cover
Article Per Year (5 Year)
All
Home Page
OAI Link
Editorial Team
Contact
Reviewer
Google Scholar
Contact Name
Alfian Rokhmansyah
Contact Email
jurnalilmubudaya.fibunmul@gmail.com
Phone
+6285385388335
Journal Mail Official
jurnalilmubudaya.fibunmul@gmail.com
Editorial Address
Jl. Ki Hajar Dewantara, Gunung Kelua, Kec. Samarinda Ulu, Kota Samarinda, Kalimantan Timur, Indonesia 75123
Location
Kota samarinda,
Kalimantan timur
INDONESIA
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya
Published by Universitas Mulawarman
ISSN : 25497715     EISSN : 25497715     DOI : -
Core Subject : Humanities, Education, Art, Social,
Arts Humanities Education Languange, Linguistic, Communication & Media Social Sciences
Jurnal Ilmu Budaya (Jurnal Bahasa, Sastra, Seni, dan Budaya) merupakan jurnal yang dikelola oleh Fakultas Ilmu Budaya sebagai media publikasi ilmiah hasil penelitian dalam bidang bahasa, sastra, seni, dan budaya, termasuk pengajarannya. Terbit sebanyak empat kali setahun, yaitu pada bulan Januari, April, Juli, dan Oktober, dan diterbitkan hanya dalam format elektronik.
Arjuna Subject : -
Articles 642 Documents
 61   62   63   64   65 
Absurditas Dalam Naskah Drama Manufaktur Anatomi Kera Karya Gulang Satriya Pangarso Nur Halimah; Eka Yusriansyah; Irma Surayya Hanum
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 10, No 2 (2026): April 2026
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v10i2.26204

Abstract

Penggunaan simbol hewan dalam karya seni dan sastra telah menjadi medium alegoris yang kuat sejak puluhan ribu tahun lalu untuk merepresentasikan tingkah laku, moralitas, hingga kritik sosial manusia. Penelitian ini mengkaji fenomena simbolisasi hewan dan hubungan timbal balik antara manusia dan hewan dalam naskah drama Manufaktur Anatomi Kera karya Gulang Satriya Pangarso. Naskah Ini menampilkan narasi unik mengenai pemujaan terhadap kera sebagai refleksi atas krisis eksistensial manusia. Tujuan dari penelitian Ini adalah untuk mendeskripsikan narasi dan bentuk-bentuk absurditas yang terdapat dalam naskah tersebut. Metode penelitian yang digunakan adalah kualitatif deskriptif. Analisis dilakukan dengan berlandaskan pada teori Absurdisme Albert Camus sebagai kerangka utama, yang didukung oleh teori Semiotika Roland Barthes sebagai pendekatan untuk membedah tanda-tanda simbolik dalam teks. Hasil penelitian menunjukkan bahwa: (1) Narasi absurditas dalam naskah Manufaktur Anatomi Kera terkonstruksi melalui jalinan alur yang tidak linear, dialog-dialog yang melampaui logika konvensional, serta karakterisasi tokoh yang terjebak dalam kondisi anomali; (2) Bentuk-bentuk absurditas termanifestasi dalam penggambaran semesta yang absurd, upaya tokoh dalam pencarian makna dan kedamaian hidup di tengah kekacauan, serta munculnya konsep spiritualisme yang tidak lazim melalui pemujaan terhadap hewan. Penelitian Ini menyimpulkan bahwa simbolisasi kera dalam naskah tersebut bukan sekadar figuratif, melainkan representasi dari keterasingan manusia dan upaya sia-sia dalam mencari pegangan hidup di tengah dunia yang tak masuk akal.Kata kunci: Absurdisme, Manufaktur Anatomi Kera, Albert Camus, Semiotika, Simbolisme Hewan
Representasi Israel dalam Media Massa Daring CNN Indonesia: Analisis Wacana Kritis Theo Van Leeuwen Herliana Juliyanti; Ian Wahyuni; Ahmad Mubarok
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 10, No 2 (2026): April 2026
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v10i2.22713

Abstract

Fungsi media tidak hanya sekadar menyajikan fakta, tetapi juga dapat melakukan konstruksi sosial berdasarkan ideologi media. Dalam konteks ini, tujuan peneliti adalah menelaah cara Israel direpresentasikan oleh CNN Indonesia melalui pemberitaan konflik dengan Palestina, terutama pada periode Oktober 2023 hingga Agustus 2024. Representasi tersebut dianalisis menggunakan pendekatan analisis wacana kritis untuk mengetahui bagaimana Israel dimunculkan dalam teks berita. Penelitian ini menggunakan metode kualitatif deskriptif dengan jenis penelitian kepustakaan. Data yang dikumpulkan berupa kutipan teks dari berita daring CNN Indonesia yang membahas konflik Israel-Palestina. Teknik pengumpulan data dilakukan dengan metode Simak Bebas Libat Cakap (SBLC), teknik dokumentasi, dan teknik catat. Dalam penelitian ini digunakan teori Analisis Wacana Kritis (AWK) model Theo Van Leeuwen, khususnya strategi inklusi, untuk menganalisis cara Israel dimunculkan dalam pemberitaan. Data dianalisis menggunakan metode padan referensial dengan teknik Pilah Unsur Penentu (PUP) dan Hubung Banding Menyamakan (HBS). Hasil penelitian menunjukkan bahwa adanya bentuk strategi inklusi yang digunakan CNN Indonesia untuk menampilkan Israel dalam teks berita, diantaranya yaitu diferensiasi-indiferensiasi digunakan untuk menampilkan Israel sebagai aktor tunggal yang bertanggung jawab atas penderitaan warga palestina; objektivitas-abstraksi digunakan untuk menegaskan perlakuan ataupun jumlah korban imbas serangan Israel; kategorisasi, identifikasi dan determinasi digunakan untuk menampilkan citra Israel yang cenderung negatif; individualisasi-asimilasi digunakan untuk menjelaskan bahwa yang bertanggung jawab hanya pihak Israel secara individu atau berkelompok; dan asosiasi-disosiasi digunakan untuk menunjukkan ada atau tidaknya keterkaitan Israel terhadap konflik lainnya. Mengenai representasi, CNN Indonesia membentuk konstruksi makna melalui pemilihan kata, frasa, dan struktur kalimat yang menunjukkan Israel dengan konotasi negatif sehingga dapat menggiring opini pembaca.
AN ANALYSIS OF FLOUTING MAXIM IN ANYONE BUT YOU (2023) FILM Diva Laili Ardelia; Nita Maya Valiantien
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 10, No 2 (2026): April 2026
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v10i2.23185

Abstract

Communication plays a crucial role in daily interactions, and to ensure effective exchanges, certain conversational rules must be followed. When these rules are intentionally broken, the resulting implications often reveal more than the words themselves. This research analyzes the flouting of conversational maxims as proposed by Grice in the romantic comedy film Anyone But You (2023), focusing on the main characters, Bea and Ben. Using a qualitative descriptive method, the study identifies and categorizes instances in which the characters flout the maxims of quantity, quality, relation, and manner, and aims to identify the strategies they use to flout these maxims. The data, drawn from the characters' dialogues, reveal how flouting is employed to express emotional complexity, especially in the context of their love-hate relationship. The results show that Bea frequently flouts the maxim of quantity to emphasize her argument and persuasion, while Ben often flouts the maxim of relevance by redirect the conversation and giving unrelated comments. They both also flout the maxims of quality and manner to create humor, conceal true feelings. This study highlights how such linguistic strategies enhance the narrative, and it contributes to a deeper understanding of pragmatic phenomena in cinematic dialogue. Additionally, this research has differences from prior studies by applying the flouting maxim theory to romantic comedies with love-hate relationship dynamics.Keywords: Flouting Maxim, Romantic Comedy, Anyone but You
The Representation of Campbell's Monomyth in Mission: Impossible Dead Reckoning Part One (2023) Film Helfina Devianti; Singgih Daru Kuncara
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 10, No 2 (2026): April 2026
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v10i2.19051

Abstract

This study aimed to determine the representation of monomyth in the Mission: Impossible Dead Reckoning Part One film through the character Ethan Hunt using Campbell’s hero’s journey theory. This study also analyzed the plot and Ethan’s characterization to find out whether the plot in the modern film is related to Campbell’s hero’s journey theory. This study also focused on Ethan’s journey as the main character who goes through various events according to Campbell’s hero’s journey. The data source in this study is the Mission: Impossible Dead Reckoning Part One film. The story in this film was relevant to the modern world, exploring the dangers of out-of-control AI technology. The data taken in this study were dialogues, monologues, and events that represent the hero’s journey experienced by Ethan as the main character. The data collection technique was watching the film repeatedly, looking at the transcription of the film, highlighting important events, and taking notes for the analysis. This study used a structuralism approach that concentrates more on identifying and describing the structures in the hero’s journey. The analysis of this data showed that Mission: Impossible - Dead Reckoning Part One successfully represents the monomyth through the character of Ethan by using Campbell’s hero’s journey theory. The analysis of the plot and Ethan’s characterization in this film showed that although this film is modern, Campbell’s hero’s journey theory is still relevant and applicable, even though the story has a different context from traditional myths or legends.
The Symbols of Anxiety in Rumaan Alam’s “Leave The World Behind” Ridho Pratama Satria; Wilma Prafitri; Fatimah Muhajir
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 10, No 2 (2026): April 2026
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v10i2.24780

Abstract

This research examines the meanings of the symbols appearing in Rumaan Alam's novel "Leave The World Behind." The discussion for the meaning of these symbols utilize the New Criticism theory. This study found two important symbols from the story: the house and the animal (deer and flamingo). The house represents the calm and well-prepared personality of the homeowner. The animals represent the mode or the passage of transportation. These symbols emerge to explain the issue of anxiety inherent in humans. The animals represent the full meaning of anxiety. When anxiety arises, humans tend to flee to protect themselves. The house represents the need to remain calm and prepared to face the anxiety that arises.
The Ideas of Love in William Shakespeare’s Sonnets: An Existential-Psychological Analysis Based on Rollo May’s Theory of Love Agra Liz Tantri; Fatimah Muhajir
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 10, No 2 (2026): April 2026
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v10i2.24058

Abstract

This study aims to examine the representation of the idea of love in three famous sonnets by William Shakespeare: Sonnet 18 (“Shall I compare thee to a summer’s day?”), Sonnet 116 (“Let me not to the marriage of true minds”), and Sonnet 64 (“When I have seen by Time’s fallen hand defaced”), written during the Renaissance period. Using a humanistic approach, this study seeks to uncover how Shakespeare portrays love as a human experience using Rollo May's existential theory of love, which encompasses four forms of love: Sex, Eros, Philia, and Agape. The approach used was qualitative-descriptive, with textual analysis of lines of sonnets containing the theme of love. The focus of the research was to identify how Rollo May’s forms of love can be found and interpreted in those sonnets. The results show that the three sonnets do not emphasize the physical aspect of love (sex), but rather present a deeper and more complex form of love. The findings demonstrate that love in Shakespeare's sonnets has an existential dimension that aligns with Rollo May's view of love as a profound and meaningful human experience.
Language and Gender Representation in Corporate Social Responsibility: A Case Study of PT Kideco’s Company Profile Muhammad Khaidirr Nasik; Wilma Prafitri
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 10, No 2 (2026): April 2026
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v10i2.26652

Abstract

Corporate Social Responsibility discourse serves as a key platform for gender representation in Indonesia's male-dominated mining sector. This study examines linguistic gender patterns in PT Kideco Jaya Agung's Company Profile 2024 using Fairclough's (1992) three-dimensional Critical Discourse Analysis framework. Manual analysis identified 70 gender references across 45 pages, revealing "pria" dominance at 67.1% (47 instances) versus 32.9% female terms (23 instances), despite the company's reported 15% female workforce participation. Key findings demonstrate 69.6% of female references employ passive constructions compared to 27.7% of male references, positioning women as beneficiaries rather than operational agents. Collocational analysis shows male terms associated with core functions (operations, leadership) while female terms cluster around peripheral social programs (training, empowerment), evidencing tokenistic discourse despite numerical diversity achievements. These patterns confirm persistent patriarchal framing characteristic of mining CSR communication. The study recommends gender-neutral terminology, active voice constructions, and balanced collocational representation to achieve linguistic equity. Findings contribute methodological insights for analyzing corporate gender discourse in extractive industries. Keywords: CSR discourse, gender representation, critical discourse analysis, mining industry, linguistic asymmetry
The Hero's Journey of Evelyn Wang in Everything Everywhere All at Once (2022) Film Jesika Jesika; Eka Pratiwi Sudirman
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 10, No 2 (2026): April 2026
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v10i2.22107

Abstract

This research focuses on finding out the hero’s journey of the main character, Evelyn Wang, seen in Everything Everywhere All at Once (2022) film. This research used Christopher Vogler’s hero’s journey theory to find out how Wang passed all the hero’s journey stages to finally become a hero. Qualitative method and structuralism approach were used in this research. The data taken in this research is in the form of words, phrases, sentences, dialogues, images, and actions which are seen throughout the film that indicate the hero’s journey of Wang. The result of this research reveals that Wang went through all 12 stages of the hero’s journey by Vogler and her journey is most likely unique. Unlike typical heroes that conquer their enemies through destruction, Wang’s journey focuses on self-acceptance, love, and finding meaning in an overwhelming world. By embracing her chaotic life experience, she becomes a hero not through physical strength, but through understanding and human connection. This is represented through her transformation from a stressed and overwhelmed woman who constantly fear to face her problems, to a courageous individual who embraces her difficulties with acceptance and understanding, illustrating her growth into a true hero.
Expressive Speech Acts Analysis of Jesse In El Camino: A Breaking Bad Movie 2019 Acmad Zafir Al Chairi; Ririn Setyowati
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 10, No 2 (2026): April 2026
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v10i2.20192

Abstract

This study aims to find how the types and functions of expressive speech acts contained in Jesse's speech in the film El Camino: A Breaking Bad Movie affect Jesse's utterances in the film. This research used the descriptive qualitative method because the data came from utterances in the form of characters' conversational words in the film. Based on the analysis, the researcher identified six types of expressive speech acts out of nine examined. These types include thanking, apologizing, deploring, complimenting, complaining, and welcoming. Additionally, the researcher discovered eight functions of expressive speech acts from the ten examined. These functions are showing gratitude, appreciation, regret, heartfelt emotion, praise, empathy, dissatisfaction, and acceptance. In this study, each type of expressive speech act is connected to a specific function, emphasizing the importance of that function in expressing the speaker's intention. Therefore, some data in this study may reflect more than one function, as the speaker intends to convey a message that serves multiple purposes, as each utterance can carry meanings beyond their literal interpretation. The results of the analysis show that the expressive utterances used by the character affect the character's actions towards the situation and affect the meaning of the character purposes.
Normalizing Illegality: Multimodal Manipulation in Indonesian Online Gambling Advertisements Mochammad Rizki Juanda; Kurniawan Suryatama
Ilmu Budaya: Jurnal Bahasa, Sastra, Seni, dan Budaya Vol 10, No 2 (2026): April 2026
Publisher : Fakultas Ilmu Budaya Universitas Mulawarman

Show Abstract | Download Original | Original Source | Check in Google Scholar | DOI: 10.30872/jbssb.v10i2.26636

Abstract

Online gambling in Indonesia remains a widespread yet illegal activity, with promotional strategies evolving to evade detection and legal sanctions. This study investigates the persuasive and deceptive techniques used in online gambling advertisements by analyzing both textual and visual elements through the framework of Systemic Functional Linguistics (SFL). The dataset consists of 34 headline-style advertisements accompanied by images, all extracted from news feed platforms. The findings reveal a notable shift from traditional promotional formats—often featuring authoritative figures—to the use of ordinary individuals such as students, food vendors, and local workers. This transition reflects a socio-economic targeting strategy, aimed particularly at middle- to low-income groups who may be more vulnerable to gambling appeals. The visual and linguistic construction of sudden wealth, casual success, and relatable personas serves to normalize gambling behavior and obscure its illegality. These patterns suggest a deliberate effort to embed gambling discourse within everyday contexts, enhancing its persuasive power. The study recommends increased public awareness campaigns, improved digital literacy education, and stronger regulatory oversight to help identify and counteract these multimodal tactics in online gambling promotion.

Page 63 of 65 | Total Record : 642

 61   62   63   64   65 

Filter by Year

2017 2026


Reset
Filter By Issues
All Issue Vol 10, No 3 (2026): Juli 2026 Vol 10, No 2 (2026): April 2026 Vol 10, No 1 (2026): Januari 2026 Vol 9, No 4 (2025): Oktober 2025 Vol 9, No 3 (2025): Juli 2025 Vol 9, No 2 (2025): April 2025 Vol 9, No 1 (2025): Januari 2025 Vol 9 (2025): Special Issue "SESANTI 2025" Vol 8, No 4 (2024): Oktober 2024 Vol 8, No 3 (2024): Juli 2024 Vol 8, No 2 (2024): April 2024 Vol 8, No 1 (2024): Januari 2024 Vol 7, No 2 (2023): Vol 7, No 2 (2023): April 2023 Vol 7, No 4 (2023): Oktober 2023 Vol 7, No 3 (2023): Juli 2023 Vol 7, No 1 (2023): Januari 2023 Vol 6, No 4 (2022): Oktober 2022 Vol 6, No 3 (2022): Juli 2022 Vol 6, No 2 (2022): April 2022 Vol 6, No 1 (2022): Januari 2022 Vol 5, No 4 (2021): Oktober 2021 Vol 5, No 3 (2021): Juli 2021 Vol 5, No 2 (2021): April 2021 Vol 5, No 1 (2021): Januari 2021 Vol 4, No 4 (2020): Oktober 2020 Vol 4, No 3 (2020): Juli 2020 Vol 4, No 2 (2020): April 2020 Vol 4, No 1 (2020): Januari 2020 Vol 3, No 4 (2019): Oktober 2019 Vol 3, No 3 (2019): Juli 2019 Vol 3, No 2 (2019): April 2019 Vol 3, No 1 (2019): Januari 2019 Vol 2, No 4 (2018): Oktober 2018 Vol 2, No 3 (2018): Edisi Juli 2018 Vol 2, No 2 (2018): Edisi April 2018 Vol 2, No 1 (2018): Edisi Januari 2018 Vol 1, No 4 (2017): Edisi Oktober 2017 Vol 1, No 3 (2017): Edisi Juli 2017 Vol 1, No 2 (2017): Edisi April 2017 Vol 1, No 1 (2017): Edisi Januari 2017 More Issue