini adalah berita daerah Ngawi dalam media daring radarmadiun.co.id edisi Oktober 2021 dalam analisis wacana kritis versi inclusion Leeuwen terdapat objektivasi-abstraksi, nominasi-kategorisasi, dan nominasi-identifikasi. Kata kunci : Analisis Wacana Kritis, Radarmadiun.co.id, Inclusion Leeuwen
Analisis Tindak Tutur Ilokusi dalam Film Mariposa Karya Alim Sudio Zahra Oktiawalia, Rahmita; Ariesya, Retno Oktafiayu; Husnul Khotimah, Anis Marfuah; Setiawan, Kodrat Eko Putro; Utomo, Asep Purwo Yudi
CENDEKIA: Jurnal Ilmu Sosial, Bahasa dan Pendidikan Vol. 2 No. 2 (2022): CENDEKIA: Jurnal Ilmu Sosial, Bahasa dan Pendidikan
Publisher : Pusat Riset dan Inovasi Nasional

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (1140.254 KB) | DOI: 10.55606/cendikia.v2i2.298

Abstract

Speech act is one of the analyzes of pragmatic studies that examines language and relates to aspects of its actual use. One type of speech act is illocutionary speech act. There are many kinds that can be studied using illocutionary speech acts, one of which is speech acts in films. The background of this research is because the film Mariposa by Alim Sudio found many sentences or utterances that refer to the type of illocutionary speech act. This study aims to analyze and describe the types and forms of illocutionary speech acts that exist in the speech of the characters in the Mariposa film. The research method in this study used a pragmatic and qualitative research form. Based on data analysis, it was found that in Alim Sudio's Mariposa film there are 50 illocutionary speech acts which include representative speech acts, directive speech acts, expressive or evaluative speech acts, commissive speech acts, and declaration speech acts. The representative speech acts in Alim Sudio's Mariposa film consist of fifteen utterances. There are sixteen directive speech acts in Alim Sudio's Mariposa film. There are eleven expressive or evaluative speech acts in the Mariposa film by Alim Sudio. There are four commissive speech acts in Alim Sudio's Mariposa film. There are four speech acts of declaration in Alim Sudio's Mariposa film. Then, the benefits of research on illocutionary speech acts in Alim Sudio's film Mariposa are to have a critical understanding, broaden horizons, increase knowledge and knowledge from analyzing illocutionary speech acts through films.
Kindergarten in the Digital Era: Developing Engaging Android-Based Educational Tools for Letters and Numbers Hapsari, Estuning Dewi; Kurniawati, Inung Diah; Setiawan, Kodrat Eko Putro; Mahendra, Muhammad Isya Noor
Utamax : Journal of Ultimate Research and Trends in Education Vol. 5 No. 3 (2023): Utamax : Journal of Ultimate Research and Trends in Education
Publisher : LPPM Universitas Lancang Kuning. Pekanbaru. Indonesia

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.31849/utamax.v5i3.14539

Abstract

The rapid advancement of technology has revolutionized educational methodologies, particularly in early childhood education. This study focuses on the development of interactive learning media for kindergarten students, aimed at facilitating the understanding of letters and numbers. Employing the ADDIE model, this developmental research was conducted at Cahaya Wonoasri Kindergarten, Madiun. Data collection involved observation, interviews, and questionnaires, targeting content validity, learning design, and media efficacy. The study culminated in the creation of an Android-based application, designed to be engaging for young learners. The application's effectiveness was validated through expert assessments and individual trials, demonstrating its potential in improving letter and number recognition among kindergarten students. The content, learning design, and media experts rated the application as 'good' to 'very good' in their respective areas of expertise. The findings suggest that the developed educational tool is not only viable but also beneficial in enhancing the learning experience for kindergarten children. The application's engaging design and interactive content align with modern teaching methodologies, potentially setting a new standard in early childhood education technology. This study highlights the significance of integrating technology in early education, especially in the digital era. The success of the developed Android-based application suggests a promising future for digital learning tools in kindergarten, potentially revolutionizing the way young children are introduced to fundamental concepts like letters and numbers.
Co-Authors Alya Khaerunisa Andayani Andayani Ariesya, Retno Oktafiayu Arsya Ramadhani Asep Purwo Yudi Utomo Dedy Richi Rizaldy Devi Cintia Kasimbar Devi Cintia Kasimbara Devi Cintia Kasimbara Didi Pramono Dinda Ayu Saputri Dini Sustiani Doni Susanto Eni Winarsih Erny Untari Fuaduzzakiawan Fuaduzzakiawan Ghina Nailal Husna Hapsari, Estuning Dewi Hapsari, Estuning Dewi Herawati, Aviv Husnul Khotimah, Anis Marfuah Ikhwatika Putri Hardiansah Indra Puji Astuti Kalista Fitri Maharani Kurniawati, Inung Diah Luthfi Ustadziyatul Ummah Mahendra, Muhammad Isya Noor Mochamad Rifky Fadilah Muhajir Muhajir Muhammad Binur Huda, Muhammad Binur Muhammad Raffa Aqilla Nazhifa Destrianti Farradina Rahmatul Fatimah Ramadhan Kusuma Yuda Ramadhani, Nur Layly Shari Retno Winarni Rizaldy, Dedy Richi Sumarlam Sumarlam, Sumarlam Teja Insyaf Sukariyadi Wahyuningsih Wahyuningsih Wahyuningsih Wahyuningsih Wahyuningsih Wahyuningsih Wikanso Wikanso Yanuar Bagas Arwansyah Yanuar Bagas Arwansyah, Yanuar Bagas Zahra Oktiawalia, Rahmita Zyuliantina, Wixke