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Journal : Journal of Aesthetics, Creativity and Art Management

Utilizing Sand as Glaze in Agung Glazinia Ceramics Gusti Ngurah Agung Dalem Diatmika; I Ketut Muka; I Nyoman Suardina
Journal of Aesthetics, Creativity and Art Management Vol. 1 No. 1 (2022): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (916.113 KB) | DOI: 10.31091/jacam.v1i1.1597

Abstract

This study aims to practice the application of sand to the glaze which is intended to produce glazes with different colors for staining ceramics. Qualitative methods are used with the data collection process through observation, interviews, and documentation. To find out the results resulting from the use of sand to glaze, an experimental method is applied as a reference in this study. The process of making glaze with a mixture of sand is still the same as the process of making glaze in general, starting from preparing tools or materials, mixing materials, applying to burning to find out the results obtained. The sand can produce new effects such as melting glass melts on glazes with certain colors. Characteristics of sand that is difficult to melt produces its own texture from the sand that is mixed into the glass. Sand glaze is very suitable to be applied to ceramic media which needs different shades from the glaze color in general. In the future sand glaze can be one of the glaze options that are in great demand by the public because it can reduce the material costs of making glaze.
Tri Hita Karana: A contemporary sculpture creation Pande Putu Ogy Mega Sanjaya; I Wayan Adnyana; I Ketut Muka
Journal of Aesthetics, Creativity and Art Management Vol. 1 No. 2 (2022): Journal of Aesthetics, Creativity and Art Management
Publisher : Institut Seni Indonesia Denpasar

Show Abstract | Download Original | Original Source | Check in Google Scholar | Full PDF (310.999 KB) | DOI: 10.31091/jacam.v1i2.1847

Abstract

Tri Hita Karana in Hinduism is the understanding of three main things that cause prosperity for human life which consist of Parhyangan, Pawongan, and Palemahan. The phenomenon stimulates creator to create a sculpture that aimed to provide an understanding related to Tri Hita Karana. The method applied in this creation uses five stages, namely the search for ideas, the search for materials, experiments, the embodiment of the work, and the presentation of the work. In this creation of three-dimensional works of art in the form of sculptures, the creator tries to express Tri Hita Karana issues with the concept of recycle, a process to turn used materials into new materials with the aim of preventing waste that can actually be turned into useful goods. The form of the work will be in the form of contemporary sculpture by displaying unique and authentic new forms. Keywords: Tri Hita Karana, recycle, contemporary sculpture.