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All Journal Historia: Jurnal Pendidik dan Peneliti Sejarah Pattingalloang : Jurnal Pemikiran Pendidikan dan Penelitian Kesejarahan Yupa: Historical Studies Journal IHiS (Indonesian Historical Studies) Anuva: Jurnal Kajian Budaya, Perpustakaan, dan Informasi JUSPI (Jurnal Sejarah Peradaban Islam) Fajar Historia: Jurnal Ilmu Sejarah dan Pendidikan Santhet: (Jurnal Sejarah, Pendidikan Dan Humaniora) MUKADIMAH: Jurnal Pendidikan, Sejarah, dan Ilmu-ilmu Sosial Chronologia Warisan: Journal of History and Cultural Heritage KRONIK: Journal of History Education and Historiography Purbawidya: Jurnal Penelitian dan Pengembangan Arkeologi Analisis Sejarah Jurnal Sejarah dan Budaya Journal of Community Empowerment Criksetra: Jurnal Pendidikan Sejarah Jurnal Panalungtik
Fauzan Syahru Ramadhan
Universitas Diponegoro
Religion Arts Humanities Education Environmental Science Languange, Linguistic, Communication & Media Law, Crime, Criminology & Criminal Justice Library & Information Science Social Sciences Other

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Sengketa Maritim Di Kalimantan Barat: Dinamika Kesultanan, Kekuatan Eropa, Dan Aliansi Bajak Laut Tahun 1811-1850 Baihaqi, Ahmad Fauzan; Bryna, Bryna Rizkinta S; Ramadhan, Fauzan Syahru; Panditra, Aditia Muara
PURBAWIDYA Vol. 14 No. 2 (2025): 14(2) November 2025
Publisher : Badan Riset dan Inovasi Nasional (BRIN)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55981/purbawidya.2025.12272

Abstract

This article aims to investigate the roots of piracy on the west coast of Kalimantan during the 19th centuries, focusing on the complex interactions between the Pontianak and Sambas Sultanates and European powers. Challenging the common assumption that pirates in the region originated mainly from Sulu Mindanao and Bugis, this study employs a critical historical method to systematically analyze colonial sources and primary texts from the sultanates. The findings reveal that pirates on the west coast of Kalimantan were led by the Sultan and Prince Anom of the Sambas kingdom, who formed an alliance with the Ilanun to attack traders in Pontianak, Mempawah, and Banjar. Additionally, pirate activity was found around Sukadana Bay by the Tanjung Pura community due to the collapse of the Sukadana Kingdom's maritime power resulting from Dutch East Indies colonial expansion. The study highlights the complex interplay between political power dynamics and the challenges of piracy in the region, shedding light on sensitive issues in the collective memory of the local population. These findings contribute to a deeper understanding of Borneo's maritime history and the socio-political factors that shaped piracy during the colonial period, emphasizing the need for a new approach in studying the maritime world of the Indonesian archipelago, particularly the coastal areas of West Kalimantan.
SISTEM PEMASARAN DAN PROMOSI SENTRA PENGRAJIN BATIK DI KAMPUNG TEMATIK DURENAN INDAH KOTA SEMARANG TAHUN 2017-2025 Fauzan Syahru Ramadhan; Alma Savana Fajriyansyah; Salimah Zahiyyah Muna; Nada Shifa
KRONIK : Journal of History Education and Historiography Vol 9 No 2 (2025): December
Publisher : Universitas Negeri Surabaya

Show Abstract | Download Original | Original Source | Check in Google Scholar

Abstract

This research focuses on examining the marketing and promotion system of batik artisan centers in the Thematic Village of Durenan Indah, Semarang City. The majority of Durenan Indah batik artisans generally use a combinative marketing and promotion strategy with conventional and digital approaches. The purpose of this article is to identify and analyze the most effective challenges and promotional strategies to improve the competitiveness of Durenan Indah's batik products in local and national markets. The research method used in this article is a combination of observational and historical methods enriched with a socio-economic approach. The results show that the majority of artisans still rely on traditional word-of-mouth marketing patterns, although most have digital platforms. The main challenge is the limited technological literacy among artisans, the majority of whom are elderly, as well as the lack of significant impact of online promotions that have been conducted. Therefore, as a solution, they rely on partner sales, regular exhibitions, pamphlet distribution, and batik education that creates a personalized experience.
Land Conversion of Bangka Tin Mining Company into Agricultural Land and Socio-Economic Impacts for The Surrounding Communities Fauzan Syahru Ramadhan; Nur Ramadhani Catur Anggoro
Criksetra: Jurnal Pendidikan Sejarah Vol. 14 No. 2 (2025)
Publisher : Sriwijaya University in collaboration with  Perkumpulan Program Studi Pendidikan Sejarah Se-Indonesia (P3SI) dan Masyarakat Sejarawan Indonesia (MSI). 

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.36706/jc.v14i2.68

Abstract

This article focuses on the conversion of Bangka Tin Mining Company land into agricultural land and its impact on the community around the mine. The process of land conversion of the Bangka Tin Company into agricultural land is unique for several reasons, such as the mining area certainly does not have much flora and fauna ecosystem life because mining areas tend to be arid due to mining machines and mining waste and mining areas usually cause mining scars that are simply abandoned without reforesting the mining area. This article aims to find out the process of land conversion of the Bangka Tin Company into agricultural land and the impact of the land conversion on the surrounding community. The method used in preparing this article is the historical method. The historical method is carried out with four stages, namely heuristics, criticism, interpretation, and historiography. From this research, it is known that the land conversion of the Bangka Tin Mining Company into agricultural land initially caused conflict between the company and the surrounding community, but in the end it ended with an agreement between the two parties peacefully through the assistance of the Central Government.
Masjid Makam Mantingan Sebagai Aset Pariwisata Religi Di Jepara Melya Milviana; Lintang Marsashi Kirana; Salsa Nabila Aisya Naya; Fauzan Syahru Ramadhan
PANALUNGTIK Vol. 7 No. 2 (2024): Vol. 7(2) 2024
Publisher : Badan Riset dan Inovasi Nasional (BRIN)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55981/panalungtik.2024.13664

Abstract

This article focuses on examining the current condition and tourism management of the Mantingan Tomb Mosque in Jepara Regency. This research aims to analyze the potential of the Mantingan Cemetery Mosque as a religious tourism asset in Jepara Regency. This article uses observation and historical methods that include heuristics, criticism, interpretation, and historiography. The results show that although the physical condition of the Mantingan Cemetery Mosque is well maintained and has high historical value as a relic of Queen Kalinyamat in the 16th century, its tourism management is still not optimal. The management of the area carried out by the Mantingan Tomb and Mosque Complex Foundation is more focused on religious activities rather than tourism development. The management of Mantingan Tomb Mosque is still passive and minimal intervention, so a comprehensive development strategy is needed to optimize the potential of religious tourism that can boost the regional economy.
Modernitas Dan Perubahan Nilai Dalam Kesenian Kuda Lumping: Studi Kasus Kelompok Margi Wijaya Di Desa Asinan, Kabupaten Semarang Dina Islamiyah; Fina Idamatu Rizqi; Elfio Adistya Putri Ardani; Laila Nur Afwa Alamien; Fauzan Syahru Ramadhan
PANALUNGTIK Vol. 8 No. 2 (2025): Vol. 8(2) 2025
Publisher : Badan Riset dan Inovasi Nasional (BRIN)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55981/panalungtik.2025.13665

Abstract

This article focuses on the value shifts in the traditional art of Kuda Lumping as a result of the influence of modernity, by taking a case study of the Margi Wijaya art group in Asinan Village, Semarang Regency. The purpose of this article is to find out the changes in performance elements such as music, costumes, and dance movements that have undergone significant transformations to suit the tastes and interests of today's audiences. This research uses field observation and historical methods to trace the process of change over time. The observation method is carried out directly to the field then combined with the historical method consisting of heuristics, criticism, interpretation, and historiography. The results showed that traditional gamelan-based music began to be replaced with electronic music that was more rhythmic and attractive. Dancer costumes, which were originally simple and full of symbolic meaning, are now more colourful and modern. Dance movements have also been adjusted to be more dynamic and entertaining. These changes reflect a shift in values from religious and traditional orientations towards entertainment and popular aesthetics. Nevertheless, the Margi Wijaya group still tries to maintain traditional elements as local cultural identity. This study shows that traditional arts are not completely extinct in the flow of modernity but are transformed through an ongoing process of adaptation and value negotiation.    
Upaya Pelestarian Wayang Potehi Di Tengah Modernisasi Pada Masyarakat Tionghoa Kota Semarang Alba Nafi’ah Kurniasanti; Margareta Puttri Edenia; Tirta Perwita Sari; Fauzan Syahru Ramadhan
PANALUNGTIK Vol. 8 No. 1 (2025): Vol 8(1) 2025
Publisher : Badan Riset dan Inovasi Nasional (BRIN)

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.55981/panalungtik.2025.13666

Abstract

This article focuses on the preservation of Wayang Potehi amidst the modernization of the Chinese community in Semarang City. This research aims to analyze in depth the efforts to preserve Wayang Potehi as a traditional performing art that has become the cultural identity of the Chinese community in Semarang City, amidst the current modernization and changes in the lifestyle of the younger generation, and the existence of Wayang Potehi which faces serious threats. The methods used in this article are observation and history, which include heuristics, source criticism, interpretation, and historiography, as well as data collection through interviews with puppeteers, temple administrators, and art community members, accompanied by direct observation of performances and studio activities. The results show that the main challenge of Wayang Potehi preservation lies in the lack of regeneration of puppeteers and puppet craftsmen, as well as the lack of interest of the younger generation. However, a number of strategies have been implemented, such as regular training, the active role of the Tek Gie Hien studio, cooperation with the temple, and the use of digital media as a means of promotion and education. This study concludes that the preservation of Wayang Potehi requires collaboration between local communities, cultural institutions and technology to remain relevant in the modern era.
Co-Authors Alamsyah - Alba Nafi’ah Kurniasanti Alma Savana Fajriyansyah Ambarwati, Ririn Septi Anggoro, Nur Anggoro, Nur Ramadhani Catur Aslama Nada Rizal Bahagio Raharjo, Bahagio Baihaqi, Ahmad Fauzan Bryna Rizkinta Bryna, Bryna Rizkinta S Daradjati, Keke Pahlevi Desi Susanti Desi Susanti Dina Islamiyah Elfio Adistya Putri Ardani Endah Sri Hartatik Fina Idamatu Rizqi Firmansyah, Arravi Haryono Rinardi Indradaffa, Garin Ahmad Jasmin, Larissa Khairana Zata Nugroho Laila Nur Afwa Alamien Lintang Marsashi Kirana Margareta Puttri Edenia Melya Milviana Muhammad Irsyad Khairan Amir Nada Shifa Nur Ramadhani Catur Anggoro Panditra, Aditia Muara Pinem, Arifah Asshaumy Rehmanita Prakosa, Ikhwan Pramono, Muhammad Pramono, Muhammad Setyo Pratama, Olga S. Putra, Oky Nugraha Rafael Aurelius Kristiano Rafi Akmal Rabbani Rahardjo, Bahagio Rizal, Aslama Nada Salimah Zahiyyah Muna Salsa Nabila Aisya Naya Siti Maziyah Tirta Perwita Sari Utomo, Ilham Nur Wasino Wasino