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Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya
Published by Universitas Mulawarman
ISSN : 25497715     EISSN : 25497715     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences
Jurnal Ilmu Budaya (Jurnal Bahasa, Sastra, Seni, dan Budaya) merupakan jurnal yang dikelola oleh Fakultas Ilmu Budaya sebagai media publikasi ilmiah hasil penelitian dalam bidang bahasa, sastra, seni, dan budaya, termasuk pengajarannya. Terbit sebanyak empat kali setahun, yaitu pada bulan Januari, April, Juli, dan Oktober, dan diterbitkan hanya dalam format elektronik.
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Articles 616 Documents
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THE OPPRESSION TOWARDS BLACK FEMALE CHARACTERS AS MAID IN THE HELP NOVEL BY KATHRYN STOCKETT Dominilla, Abigail Flavia; Kuncara, Singgih Daru; Valiantien, Nita Maya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 4, No 4 (2020): Oktober 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v4i4.3152

Abstract

This research analyzed the oppression issue that happened in The Help novel. The oppression mostly happened to the two main black female characters in the novel, namely Aibileen Clark and Minny Jackson. The purpose of this research is to analyze how the kinds of oppression happened through the postcolonial feminism perspective. To provide deeper analysis, qualitative research is used as the research method. By the analysis, it was found that Aibileen got four kinds of oppression, which are exploitation, marginalization, powerlessness, and cultural imperialism. Whereas Minny Jackson got all the kinds of oppression towards her. These oppressions can be seen through the narration, dialogue, action, thoughts, and physical appearance of the characters. Both of them got the oppression because as the third world women, they were shaped to be inferior towards Miss Hilly, Miss Leefolt as their masters and Leroy as Minny’s husband. Based on the analysis, the researchers concluded that black women experienced double oppression than the first world women, considering not only through their gender but also race and class. Penelitian ini menganalisis masalah penindasan yang terjadi dalam novel The Help. Penindasan sebagian besar terjadi pada dua karakter perempuan kulit hitam utama dalam novel, bernama Aibileen Clark dan Minny Jackson. Tujuan dari penelitian ini adalah untuk menganalisa bagaimana jenis – jenis penindasan terjadi melalui sudut pandang feminism poskolonial. Untuk memberikan analisa yang lebih dalam, penelitian kualitatif digunakan sebagai metode penelitian. Melalui analisa, telah ditemukan bahwa Aibileen mendapatkan empat jenis penindasan, yakni eksploitasi, marginalisasi, ketidakberdayaan, dan imperialisme budaya. Sedangkan Minny Jackson mendapatkan semua jenis penindasan disebabkan. Penindasan ini dapat dilihat melalui narasi, dialog, aksi, pikiran, dan penampilan fisik karakter. Keduanya mendapatkan penindasan karena sebagai perempuan negara ketiga, mereka ditentukan untuk menjadi bawahan terhadap Miss Hilly dan Miss Leefolt sebagai majikan mereka dan Leroy sebagai suami Minny. Berdasarkan analisa, peneliti menyimpulkan bahwa perempuan kulit hitam mengalami penindasan ganda daripada perempuan negara pertama, menimbang tidak hanya melalui jenis kelamin tetapi juga melalui ras dan kelas mereka.
PREJUDICE TOWARDS INDIAN IN MORAIS’ THE HUNDRED-FOOT JOURNEY NOVEL Rohmah, Henny; Kuncara, Singgih Daru; Lubis, Indah Sari
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 5, No 1 (2021): Januari 2021
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v5i1.3266

Abstract

This research analyzes prejudice in The Hundred Foot Journey Novel. The novel explains about prejudice which is done by French towards Indian. This research aims to reveal rejections generated from prejudice that happened to Indian and to describe the behaviors of Indian when they experienced prejudice. This research uses Gordon Allport’s prejudice theory and then the prejudice generated several rejections: antilocution, avoidance, discrimination, physical attack and extermination. Prejudice also generated behaviors from the victim of it, in this case behaviors became the response. The theory of behavior is also based on Gordon Allport which divided into extropunitive and intropunitive behavior. The method of this research is qualitative research with mimetic approach. The data are narrations and dialogues that related to prejudice and also rejections from prejudice. The data are analyzed by using Allport’s theory and then the process of data analysis is using Miles and Huberman’s theory. The result of this research is four out of five rejections from prejudice are found in this research. There were antilocution, avoidance, discrimination, and physical attack. Meanwhile in this research, extropunitive was the most dominant behavior as the response from the Indian.
DEIKSIS DALAM NOVEL HALIMUN SEBERKAS CAHAYA DI TANAH DAYAK KARYA RINA TRI HANDAYANI Imelda, Riris
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 4, No 4 (2020): Oktober 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v4i4.2939

Abstract

Penelitian ini bertujuan untuk mendeskripsikan jenis dan fungsi deiksis dalam novel Halimun Seberkas Cahaya Di Tanah Dayak Karya Rina Tri Handayani ditinjau dari pragmatik. Jenis penelitian ini menggunakan metode kualitatif deskriptif, yaitu untuk memperoleh gambaran tentang jenis dan fungsi deiksis. Sumber data penelitian ini novel Halimun Seberkas Cahaya Di Tanah Dayak Karya Rina Tri Handayani. Teknik pengumpulan data menggunakan teknik baca, teknik catat, dan mengklasifikasi data. Teknik analisis data menggunakan reduksi data, penyajian data, dan penarikan simpulan. Hasil penelitian menunjukkan bahwa jenis deiksis dalam novel Halimun Seberkas Cahaya Di Tanah Dayak Karya Rina Tri Handayani terdiri atas deiksis persona berupa kata, yakni aku, kita, kamu, dan mereka yang mengacu kepada parah tokoh di dalam novel, Deiksis tempat berupa frasa, yakni di sini, ke sini yang mengacu kepada latar tempat novel, deiksis waktu berupa kata, yakni tadi, esok, nanti, dan kemarin, yang mengacu kepada waktu terjadinya tuturan dalam novel, deiksis wacana, berupa kata itu yang mengacu pada anafora bagian tertentu dalam novel. Kedua fungsi deiksis yang ditemukan berupa fungsi referensial, fungsi konatif, fungsi emotif, dan fumgsi fatis.This research attempted to describe the genre and the function of deicsis in Novel Halimun Seberkas Cahaya Di Tanah Dayak by Rina Tri Handayani was contemplated from Pragmatics. The genre of this research utilized descriptive qualitative method, that was to obtain a view of the genre and the function of deicsis. The source of this research is Halimun Seberkas Cahaya Di Tanah Dayak by Rina Tri Handayani’s novel. The technique of collecting data utilized data reduction, data serving and pulling the conclusion. The result of this research showed that the genre of the deicsis in Halimun Seberkas Cahaya Di Tanah Dayak by Rina Tri Handayani’s novel consists of personal deicsis that is the word, I, we, you and they who tends to the characters in the novel,  the place of Deicsis that is phrase, namely then, tomorrow, later, and yesterday, which tends to the time when the utterance was happened in the novel, the deicsis of discourse, that is the word that which tends to anaphora in particular part in the novel. Both the function of the deicsis which were found that were the function of referential, the function of connotative, the function of emotive and the function of fatis.
AN ANALYSIS OF CONVERSATIONAL IMPLICATURE ON “JUMANJI: WELCOME TO THE JUNGLE” FILM Saniatang, Saniatang; Sili, Surya; Setyowati, Ririn
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 4, No 3 (2020): Juli 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v4i3.3087

Abstract

In this research, the researcher used the film as the object of the research entitled Jumanji: Welcome to the Jungle film and focused on understanding character utterances. The data were taken from the film script and scene in the form of utterances. Through the utterances, the participants tell their idea and opinion about something, but sometimes they do not say their goals directly; this is called implicature. Based on that, the researcher tries to understand the meaning of implicature utterances occurred in the film based on the implicature theory. This research was aimed at classifying the types of conversational implicature, which have been done by the five main characters in the film and then explaining the implied meaning. The researcher used Levinson's implicature theory and context by DeVito. The data were explained by showing the maxim flouted by the main characters, the context of the situation, the types of conversational implicature, and the implied meaning of the utterances. Dealing with the purposes of the research, it was found that the five main characters used implicature. Thirty-seven utterances contained conversational implicatures, which comprise thirty-four particularized conversational implicature, and three generalized conversational implicature. The five main characters used particularized conversational implicature more frequently than generalized conversational implicature. In addition, it was also found that the implied meaning behind main characters’ utterances mostly depend on the context of the conversation. The implied meaning found were informing, complaining, refusing, reminding, criticizing, assuring, affirming, apologizing, and entreating.
THE ERRORS OF SPEECH PRODUCTION IN DORY’S UTTERANCES OF FINDING DORY MOVIE Vahlevi, Reza; Natsir, M.; Setyowati, Ririn
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 4, No 4 (2020): Oktober 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v4i4.3294

Abstract

This study is aimed to find out the errors of speech production in Dory’s utterances of Finding Dory movie. The theory used to find out the errors of Dory’s speech production was Levelt’s model of speech production (1999): conceptualisation, formulation, articulation, and self-monitoring. Words in the form of dialogues (Dory’s utterances when her short-term memory loss appeared only) were the data in this study. The research design of this study was qualitative.  The results showed the errors of speech production in Dory’s utterances were identified into five types such as words substitution, contradictory utterance, similar words rhyming, incomplete utterances, and hesitation utterance. The most affected stage by Dory’s short-term memory loss was conceptualisation. It was because during the times when short-term memory loss appeared, Dory realised that her disorder infiltrating the stage that made her to be unsatisfied and as the result, she retracted and performed her utterances from the beginning many times. Therefore, this study concluded the errors that Dory produced in her speech production were all caused by the interference of short-term memory loss.
KETIDAKADILAN GENDER TOKOH UTAMA PEREMPUAN DALAM NOVEL STAY WITH ME TONIGHT KARYA SOFI MELONI Hasmawati, Hasmawati; D., Dahri; Hanum, Irma Surayya
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 4, No 3 (2020): Juli 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v4i3.2940

Abstract

ABSTRAK Penelitian ini bertujuan untuk mengkaji ketidakadilan gender di dalam sebuah karya sastra, yaitu novel berjudul Stay with Me Tonight Karya Sofi Meloni. Penelitian ini merupakan penelitian kualitatif dengan metode kepustakaan. Penelitian ini menggunakan pendekatan struktural. Dalam penelitian ini untuk mendapatkan data atau kutipan menggunakan teknik pengumpulan data yaitu teknik baca dan teknik catat. Hasil penelitian pertama, struktur faktual dalam novel Stay with Me Tonight Karya Sofi Meloni meliputi alur, tokoh dan penokohan, serta latar. Alur yang terdapat dalam novel ini adalah alur campuran. Tokoh-tokoh dalam novel ini adalah Ayu sebagai tokoh utama perempuan dan Benny Kurniawan sebagai tokoh utama laki-laki. Sedangkan tokoh tambahan yaitu ibu, Baron, Ditto, Yuana, dan Rio. Latar dalam novel ini sebagian besar berada di Jakarta. Kedua, ketidakadilan gender pada tokoh utama perempuan (Ayu) yaitu (1) marginalisasi dialami oleh Ayu digambarkan sebagai PSK. (2) subordinasi dialami Ayu yang dianggap tidak penting oleh Benny. (3) pandangan stereotipe dialami Ayu yang dipaksa untuk berdandan dan dianggap tidak penting hanya sebagai pemuas nafsu. (4) kekerasan yang dialami Ayu salah satu bentuk kekerasan terhadap perempuan adalah pelacuran, bentuk pelacuran yang dialami Ayu dijual oleh ayah tirinya di sebuah bar. (5) beban kerja yang dialami Ayu harus menanggung untuk mencukupi kebutuhan hidupnya, tokoh Ayu yang mengalami kesulitan ekonomi memaksa dirinya harus bekerja paruh waktu untuk memenuhi kebutuhan hidupnya. ABSTRACT This research aimed to analyze gender injustice in a literary work, a novel entitled Stay with Me Tonight by Sofi Meloni. This research was qualitative research with the method of library research. This research used structural approach. The research used reading and note taking technique to obtain data and quote in this research. The firstresultof this research showed that factual structure in Stay with Me Tonight novel by Sofi Meloni includes plot, character and characterization and setting. The plot was mixed plot (combination between progressive and flashback plot). The characters were Ayu as main female character and Benny Kurniawan as main male character. There were also additional characters; Mother, Baron, Ditto, Yuana and Rio. Setting of this novel was mostly in Jakarta. Thesecond result of this research showed that there was gender injustice experienced my main female character (Ayu) which were: (1) marginalization experienced by Ayu as she was described as a prostitute. (2) subordination experienced by Ayu as she was considered not important by Benny. (3) stereotype experienced by Ayu as she was forced to put make and dress up and considered not important only as person to satisfy man’s lust. (4) violence experienced by Ayu to become a prostitute, the form of violence was she was sold by her step father in a bar. (5) Ayu had to be responsible to fulfill her needs, Ayu character experienced economic difficulties forcing her to have part time work to live.
HUBUNGAN BAHASA DAN PIKIRAN DALAM JUAL-BELI DI GRUP FACEBOOK BUSAM TINJAUAN PSIKOLINGUISTIK Wahyuni, Desna Try; Mulawarman, Widyatmike Gede; Purwanti, Purwanti
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 5, No 1 (2021): Januari 2021
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v5i1.3078

Abstract

This study links language, mind and Facebook social media. Currently, buying an selling using social media is a common thing to do by the community, but it should be noted that: 1) Language and thought relations in every sale and purchase transaction on the BUSAM Facebook group. This study uses the theory of Sapir-whrof, Jaen Piaget, and also Vygotsky, using psycholinguistic studies. This research use descriptive qualitative approach. Data is obtained by using a screen capture (screenshot) status in the BUSAM Facebook group. In addition, users also use the Facebook account interview technique. Then, examine and record the data obtained for analysis in accordance with predetermined theories. The results of this study state that, language and thought used by the community are generally an interrelated activity. So that the two cannot be separated. Language can influence the mind using sentences expressed through oral and written. The mind can influence language with ideas that arise in the mind and language as an intermediary for its expression. Language and mind, of course, cannot be separated because the two are interconnected and have an important role for society.
CLASS EXPLOITATION IN RON RASH’S SERENA NOVEL: A MARXIST CRITICISM Nurman, Muniralizah; Kuncara, Singgih Daru; Muhajir, Fatimah
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 5, No 1 (2021): Januari 2021
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v5i1.3144

Abstract

This study examined Serena novel written by Ron Rash as the object of the research. The aimed of this research was to find out the portrayal of class distinction and labor exploitation in the novel. To achieve the purposes of the study, the research applied Marx’s Social Class and Exploitation theory, and International Labor Organization or ILO’s Indicators of Labor Exploitation. This research used descriptive qualitative research method and Marxist criticism to analyze the social issue of class exploitation reflected in the novel. The data in this research were words, phrases, sentences and paragraphs that indicated social class and exploitation. The result of this research showed two social classes, they were bourgeoisie and proletariat. Bourgeoisie referred to Serena, Pemberton, Buchanan and Wilkie who were owner of timber business, while proletariat were the workers whose life only depended on bourgeoisie for employment. Meanwhile, there were four forms of labor exploitation. First was excessive working hour, like worked eleven hours shift a day and only fifteen minutes break. Second was low salary, like cheap labor and inappropriate wages. Third was bad living condition, like limited and uncomfortable living condition, live in cheap and ragged wooden boxcar. And fourth was hazardous work, like no safety equipment, manual and dangerous tools, forced to work in moody ground and against extreme cold.Keyword: Marxist criticism, Capitalism, Class distinction, Exploitation, Mode of production.
BUDAYA PEMALI DALAM MASYARAKAT ETNIK TORAJA DI KOTA SAMARINDA: SUATU TINJAUAN SEMIOTIKA Astuti, Risna Dwi; Arifin, M. Bahri; Rijal, Syamsul
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 4, No 4 (2020): Oktober 2020
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v4i4.2850

Abstract

Pemali merupakan salah satu bentuk tradisi lisan yang digunakan sebagai bentuk larangan paling halus dan sopan. Salah satu masyarakat yang masih mengamalkan pemali adalah masyarakat etnik Toraja. Penelitian ini membahas tentang makna tanda semiotika pemali yang ada dalam masyarakat etnik Toraja. Penelitian ini bertujuan untuk (1) mengetahui pemali apa saja yang ada pada masyarakat etnik Toraja di Kota Samarinda; (2) mendeskripsikan makna yang terkandung pada pemali masyarakat etnik Toraja di Kota Samarinda. Penelitian ini termasuk penelitian lapangan menggunakan pendekatan kualitatif dengan model pemerian deskriptif. Data penelitian ini berupa teks pemali yang diketahui dan dilaksanakan oleh masyarakat etnik Toraja di Kota Samarinda, sedangkan sumber data dalam penelitian ini, yaitu informan dari masyarakat etnik Toraja yang menetap di Kota Samarinda. Pengumpulan data dilakukan dengan teknik wawancara, perekaman dan pencatatan. Kemudian, data dianalisis dengan menggunakan teori semiotika Roland Barthes yang melihat tanda dalam dua tingkat pemaknaan, yaitu pemaknaan tingkat satu (denotasi) dan pemaknaan tingkat dua (konotasi). Hasil penelitian ini menunjukkan bahwa makna tanda pada tingkat pemaknaan kedua menjelma menjadi mitos. Dari 47 rumusan pemali yang diketahui dan dilaksanakan oleh masyarakat etnik Toraja di Kota Samarinda terdapat 5 pemali yang berkaitan dengan kesehatan, 6 pemali yang berkaitan dengan dengan keselamatan, 3 pemali berkaitan dengan rezeki dan 1 pemali berkaitan dengan jodoh.
PEMALI DALAM MASYARAKAT ETNIK JAWA DI KOTA SAMARINDA: SUATU TINJAUAN SEMIOTIKA Aryzona, Chandika; Arifin, M. Bahri; Rijal, Syamsul
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 5, No 2 (2021): April 2021
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v5i2.3379

Abstract

Penelitian ini membahas tentang interpretasi makna tanda pemali dalam masyarakat etnik Jawa yang berdomisili di Samarinda. Adapun tujuan dari penelitian adalah untuk mengetahui pemali apa yang diketahui serta dilaksanakan oleh masyarakat etnik Jawa dan makna tanda yang tekandung dalam pemali yang dilaksankan oleh masyarakat etnik Jawa. Penelitian ini merupakan penelitian lapangan serta menggunakan pendekatan kualitatif denga metode deskriptif. Data penelitian ini berupa pemali yang didapatkan melalui informan yang mengetahui tentang budaya pemali dan masih melaksanakannya. Selanjutnya, data dikumpulkan dengan metode wawancara, rekam, dan catat. Kemudian, dianalisis dengan teknik reduksi data, transkip data, dan penyajian data. Hasil dari penelitian ini ditemukan makna tanda pada setiap pemali dengan menggunakan teori semiotika teori kebohongan (The Theory Of Lie) milik Umberto Eco yang dapat dilihat dari dan makna konotatif /metafora (tanda mengelabui atau membohongi) adalah bentuk akibat yang akan menjadi tanda pemaknaan tingkat dua dan makna denotatif atau makna nyata (sebenarnya) yang sesuai kamus adalah pemaknaan tingkat satu, sehingga dari pemali tersebut akan diketahui tanda mana yang mengelabui (konotatif) serta makna sebenarnya (denotatif) pada pemali masyarakat etnik Jawa. Dalam penelitian ini didapatkan 103 pemali yang diketahui dan 30 pemali yang dilaksanakan.

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