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All Journal Imaji: Jurnal Seni dan Pendidikan Seni Ars: Jurnal Seni Rupa dan Desain Jurnal Pendidikan dan Kajian Seni Panggung Studi Budaya Nusantara Pantun: Jurnal Ilmiah Seni Budaya Atrat: Jurnal Seni Rupa Jurnal Senirupa Warna (JSRW) LOSARI: Jurnal Pengabdian Kepada Masyarakat Moda: The Fashion Journal Prosiding Konferensi Nasional PKM-CSR JUrnal Riset Ilmu Pendidikan BAJU: Journal of Fashion and Textile Design Unesa Arty: Jurnal Seni Rupa Panggung Canting : Jurnal Batik Indonesia Serat Rupa: Journal of Design
Asep Miftahul Falah
Institut Seni Budaya Inodonesia Bandung
Religion Agriculture, Biological Sciences & Forestry Arts Humanities Chemistry Computer Science & IT Control & Systems Engineering Earth & Planetary Sciences Economics, Econometrics & Finance Education Environmental Science Health Professions Languange, Linguistic, Communication & Media Library & Information Science Nursing Public Health Social Sciences Transportation Other

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Kajian Ruwatan Murwakala Cirebon Mochamad Reyhan Fauzi; Asep Miftahul Falah; Agus Cahyana
ATRAT: Jurnal Seni Rupa Vol 13 No 2 (2025): PERANAN SENI TRADISI DALAM PERKEMBANGAN KARYA VISUAL
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i2.4913

Abstract

This study aims to find out about the art and culture of Ruwatan Murwakala in Cirebon, as we know that in Indonesia there are many traditional customs and ceremonies from various tribes that teach and convey the teachings of goodness so that humans within the scope of the tribe are reflected in how behavior or norms and rules that they have to follow, because customs in Indonesia are always tied to religious teachings or good teachings from their ancestors, Ruwat itself is one of the traditions from Indonesia which is very close to Javanese society where the spread of this tradition has several meanings in Each region has different presentations. If in the Dieng plains ruwatan is a tradition of shaving a child’s hair but it is different from that in Cirebon, ruwatan is a tradition of presenting shadow puppet performances with Cirebon wayang gagrak, which must perform a special play, namely the play about the birth of Batara. Kala. The shadow puppet show is very full of meaning and the teachings of the Tareqat Syathariyah which is very popular among the people of Cirebon, this is what makes the concept of this ruwatan full of meaning from Islamic teachings through the prayers offered by the puppeteer during the performance using the Free language and Arabic. In this study we will also find out the philological aspects of Ruwatan Murwakala Cirebon. By taking a qualitative, descriptive approach.
Perjalanan dan Proses Kreatif Seniman Rosid dalam Berkesenian Neng Ulfah Sierra; Asep Miftahul Falah
ATRAT: Jurnal Seni Rupa Vol 13 No 2 (2025): PERANAN SENI TRADISI DALAM PERKEMBANGAN KARYA VISUAL
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i2.4915

Abstract

This study describes the journey and creative process of an artist named Rosid in art using qualitative methods and the Graham Wallas approach. The purpose of this research is to understand how Rosid experiences and deals with the stages in his creative process, as explained by Graham Wallas’ theory. This study was conducted by conducting in-depth interviews and observations with Rosid, who focused on his experiences in creating and the creative processes he experienced. The results of the study show that Rosid’s creative process follows the stages described by Graham Wallas’ theory, namely preparation, incubation, illumination, and verification of reference sources to help form the concept of his artwork. Next. In the preparatory stage, Rosid gathers ideas, inspiration, and sources, in the incubation stage, he gives time for these ideas to “quietly” develop and interact subconsciously before being translated into concrete works. The illumination stage is the time when ideas that have “ripe” appear clearly in Rosid’s mind. This was the time when his creativity was at its peak, and he could clearly formulate concepts and visions for his work. The last stage, namely verification, involves checking and perfecting the work so that it is in accordance with Rosid’s initial vision. This research also reveals that Rosid’s life journey, including his personal experiences and interactions with his environment, played a role in shaping his creative process. The emotional and intellectual experiences Rosid has had in his life have contributed significantly to the richness and depth of his art.
Pengaruh Mata Pelajaran Seni Terhadap Apresiasi Seni di Kalangan Guru Homeschooling HSPG Bandung Afina Munzalina Fadlin; Agus Cahyana; Asep Miftahul Falah; Martien Roos Nagara
ATRAT: Jurnal Seni Rupa Vol 13 No 2 (2025): PERANAN SENI TRADISI DALAM PERKEMBANGAN KARYA VISUAL
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i2.4930

Abstract

Pada dekade ini, entitas seni tidak sekedar dipandang ekspresi estetis semata, melainkan telah masuk pula ke dalam tataran konsep keilmuan yang faktual. (Komala & Nugraha, 2022). Dalam dunia pendidikan, seni juga memberikan pengaruh penting terhadap perkembangan mental maupun kreativitas peserta didik. Proses pembelajaran tidak akan berjalan dengan baik jika dari salah satu komponen tersebut ditinggalkan. Dari komponen itu maka yang sangat berperan dalam proses pembelajaran adalah Guru, sebab guru sebagai narasumber, mediator, instruktur dalam suatu proses belajar mengajar (Hontong et al., 2020). Guru diharapkan memiliki apresiasi seni yang tinggi untuk dapat menginspirasi siswa dalam pemahaman dan menghargai seni. Terlebih pada guru yang ada di homeschooling. Guru homeschooling menjadi fasilitator utama yang bertanggung jawab untuk memotivasi siswa sekaligus menanamkan nilai-nilai pendidikan seni. Namun, apakah kegiatan mengajar seni pada homeschooling mempunyai kontribusi terhadap peningkatan apresiasi seni seorang guru. Berdasarkan uraian di atas, peneliti tertarik untuk meneliti sejauh mana pengalaman mengajar dapat berpengaruh terhadap peningkatan apresiasi seni seorang guru. Penelitian ini menggunakan metode penelitian kuantitatif dengan menggunakan pendekatan deskriptif dan korelasional. Penelitian ini menggunakan metode instrumen berupa kuesioner dengan beberapa pertanyaan tentang latar belakang dan pengalaman seni. Subjek penelitian ini adalah beberapa guru yang ada di sekolah HSPG Bandung, dikarenakan peneliti penasaran dengan bagaimana pendidikan seni yang ada di homeschooling. Hasil penelitian menunjukkan guru yang ada di homeschooling HSPG Bandung memiliki nilai rata-rata tingkat apresiasi seni yang tinggi. Namun, hal tersebut tidak berkaitan dengan pengalaman mengajar seni mereka.
Pengaruh Konser Blackpink “Bornpink World Tour In Jakarta 2023” Terhadap Gaya Busana Penonton Ratu Balqis; Asep Miftahul Falah
ATRAT: Jurnal Seni Rupa Vol 13 No 2 (2025): PERANAN SENI TRADISI DALAM PERKEMBANGAN KARYA VISUAL
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i2.4937

Abstract

In Indonesia, K-Pop music concerts have become highly anticipated and sought-after events by fans of South Korean idols. Blackpink is a popular K-Pop group that has successfully captured the attention of audiences from various backgrounds. This study aims to investigate the influence of the Blackpink concert “Bornpink World Tour Jakarta 2023” on the fashion style of the audience. This research employs a qualitative method with a phenomenological approach, and data collection is conducted through interviews with two respondents who attended the Blackpink concert in Jakarta and analysis through social media regarding public reactions to the concert. The results of the interviews indicate that the Blackpink concert has a significant impact on changes in the audience’s fashion style. Blackpink fans who attended the concert were inspired by the fashion style of the Blackpink members and thus chose fashionable and daring outfits when attending the concert. The fashion style of the Blackpink members serves as inspiration for the audience to experiment with significantly different and unique fashion styles compared to their usual choices. This is influenced by factors such as idol identification, fashion trends, and self-expression. The study concludes that the Blackpink concert has a positive impact on the fashion style of the audience, allowing them to express themselves more freely. The findings of this research can be referenced to understand that K-Pop music events influence fashion trends and clothing culture in Indonesia.
Peran Seni Visual Terhadap Komunitas Musik Underground ISBI Bandung Sagara Mata Dewa; Agus Cahyana; Asep Miftahul Falah; Martien Roos Nagara
ATRAT: Jurnal Seni Rupa Vol 13 No 2 (2025): PERANAN SENI TRADISI DALAM PERKEMBANGAN KARYA VISUAL
Publisher : Jurusan Seni Rupa ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/atrat.v13i2.4938

Abstract

This research aims to understand the role of visual art in shaping identity, strengthening communication, and supporting the existence of a new generation of underground music communities in Bandung, with a focus on communities within the ISBI Bandung environment. The study highlights how visual elements such as posters, logos, album covers, and merchandise designs function as mediums of expression, promotion, and representation of the community’s collective values-including the spirit of inclusivity, resistance, and D.I.Y. (Do It Yourself). The research employs a qualitative analytical approach, using data collection techniques such as interviews, participatory observation, and documentation study. Data were gathered from community members and visual artists directly involved in the ISBI Bandung ecosystem. The findings show that collaboration between musicians and visual artists occurs organically, based on friendships, yet maintains a level of professionalism. Visual art plays a crucial role in reinforcing the musical message and expanding the community’s reach into digital spaces, particularly through social media platforms like Instagram. Beyond its aesthetic function, visual art serves as an effective communication tool that bridges artistic and social experiences between the community and the public. This research affirms that visual art is a fundamental element in shaping an alternative cultural ecosystem amid the currents of globalization and the dominance of popular culture.
MENGANALISIS PROSES KREATIF, TEKNIK, DAN ESTETIKA PADA KARYA SENI KERAMIK Laila Nurfadhilah; Asep Miftahul Falah
Ars: Jurnal Seni Rupa dan Desain Vol 28, No 1 (2025): Januari-April 2025
Publisher : Ars: Jurnal Seni Rupa dan Desain

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.24821/ars.v28i1.14885

Abstract

Penelitian ini bertujuan untuk menganalisis proses kreatif, teknik, dan estetika pada karya seni keramik dengan fokus studi kasus di Pabrik Barokah Keramik, Sukapura, Bandung. Menggunakan pendekatan kualitatif dengan metode deskriptif-analisis, penelitian ini menggali bagaimana praktik pembuatan keramik tradisional dan modern dipadukan dalam satu ruang produksi. Keramik sebagai cabang seni rupa telah mengalami perkembangan panjang dari masa prasejarah hingga era kontemporer, mengedepankan fungsi sekaligus nilai estetika. Dalam konteks keramik di Pabrik Barokah Keramik Sukapura Bandung, berbagai teknik seperti pijat, pilin, lempengan, putar, dan cetak diterapkan untuk membentuk karya, kemudian diperkaya melalui pewarnaan glasir dan teknik dekorasi lainnya. Studi ini juga menyoroti bagaimana inovasi material dan teknologi modern telah memperluas kemungkinan artistik dalam seni keramik, sekaligus mempertahankan unsur tradisi yang menjadi akar budaya lokal. Hasil penelitian ini diharapkan dapat memberikan kontribusi terhadap pemahaman perkembangan seni keramik di Indonesia, khususnya dalam mempertahankan kearifan lokal di tengah arus perkembangan teknologi digital.Kata kunci: seni keramik; proses kreatif; estetika; inovasi; ekspresi seni---Analyzing the Creative Process, Techniques, and Aesthetics in Ceramic Artworks. This research aims to analyze the creative process, techniques, and aesthetics of ceramic artworks with a case study focus at Barokah Keramik Factory, Sukapura, Bandung. Using a qualitative approach with a descriptive-analytical method, this research explores how traditional and modern ceramic making practices are combined in one production space. Ceramics as a branch of fine art has undergone a long development from prehistoric times to the contemporary era, prioritizing function as well as aesthetic value. In the context of ceramics at Barokah Keramik Sukapura Factory in Bandung, various techniques such as massage, twisting, slabbing, turning, and molding are applied to form works, then enriched through glaze coloring and other decoration techniques. The study also highlights how modern material and technological innovations have expanded the artistic possibilities in ceramic art, while maintaining the traditional elements at the root of local culture. The results of this study are expected to contribute to the understanding of the development of Indonesian ceramic art, especially in maintaining local wisdom in the midst of digital technology development.Keywords: ceramic art; creative process; aesthetics; innovation; art expression
Penerapan Ragam Hias Islami Pada Produk Seni Lukis Desa Jelekong: Strategi Meningkatkan Penjualan Lukisan Di Kalangan Masyarakat Muslim Agus Cahyana; Asep Miftahul Falah; Martien Roos Nagara
LOSARI: Jurnal Pengabdian Kepada Masyarakat Vol. 8 No. 2 (2026): (Articles in Progress)
Publisher : LOSARI DIGITAL

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.53860/losari.v8i2.613

Abstract

This community service program was initiated in response to the limited capacity of painters in Jelekong Village to address the growing demand of the Muslim market for artworks that reflect Islamic values. The program focused on the application of Islamic decorative motifs as a strategy for product innovation and sales enhancement. The objective of this program was to improve the painters’ skills in incorporating Islamic decorative motifs into their artworks while expanding market segmentation. The program employed a Participatory Action Research (PAR) approach through the KUPAR stages (to know, to understand, to plan, to action, and to reflection), implemented through training, mentoring, and evaluation involving 20 painters in Jelekong Village. The results revealed that 90% of participants were able to apply Islamic motifs, including calligraphic, geometric, and floral designs, in their paintings; 80% of participants began utilizing social media as a marketing tool; and 60% successfully developed new products in the form of paintings based on Islamic decorative arts. The program contributed to the enhancement of participants’ skills, product diversification, market expansion, and the strengthening of painters’ competitiveness within a creative economy framework rooted in cultural traditions and Islamic values.
Co-Authors Abda Abda Adrian, Regia Aulia Putri Afina Munzalina Fadlin Agus Cahyana Agus Cahyana Agus Cahyana Agus, Cahayana Amelia, Neneng Dela Andini Futty Atik, Saftiyaningsih Ken Cahyani, Isma Awal Fitroh Caroline Valent Sunarko Chamid Nur Dwaji Desriani, Salsa Dion Darsa Sabrian Dudi Muhammad, Rizziq Ramadhan Elina Almara Fajar Evania Sarah Adinda Fajar, Elina Almara Fauzi, Mochamad Ghaitsa Salma Ghaza Ayeesha T.H.A Gustiyan Rachmadi Hanifah Nurul Muslimah Husen Hendriyana Indri Haryanti Islami, Melani Putri Komarudin Kudiya, Komarudin Kurniawan, Dede Ananta Laila Nurfadhilah Mochamad Reyhan Fauzi Muhamad Mubarok Muhammad Afit Nagara, Martien Roos Nan Quddus, Sang Padi Nanang Rizali Neneng Dela Amelia Neng Ulfah Sierra Nisa Haritsatul Ummah Nugroho, Muhamad Prasatyo Putri, Amalia Sandra Ramli, Zaenudin Ratu Balqis Rohmah, Fauziah Saftiyaningsih Ken Atik Sagara Mata Dewa Setiadin Setiadin Siti Nuraini SITI NURJANAH Sri Mulyati, Evi Utan Sahiro Ritonga Wanda Hamidah Wulandari Wulandari