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Journal : Panggung

Milestone Dan Makna Ornamen Puri Agung Karangasem Dalam Persfektif Hermeneutika Laba, I Nyoman; Adnyana, I Wayan; Muka, I Ketut; Suardana, I Wayan; Gede Artayani, Ida Ayu
PANGGUNG Vol 35 No 1 (2025): Wacana Seni dalam Identitas, Simbol, Pendidikan Karakter, Moral Spiritual dan Pr
Publisher : LP2M ISBI Bandung

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.26742/panggung.v35i1.3632

Abstract

The architecture of Puri Agung Karangasem shows important achievements in architectural progress and the trajectory of the meaning of ornaments shows the acculturation of Balinese, Chinese, and European cultures. Researchers have not found research on the milestones and meaning of ornaments in the Puri. The purpose of this research is to explain the important historical achievements and the meaning of architectural ornaments of Puri Agung Karangasem. A qualitative descriptive method is implemented to explain the milestones and meaning of architectural ornaments of Puri Agung Karangasem. Hermeneutic theory is used as an approach to uncover the historicity and interpretation of the meaning of the architectural ornaments of the Puri. Data collection techniques include observation, interviews and documentation, while as a source of data are ornaments on palace architecture, cultural experts, community leaders, and as key informants of Penglingsir Puri and Abdi Dalem Puri. The results of the study show that the architecture of Puri Agung Karangasem has a very important meaning and achievement in the history of Bali, especially in the context of the kingdom. The forms of ornaments found in Puri Agung Karangasem can be distinguished into three, namely ornaments in traditional Balise, Chinese and European styles, resulting in a combination of typical ornamental forms of Puri Agung Karangasem. From a hermeneutic perspective, these ornaments are signs that refer to certain aspects of social, religious, and political life in Bali, especially the kingdom of Karangasem. In addition, the ruler of Puri Agung Karangasem in ancient times had a fairly good cultural relationship with people from China and Europe, as reflected in the visualization of ornaments integrated into the architecture of the Puri.
Co-Authors Adesastrawiguna, Iputu Adi Udyana, I Made Agustin Dia Sapariadi, I Dewa Ayu Reika Alit Parwita Yana, I Made Anak Agung Ayu Oka, Saraswati Angga Maha Putra, I Komang Arba Wirawan, I Komang Ardika, I Gusti Ngurah Putu Arimbawa, I Gede Artawan, Cokorda Alit Artayani, Ida Ayu Gede Bangun, Jabatin Bimo Prasetyo Darmawan, James Dewa Putu Oka Prasiasa Diajeng Wardani Diantari, Ni Kadek Yuni Eka Putri Suryantari Gusti Ngurah Agung Dalem Diatmika I Gede Arya Sugiartha, I Gede Arya I Gede Mugi Raharja I Ketut Adi Sugita I Ketut Ardhana Ardhana, I Ketut Ardhana I Ketut Sida Arsa, I Ketut Sida I Komang Sudirga I Made Berata I Made Jana I Made Mertanadi I Made Suarpradana, K I Made Sujana I Made Suparta I Nengah Wirakesuma, I Nengah I Nyoman Linggih I Nyoman Suarka I Nyoman Yudhi Satriawan I Nyoman, suardina I Wayan Adnyana I Wayan Mudra, I Wayan I Wayan Suardana I Wayan Suardana I Wayan Sudana I Wayan Sujana I Wayan Sujana Ida Ayu Gede Artayani Ida Ayu Nyoman Yuliastuti Jana, I Made Karuni, Ni Kadek Kondra, I Wayan Laba, I Nyoman Lavani, Kadek Gina Shamita Made Rai Budaya Bumiarta Miyasa, I Nyoman Ni Luh Gede Putu Purnawati Ni Made Rai Sunarini, Ni Made Rai Ni Made Ruastiti Pande Ketut Ribek Pande Putu Ogy Mega Sanjaya Putu, Tari mey jessica Rai, Sunarini Ratna Cora Sudharsana, Tjok Istri Remawa, Anak Agung Gede Rai Ruta, I Made Ruta, Made Satrio Hutomo, Adam Soelistyowati Soelistyowati Suardana I Wayan, Suardana Sugiartini, Ni Nyoman Ari Totton, Mary Louise Utami, Ni Luh Ayu Pradnyani Wayan Karja Yogi Kertayasa, I kadek